Comedian and singer-songwriter Ian Lockwood will release his second EP, Not Like Other Girls, on October 22. The title track, also the lead single, pokes fun at the “I’m not like other girls” phenomenon, which depicts young women acting excessively quirky or unique in order to set themselves apart from the rest of their gender, often for male attention or due to internalized misogyny. Famous examples include P!nk and Avril Lavigne’s mid-2000s output, as well as the majority of love interests in John Green novels. The meme has entire Reddit subs dedicated to it, and now a pop anthem:
https://www.youtube.com/watch?v=RaiRqv3jD7s
Lockwood follows a long tradition of comedians crossing over into musical territory, including “Weird” Al Yankovic, Flight of the Conchords, and most recently, Bo Burnham. However, he has bigger aspirations than novelty fodder. In September, he told PASTE Magazine of his goal to challenge the notion of comedy songs as dance floor clearers.
I want people to be able to throw [my music] on at a party and not everybody goes, ‘What the hell is this? Turn this off, next.’ I think if you’re a fan of comedy music, and you’ve ever hosted a party and tried to sneak a comedy song onto a playlist, you know the pain of people getting upset and asking to change the song. So the philosophy is good comedy and good music at the same time.
Ian Lockwood to PASTE Magazine, September 2021
Lockwood released the EP’s second single, “No Homo,” on October 1. Lyrically, the song is about two straight “bros” who accidentally-on-purpose keep finding themselves in steamy predicaments. To add insult to injury, it’s backed by a flamboyant nu-disco beat that makes it hard to believe the narrator’s insistence that everything is straight and narrow. The second half of the song goes on an entertaining tangent, where the narrator and his subject time-travel to the 1800s as star-crossed besties.
On October 22, Ian Lockwood is having a release show for Not Like Other Girls at Union Hall in Brooklyn. Listeners can also expect third single “Your Dad” to drop on the same day.
The Brooklyn Mirage played host to the 2021 Brooklyn Comes Alive on Sunday, September 26th. The massive outdoor complex was the perfect venue for such an occasion.
Break Science: Live Band
The day started off with a quick introduction from none other than Sirius XM’s Ari Fink, getting right into a set from Karina Rykman. The trio started the day off strong, with Karina’s heavy bass lines pumping up the growing crowd. Marlo Shankweiler of Melt came out for a couple songs, not surprisingly as she was a part of Karina’s band during quarantine. After her set, Karina dove into her role as DJ in between sets for the remainder of the evening.
Karina Rykman Band
Brooklyn Comes Alive at Brooklyn Mirage would not be the same without a set of full improvisation from a super group of incredible musicians. Joe Russo, John Medeski, and Dave Harrington combined for an incredibly eclectic and outlandish set. Russo was pulling out every conceivable instrument to rattle, bang, and drum along to Medeski’s organ while Harrington switched back and forth between bass and guitar.
Medeski/Russo/Harrington Trio
Denver, CO was presented well this night with two heavy-hitters taking the stage. First was Break Science: Live Band. Most of Lettuce usually rounds out the “Live” portion of this group, but this time around they changed it up. Eric “Benny” Bloom was in attendance, with Chris Karns and Hunter Roberts making up the rest of the band. Karns and Roberts brought a wonderfully jazzy change of pace, letting Borham Lee and Adam Deitch just groove along and keep things flowing.
Break Science: Live Band
Second up from the Mile High city was funk-masters, The Motet. Special guests Shira Elias (Turkuaz), Jeremy Schon (Pigeons Playing Ping Pong), and Benny Bloom were more than welcome on stage as the band put on a mostly instrumental set, as Lyle is no longer with them. Shira more than made up for the vocals, coming out for “Highly Compatible” and “The Beat Goes On,” with everyone coming back out for “Death and Devotion and last, but not least, “Get it Right.”
The Motet
After having both shows in New Haven canceled, fans of the Disco Biscuits knew they were in for a treat. Ari Fink once again introduced the Philly jamtronica pioneers who kicked off their set with “Helicopters” -> “Running Into the Night.” The bass line of Blondie’s “Rapture” rose from “Running,” and the band invited Shira Elias back to the stage to add vocals to “Rapture,” marking the first time the group has gone beyond an instrumental version of the 1980 new wave song, with “42” closing the set.
Set 2 started strong with the rare-these-days “Pilin’ it Higher” that took a jam spin before slowly morphing into “I-Man,” which led into the fresh Biscuits tune “M1,” highlighted by Aron Magner’s synth work that played off Jon “The Barber” Gutwillig’s masterful guitar playing. “M1” found its way back to “I-Man” then headed into more new territory with “Evolve,” which continues to evoke some of the most enthusiastic interaction between crowd and fans, giving off a ’90s club vibe in the process. To close the set, the Disco Biscuits moved back into the end of “Helicopters,” closing out an incredible day of music at Brooklyn Comes Alive at Brooklyn Mirage.
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Electro-funk maestro Griz made his way to The Brooklyn Mirage on Wednesday night, September 22, for the first of two shows dubbed “in the round and phone free.” A small stage was set up in the middle of the Mirage’s courtyard, just barely big enough to house Griz’s performance platform and a host of guest singers and musicians throughout the show. The simplified staging gave the fans in attendance a much more intimate experience than is typical in the venue for most layouts.
Griz at The Brooklyn Mirage, 9/22/21. Photo by Buscar Photo
Upon arrival, all attendees were given a Yondr pouch – a magnetically sealed pouch that secures your phone while remaining in your possession. The idea behind them is to force people to disconnect from their phones and outside lives for a few hours while enjoying the show, while at the same time eliminating the view of dozens of video-taking cell phones typically seen above a concert crowd. The pouches are a great concept and they are really effective at promoting a positive concert environment. Aside from no longer having access to the current time, I did not miss access to my phone one bit.
Griz “In The Round” at The Brooklyn Mirage, 9/22/21. Photo by Buscar Photo
The Brooklyn Mirage is one of several venues within the vast Avant Gardner complex. The venue has become one of the premier performance spaces in the city over the last few years, hosting some of the biggest names in electronic music all year long. Shows at The Mirage can feel overwhelming at times; the GA floor is quite expansive and there is an entirely separate space that exists along the walls that surround the courtyard with bars and lounges hidden throughout.
However, the cavernous feeling within the venue was vastly mitigated by the production for this show. A small rectangular area less than 20 feet in length was fenced off in the middle of the floor that housed Griz’s DJ tables and a small stage. Fans along the rail of the stage were no more than ten feet from Griz, and even if you were further away from the center, you still felt immersed in the action given the concentration right in the middle of the floor. This level of intimacy is rarely experienced in The Mirage.
Griz at The Brooklyn Mirage, 9/22/21. Photo by Buscar Photo
Griz blends hard hitting dubstep beats with a live, funky saxophone for a style of music uniquely his own. The electro-funk DJ added to his catalog this past June with the excellent new album Rainbow Brain. Night two of the Brooklyn Mirage shows is tonight, September 23, but due to the strong rain and wind expected, the “in the round” set-up was abandoned for a more protected set-up on the main stage of the venue. The show is still a phone free night, but it is a shame that the crowd for night two will miss out on the incredible intimacy of the night before. After tonight, Griz heads to Ohio for a set at the Lost Lands Music Festival before a b2b performance with Zed’s Dead in Arizona – catch the full run of shows HERE.
BRIC has announced its annual JazzFest for the Fall of 2021, one that will be in person this year. The festival lineup features big names like Nick Hakim, Adi Meyerson, And Adam O’Farrill and will take place October 21-23, 2021 at the BRIC House located in Brooklyn.
BRIC is an arts and media institution anchored in Brooklyn which focuses on contemporary visual and performing arts, media, and civic action. BRIC’s JazzFest is one of the institution’s premiere performing arts programs. The festivities last for three days and feature Jazz music which focuses on legendary figures, groundbreaking artists and newcomers from across the genre.
photo by Joseph Buscarello
BRIC JazzFest 2020 ended up being rescheduled for spring 2021 and was made an online, virtual-only event due to COVID-19. BRIC JazzFest 2021 though will be in person. The festival will require proof of vaccination or negative COVID test within 72 hours in order to attend.
The lineup includes Cecile McLorin Salvant, SuperBlue: Kurt Elling featuring Charlie Hunter, Yasser Tejeda, and Adam O’Farrill Stranger Day on Thursday, October 21. Sun Ra Arkestra, Thana Alexa & ONA, Roy Nathanson & Nick Hakim, and Adi Meyerson on Friday, October 22. Madison McFerrin, L’Rain, ç’est tois (branch/stewart/holmes), and Fred Wesley & The New JBs on Saturday, October 23.
“During these uncertain times, I couldn’t be more thrilled that we’re able to bring our communities safely together through the healing power of music,” said Lia Camille Crocket, Director of Performing Arts at BRIC. “In the spirit of Jazz music and improvisation, we’re going to have a few surprises for our BRIC family this year throughout the Festival weekend. We can’t wait to safely welcome you back to BRIC House — we’ve missed you!”
For more information and to purchase tickets to BRIC JazzFest 2021 visit their website.
PEAK, the Brooklyn-based quartet release their second single, “Starlight Child,” off their forthcoming full length album Choppy Water, due for release on October 14. Recorded throughout 2020 and 2021 at their studio, the material is culled from several years of songwriting and road-testing, with mixing and mastering by Jason “Jocko” Randall (Turkuaz/ Jimkata/ Dopapod) at Moresound Studios in Syracuse.
PEAK consists of songwriter and guitarist Jeremy Hilliard of Turbine, Kito Bovenshulte (Particle) on drums, Josh T. Carter (Haley Jane and The Primates) on bass, and newcomer Johnny Young, a Brooklyn-based-keyboardist, blind since the age of 17. In 2018 they released their debut album Electric Bouquet, produced by Dave Brandwein of Turkuaz, and the buzz is escalating. Self-described as Psychedelic Indie Funk, the songs on the album are vibey and lyric-based, and the live show is groove-oriented and exploratory.
Choppy Water is chock full of groove-based psychedelic rock, with plenty of funk, electro-pop, prog, and Americana. The deep, polished grooves from the bass and drums complement guitar and keys solos that wail with searing intensity. Hilliard’s songwriting takes the stage with a unique voice that captures a bizarre chapter in the world with a fresh distinct PEAK voice and defined sound.
‘”Starlight Child” kicks off side 2 on the vinyl, and we picked it as the second single because it really captures the vibe and mood of the whole album as well as any song on it. I particularly like the way there are a lot of instruments on the track that all have their place in the mix. Even though there’s a lot going on, you can hear the subtleties of the piano, the percussion, and the acoustic guitar. Also, this was the very first guitar solo I tracked in our new studio, so I was pretty amped.”
Jeremy Hilliard
“Starlight Child” stands out as one of the catchiest PEAK tracks on Choppy Water. Out of the gate, Young’s keys set the tone, jumping out with a catchy riff that graduates to the organ heading into first stanza. A hint of Crosby, Stills & Nash can be heard in the lyrics “Starlight Child, you were born in summer, you’re the same as I am, we were made to wander, we can stay and dance a while, the night will soon be over,” followed by a blistering guitar solo from Hilliard. The pace from Bovenshulte on the drums gives the track full-bodied character, not a second wasted on the 5:11 track.
PEAK will hold an album release show on October 22 at Knitting Factory in Brooklyn, and currently have a Kickstarter Presale for Choppy Water that ends on Sept 23.
In March of 2020, Brooklyn Comes Alive was set to be a masterpiece at the new Avant Gardner in, you guessed it, Brooklyn. Just days before the event would take place the governor put New York in lockdown due to COVID-19. It was one of the first events cancelled due to the pandemic, but it would not be the last.
Multiple online off-shoots of the event have sprung up over the last year and a half. Justice Comes Alive and Georgia Comes Alive, for example, were highly successful online festivals, meant as a way to spread the word about, and fight injustice and bring our country closer to salvation. After a year and half away, the “6th” inaugural Brooklyn Comes Alive will take place at the Brooklyn Mirage, the massive outdoor venue of Avant Gardner on Sunday, September 26th, 2021.
The lineup includes two sets of The Disco Biscuits who, coming off a cancelled weekend in New Haven, will have plenty up their sleeve for the event. The night is rounded off by sets from Karina Rykman, Break Science: Live Band, The Motet, and a trio made up of Joe Russo, John Medeski, and Dave Harrington. It wouldn’t be Brooklyn Comes Alive without at least one super-group. The night will also be hosted by none other than Sirius Jam On’s, Ari Fink.
Instead of the normal event with multiple stages and venues, this year they decided to keep it simple and safe. The outdoor venue will provide ample room and fresh air for fans, with the King’s Hall being open as well for bathrooms, full bar, and a place to relax in between sets. This will also ensure fans don’t miss a second of music.
Tickets for Brooklyn Comes Alive 2021 are available here.
Update – September 17, 2021: Elton John is postponing his 2021 European dates on his world tour until 2023 so that he can have an operation on an injured hip. Elton John said of the injury and postponement:
Despite intensive physio and specialist treatment, the pain has continued to get worse and is leading to increasing difficulties moving. I have been advised to have an operation as soon as possible to get me back to full fitness and make sure there are no long-term complications.
With great sadness and a heavy heart that I am forced to reschedule the 2021 dates of my Farewell Yellow Brick Road tour in Europe and the UK to 2023.
Elton John
Elton has promised fans that “the shows will return to the road next year and I will make sure they are more than worth the wait.”
REcently, Lil Nas X and Elton John have teamed up for “One of Me,” the pair’s first collaboration, appearing Lil Nas X’s debut album, Montero, which released on Friday, September 17.
Original article follows below
The final dates for Elton John’s “Farewell Yellow Brick Road” tour have been announced. This final tour for Elton John will take him around Europe, America and New Zealand, with dates into 2023.
Elton John released a statement regarding his new tour dates, and the return to his ‘final’ tour:
Hello, all you wonderful fans out there. I’m coming to you today with an announcement I’ve been working towards for, well, all my life: the shows that I announce today will be my final tour dates ever in North America and Europe. I’m going to go out in the biggest possible way, performing at my very best, with the most spectacular production I’ve ever had, playing in places that have meant so much to me throughout my career.
Elton John
photo by JTGPhoto
Elton John made his way through New York in February 2019 with a stop at the Times Union Center. Check out photos and our review of the evening for a taste of what’s in store when The Rocket Man returns to the road.
Elton John ‘Farewell Yellow Brick Road” World Tour
2021 (European dates postponed until 2023)
Sept. 01 – Berlin, DE – Mercedes Benz Arena Sept. 03 – Berlin, DE – Mercedes Benz Arena Sept. 04 – Berlin, DE 2 Mercedes Benz Arena Sept. 07 – Cologne, DE – Lanxness Arena Sept. 08 – Cologne, DE – Lanxness Arena Sept. 11 – Hamburg, DE – Barclaycard Arena Sept. 12 – Hamburg, DE – Barclaycard Arena Sept. 14 – Hamburg, DE – Barclaycard Arena Sept. 17 – Stockholm, SE – Tele2 Arena Sept. 18 – Stockholm, SE – Tele2 Arena Sept. 21 – Helsinki, FI – Hartwell Arena Sept. 22 – Helsinki, FI – Hartwell Arena Sept. 25 – Oslo, NO – Telenor Arena Sept. 26 – Oslo, NO – Telenor Arena Sept. 30 – Cologne, DE – Lanxness Arena Oct. 05 – Zurich, CH – Hallenstadion Oct. 06 – Zurich, CH – Hallenstadion Oct. 10 – Paris, FR – Accor Hotels Arena Oct. 12 – Paris, FR – Accor Hotels Arena Oct. 13 – Paris, FR – Accor Hotels Arena Oct. 16 – Antwerp, BE – Sportpaleis Oct. 17 – Antwerp, BE – Sportpaleis Oct. 22 – Barcelona, ES – Palau Sant Jordi Oct. 23 – Barcelona, ES – Palau Sant Joride Oct. 30 – Manchester, UK – Manchester Arena Nov. 02 – London, UK – O2 Arena Nov. 03 – London, UK – O2 Arena Nov. 05 – Leeds, UK – First Direct Arena Nov. 07 – London, UK – O2 Arena Nov. 09 – London, UK – O2 Arena Nov. 10 – London, UK – O2 Arena Nov. 12 – London, UK – O2 Arena Nov. 14 – London, UK – O2 Arena Nov. 16 – London, UK – O2 Arena Nov. 17 – London, UK – O2 Arena Nov. 19 – Manchester, UK – Arena Nov. 21 – Birmingham, UK – Resorts World Arena Nov. 23 – Birmingham, UK – Utilita Arena Nov. 24 – Birmingham, UK – Utilita Arena Nov. 27 – Liverpool, UK – M&S Bank Arena Nov. 28 – Liverpool, UK – M&S Bank Arena Dec. 01 – Manchester, UK – Manchester Arena Dec. 03 – Dublin, UK – 3Arena Dec. 04 – Dublin, UK – 3Arena Dec. 06 – Belfast, UK – SSE Arena Belfast Dec. 09 – Aberdeen, UK – P&J Live Dec. 10 – Aberdeen, UK – P&J Live Dec. 13 – Glasgow, UK – SSE Hydro Dec. 14 – Glasgow, UK – SSE Hydro
2022
Jan. 19 – New Orleans, LA – Smoothie King Center Jan. 21 – Houston, TX – Toyota Center Jan. 22 – Houston, TX – Toyota Center Jan. 25 – Dallas, TX – American Airlines Center Jan. 26 – Dallas, TX – American Airlines Center Jan. 29 – N. Little Rock, AR – Simmons Bank Arena Jan. 30 – Oklahoma City, OK – Chesapeake Energy Arena Feb. 01 – Kansas City, MO – T-Mobile Center Feb. 04 – Chicago, IL – United Center Feb. 05 – Chicago, IL – United Center Feb. 08 – Detroit, MI – Little Caesars Arena Feb. 09 – Detroit, MI – Little Caesars Arena Feb. 14 – Toronto, ON – Scotiabank Arena Feb. 15 – Toronto, ON – Scotiabank Arena Feb. 18 – Montreal, QC – Bell Centre Feb. 19 – Montreal, QC – Bell Centre Feb. 22 – New York, NY – Madison Square Garden Feb. 23 – New York, NY – Madison Square Garden Feb. 25 – Newark, NJ – Prudential Center March 01 – Brooklyn, NY – Barclays Center March 02 – Brooklyn, NY – Barclays Center March 05 – Long Island, NY – Nassau Coliseum March 06 – Long Island, NY – Nassau Coliseum March 19 – Fargo, ND – FARGODOME March 22 – St. Paul, MN – Xcel Energy Center March 23 – St. Paul, MN – Xcel Energy Center March 26 – Des Moines, IA – Wells Fargo Center March 27 – Lincoln, NE – Pinnacle Bank Arena March 30 – St. Louis, MO – Enterprise Center April 01 – Indianapolis, IN – Bankers Life Fieldhouse April 02 – Milwaukee, WI – Fiserv Forum April 05 – Grand Rapids, MI – Van Andel Arena April 08 – Knoxville, TN – Thompson-Boling Arena April 09 – Lexington, KY – Rupp Arena April 12 – Columbus, OH – Schottenstein Center April 13 – Hershey, PA – Giant Center April 16 – Louisville, KY – KFC Yum! Center April 19 – Greensboro, NC – Greensboro Coliseum April 20 – Columbia, SC – Colonial Life Arena April 23 – Jacksonville, FL – Vystar Veterans Memorial Arena April 24 – Tampa, FL – Amalie Arena April 27 – Orlando, FL – Amway Arena April 28 – Miami, FL – American Airlines Arena May 22 – Frankfurt, DE – Deutsche Bank Park May 29 – Leipzig, DE – Red Bull Arena June 04 – Milan, IT – San Siro Stadium June 07 – Horsens, DK – CASA Arena Horsens June 09 – Arnhem, NL – GelreDome June 11 – Paris, FR – La Defense Arena June 15 – Norwich, UK – Carrow Road June 17 – Liverpool, UK – Anfield June 19 – Sunderland, UK – Stadium of Light June 22 – Bristol, UK – Ashton Gate Stadium June 29 – Swansea, UK – Liberty Stadium July 15 – Philadelphia, PA – Citizens Bank Park July 18 – Detroit, MI – Comerica Park July 23 – East Rutherford, NJ – MetLife Stadium July 28 – Foxboro, MA – Gillette Stadium July 30 – Cleveland, OH – Progressive Field Aug. 5 – Chicago, IL – Soldier Field Sept. 7 – Toronto, ON – Rogers Centre Sept. 10 – Syracuse, NY – Carrier Dome Sept. 16 – Pittsburgh, PA – PNC Park Sept. 18 – Charlotte, NC – Bank of America Stadium Sept. 22 – Atlanta, GA – Mercedes-Benz Stadium Sept. 24 – Washington, DC – Nationals Park Sept. 30 – Arlington, TX – Globe Life Field Oct. 2 – Nashville, TN – Nissan Stadium Oct. 21 – Vancouver, BC – BC Place Oct. 29 – San Antonio, TX – Alamodome Nov. 4 – Houston, TX – Minute Maid Park Nov. 12 – Phoenix, AZ – Chase Field Nov. 19 – Los Angeles, CA – Dodgers Stadium Nov. 20 – Los Angeles, CA – Dodgers Stadium
Algiers made their way to Saint Vitus Bar in Greenpoint, Brooklyn on Tuesday for the fourth stop (and first of two nights at the bar) on their renewed 2021 tour. The pandemic forced the band to cancel the 2020 tour in support of their new album at the time There Is No Year. The ongoing threat of COVID is still omnipresent in all of our lives, especially for drummer Matt Tong who elected to sit the tour out to protect his newborn baby. Dante Foley, the drummer from the opening band was filling in behind the kit.
Algiers at Saint Vitus Bar, 9/14/21. Photo by Buscar Photo
Support for the night came from Cleveland’s Mourning [A] BLKstar, an eight-piece band described as “a multi-generational, gender and genre non-conforming amalgam of Black Culture dedicated to servicing the stories and songs of the apocalyptic diaspora.” The stage at Saint Vitus was a tad small for the big group, keeping band leader RA Washington on the floor within the crowd who routinely danced and mingled with the people throughout the set. The performance featured a trio of vocalists backed by soaring horns and driving electronic R&B and funk elements not to be missed.
Mourning [A] BLKstar at Saint Vitus, 9/14/21. Photo by Buscar Photo
Saint Vitus is a very intimate setting; a square room off the back of a classic NYC metal bar with ~200 person capacity. The PA could serve a room 4 times the size and fans get an up close and personal experience. Algiers plugged in for a sound check pre show, to test it out to see how all their samples and distortion would sound in the small room. Once filled with fans and friends, the energy was overwhelming, especially as Franklin James Fisher jumped in and out of the crowd while singing.
Algiers at Saint Vitus Bar, 9/14/21. Photo by Buscar Photo
The members of Mourning [A] BLKstar as well as Algiers both made comments during the show about all being a part of a family. Two vocalists from MAB joined Algiers during “Dispossession,” and as Algiers was finishing off the night with a high energy run through of “Death March,” candles were being lit on a cake to celebrate Fisher’s 40th birthday. Both bands had many friends and family in attendance, and the atmosphere in Saint Vitus was pure celebration.
Algiers at Saint Vitus Bar, 9/14/21. Photo by Buscar Photo
Night two in Brooklyn was Wednesday, September 15th. The tour runs across the US through October, then goes on break until a European leg throughout May 2022. Franklin teased that a new record is written so stay tuned for new music from the group in the near future.
Jason Matu releases his first single “Fare Thee Well” today, September 17th, from his upcoming EP set for release October 15th.
Matu, a songwriter from Brooklyn creates music he describes as simple, immediate songs with a literary bent and expansive soundscapes. When told not to pursue music until he has completed college, Matu went ahead and enrolled into law school.
The indie artist’s new single displays an uplifting tone in a grim year plagued by the pandemic. “Fare Thee Well,” the first single from Jason Matu’s upcoming Same Day EP, is an Americana piece which paints a portrait of an overcoming feeling of perseverance and triumph.
Matu’s upcoming EP was written all in one day’s time and recorded by frequent collaborator and Grammy-nominated producer Justin Craig, responsible for Hedwig and The Angry Inch. Joining him are base and guitarists Jordan and Talor Steinberg of The Moon City Masters.
Eventually, Jason Matu rediscovered his musical purpose after insulating himself as a creative force in a short-lived arena rock band, and shifted priorities. he moved to Brooklyn. With a series of tragic medical emergencies, deaths, and global pandemics in the way, Jason was literally (and figuratively) forced underground. In his isolated apartment Jason found himself writing song after song.
With no one else to sing his compositions, Jason took it upon himself be the vocalist. Somewhere in the cracks between 5,000 discarded lines of song, Jason found his voice. Jason made his debut album Dumb Ecstatic Bliss, which rose to #115 on the college radio charts. Working on his neon Americana follow-up, the Same Day EP, titled cleverly due to the fact that all three songs were written on the same day during the pandemic.
Just as cargo shorts, hair dye and flannel are making a comeback in the ’20s, a classic jam band from the ’90s is also making a triumphant return. The Slip, having just reunited at LOCKN’ in August, will hit the road for six shows this November, with three shows in New York.
https://www.youtube.com/watch?v=fMRHbayESZQ
The Slip – drummer Andrew Barr, guitarist Brad Barr and bassist Marc Friedman – had released eight albums over 10 years, starting in 1997, and while they have reunited here and there over the years, this run of shows marks their first tour in more than a decade.
After starting the tour in Burlington at Higher Ground, they’ll make two more stops in New England at Fete Music Hall and The Sinclair before heading to Brooklyn Bowl for two nights, followed by an intimate performance at Levon Helm Studios in Woodstock. Tickets go on sale this Friday, September 17 at 10 a.m. ET at each venue’s website below.
