Category: Hudson Valley

Summerland Tour 2021 feat. Everclear, Living Colour, Hoobastank, stops at Orange County Fair Speedway
With COVID-19 restrictions abating and live music emerging from the shadows, Summerland Tour 2021 is out in full force. It’s a rock ’n roll road show merging alternative acts in a festival atmosphere. The annual tour, conceived in 2012 by Art Alexakis, front man for Everclear, varies the lineup year to year.

Everclear

The Summerland Tour 2021 assemblage consists of Living Colour, Hoobastank & Wheatus and headliners Everclear. Prior to this year’s excursion, Alexakis shared, “After personally fighting Covid—19 for two months and managing the lingering symptoms, I’m so grateful that the numbers are going down, the vaccines are going up, and that we’re getting the chance to tour the U.S. again. I couldn’t be more proud of this year’s lineup of legendary alternative bands.”

Wickham Falls

Opening at the Orange County Fair Speedway stop was Wickham Falls. A local Warwick N.Y. four-piece who shared songs from their debut album To Pluto. With the night’s appetizer served, Alexakis came out, welcomed everyone, and shared praise for the acts on this year’s tour.

Art Alexakis, Everclear

Stepping into Summerland 2021, Wheatus took over. Opening with “Break it Don’t Buy It,” the band flowed through a seven-song set this night. Featured was an AC/DC cover ( “Rock ‘n Roll Damnation”), and they closed with the HBO, Netflix and film -featured tune “Teenage Dirtbag.”

Wheatus

As the day transitioned from afternoon into evening, a storm started looming on the horizon. With no regard for the inevitable, Hoobastank kept things moving, performing tunes from their Hoobastank, The Reason, and Every Nan for Himself albums.

Hoobastank

Three acts in, the musical heat was being turned up. But the dark clouds in the west had other plans. As Corey Glover, Vernon Reid, Will Calhoun, and Doug Wimbish were stepping on stage, it started to rain. Without hesitation, the band tore into “Type.” Nature, not to be outdone, then engulfed the speedway in a deluge. As if meteorologically energized, Living Colour didn’t look back and played through, finishing up with “Cult of Personality.” Having left it all out there, both the band and the storm exited the stage.

Living Colour

The house quickly jumped into action to pump out, dry off and prep for headliner Everclear. With the band and crew plugging in for the start of their set, Alexakis took center stage and called out everyone: the audience, crews and house support teams, for their stoicism during the torrent of rain and shared how great it was to be playing out once again. Starting with the apropos “Summerland,” Everclear took the slightly waterlogged but enthusiastic crowd through a thirteen-song set that included “Heroin Girl” and “Father of Mine.”

Summerland Tour 2021 is scheduled through September. So if you can’t get to a festival this year, no worries, let the festival come to you.

Everclear
Living Colour
Hoobastank
Wheatus
Wickham Falls
July 15, 2021
First River Festival Coming To Peekskill This October

The inaugural First River Festival will bring big name indie talent to the Hudson Valley this October.

The two-day music festival will take place on Saturday and Sunday, October 9-10, 2021, in downtown Peekskill, NY at the Paramount Theater. Its aim is to build a new music experience in the Lower Hudson Valley.

Headliners include Parquet Courts, Guided by Voices and Waxahatchee. The festival’s lineup blends these headlining indie rock stars alongside smaller acts and rising artists with flares of folk, pop, electronica, Americana and even post-punk.

Unlike a traditional festival, the headliners’ sets are long–90 minutes each–to ensure the audience gets their fill. For a taste of folksiness, audiences can enjoy a performance by New York alt-folk legends, The Felice Brothers, complete with plenty of accordion and gritty vocals. First River Festival will also bring some good old fashioned rock and roll with North Carolina-turned New York Catskills band The Nude Party, Chicago alt-rock trio Dehd and Nashville/Brooklyn’s Liz Cooper.

Brooklyn favorites Small Black are set to play favorites from their new, critically acclaimed album Cheap Dreams, while California-based rising star Jelani Aryeh will share his dreamy, sunny blend of pop, rock, and indie. To round out the lineup, Nashville newcomer Katy Kirby will join the stage and showcase her light, airy vocals.

Live Goods Music and G4D Productions have joined forces to produce the festival, which they hope places Peekskill on the map as a premiere destination for live music and entertainment. First River’s audience numbers will be kept small to help the festival feel intimate.

“We wanted to see what would happen if we brought a bunch of bigger-name, indie bands to Peekskill. We think the region is ready for it, and that this festival will be the ideal stepping-stone back into life as we knew it.”
Liz Goodyear, First River’s Executive Producer

Peekskill, located just one hour north of New York City in Westchester County, boasts a historic arts community which has continued to thrive. There is also plenty of great food and beer to be enjoyed at local restaurants near the Paramount throughout the festival.

Presale tickets go on sale July 8 at 10AM with code “LITTLEPEEK”. Check out First River Festival’s website for more information.

July 8, 2021
Esquela Releases Fully Remote Produced New Album “A Sign From God”

Based in Bovina, NY, Esquela released their fifth studio album A Sign From God on June 25th. The album features 10 tracks, produced by Eric “Roscoe” Ambel, and was recorded entirely remotely throughout the COVID-19 pandemic which prevented members from getting together to record during the Spring and Summer of 2020.

Esquela, via bandsintown.com

Over the course of several months, Finn wrote all the songs on the record, except the final track, “Wait For Me” which utilized a poem by Konstantin Simonov and was arranged musically by Becca Frame and Brian Shafer. He then sent bits of songs to Roscoe, involving Keith Christopher on bass, Brian Shafer on guitar, Becca Frame on vocals and Matt Woodin on guitars and mandolin, and Mike Ricciardi on drums with the audio engineering accompaniment of Jeff Stachyra. Their individual parts were woven together by their brilliant engineer, spinning a 70’s style overdub in a completely remote 2020 world.

Once the reality of COVID 19 hit us, nobody knew what was going to happen and for how long our normal routines would be disrupted. Since I was homebound for the duration – I decided that I should get my home recording studio up and running again. After weeks of technical frustration– I was finally able to get my home setup cobbled together with a Universal Audio Apollo interface and my MacBook, using Protools recording software.
Bandleader John “Chico” Finn

Amidst a race war and global pandemic, the album captures the cultural conversation surrounding the time, including addressing sensitive topics that unfolded during the year like racism, sexual assault and climate change. The first track on the album, which premiered ahead of the others, addresses climate change and humanity’s impact on Earth. “Not In My Backyard” was inspired by a conversation that transpired between Finn and a friend about fracking in West Virginia. Between the rhythmic guitar riffs and pulsing drum beat, a larger message lies at the core of the song.

The bottom line is that energy is cheap right now…in order for the climate to improve will mean people will have to pay more for their energy source, and I am afraid it won’t happen anytime soon, sad to say.
John “Chico” Finn

Premiering as Esquela’s first album since 2017, the band chose to tackle pressing issues about the world, spreading a message while telling a narrative throughout each song. The last song, “Wait For Me,” has a more stripped sonic atmosphere with soft acoustic guitar and less processed vocals. The song tells the story of Konstantin Simonov and a poem he wrote as a homesick Russian soldier during World War II. Esquela uses the poem as a vessel to acknowledge racism in the deep South, much like the French village of Oradour Sur Glane destroyed by Nazis within the poem.

With Esquela, challenge brings creativity. The album is a true testament that challenge breeds creativity amidst the pandemic. Even prevented from taking a band photo all together for the cover art, they crafted a creative solution to replicate images of them in a fun illustration pictured below. While COVID-19 forced the members to send over the tracks individually, the cohesiveness of these tracks expands beyond Roscoe’s phenomenal work as a producer. These songs tell a narrative about what we need to change as a society in 2020 (and now, its roots have spread into 2021).

The album is now available on Bandcamp or Spotify, with a music video for “Not In My Backyard” on Youtube.

July 7, 2021
Hardeman Orchards “Music in the Barn” Announce 2021 Lineup

This summer Hardeman Orchards will host an array of artists during their series “Music in the Barn”, including many local New York performers.

Located in Red Hook, NY, Hardeman Orchards Event Barn is a unique intimate venue in an 1870s Dutch style barn on a working family farm. Food and drinks are available and dancing is encouraged.

The shows kick off July 10with Alex Torres and his Latin Orchestra. Alex has performed both nationally and internationally and appeared on tv and in movies.

July 11: Grammy award-winning band Asleep At The Wheel stop by during their 50^thanniversary tour. Ray and the band are the torch bearers of western swing.

July 17: the music continues with The Big Takeover fronted by singer Nee Nee Rushie. The band is steeped in Jamaican rhythms, reggae, and ska.

July 23: Gratefully Yours performs the best of the Grateful Dead.

Aug 6: the Dr. Lo Band arrives with Lo Faber at the helm. Lo will perform from his new release Claiborne Avenue as well as songs from his days with God Street Wine.

Aug 7: brings Professor Louie and the Crowmatix with The Woodstock Horns. Louie as well as being a performer is a producer and worked with The Band for many years.

Aug 15: AJ Lee and Blue Summit appear. AJ has won the Northern California Bluegrass female vocalist award 10 times and was the 2019 IBMA momentum female vocalist winner.

Aug 20: The Big Shoe takes the stage with their funky high energy sounds.

Aug 21: The Little Creek Band will do their original songs and country music.

This is just the first round of announcements from Hardeman Orchards’ for their summer shows with more on the way in the near future.

Hardeman Orchards “Music in the Barn” Summer 2021 Music Lineup

July 10 – Alex Torres and his Latin Orchestra

July 11 – Asleep At The Wheel

July 17 – The Big Takeover

July 23 – Gratefully Yours

Aug 6 – Dr. Lo Band

Aug 7 – Professor Louie and the Crowmatix with The Woodstock Horns

Aug 15 – AJ Lee and Blue Summit

Aug 20 – The Big Shoe

Aug 21 – The Little Creek Band

Info and tickets at www.hardemanorchards.com.

July 5, 2021
Radio Woodstock Showcases Women Artists

Talk about some girl power. For the first time in station history, Radio Woodstock 100.1 WDST has announced that their top 10 slots in power rotation are all women artists.

The current Radio Woodstock top 10 rotation is comprised of female artists across several different genres: St. Vincent, Amy Helm, Allison Russell, Yola, Maia Sharp, Sofia Valdes, Shemekia Copeland, Joy Oladokun (with Maren Morris), Lake Street Dive, and Sean Della Croce.

Looks like it is a hot girl summer and a hot girl future.
Aja Whitney (Music Director)

Amy Helm, a Woodstock native herself, recently released her latest album “What the Flood Leaves Behind”. Other new releases from St. Vincent, Allison Russell and Yola have caught the attention of Radio Woodstock. The station stated, “Female artists have emerged as leading the sound on one of the most uniquely curated rock radio stations in the world today.”

Amy Helm in Woodstock, photo by Peter Ross

Radio Woodstock 100.1 WDST has emerged as one of the most influential radio stations in the Hudson Valley, winning regional and national awards for its eclectic programming. Their DJ staff focuses on discovering new and emerging artists while continuing to showcase musical legends and other established talent. Radio Woodstock also produces several concerts and festivals around the Hudson Valley, including the Mountain Jam Festival.

Throughout the pandemic, Radio Woodstock posted “Sofa Session” performances to their YouTube channel, where some of the station’s favorite artists shared short and intimate sets.

Visit the Radio Woodstock website to listen live and celebrate these powerful women in music!

July 1, 2021
Don’t miss Amythyst Kiah at Stone Ridge Orchards in July

Breakout star, Amythyst Kiah, will perform at Stone Ridge Orchard on July 17 at 4 pm to 8 pm (door open at 3 pm). All ages are welcome at this socially conscious, safe, and COVID-19 compliant event. Proceeds for the evening show will benefit The Hudson Valley LGBTQ Center.

As the only New York area appearance of Amythyst Kiah, the show will find Kiah performing songs from her new collection, Wary + Strange, out June 18 on Rounder Records. The album marks the glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion, and the roots/old-time-music scene where she’s found breakout success in recent years, including recognition from Rolling Stone as “one of Americana’s great up-and-coming secrets.”

The singles off this album have been Fancy Drones, Hangover Blues, Wild Turkey, and Black Myself. The last of which she performed during her late night debut on Jimmy Kimmel. When met with the transcendent quality of her newly elevated sound, what emerges is an extraordinary vessel for Kiah’s songwriting. These are exciting times for Kiah and her music. The sound of her first two albums Her Chest of Glass and Dig culminated into the success of Wary + Strange.

https://youtu.be/yMx7bXA4_H4

Produced by Tony Berg (Phoebe Bridgers, Amos Lee, Andrew Bird) and made with esteemed musicians like Blake Mills, Wary + Strange arrives as a deeply immersive body of work, endlessly redefining the limits of roots music in its inventive rhythms and textures. With an unforgettable voice that’s both unfettered and exquisitely controlled, Kiah gracefully interlaces political commentary and personal revelation, ultimately offering a raw yet nuanced examination of grief, alienation, and the hard-won triumph of total self-acceptance.

She honed into vibrant musicality in part through her studies in East Tennessee State University’s Bluegrass, Old Time, Country Music program. The Chattanooga, Tennessee-bred singer/songwriter has expanded on the uncompromising artistry she’s displayed as a member of Our Native Daughters—an all-women-of-color supergroup. With whom Kiah first penned “Black Myself” that then earned a GRAMMY nomination for Best American Roots Song and won Song of the Year at the Folk Alliance International Awards. She’s been included in People Magazine’s “Talented Black Musical Artists on the Rise in 2021”. Kiah has also been nominated for three Americana Music Awards.

Spread out on a beautiful 115-acre farm, the performance can be enjoyed along with other family-friendly activities available at Stone Ridge Orchard. For more info contact Stone Ridge Orchard either by phone at 845-687-2587 or by email at SROrchardEvents@gmail.com.

To stay up to date with Amythyst Kiah visit her website or follow her on social media, including Twitter, Instagram, and Facebook. Tickets are available for purchase at StoneRidgeOrchard.com.

In the newest episode of Salute The Songbird, host Maggie Rose is joined by Kiah to talk about her new album and the experiences that led to her success. Amythyst shares stories from growing up in Tennessee, how support and encouragement from her parents helped her overcome issues with identity and anxiety, and the impact music and writing have had on her personal journey.

June 30, 2021
Aubrey Haddard Shares New Single “National Tragedy”

Hudson-Valley native and indie-pop singer-songwriter, Aubrey Haddard, shared her new single “National Tragedy” on June 23, along with a music video. “National Tragedy” is the latest of four singles released by Haddard over the course of the last year.

Inspired by singer-guitarist Susan Tedeschi, Haddard forged her own path in music with a confident spirit and bold art style. She released her debut album Blue Part in July 2018 to wide critical acclaim. The success of Blue Part resulted in seven nominations and several wins at the 2018 Boston Music Awards, including Vocalist of the Year and Singer/Songwriter of the Year.

Following her debut, Haddard has made a name for herself at festivals across the country, including Firefly, Mountain Jam, and Waking Windows.

This year, Haddard has released one other single besides “National Tragedy,” called “Red Portuguese.” In 2020, she released “Thin Line” and “Sweeter Than Honey,” that show the beginning of her shift to a more smoother, retro style.

Like reliving a childhood memory of witnessing something scary on the television, it was remembering Diana Spencer, Princess of Wales’ passing that inspired the song. “National Tragedy” provides a soundtrack to Haddard’s memory of the unwavering presence of the news in her childhood home, to the confusion of watching her mother crying on the couch, and the sorrow played out on TV.

One of my earliest memories is my mother watching Princess Di’s funeral on our old screened-in porch, the feelings of uncertainty and sadness. Throughout my life, each time tragedy struck and the world stopped to watch, the reality would sink into me a little deeper, but in September ‘97, my inability to understand was the perfect escape. “National Tragedy” is part memory, part sweet escape and an all too familiar feeling.
Aubrey Haddard on “National Tragedy”

Haddard takes on a different, more somber style for this release. Usually a passionate rocker similar to Tedeschi, “National Tragedy” has a tinge of 70s easy-listening. The guitar riffs are repetitive and the drums are simple, which complement Haddard’s controlled, yet strong voice. The instrumental break in the middle of the song can be best compared to late-60s experimental art-rock like Bowie’s “Space Oddity.”

According to Haddard, “National Tragedy” needed a music video to match the song’s “lighthearted, imaginative twist.” The result is an animated clip art utilizing ethereal scrapbook-like collages by collaborator Kaya Blaze Kelley.

Narrating her own experiences in life and love, she holds space for dialogues of hardships as well as times of joy. Her goal is to encourage others by singing her truth, and her relatable topics and catchy lyrics are a great way to connect to listeners.

Haddard will also be performing live at the Levitate Music Festival in Massachusetts on July 9, 2021.

“National Tragedy” is now available for streaming on Youtube, Bandcamp, Spotify and Soundcloud. For more information on Aubrey Haddard, check out her website.

June 27, 2021
Members of American Symphony Orchestra Perform at Opus 40

On June 24, members of the American Symphony Orchestra played Opus 40 in Woodstock. Winds Among Trees, a wind instrument sextet brought a new layer to experiencing the sculpture park. Both shared a story of creative survival amidst destruction, which made it the perfect time and place for the convergence to occur.

The sextet blending in the shadows

Senses Alive

Bright light, contrasting stone and stunning landscapes made for the perfect atmosphere. Placing the band strategically on the artwork itself, allowed for an elevated way of experiencing both the art and the music.

A welcomed visual obstruction

Ornate hedges and seemingly innocuous smaller sculptures partially obstructed nearly every view the music and the monolith. Senses were heightened as participants were compelled to be more present, and listening with a more focused ear and eye. As the post-solstice afternoon progressed, the sun started to blare into the eyes of the audience, which made viewers feel like they were part of a progressive performance art piece.

Enjoying the experience

Rare Music, Rare Location

The contrasting stone with all of the afternoon’s light made all the of the artist’s intentions clear. The monolith’s sun dial- like beacon of love was built on an old bluestone quarry after the land had been destroyed by construction.

Beautiful works like this achieved though years of manual labor.

The music played by the sextet was extremely rare in that it is not often played or performed, but also in the idea of it being chosen by the musicians. During shutdown, when all sought-after cultural celebrations of art and music were closed, members of the American Symphony Orchestra were given an interesting assignment. Captains were chosen to enlist a team to learn a collection of rare music.

A beautiful venu

This is not common and the idea to perform these collections in different interesting venues made this even more thoughtful. Being able to have creative control as well as the project and accountability hopefully helped some through the incredibly trying time.

Music stands excited they non longer have to socially distance

Visitors to Opus 40 took away a feeling of gratitude. They felt music in a unique environment during a new beginning for our society.

Setlist: Serenade for 2 Clarinets, 2 Bassoons, and 2 Horns (Matyas Seiber),
Sextet No. 1 in Eb (F.H.J. Castil-Blaze), Sextet (Harald Genzmer), Adagio and Rondo (Carl Maria von Weber)

Setlist via americansymphony.org

To see more of what the ASO has done over shutdown, visit their website.

June 27, 2021
Final Dinner and a Movie features 1991 Phish show from Arrowhead Ranch

As live music returns, archival streams are going the way of the Dodo, at least for now. Phish has announced that their Dinner and a Movie series, which started in April 2020 will go back into the freezer, but not before one more installment, one from 1991 at Arrowhead Ranch in Parksville, NY.

Thus, on Tuesday, June 29 at 8:30 ET, Phish will broadcast their July 20, 1991 concert at New York’s Arrowhead Ranch, featuring The Giant Country Horns: Dave “The Truth” Grippo, Russell “Killer” Remington and Carl “Gears” Gerhard. The show was the second of a two-night stand at Ranch Arrowhead, and all ages shows with Phish and special guests TR3 and The Radiators opening.

Sue Zemanick, owner and James Beard Award-winning chef at Zasu, located in New Orleans’ Mid-City neighborhood provides the final meal for Dinner and a Movie. The name Zasu, derived from Zasa, which means “once again” in Slovak, is inspired by Sue’s Slovak heritage and childhood memories of family bonding in the kitchen. Sue brings a three course dinner of Coconut Curry Corn Soup, Spicy Tofu Larb Lettuce Wraps, and a Blueberry Creme Fraiche Pound Cake. Recipes can be found here.

The beneficiary for this episode is Phans for Racial Equity. PHRE promotes racial equity and respect for difference within the Phish and greater music community and beyond. Striving to make a more welcoming space for people of all races and ethnicities, bearing in mind the many ways in which race/ethnicity intersects with gender, gender identity/expression, sexual orientation, disability, and other identities.

PHRE’s aim is to facilitate education and thoughtful engagement, first and foremost within the Phish community, about race and its intersection with other issues; give people tools to build a more welcoming environment; and activate our community to positively impact racial equity in the U.S. more broadly. More info here, and donate anytime here.

Listen to the full show on PhishTracks.com

Phish – Arrowhead Ranch, Parksville, NY – July 20, 1991

Set 1: Chalk Dust Torture, Foam, The Squirming Coil > Llama, The Oh Kee Pa Ceremony > Suzy Greenberg[1], The Landlady[2], Bathtub Gin[1], My Sweet One, David Bowie[1]

Set 2: Buried Alive > Reba[3], Caravan[1], Dinner and a Movie[1], Flat Fee[1], Golgi Apparatus[1], Stash[1], The Man Who Stepped Into Yesterday > Avenu Malkenu[1] > The Man Who Stepped Into Yesterday, You Enjoy Myself[4], Rocky Top

Encore: Possum[5]

[1] Giant Country Horns.[2] Giant Country Horns; Rene Lopez on percussion.[3] Carl Gerhard whistled with the band.[4] Giant Country Horns; vocal jam based on burgers.[5] Giant Country Horns; Charlie Chan and Oom Pa Pa signals.

https://www.youtube.com/watch?v=6gNnXfGd6WQ

June 26, 2021
The Lumineers Rehearsing New album “Brightside” at Bearsville Center

The Lumineers recently completed rehearsals for their new project, titled Brightside, at the famed Utopia Studios Soundstage at Bearsville Center in Woodstock. The band sequestered at the soundstage, originally built by Bearsville founder, Albert Grossman for future Rock and Roll Hall of Fame member, Todd Rundgren.

Albert Grossman is best known for managing the early career of Bob Dylan, Janis Joplin, The Band, Todd Rundgren and Peter, Paul and Mary and founding Bearsville Records in Woodstock. In 2019, British entrepreneur Lizzie Vann stepped in to save the historic complex from the wrecking ball and painstakingly restore the landmark music facility into a fully functional, world-class performance and rehearsal space, with recording facilities for audio and video recording.

Today the Bearsville Theater is the heartbeat of Woodstock’s new music scene with a full performance schedule including: NRBQ, Masters of the Telecasters, the Levin Bros., Lindsey Webster, Reelin’ in the Years, Nektar The Wailers and Belew, Mastellotto & Friends.

Fans have been anticipating a new release from the Lumineers since the 2019 album III. With a 2022 European tour scheduled, they will surely be working away until it comes time to fly overseas. Like everyone else, the band is stretching their performing muscles to finally put on a great show after all this time.

We were told that the Lumineers chose Bearsville because we could offer them a complete package: professional studio space, creative vibe, excellent technical facilities and support, extreme privacy, cool places to hang in the park by the Sawkill Creek and in the historic artist rooms of the Theater and studio. We worked to their timeframe, which was often urgent, but managed to always stay calm! The Lumineers were wonderful guests and have a super-professional team, very polished and organized and it was truly an honor to host such an important band of artists right here where so many influential artists created some of their finest work. It was a great time and truly our pleasure.
Lizzie Vann, Bearsville owner and curator

Brightside, produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY. The album marks marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.

For more information on The Bearsville Theater visit their website.

June 26, 2021

Built in Breakdance