Category: Pop

  • Moxie Raia Takes Control with New Music, Choreography and Ideas

    I started dance classes when I was 2, then I was competing around the country when I was six. Dancing, singing, putting on a show, that was my entire life. 

    Not much has changed for 28-year-old Jersey native, Moxie Raia, in that regard. But in truth, her life can be characterized through her willingness to evolve and adjust. All in the pursuit of her ultimate goal.  

    At age 13, the “Love Language” singer (born, Laura Raia) convinced her parents to let her attend performing arts school in New York City. From there, Raia — who had been writing songs for years — began to record vocals for the very first time. Thereafter came the industry connections, live shows and meetings with labels.

    I have always known that I wanted to do music and be an artist. My parents were really supportive as well. 

    Since then, the “On My Mind” singer has spent time on the rosters of Capital Records and Def Jam during her early twenties; having recorded, performed and toured with some of the most recognizable names in music. Her debut Dej Jam project, 931 Reloaded (which was a re-release of her independently released EP of the same name), featured the likes of Wyclef Jean, Pusha T and Post Malone, which she got to perform as she served as the opening act during the North American Leg of Justin Bieber’s Purpose World Tour. 

    Despite her bubbling success, the music industry can be a bit “one-size-fits-all” when it comes to artist presentation, preferring them to fit certain criteria that meet the label’s needs. And at the time, that did not suit Moxie Raia.  

    I don’t think I was strong enough to express what I really wanted creatively. I would definitely sign to a major again, but I didn’t want to do it before I had this foundation.

    The foundation she speaks of is her own development and evolution as an artist. With creative direction no longer a worry, the singer-songwriter has had free will to rebrand the way she sees fit. 

    One of her newer records, the dark and seductive “Not The One” sees her tap into her sensual side, as she pays homage to the late Aaliyah. 

     The thing that captivated me most about her [Aaliyah] was how she was so soft and feminine but a Tomboy and strong. That song in particular was a homage to that time and those sounds. 

    Creatively, Raia feels her niche falls within that dichotomy, the grey area between delicacy and strength. Wanting to portray a sultry, yet dominant presence rather than the damsel in distress image many pop stars carry in the early stages of their careers. 

     I think I’ve become better at executing my vision and that comes down to confidence and faith. 

    Her creative freedom can be found through her alter ego, Carbon Girl, a superhero character whom Raia plans to base much of her upcoming EP, 2989, on. Representing the strength Raia is looking to emit through her music.

    What drives me most is thinking about being on stage and being connected to 20,000 people at one time. And everybody, for a moment is there with the music, forgetting about their differences, forgetting about what’s going on in their life that may not be ideal, and you just have a moment with people.

    With a relaxed, recently awoken tone throughout, Raia remained nonchalant throughout the interview. Until, the topic turned to the reason behind her perseverance in the music industry. It was then that the fervor in her voice could be heard, reacting strongly to the thought of creating music without performing. It became clear that, through nearly two decades of pursuit, one thing has remained the same, Raia’s passion for performance and the cathartic feeling of live performance.

    I like making music in my room that I can listen to, but I wouldn’t still be going if that was the motivation. The motivation is those moments.

  • Watch Taylor Swift Perform 10-minute “All Too Well” on SNL

    For the sixth episode of Season 47 of Saturday Night Live, actor Jonathan Majors was joined by four-time musical guest Taylor Swift, fresh off the release of Red (Taylor’s Version) on Friday.

    taylor swift all too well

    Swift made her first appearance of the night in a digital short from Please Don’t Destroy, a New York-based comedy trio featuring Ben Marshall, John Higgins, and Martin Herlihy, the latter the son of former SNL writer and Adam Sandler collaborator Tim Herlihy. What seemed to be a music video on a day in the lift of Pete Davidson suddenly turned into “Three Sad Virgins,” with Davidson mocking Marshall, Higgins and Herlihy, joined by Swift partway through.

    Swift would only perform one song this evening, the first time in seven years – Prince performed a single tune in 2014 – with the ‘new’ “All Too Well,” an extended update of the same song from Taylor Swift’s Red, released in 2012. The new take on the album was rerecorded to circumvent a dispute with her former label, and received immediate praise in scope and execution.

    “All Too Well” featured Swift performing in front of a screen that shows clips from the short film of the same name, which was also released on Friday. Starring Sadie Sink (Stranger Things) and Dylan O’Brien (Teen Wolf) as “Her” and “Him,” the couple moves from romance to break up, due to uncaring behavior from “Him.” “Love is so short, forgetting is so long,” a quote from Pablo Neruda, references Swift’s brief three-month relationship with actor Jake Gyllenhaal.

    Clad all in black with a red guitar, Swift performed, “All Too Well” and live scoring the film clips behind her. A rose petal filled stage, with alternating blue and red lighting, lasting an impressive 10 minutes. Swift put her guitar down towards the end, singing passionately for a build up that drifted into falling snow as the performance came to a close.

    https://www.youtube.com/watch?v=J2uxc01fUXU&list=PLS_gQd8UB-hIsVnV1d2tS26Q1vDUp4FWh&index=15

    Jonathan Majors was underutlized this evening, but shone particularly well on “Broadway Benefit,” a Broadway musical spoof where he flexed his singing chops alongside Bowen Yang and Cecily Strong.

    Swift and Majors would joyfully bump chests (while wearing masks) during the show closing goodbyes. Next week Shang Chi star Simu Liu with musical guest Saweetie for the Thanksgiving episode of Saturday Night Live.

  • Cate Hamilton Brings Cinematic Pop Sounds to East Berlin

    If you dig the lush cinematic pop of Lana Del Ray but wish it came with more heartbreaking lyricism and some heavy R&B vocal chops to deliver it all, you should check out the music of 22-year-old Brooklyn-based singer-songwriter Cate Hamilton. 

    cate hamilton
    Photo by Justin Truglio

    The St. Louis native has two soulful EPs to under her belt, Angel Baby (2017) and Five Shots in the Chamber (2019), as well as a new single – the dreamy, throaty, trip hop-flavored ballad, “Traces.”  Cate also has a new all-girl backing band which she unveiled in a tight, six-song set November 11th at East Berlin on Avenue A, her first live foray since the COVID-19 quarantine commenced.

    Cate’s sound is dense, sensual, soulful, jazzy and even little electronically experimental.  It is inspired by a host of classic R&B icons and their modern descendants like Iranian/Swedish singer-songwriter Snoh Aalegra, a Hamilton favorite.  In her studio offerings, Cate’s rich lead vocals are front and center, often complemented by her stacked, spiraling and sophisticated harmonies. 

    cate hamilton
    Photo by Justin Truglio

    Hamilton’s new three-girl band did a wonderful job recreating the symphonic grooves and vocal harmonies Cate marshals in the studio.  The band included Mia Madden on keys and vocals, Chloe Seltzer on drum pads and vocals and Bettinacakes on bass. Hamilton handled the lead vocals, on-stage cheerleading/banter and rhythm guitar.

    Cate Hamilton and band kicked off the evening with two strong singles from her discography, “Traces” and “Universe.” The latter is a bouncy offering from her debut EP, with a killer chorus and a cool acapella outro.  The highlight of the evening was “12 Bar Blues.” This is a new and as of yet unrecorded bluesy lyrical bitchfest propelled by a walking bass and gorgeous three-part harmony.  Cate and crew ended their set with two smart covers: Snoh Aalegra’s “Fool for You” and Canadian electronic/jazz hip-hoppers’ BADBADNOTGOOD’s “In Your Eyes.”

    Two standout studio tracks not performed that evening but deserving of some serious airplay and acclaim are the James Bond theme like “Sick and Tired” and “Exist.”  The former can stand up nexty to Adele and Billie Eilish’s recent cinematic spy offerings, while the latter is a slow groove with minimalist accompaniment, one that really demonstrates this young singer’s superior vocal chops and range.

  • Ed Sheeran Bounces back from COVID, Performs on Saturday Night Live with host Kieran Culkin

    Ed Sheeran performed as musical guest and Succession’s Kieran Culkin returned to Saturday Night Live on Saturday, November 6. The hosting duties for Culkin occured almost 30 years to the day since his brother Macaulay hosted in November 1991.

    This past week, Kieran shared a memory on The Tonight Show with Jimmy Fallon from his time hanging around Studio 8H while his brother held hosting duties:


    I remember during rehearsal day, being on the stage and I was with my mom, and Kevin Nealon walks by, and she grabs him and she goes, ‘Oh hey, you’re great. By the way, you’re my son’s favorite.’ And he goes, ‘Oh, thank you very much, that’s nice to hear.’ And I went, ‘Mom’ — cuz I’m 9, kids don’t have a filter — ‘I told you, he’s my second favorite, Dana Carvey’s my favorite.’

    Kieran Culkin, November 1991

    Kieran appeared in three sketches that night – “Bill Swerski’s Super Fans,” “Medieval Scalders” and as Froggy, in a flashback during the “Richmeister” sketch, seen below.

    kieran culkin ed sheeran

    Sheeran made his first appearance of the night as a guest on the Dionne Warwick Talk Show, with the talented Ego Nwodim playing the legendary pop singer who recently discovered Twitter. As a surprise, the Warwick appeared, just as Nwodim’s Warwick suggested she interview a true icon. After sharing “I’m not perfect, I’m just very good,” the two sang a duet of Burt Bacharach’s “What the World Needs Now.”

    Sheeran was announced as musical guest for this episode back on October 23, and the next day shared a diagnosis of COVID-19 for he and his daughter, despite he being vaccinated. Sheeran was able to finish his isolation period and was cleared to perform, although he did not appear in the traditional SNL promos with Culkin.

    For the first song of the night, Sheeran played “Shivers,” the second single off his new album = (pronounced “equals”), which was released just last week. There were no signs he had just been under the weather, as Sheeran didn’t miss a beat on this dance pop number.

    https://www.youtube.com/watch?v=5ItgpYfAT14

    Sheeran returned later in the show to sing the folksy “Overpass Graffiti,” fist-bumping members of his band at the end.

    https://www.youtube.com/watch?v=EGiVv_iFaGI

    During the goodbyes, fulfilling his monologue wish, Culkin was hoisted by cast members Chris Redd and Keenan Thompson, flexing as he did nearly 30 years ago.


    Next week, Saturday Night Life welcomes host Jonathan Majors (Lovecraft Country, Loki) with musical guest Taylor Swift.

  • Hearing Aide: “All Souls Day” by The Forms

    Queens duo, The Forms, known for their experimental indie sound, have returned with another new single, the eerie-sounding, “All Souls Day,” an ode to the celebratory day of remembrance of the same name.

    The band released their first two albums with legendary producer Steve Albini, who had previously worked with lighting rods like, Nirvana and PJ Harvey. “All Souls Day,” is the third release from The Forms this year after over a decade without any new music. Their last full-length, The Forms, was released in 2007. 

    “All Souls Day” centers on a hypnotizing riff played on a bass steel pan. The echoey and percussive instrument, as played masterfully by Matt Walsh, creates an ominous sound. It’s perfect for their psychedelic brand of indie rock, as the steel pan feels otherworldly like a synth yet as painfully human as a banjo. Vocalist, Alex Tweens’, high and whispery vocals balance the instrument with an alien quality. Tweens described the track as

    a strange dark meditative soundscape of a quiet apocalypse. 

    The music video for the track, shot in a remote field in The Catskills, is eerie and sensory. Cattails brush up against the camera lens, and pollen disperses like gold flecks in the wind. When night falls and a thick mist settles over the set, you can almost feel the chill. The atmospheric video matches the track so perfectly the creeping plants even flutter in time with Tweens’ delicate tack piano. 

    As Tweens also pointed out, the track is a “wild mood swing” from their other recent releases. Their exultant comeback single, “Southern Ocean,” made apathy sound fun over a bouncy, summery beat. Their latest release “Head Underwater” leans hard into the coveted late 2000s indie-pop formula of classic 90s riffs plus synths. Tween described the track as

    the most purely joyful song The Forms have ever done.

    The fun, upbeat nature of both records is a far cry from the barren soundscape of “All Souls Day.” But, then again, summer is over and existentialism no longer feels like a beach game.

    All Souls Day, celebrated annually on November 2nd, is a day of prayer and remembrance for the faithful departed, observed mainly by Roman Catholics and other Christian denominations.

    On the song, Tweens sings of spending the day floating in a river:

    Now I’ve come here/ In a state of mind/ One I’ll never forget.

    The meditative lyrics over the ever-echoing steel pan transport you right to that floating, questioning state. The effect is sonically beautiful and emotionally resonant, letting you know that this will be an All Souls Day you won’t forget anytime soon. 

  • Hearing Aide: ”Right Now” and “Psycho Summer” by Hunter Blair Ambrose

    New-York based pop & alt R&B singer Hunter Blair Ambrose has shared two new singles ahead of her upcoming album Scorpio Season. After graduating from Boston’s Berklee College of Music in 2019, Ambrose released her debut EP, Scorpio Rising, in April 2020. Luxuriating in the melancholy approach of “cuffing season,” the latest singles “Right Now” and “Psycho Summer” fit the chilly moment perfectly. 

    Right Now

    “Right Now,” released on October 22, 2021 is a true dance banger. The luxe percussion on “Right Now” may overpower another artist, but Ambrose’s powerful soul vocals anchor the music. Though at times the production on the vocals dims their shine, Ambrose’s raw vocal talent is clear. One can’t help but wonder how she’d sound on a less synthy track. 

    The lyrics find Ambrose looking for love; or maybe just a good time? Either way, she just wants to spend the present moment with her lover, no matter what tomorrow may look like. She sings: “Right now it’s just you and me/ No other place I’d rather be/ Maybe it’s not meant to be/ Hard to care with your hands on me.” Though the rhyme scheme begs for some variety, Ambrose’s emotion comes through. After all, sometimes love and lust take the words right out of your mouth. 

    Psycho Summer

    Ambrose sounds uncannily like The-Fame-Monster-era Lady Gaga on “Psycho Summer,” the standout of the two tracks. Gaga is a clear inspiration to Ambrose; on her track “November,” she even repurposed the hummed hook from Gaga’s 2010 single “Alejandro.”

     Released on October 29, 2021, “Psycho Summer” could be the next chapter in the heady, lustful love story of “Right Now.” Now that summer’s over and her lover has disappeared, Ambrose feels crazy; was the passion they shared even real? A sparer, more streamlined beat allows her voice to stand out, and the eerie production evokes the end of summer perfectly. 

    With mainstream pop music growing more experimental each day, it can be hard for a more traditional track to gain traction. However, Ambrose’s tracks paired together reflect an emotional candor in her work that draws you in. She’s no stranger to lust, and no stranger to loneliness; the duality bridges the songs perfectly. Listeners can only hope her upcoming album, slated for release on November 5, 2021 will further dive into bad romance; if anything, she’d make Gaga proud. 

    Listen to “Right Now” and “Psycho Summer” below.

  • TORRES Gives an Intimate Performance at Bowery Ballroom

    Georgia native TORRES returned to her current city of residence, New York City, on Thursday, October 21st for one of the last stops on the North American leg of her tour. Making an appearance at Bowery Ballroom, TORRES played several songs off her most recent LP Thirstier, in addition to several fan-favorites from her previous projects.

    TORRES
    TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

    With Thirstier having been released back in July of this year, the songs from it were very fresh in the crowd’s minds. They enthusiastically sang along to songs like “Don’t Go Puttin’ Wishes in My Head” and the title track “Thirstier.” The crowd energy was infectious and it was impossible not to move a little bit and lose yourself in the great instrumentation of it all.

    TORRES
    TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

    As it has been a common thread amongst many performers I have watched recently, TORRES was visibly emotional performing for a sold-out crowd in NYC for the first time in so long, due to COVID-19. She said multiple times that she was close to tears and was just astonished by how good it felt to play in her city again. TORRES interacted extensively with the crowd and it was obvious that this was a very devoted fanbase.

    TORRES
    TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

    TORRES’s tour has one more stop in Brooklyn at Baby’s All Right on Thursday, October 28th before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!

  • Hearing Aide: Anthony Casuccio Returns with ‘Emotional Lockdown’ EP

    Buffalo-area native Anthony Casuccio has returned with his first solo effort in over 20 years, Emotional Lockdown. Created last year during COVID-19 lockdown, Casuccio said he used music as an outlet to deal with isolation, composing over a dozen songs that became the six-track album. He plans to include some of the additional tracks in live DJ sets.  

    Casuccio, a guitarist and veteran Grammy-winning producer, has gained accolades for remastering albums for icons like Johnny Cash, Roy Orbison and Tony Bennett. But he took a new turn with his latest project, opting for EDM-infused pop with flourishes of 80s rock. The music merges classic pop vocals with experimental synths, feeling from many eras at once.  

    Photo via Anthony Casuccio

    Casuccio combines an acoustic sound with diverse and genre-spanning dance beats. Something about the tone gives the music the feel of coming from your childhood. In fact, this could be widely applicable, as the music feels simultaneously from many different eras at the same time. Opening track “Love is the Answer” could easily soundtrack a Hands Across America ad. “My Destiny” with vocalist Laura Aiisha transports you to a 70s rave, practically conjuring the glitter and silk chiffon. And the penultimate track “I’m Free” brings to mind the Y2K energy of early Daft Punk and Darude’s “Sandstorm.” 

    Though he experiments with his favorite elements of many different genres, sometimes Casuccio relies too heavily on the constraints of radio pop. Beats-machine lines weaken the sound, and the vocal production often feels disjointed from Casuccio’s instrumentals. Casuccio has not yet mastered the immersive and feral nature of today’s electronic music. Yet his take still feels unique and new, if rough around the edges. 

    Casuccio’s taste for combining unusual elements from across pop eras can pay off. When his music leans into a more experimental and heady approach, exciting things happen. Electronic yet retro influences on songs like “Not Alone” bring to mind indie-pop auteur Alex Cameron. The songs’ standout guitar solo, which leads into the beat falling to pieces before disappearing, was a favorite moment on the album. “Not Alone”’s lyrics repeatedly question: “I’m on my own/ I hope I’ve grown.” Over the devolving beat, the track feels the most personal, and also the most arresting, of the entire project. 

    Though the focus is Casuccio’s production, he recorded his own vocals and recruited others to contribute. For “Love is the Answer,” Casuccio recruited veteran vocalist Cynthia Moore, who toured and recorded for 16 years with James Brown. Two songs also feature Buffalo-based singer Laura Aiisha, whose dreamy vocals on “My Destiny” elevate the pulsating disco track.  

    Final track “I Am Drowning” is the most modern pop hit on the project. The track features singer Maddie Radwan, a former student of Casuccio’s. Her raw vocals match pop’s current moment, dominated by artists like Billie Eilish and Willow Smith. The charming collaboration flows nicely and comes in at a chart-appropriate 3 minutes 34 seconds. But some of Casuccio’s production still feels unexpected and experimental, and the influences of a younger student are clear. 

    For all the ways in which COVID-19 crippled the music world, a bright spot was the wave of exploration and creativity that came from isolation. Artists across genres, cooped up, released experimental, raw work that will stand out for a long time. Cassuccio’s choice to experiment with a new sound and explore the bounds of his musicality shines through. Though the EP can falter, Casuccio’s taste for combining unique elements of dance music across time leaves the ear curious.  One can only hope he will continue to use his skill with production to continue to explore what pop and EDM have to offer. 

    Key Tracks: Not Alone, I’m Free, I Am Drowning

  • Josh Lumsden Debuts “Love Me Back” Music Video

    Josh Lumsden has released a new music video, “Love Me Back,” on Friday, October 1. The eccentric, vibrant, and sci-fi inspired video could only be filmed in the New York City. Lumsden continues to work on new music with more visual media to be later released in the new year.

    Josh Lumsden

    Josh Lumsden is a self made musician born & raised in Austin, Texas, now based in New York City and “Love Me Back” is his newest futuristic single. Lumsden’s new music video features his charming and intriguing persona complimented with a pop-beat heavy chorus that will get your feet moving. It doesn’t take long for Lumsden smooth vocals to become stuck in your head all day long.

    Complete with four uniquely varying looks in the video directed by Mikey Harmon, we can learn a few fashion tips from the mesmerizing Josh Lumsden. Inclusive with a team underneath the entirety of LGBTQIA umbrella, Josh gives queers an opportunity to be in the forefront of the music industry once again.

    The highly anticipated video is finally released where Josh Lumsden and Mikey Harmon had planned to collaborate for many months unfortunately delayed due to the pandemic. Harmon was sure to showcase Lumsden futuristic and sci-fi performance stylistically driving the down to earth narrative of lust and love embedded into the song’s lyrics.

  • 360 Venue in Grand Central Creates Immersive Way to Experience Coldplay; World Tour Dates Announced

    Coldplay and Amazon Music have teamed up for the ultimate debut two-day event in the heart of New York City. The audience will hear Music of the Spheres in a whole new light inside “The Atmospheres” –  an intergalactic audio-visual experience at Vanderbilt Hall in Grand Central Terminal.

    coldplay

    The audience will be inside the custom-built installation perfect for Coldplay’s new album, Music of the Spheres, that will be officially released October 15th which features The Spheres, the distant solar system that where each of the twelve tracks is twinned with a different planet.

    “The Atmospheres” will find a worldwide audience, coming to New York as well as London, Tokyo, and Berlin. These big cities will bring you to redesigned exhibits of the alien worlds Coldplay has created.  

    coldplay

    “The Atmospheres” has also created interactive features for their fans where they can create their own alien language messages and snap selfies in an augmented reality photobooth. The jaw dropping environment will be soundtracked with the highlight album People of the Pride, mixed in Dolby Atmos to better exhibit the exclusive 360 visuals.

    Coldplay fans will not be able to resist this two-day pop-up event, running from Friday, 15 October through Saturday, 16 October in London, New York, Tokyo, and Berlin. Dolby Atmos “The Atmospheres” will have their viewers perplexed and by exhibiting a new way of experiencing music in the most immersive way possible. Register for tickets here.

    Coldplay Music of the Spheres World Tour 2022

    MARCH

    18: San Jose, CR – Estadio Nacional (Support: TBA)

    22: Santo Domingo, DR – Estadio Olímpico (Support: TBA)

    25: Monterrey, MX – Estadio BBVA (Support: H.E.R.)

    29: Guadalajara, MX – Estadio Akron (Support: H.E.R.)

    APRIL

    3: Mexico City, MX – Foro Sol (Support: H.E.R.)

    23: Santa Clara, CA – Levi’s Stadium (Support: H.E.R.)

    26: Los Angeles, CA – SoFi Stadium (Support: H.E.R.)

    MAY

    3: Phoenix, AZ – State Farm Stadium (Support: H.E.R.)

    6: Dallas, TX – Cotton Bowl Stadium (Support: H.E.R.)

    8: Houston, TX – NRG Stadium (Support: H.E.R.)

    28: Chicago, IL – Soldier Field (Support: H.E.R.)

    JUNE

    1: Washington, DC – FedExField (Support: H.E.R.)

    4: East Rutherford, NJ – MetLife Stadium (Support: H.E.R.)

    5: East Rutherford, NJ – Metlife Stadium (Support: H.E.R.)

    8: Philadelphia, PA – Lincoln Financial Field (Support: H.E.R.)

    11: Atlanta, GA – Mercedes-Benz Stadium (Support: H.E.R.)

    14: Tampa, FL – Raymond James Stadium (Support: H.E.R.)

    JULY

    2: Frankfurt, DE – Deutsche Bank Park (Support: H.E.R.)

    3: Frankfurt, DE – Deutsche Bank Park (Support: H.E.R.)

    8: Warsaw, PL – PGE Narodowy (Support: H.E.R.)

    10: Berlin, DE – Olympiastadion Berlin (Support: London Grammar)

    12: Berlin, DE – Olympiastadion Berlin (Support: H.E.R.)

    16: Paris, FR – Stade de France (Support: H.E.R.)

    17: Paris, FR – Stade de France (Support: H.E.R.)

    AUGUST

    5: Brussels, BE – King Baudouin Stadium (Support: H.E.R.)

    6: Brussels, BE – King Baudouin Stadium (Support: H.E.R.)

    12: London, UK – Wembley Stadium (Support: H.E.R.)

    13: London, UK – Wembley Stadium (Support: H.E.R.)

    16: London, UK – Wembley Stadium (Support: London Grammar)

    23: Glasgow, UK – Hampden Park Stadium (Support: H.E.R.)

    SEPTEMBER

    10: Rio De Janeiro, BR – Rock in Rio Festival