Category: Central NY

  • Flashback: Jerry Garcia Band Creates Lake Effect Sound at SUNY Oswego – February 17, 1980

    What is it about Upstate New York Winter’s that make great music artists bring their multi-colored California concepts here to heat things up? Forty-one years ago today, Jerry Garcia Band came to be an act for the Lake Ontario sound at Laker Hall on SUNY Oswego campus February 17, 1980.

    A then 37-year old Garcia had his second touring band outside the Grateful Dead since collaborating with Howard Wales on hooteroll?. His four piece ensemble consisted of John Kahn on Bass, David Ozzie Ahlers on Keyboards, and Johnny De Fonseca on drums. The band set up atop the cold brick Route 104 venue on the hill, overlooking Lake Ontario, for three hours of music played to around 2,000 people.

    jerry garcia band oswego

    They certainly let Jerry’s influences play out in the performance with covers of Allen Toussaint, Marvin Gaye, Chuck Berry, Elvis Presley, Bob Dylan, Jimmy Cliff, J.J Cale, The Beatles, and his own material with the Grateful Dead. Like a typical New York Winter, Syracuse Deadhead Vinny Randazzo remembers the drive to the Oswego show as “covered in snow and sound.”
    The group immediately stretches out for fifteen minutes to start the show on Toussaint’s “I’ll Take A Melody” to let you know “I understand why the old fisherman, sails along, someday he’ll be gone.” Perhaps it was a quick nod to the windy docks of the Great Lake that sat next to all. There’s some devil out there that’s for sure, which launched them into “Friend of the Devil,” a friend Jerry normally plays with. Just three days after Valentine’s Day and three songs into the performance, love for the faithful is shown on “How Sweet It Is (To Be Loved by You).” The band then casts a line out to the crowd at shore, for a muddy version of “Catfish John.”

    jerry garcia band oswego
    Jerry Garcia, Laker Hall, SUNY Oswego

    The Grateful Dead anthem “Deal” comes up next, with Jerry reminding you of tours past: “ If I told you all that went down, it would burn off both of your ears!” There is a 4th Street in Oswego, and Jerry covers the waterside corner during his take on Dylan’s “Positively 4th St” singing, ” You see me on the street, you always act surprised, you say “How are you?,” “Good Luck” But you don’t mean it.”

    They close the set with a rockabilly tribute to Elvis for “That’s Alright Mama.” Yea, that first set was more than alright for all in attendance… “any way you do.”

    Lake Ontario Winter Melody: “The Sky was Grey with a Spec of Blue, Peek through a Hole in the Clouds, The Sun was Screaming “Hey You!”

    After the set break, Elvis had not left the building. The quartet kicked off with the King’s version of “Money Honey,” that got everyone in GA hound-dogging back on the floor. During the set break the crowd certainly felt like they had been “Sitting Here in Limbo,” which is what the band dropped next. David Ozzie Ahlers brings you to Jimmy Cliff’s islands with a two part keyboard solo. Jerry reflects on an American working day for the the next track “Later in the evening when the sun is sinking low, all day I’ve Been waiting for the Whistle to Blow” on “Let It Rock.” Garcia lights up his delta licks on this Chuck Berry classic.

    Up next is one of the greatest live improvisational segue ways in rock and roll history. On the famous tape you might recognize the “After Midnight —> Eleanor Rigby Jam—>After Midnight” jam that was only played in the beginning of that decade. This is one of Senor Garcia’s sweetest unplanned moments to be captured.

    1980 Eleanor Rigby Jam in to After Midnight at Oswego

    Jerry takes another stab at Dylan’s seasonal lyrics “Now the wintertime is coming, the windows are filled with frost, I went to tell everybody but I could not get across, well, I wanna be your lover baby, I don’t want to be your Boss” for “It Takes A Lot to Laugh, It Takes a Train to Cry” Jerry’s Tiger guitar Quartet immediately melt the ice with the last song for “The Harder They Come.” “The Harder they Fall, One and All” to bring back the island vibe beats to close out the evening.

    Jerry Garcia Band 1980 winter tour rolled through New York State from Oswego to The Palace Theater in Albany, The Landmark Theater in Syracuse, The Calderone Theater in Hempstead and SUNY Stonybrook. They came back to Laker Hall under new personnel one last time on December 11, 1983 with Melvin Seals. Jerry Garcia kept a solo band outside of The Grateful Dead for the next 15 years with Melvin Seals How Sweet It Is: Melvin Seals at The Westcott Theater who carries the JGB touring torch to this day.

    jerry garcia

    In a 1981 interview someone asked Jerry Garcia “What are the virtues playing with your own band compared to the Grateful Dead?” Garcia responded “Its a real resonate consonance experience, its like harmonious, every bodies musical taste is similar to my own, ya know?, and our concept of what music should be, were an accord, so my band is playing the kind of music that I think of the way music is constructed , in terms of the roles and the instruments, The Grateful Dead is interesting because everyone has a different concept of what music is about, which creates a lot of friction and tension to it”

    Jerry Garcia Band, February 17 1980, Laker Hall, Oswego, NY

    Set 1: I’ll Take A Melody, Friend Of The Devil, How Sweet It Is (To Be Loved By You) Catfish John, Deal, Positively 4th Street That’s All Right, Mama

    Set 2: Money Honey, Sitting Here In Limbo, Let It Rock, After Midnight > Eleanor Rigby Jam > After Midnight, It Takes A Lot To Laugh, It Takes A Train To Cry, The Harder They Come

    Listen to the Whole Show from 1980


  • X Ambassadors Release Mesmerizing “skip.that.party” with Jensen McRae, Part of (Eg) Project

    February 12 marked the premiere of “skip.that.party,” a collaboration between multi-platinum-selling rock band X Ambassadors and Los Angeles-bred singer/songwriter, Jensen McRae.

    The moody and mesmerizing track is the latest release from X Ambassadors’ (Eg) — a recently launched multi-part project featuring collaborations with an eclectic mix of emerging artists.

    A detailed meditation on longing and regret, “skip.that.party” spotlights the sensitive yet incisive songwriting that McRae’s previously shown on tracks like her unforgettable 2020 single “Wolves.”

    As McRae and X Ambassadors lead singer, Sam Nelson Harris, trade off vocals, “skip.that.party” takes on an undeniable and immersive power, sharply contrasting its understated beauty.

    As with all of the artists featured on (Eg), X Ambassadors approached McRae out of deep admiration for her one-of-a-kind artistry. “My wife showed me ‘Wolves,’ and I was immediately devastated by how good it was,” said Harris.

    “I hit Jensen up on Instagram and asked if we could write together, and everything took off from there. It blows my mind that more people don’t know about her or any of the other artists on the project, and I’m so excited to share their music with our fans.”

    “skip.that.party” arrives as the follow-up to “ultraviolet.tragedies” by X Ambassadors with Terrell Hines, the euphoric yet explosive lead single from (Eg).

    Like “ultraviolet.tragedies,” “skip.that.party” is accompanied by a documentary-style visual that breaks convention by integrating elements of commentary and off-the-cuff conversation.

    To that end, the “skip.that.party” video finds Harris and McRae remotely discussing such topics as poetic realism, the struggle for presence in chaotic times, and McRae’s experience growing up caught between the wild glamour of Los Angeles and the utter boredom of the suburbs.

    (Eg) came to life as X Ambassadors completed their third full-length effort, due out later this year. According to Harris, the project has already had an indelible impact on their evolution as creators.

    “All the artists we’ve worked with on (Eg) have reminded me how important it is to make what you love and not think twice about it,” said Harris. “When people hear the project, I hope they come away with that same sense of freedom, and also just feel the pure joy that comes from the art of collaboration.”

    “skip.that.party” by X Ambassadors with Jensen McRae is available now at all digital outlets via KIDinaKORNER/Interscope Records.

  • Westcott Community Center and Joe Driscoll Announce their Vantastic Fundraiser

    Westcott Community Center announced a fundraiser for a new van that they call the Vantastic Fundraiser. The fundraiser is being put on by Joe Driscoll and will host a variety of performances via Facebook live on February 11, 2021 from 7 pm to 9 pm EST. 

    Vantastic Fundraiser

    The Westcott Community Center is a non-profit organization based in Syracuse, New York. Their mission statement is “Investing in their community by offering essential services and engaging programming to embrace the diverse needs of all.” The center is open 9am-4:30pm Monday through Friday for various programs and activities seven days a week.

    Westcott Community Center provides over 5,000 rides every year to older adults on Syracuse’s East Side and access to services necessary to lead full and healthy lives. People are dependent on “Westcott Community Center’s United We Ride Transportation Program” which makes it so they have access to  medical appointments, pharmacies, grocery stores, banks, and the Westcott Community Center congregate meals and Basic Needs Pantry services. All this would not all be possible without reliable transportation.

    Unfortunately, it has come time for the Westcott Community Center’s 14-passenger van, which was purchased in 2003, to be replaced. The new van will cost $45,000 in total. The online music event is an attempt to help the organization raise funds to purchase a new van. The fundraiser throughout their #WestcottCCRides initiative first kicked off August 15, 2020.

    Vantastic Fundraiser

    The Vantastic Fundraiser will host performances from Joe Driscoll, William Nicholson, Billy Harrison, Jess Novak, Steve Scuteri, Riley Mahan, Larry Hoyt, Major Player, Benjamin Ellis, Colin Aberdeen, and Chris Chiesa. It can be viewed on Facebook live on both Joe Driscoll’s and Westcott Community Center’s pages on February 11, 2021 from 7 pm to 9 pm EST. Although the event is technically free, any donations to support the van would be greatly appreciated. 

    For more information on the Westcott Community Center visit their website.

  • Hearing Aide: Evil Key “The Host”

    Syracuse based rapper Evil Key (Jonas Nicholson) follows his 2020 release SAVE FACE//ESCAPE FATE with his newest concept album The Host. Nicolson is also member of fellow Syracuse psychedelic jam rock band Vaporeyes. The Host is a brave departure from any of Nicholson’s previous work done with Vaporeyes, opting for a bold lo-fi rap concept album that explores becoming a new person, possibly without your control.

    About a decade ago, I had a particular experience that changed my life. I made positive changes and stopped being overall self-destructive. Looking back at it now, it feels like a lifetime ago. Like a different person. What if I am? What if I’ve been taken over? What if I’ve been someone else all these years? Would I know? Am I in here?

    Evil Key, Rapper
    Evil Key

    Meeting at the crossroad between the moody emo rap ruling the mainstream and the nerdy backpack rap of the early 2000s, Evil Key finds a unique niche to fill. While Evil Key’s influences from the likes of Aesop Rock to Eminem are abundantly clear, he operates in a unique enough lane that it does not take much out of the overall experience. The Host offers a stellar mix of beats from upbeat synth driven songs like “The Host”, to more spaced out cloud rap tracks like “Happy”, to noisy sample heavy tracks like “Concords”; all containing a particular lo-fi edge. “Hear It Still” has a particular vocal sample that meshes perfectly with the tracks chilled-out hook.

    Evil Key’s amateurish lunch room battle rap approach to rapping is endearing at first, but quickly becomes the records biggest flaw. Evil Key will often go off on tangent-like flows, such as on “FYPM,” that only serve the purpose of flexing his ability to rap fast rather than add an appealing sonic element to the songs. This tactic comes across awkward and can kill the mood of the multitude of somber and reflective songs on the album. With the beat being as subdued and laid back as they are, this hyper-aggressive approach to rap does not mesh well. On songs like “Hear it Still,” Evil Key is able to find a much more measured flow that shows he is capable of a more relaxed approach.

    Evil Key

    While The Host’s core concept is vague and hard to follow, the basic themes of depression, reinvention and paranoia are easy to identify with and ring throughout each track. As a whole, the album is a cohesive experience with each track sonically and lyrically meshing well together. The general mood of the album is oppressively gloomy and with pockets of light such as on songs like “The Host.” Each track being as versatile as they are adds to the engaging seamless listening sequence.

    The overwhelming highlight of The Host is Evil Key’s impressive lyrical ability; Evil Key is able to create incredibly verbose bars seemingly effortlessly. Creating impressive rhyme schemes such as on songs like “Usurper.” Evil Key offers an endless stream of impressive rhymes that refuse to let up at any point throughout the album. While the nonstop rhymes are undoubtedly impressive, just like with the aggressive flows, they often act directly against some of the more subdued moments on the albums such as “Good Morning.”

    Overall, The Host is an ambitious sophomore effort from Evil Key. An array of diverse beats do wonders in crafting the album’s depressing mood, some even being produced by Evil Key himself. Lyrically, Evil Key proves he is a force to be reckoned with on the mic, dropping one clever and emotional bar after another. What sets Evil Key apart from his obvious influences is his ability to craft unique and focused song concepts along with his dictionary-like lyrical arsenal. Even if Evil Key’s flows set the mood of certain songs off-kilter, what this album shows more that anything is serious potential in the budding artist.

    The Host is available for purchase physically on CD and Bandcamp as well as streaming on all platforms.

    Key Tracks: The Host, No Exorcism, Hear it Still

  • SAMMYS Announces Nominees for 2021 Season

    Syracuse Area Music Awards, or more commonly known as the SAMMYS, announce their nominated Syracuse area musicians are for the 2021 season during their virtual press conference. The press conference took place on February 3, 2021 at 10AM on the SAMMYS Facebook page

    SAMMYS

    The Syracuse Area Music Awards show celebrities local music to the Syracuse area in particular. Over time it has become a beloved staple to Syracuse and the surrounding areas.

    The people’s Choice Awards is moving into its fourth round after the virtual press release. People vote on their favorite artist or band, live-stream event or series, academic or musical organization, and venue in the people’s choice award categories. It all comes down to who has the best fans who are the most passionate. The press conference announced the nominees who advanced to the top 16 in every category of the people’s choice awards. To check out the nominees and to vote in each of the categories click here.

    On top of the people’s choice awards categories there is also many other categories where local musicians were nominated in. The other categories include Best Alternative Recording, Best Americana Recording, Best Blues Recording, Best Country Recording, Best Electric Recording, Best Hard Rock Recording, Best Rap/ Hip Hop Recording, Best Jam Band Recording, Best Jazz Recording, Best Other Style Recording, Best Pop Recording, Best R&B Recording, Best Rock Recording, and Best Singer-Songwriter Recording.

    The actual 2021 SAMMYS will take place on March 5, 2021 and will be streamed live for free and live from SubCat Studios. The awards show will include musical performances by area artists/bands. Awards will be presented in 12 recording categories, in addition to the People’s Choice awards in four categories, Brian Bourke Award for Best New Artist, Jack O Bocchino Spirit of the SAMMYS Award, and our Community Spirit Award.

    The “SAMMY Spotlight Series”at Bridge Street on Newschannel 9 kicked off on January 28, 2021 with a performance from Nancy Kelly who is a multi-time winner of the SAMMYS and was inducted into the SAMMYs Hall-of-Fame in 2006. The upcoming spotlighted shows on Newschannel 9 include Chris Merkley on February 4, Sydney Irving on February 11, Bob Holz on February 18, Ghost Town Ramblers on February 25, Doyle/Whiting on March 4. All the performances will take place at 10AM and will build excitement for the upcoming SAMMYS. 

    For more information on the SAMMYS visit their website.

    Full List on SAMMYS 2021 Nominees:

    BEST ALTERNATIVE RECORDING

    Chuck Schiele with Love Letters

    Major Player with Upset City

    Mattydale Music Collective with No Thief, However Skillful

    The Exploding Flowers with Strangers

    Zach Blaszak with Homebrew

    BEST AMERICANA RECORDING

    Chocolate BonBon with Book of Names

    Harmonic Dirt with Live At The Ridge

    J. Schnitt with A Compass of Stars (the
    Quarantine Singles)

    Kid Roscoe with …And The Horse You Rode In On

    The Dart Brothers with Strangest Wavelength

    BEST BLUES RECORDING

    JunioR with This’ll Hurt

    Tas Cru with DRIVE ON

    BEST COUNTRY RECORDING

    Brandon Scott with North Country

    Tink Bennett & Tailor with Made Hate The Game

    Whiskey Hollow Rush with Life, Love, Whiskey

    BEST ELECTRONIC RECORDING

    Asael with We Believed

    Empires in Orbit with Rave of the Damned

    Mazedude with MazeQuest 3 Original Soundtrack

    Shitnuts with Final Frontier

    The Stranger with Soundtrack for a Movie Not Yet Written

    BEST HARD ROCK RECORDING

    Brand New Sin with Live At The Lost

    Caustic Method with No Retribution

    Cleansed In Embers with Misery

    Junexa with Lifeless

    MOTORLORD with Motorlord

    BEST HIP-HOP/RAP RECORDING

    Big Nate MG with The Story of MG

    Christenelle Diroc with Christenelle Diroc

    Def One with 04/20 Vision

    MBK Richy with Throwaways

    Young Dellz with Riana’s Father

    BEST JAM BAND RECORDING

    Ben Blujus with Believe In Music

    Chiggin with THXGVNG

    The Z-Bones with Sweet Misery

    Vaporeyes with Cantrips

    BEST JAZZ RECORDING

    London McDaniel with Anatural Aphrodisiaca

    Stan Colella Orchestra with Just For Fun

    BEST OTHER STYLE RECORDING

    Amanda Rogers with Winter Butterfly

    DiCosimo/Pagán with Con Moto

    Letizia with YOU ARE NOT ALONE

    Lonnie Park and The Earth Band with My Earth Songs

    Redeemer Church Worship with Be Enthroned

    BEST POP RECORDING

    Coughlin with Unlatch Diary

    DESTYNEE with Love&Art

    Jess Novak Band with Standing Now

    Nick + Noah with Fall

    Pat Tato with Good Grief

    BEST R&B RECORDING

    Chels with After Midnight

    Jaquiel with Summer Nights in the Southward

    Liam Alone with Liam Alone Live

    Sean McLeod with Freedom (Sean McLeod’s “A
    Soundtrack for Harriet Tubman”)

    Wavy Vibez with Only One (The Ep)

    BEST ROCK RECORDING

    Atkins Riot with Couch Potato

    Krix Wiechmann and the Pallbearers with 3 Hits From Hell

    Otherworldly Entity with Cataclysm

    Posted with Fantastic Invasion

    The Kiwis with Still Life – EP

    BEST SINGER-SONGWRITER RECORDING

    Amanda Rogers with The Hallow

    Colleen Kattau with Besos Kisses

    Just Joe with Breakdown

    Sydney Irving with Relax With Fiends

  • Flashback: Phish performs at The Haunt in Ithaca, January 29, 1990

    It was January 29, 1990 in Central New York and, yes, it was snowing. Fans who attended the Phish show that night at The (original) Haunt in Ithaca did so battling a blizzard and poor roads, which caused the band to arrive late, quickly set up and, after a live soundcheck, got the show on the road.

    Phish has played sporadically in the Fingerlakes Region of New York throughout their career, most notably and recently, Superball IX, Magnaball and shows in Canandaigua at CMAC. Their early years in the college town of Ithaca proved to be formative, bringing the band to town multiple times between 1988-1992 before graduating to larger venues like Finger Lakes Performing Arts Center (now CMAC).

    phish ithaca
    The Haunt in Ithaca c.1990 (photo is not from the 1/29/90 Phish show)

    From Phish’s bar years, this is an early era show that captures the band when they played to their early fans, many seeing the Burlington group for the first time. After a three-night run in May 1988, Phish would return to The Haunt in Ithaca for a show on January 29, 1990, with a loud and rowdy 18-and-over audience.

    The partial tape of the show starts in the middle of “The Lizards” and continues through a “Harpua” and “Fire” encore, a setlist that is culled together thanks to David Schanker’s and Todd Ahrens’ audience recording. Thus, there is no known first set for this show.

    You can hear the audience from this show quite distinctly, elated when each song ends, and fans screaming out requests despite the band being barely six years old. You may even catch drunks screaming into the mic, which was set up on the bar. One patron this night can be heard saying “Nothing like this has ever been done at The Haunt, unbelieveable man!” Quite the frozen-in-time seal of approval.

    Recording aside, this is a smoking show musically, particularly for the “Weekapaug Groove” and a “Harpua” that has a tough to discern narration but full of “Purple Haze” teases. That said, you’ll get a fair idea of what it was like to see Phish at the original Haunt in Ithaca.

    Dan Smalls, Ithaca-area promoter and head of DSP Shows was at the January 29, 1990 show and shared his recollections with NYS Music:

    It was about as classic a Phish set as you get from the very early days. I always loved how they chose popular and also odd songs to cover, teases in jams and the like. That was a part of who they are today and was a huge bit of fun at the festivals we produced where they would learn a song backstage between sets.

    My recollection is also vague but the room was solidly crowded in this era (unlike 1988 when we had a handful for those first few shows) and the band was on the cusp of the next step at this point. I remember that the band was playing The Haunt at least once a semester and often 3-4 times a year in these days.  It’s where I got to know them and these shows were always fun because Fish’s parents would come down from where they lived outside Syracuse.

    Phish would go on to play The Haunt another four times in 1990, then move up to the State Theatre of Ithaca for two shows in 1991. They returned the next year to perform at Cornell University campus in November 1992, the last shows for the band in the city.

    Download the show here, or stream it here and here.

    Phish The Haunt Ithaca

    Phish – The Haunt, Ithaca, NY – January 29, 1990

    Setlist via Phish.net

    Set 2: The Lizards, If I Only Had a Brain, Mike’s Song > I Am Hydrogen > Weekapaug Groove, Jesus Just Left Chicago > Possum, Highway to Hell

    Encore: Harpua, Fire

    This setlist is incomplete. Harpua included a Purple Haze jam.

  • Flashback: Jerry Garcia and Howard Wales bring Hooteroll? to Syracuse University

    On January 22, 1972 Jerry Garcia performed at Setnor Auditorium on Syracuse University campus with his first live touring band outside of the Grateful Dead. He teamed up with American Beauty collaborator Howard Wales who wrote the composition to the album Hooteroll? The all instrumental LP which Garcia participated with a various cast on is reminiscent of Miles Davis record Bitches Brew. Abdul Mati Klarwein who did the cover album art for Bitches Brew also sketched Hooteroll?.

    Jerry Garcia once stated that “Howard did more for my ears than anybody I ever played with because he was so extended and so different.” As for the brief January 1972 tour in which Garcia, Wales and co. performed a handful of Northeast dates, in support of Hooteroll?, Wales remembers, “Jerry played some of the best blues I ever heard him play on that tour. The Hooteroll? tour that was basically a blur, though. We had two hours of sleep a night and by the time we got finished we were ready to be delivered to the emergency room.”

    hooteroll

    The touring band that took the stage in Syracuse that night was made up of Jerry Garcia on guitar, Howard Wales on keyboards, Jerry Love on drums, Jimmy Vincent guitar, Roger Troy (aka Jellyroll) on bass and vocals. The 700 person capacity music hall on top of SU Hill houses a 3,823-pipe Holtkamp Organ below a 70-foot-high open timber roof and stained glass windows. The show consisted of a 22 song set list that was mostly heavy improvisational acid jazz-rock fusion and does not have any live vocals till almost 30 minutes into the performance. With original jam tracks like “Space Funk” it could be said that they helped coin the category.

    The entire performance weaves throughout galaxies on a cold January night with the Hooteroll? track “A Trip to What Next” One can only imagine the steamy visual illusions this music created off the stained glass windows inside Setnor that night. Unlike Jerry’s live playing with the Grateful Dead in which he led the pack, in the beginning of 72 it was Wales who was calling the plays. Fifty minutes into the performance is Garcia’s only words to the crowd where he introduces the band and takes a seat to see what unfolds with everybody else. After his quick ten minute set break Garcia returns to play his Wales acclaimed “best blues” on “Sweet Cocaine.”

    This Dinosaur BBQ blues ballad was One of Four songs that featured any vocals by Jellyroll, “when your downtown and left all alone, i need some rest woman, lord when i come home, i can’t get nobody, lord to sooth my soul, well i feel like a dog that’s lost his bone” After another 30 minute journey down the improvisational tunnel led by Wales on Hammond B3 organ the ensemble encores with “Gypsy Women.”

    Hooteroll

    A week later the band made their way down the Thruway to the University of Buffalo for a performance on January 29, 1972. Very limited material exists of their work, Wales recently found the Buffalo tape and observed “It was a great tour because none of it was rehearsed. Some people are surprised when they hear that but we were capable of being out of the box. The way people get that way is because they’re jammers. Jammers have no fear.” Drummer Joe Russo had no panic over the years assembling musicians for their tribute to Hooteroll?

    Hooteroll
    The Rose, Jules R Dot, and Stanford S Dot Sentor. School of Music, Syracuse University

    His third time was last January 12 at Brooklyn Bowl for the 2020 NYC Winter Jazz Fest where Russo led an all-star cast tribute to the composition. Joe Russo Presents Hooteroll? + Plus! at Winter Jazz Fest; The Bogie Band Debut. After a long strange trip of 77 years, Howard Wales just passed away on December 7, 2020. His iconic keyboard sound can be heard on The Grateful Dead’s signature studio version of “Truckin‘.” “There was a point in which he was going to join the Dead, but Howard was to out there for them”

    Listen to the Studio Recording of Hooteroll? below.

  • X Ambassadors Announce Hyper-Creative New Multi-Part Project (Eg)

    X Ambassadors have announced a collaborative project with emerging artists, creating an eclectic atmosphere for their genreless songs to swim in. The multi-platinum band shared the first single from (Eg), titled “ultraviolet.tragedies” with emerging artist Terrell Hines, a fiery track that captures the band’s multidimensional production. The song and electrifying music video are available now at all digital retailers through KIDinaKORNER/Interscope Records.

    X Ambassadors
    Album Art for X Ambassadors’ Upcoming Release (Eg)

    Several other fresh artists feature on (Eg), such as Jensen McRae and Earl St. Clair. Both highly collaborative and prolific, X Ambassadors crafted a project as a free-flowing, experimental venture. Sam Harris revealed that the impulse to create arose from new discoveries in production and songwriting work with others. “We wanted to give voice to these incredible artists that people may not have heard yet, and really let their imagination be at the forefront of everything,” he says. “They’re all very much artists with their own unique style that’s so specific to them; they truly don’t care about fitting into any sort of mold, or curating their sound to anything other than what they envision.” 

    Harris says that their collaboration endeavors have encouraged the band to dive into their creativity fully, to make what they love and not overthink the process. (Eg) has a natural sensibility of the pure joy and freedom that come with the art of collaboration. On “ultraviolet.tragedies,” X Ambassadors join with artist Terrel Hines. His sound amalgamates eerie soul, alt-pop, hip-hop, post-punk, and southern funk, building a colorful world for his songs to live in. Georgia-born and Los Angeles-based, Hines critiques society, ponders the limitlessness of technology in his songs that captivate the listener with the true magic of inventive music.

    “ultraviolet.tragedies” was borne from a jam session between X Ambassadors and Hines that shines in the music video. More cinematic, including pauses for conversation, this song sings eerily to a futuristic visual. Created with Microsoft Azure Kinect Body Tracking SDK, the artists are captured in 3D in real time so that they can be superimposed into any world of their choice. The technology opens a world for X Ambassadors’ insatiable creativity in their music. 

    Hailing from Ithaca, New York, X Ambassadors is comprised of three hyper-creative men. Lead vocalist Sam Harris and keyboardist Casey Harris are brothers, with drummer Adam Levin whom they met when Sam attended the New School in New York City. Their full-length 2015 debut VHS launched the band on a three-year touring escapade. With radio hits such as “Renegades” and “Unsteady,” their release is now certified platinum. The lyrical content draws from the Harris brothers’ youth. ORION, their sophomore release,followed in 2019. After years of world touring, X Ambassadors have crafted more innovative, bemusing songs for release on (Eg) this year. 

  • The State Theatre of Ithaca Announces First Ever Virtual Concert

    Amidst the ongoing pandemic, ‘virtual concerts’ have come to be a familiar set of words. Fortunately, The State Theatre of Ithaca is joining in on the trend with its first virtual concert, “Boogie for the State – A Virtual Shakedown.”

    State Theatre Virtual Concert
    Poster art for “Boogie for the State – A Virtual Shakedown.”

    On Feb. 28, The State Theatre of Ithaca will live stream their show on both their Facebook page and YouTube channel. Over a dozen local artists will perform for the concert.

    “The Boogie Shakedown” is a backyard party that local musicians organize and perform for their friends and family. From 1998 all the way up until 2020, there’s been an annual “Shakedown” that attendees are always excited about.

    “I still vividly remember attending my first Boogie Shakedown back in the late 90’s. It was the first time that I ever saw the Sim Redmond Band perform!  We were all just a bunch of kids, getting together, having fun and making incredible music.  Twenty-plus years later, I think our children look forward to The Boogie even more than the adults,” said Executive Director Doug Levine.

    Levine also states that he intends to start this year off with something people “could look forward to” after an extremely tough year.

    Much like the past “Boogies,” this virtual show will consist of seasoned artists who have performed for it in the past as well as talented new-comers. Some of the artists confirmed are Plastic Nebraska, Sim Redmond Band, Johnny Dowd, Maddy & Suave (Maddy Walsh & The Blind Spots), Mary Lorson & Billy Cote (Madder Rose), Common Railers, The Small Kings, The Rungs, Janet Batch, The Sutras, Don Bazley and The Moles.

    The State Theatre of Ithaca is a nonprofit organization that owns and operates the last remaining historic theatre in Tompkin’s County. The community annually donates contributions to keep the site alive and well. Their purpose is to preserve history and promote live music, community and performances. Just last month, they reached their goal for “Save Our Seat,” a fundraiser to help with budget concerns during these unprecedented times.

    We are excited to partner with The State Theatre to bring the Boogie back to life in 2021. Not being able to hold the Boogie last year, for the first time in 21 years, was unfortunate, and I am really looking forward to helping organize this event, even if it’s being done virtually.  The Boogie Shakedown always signified the beginning of summer, of live music festivals, outdoor gatherings with friends and family.

    said Brian Fiorello, founding organizer and host of The Boogie Shakedown.

    The State Theatre Virtual Concert starts at 7:00 p.m. and is free to anyone wishing to experience a Virtual Shakedown. The theatre promotes the show to “stay home. Tune in and boogie down.”

  • Best of 2020: Best Tours and Drive-In Shows

    NYS Music’s Best of 2020 series concludes with a look at the best Tours and Drive-In shows of a year we’d all like to forget. When the music industry shut down in mid-March, it was sudden and continues to last into 2021. Few bands got to go on a ‘real’ tour, given there were roughly 11 weeks in which to tour, and the coldest months of the year, at that. Still, a few bands went out on a Winter 2020 tour, making stops in New York State and surrounding areas. Be sure to check out the best Streams, Covers and Jams.

    moe best of 2020
    photo by JD Cohen

    Goose announced shows in Williamsburg for late January, 2020, and immediately added a second, and smaller third show, due to demand. Their shows at The Music Hall of Williamsburg were two of the best of their tour.

    One band, Twiddle, celebrated their 15th year as a band with a Roots Tour of their own, streaming the multi-week event that looked at the venues they got their start in across Vermont, wonderfully recalled by Ryan Dempsey. In addition to these shows, Twiddle performed at multiple Drive-In shows across the Northeast, including New Jersey and Essex Junction, VT.

    All that after a cross-country tour running from January through early March. The band had an impressive 2020, performing shows in Colorado to start 2020 with “Somewhere on the Mountain” in Frisco, CO and connecting with platform LiveXLive for their July Roots Tour.

    twiddle essex
    photo by Dave Decrescente

    When it came to Drive-Ins, there were quite a few across the Northeast – Drive-in-Live in Swanzey, NH, Jericho Drive-In in Glenmont, NY, South Farms in Morris Farms, CT, Fingerlakes Drive-In in Auburn, NY, Silver Lake Drive-In in Perry, NY and Radial Park in Astoria, Queens.

    Live at the Drive, featuring Buffalo’s Aqueous, was one of the first and the most successful series, with three weekends between Lockport’s Transit Drive-in and Perry Silver Lake Drive-In. Buffalo Iron Works produced the shows, with Josh Holtzman and Grace Vesneske’s new company Twenty6 Productions garnering credit for putting on shows that set a standard for socially distanced shows that were safe, well-run and comfortable for fans and staff alike.

    aqueous silver lake best of 2020
    photo by Paul Citone

    Goose also hosted numerous Drive-Ins across the Northeast and even ventured safely to Ohio, North Carolina and Maryland, as well as Swanzey and South Farms. Located in Morris, CT, South Farms was centrally located to the Hudson Valley from Albany to NYC, Western Massachusetts and Connecticut itself. As such, Goose, moe., Warren Haynes, Grace Potter, Allman Betts Band, Dark Star Orchestra, Citizen Cope and even comedian Bill Burr. Due to a recent Zoning Board ruling, South Farms won’t have live music for the time being, but they made some memorable moment in the time they were able to, in a key location in the Northeast.

    goose south farms best of 2020
    photo by Chad Anderson

    moe. and Disco Biscuits each hit the new Drive-In circuit, streaming online and giving fans thirsty for live music the remedy they sought. Shows in Yarmouth, MA became regular stops, with both bands heading to Cape Cod in October. Lafayette Apple Festival Grounds, just south of Syracuse, brought in Dirty Heads and Disco Biscuits, the latter of which performed three nights, culminating their Drive-In shows with a Halloween show and an audience well-prepared for the cold and mud but still got down to dance.

    What will come in 2021? Drive-In concerts will surely be a regular feature starting in the Spring, until the pandemic is under control, the population is inoculated with the vaccine, and venues are able to manage crowds of slowly increasing size. Will Drive-In concerts be here to stay? The collective effort to stem the spread of COVID-19 this year and into 2022 will determine the speed at which we can return to having live music back to where it was in early March of 2020.

    https://youtu.be/1uz8BpvENlg?t=4541