Category: Genres

  • Cassandra Jenkins New Single Honors Inauguration Day

    New York City singer Cassandra Jenkins released her new song “Hard Drive” in celebration of Inauguration Day.

    Cassandra Jenkins
    Photo from Cassandra Jenkins website

    “Hard Drive” is the third track and second released single off Jenkins’ upcoming album titled An Overview on Phenomenal Nature. The song is in the style of a spoken word beginning with audio of a security guard pondering about Mrinalini Mukherjee’s display “Phenomenal Nature” at the Met Breuer. It follows with lyrics filled with Jenkins recalling encounters in her life. The song works its way to her repeating “one, two, three”, a guided meditation from her friend. It ends with words from a psychic Peri Lyons stating the year will be good. Jenkins thought that Lyons’s statement was necessary after living through the uncertainty of 2020.

    The single serves as a journey through a month in her life where she was in the middle of doing two tours. Jenkins also released a video to accompany the track, consisting of scenes with her walking and peacefully riding down a road. The instrumentals are supplied by musician Stuart Bogie on the saxophone and engineer Josh Kaufman on the guitar. The song was purposely released on Inauguration Day to symbolize the country collectively moving forward into a new chapter after the past four years.When creating the album, she was reflecting on ways to heal while living under Trump’s administration.

    An Overview on Phenomenal Nature is releasing on Feb. 19 from Ba Da Bing Records. Jenkins worked with Josh Kaufman on the album and finished it within a week. It comes after her last album, Play Till You Win, which came out in 2017. Her previous body of work showcased her talent but the forthcoming work shows her adaptability. It has a theme of being optimistic and being open to change.

  • Melt, NYC Pop-Soul Band Release Dreamy New Single “Hours”

    NYC-based psychedelic pop-soul group Melt released new single, “Hours,” ahead of their hotly anticipated forthcoming EP. The contemplative ballad is the third single released from the band’s debut EP, set to come out next month.

    Available across all streaming platforms, the single captures the band’s sonic and lyrical maturity – a welcome presentation of their impressive studio prowess. A balanced combination of a passionate low end, moody synth leads, inquisitive guitar lines, and a lustful melody create “Hours.”

    melt

    Hours totally captures the energy and intoxication we feel working on something new. We wanted to convey that feeling of meeting someone –– the excitement, but also the haziness and fantasy of it,

    Eric Gabriels, Vocals and Keys

    “Hours” was produced and engineered by Aaron Nevezie at The Bunker Studio, mixed by Michael Brauer, and mastered by Heba Kadry. Melt is known throughout the East Coast for their exhilarating live performances. The track captures Melt’s signature sound, despite the challenges the current pandemic presented to the creative process. 

    melt

    Melt is: Veronica Stewart-Frommer (lead vocals), Eric Gabriel (vocals, keys), Marlo Shankweiler (guitar), Josh Greenzeig (drums), Nick Sare (saxophone), Lucas Saur (bass), and Aaron Alcouloumre (trumpet).

    Something unique about this project is that before we release new music, we normally test it live on tour for months to years. Quarantine forced us to hunker down, write new songs, and create—without any feedback from an audience,

    Veronica Stewart-Frommer, Vocals

    When Melt records a new song, they turn to each other and ask “what the hell is this band?”  The septet’s sound is rooted in soul and psychedelia, infusing ethereal jam-sections into existential pop songs.  Dubbed “one groovy super organism” by NPR, four years after their first-ever release “Sour Candy” went viral in 2017 and reached #5 on Billboard’s US Viral 50 Chart (and #6 in Canada). Melt sells out shows across the Northeast and repeatedly in their hometown of NYC at venues Mercury Lounge and The Knitting Factory. 

  • Celebrities Come Together to Fundraise for Famous New York Jazz Club Birdland

    In efforts to rescue the legendary New York jazz club, Birdland, a virtual concert will take place with many celebrity appearances on Jan. 24. This is the final attempt to save the iconic venue.

    Birdland
    Photo from Theater Mania

    Birdland is named after and inspired by famous Jazz artist Charlie “Yardbird” Parker, opened in 1949. It was located on Broadway and 52nd which was the hotspot for jazz during that time. As inspiration for the club, Parker was the headliner. Several notorious jazz artists performed there, causing 1.4 million people to attend within the first five years of its opening. It attracted the likes of locals and celebrities and continued to do so throughout the years.

    The club closed in 1965 and reopened and relocated Uptown to 2745 Broadway in 1986. While Birdland was able to discover about 2,000 rising artists, the Uptown location didn’t last for long. It moved back to Midtown at 315 West 44th St. in 1996. Since it returned to the area it gained even more popularity for the music and the menu.

    Although the club is a staple in the jazz world, the pandemic’s restrictions recently took a toll. First, the shut down of indoor dining became a setback and caused them to rely on a concert series called Radio Free Birdland. At first, the series took place in the club but as COVID-19 became more unpredictable, there were more restrictions. Producers Tom D’Angora and Tim Guinee created a GoFundMe that raised over $200,000 in hopes of saving it. The virtual concert “Save Birdland: A Celebration of Music, History, and Community” was created in order to call more attention to the GoFundMe. It will stream on the website “Save Birdland”.

    This concert will be a star-studded event with appearances and performances from many celebrities of different backgrounds. Former President Bill Clinton, Michael Broderick, Leslie Odom Jr, Chita Rivera Giancarlo Esposito, and many more are a part of the lineup. With the hopes that “Save Birdland” will bring enough awareness, this is the final effort to save the renowned jazz club.

    Charlie Parker (as), Fats Navarro (tp), Bud Powell (p), Curly Russell (b), Art Blakey (d). Birdland New York, June 30, 1950
  • WOLF Releases New Single “Villain”

    WOLF, an indie-pop artist from Queens, NY (aka Julia Wolf), released her first single of the new year, “Villain,” on January 14. As an up and coming singer-songwriter, WOLF has begun to experience the harsh realities of becoming a musical figure in today’s climate. While being a non-confrontational person, WOLF responded in the only way she knows how: “coming back bigger and fresher.”     

    WOLF

    WOLF began her career buildup at the end of 2019 from her bedroom. She released freestyles and snippets of her music via her social media platforms. WOLF curated lots of attention, turning the heads of new fans and industry professionals. This recognition led to millions of streams and hundreds of thousands of followers on both Spotify and Instagram in less than a year. Additionally, the heavy buzz has even allowed the release of her very own clothing line, Girls in Purgatory.  

    “Villain,” produced by Jackson Foote, is a tribute to the shy kids and to the ones that always over-accommodate. WOLF uses her signature 808s and the addition of a vintage guitar to create a mesmerizing tone. Her voice effortlessly blends with the beats she builds off of which adds a sense of groove to her music. The single holds an empowering message when looking to overcome adversity. One must always stay true to themselves, and if people want to make someone out to be the villain, then so be it.  

    As the world is trying to recover from drawbacks of the Coronavirus, WOLF is an inspiration to look out for. Her music provides an outlet of hope during these times of turmoil, similarly to the optimism of Ok Cowgirl. New motivation to start off the new year!

    “Villain” is available on major platforms

    Apple Music, Spotify and Soundcloud.

  • Flashback: Jay-Z Brings Magna Carter Tour To Nassau Coliseum

    On Sunday, January 19, 2014, Jay-Z played a sold out show at Nassau Coliseum on Long Island during his Magna Carter world tour. “The last time I was in this building I brought Michael Jackson to the stage,” he said.  “I know that show will be a hard one to top, but we’re going to try tonight.”  Jay looked at home while he took the audience on a 27 song journey of his musical career, covering almost all of his studio 12 albums. He also had a four piece band which included DJ/producer Timbaland

    The Magna Carter tour was Jay-Z’s first headlining tour in almost four years. Initially Jay was supposed to go on tour with Justin Timberlake in support of Timberlake’s come back to music and new album The 20/20 Experience. However, on July 24, 2013 Jay-Z released his twelfth studio album Magna Carter Holy Grail and on July 26, 2013 the tour was announced. The tour started in Europe, but due to its overwhelming success, a second leg of the tour was announced on September 13, 2013 to take place in North America. Based on Pollstar reports, the tour earned $48.9 million from 52 shows from 2013 to 2014.  

    Jay-Z – Magna Carter Tour
    Nassau Coliseum, Uniondale, Long Island – January 19, 2014

    Setlist: You Don’t Know, Crown, On to the Next One, Holy Grail, Fuckwithmeyouknowigotit, Beach is Better, 99 Problems, Picasso Baby, Can I Live, No Church in the Wild, Somewhere in America, Big Pimpin’, Timbaland Interlude, Can I Get A Nigga What, Nigga Who, Dirt Off Your Shoulder, I Just Wanna Love You, Niggas in Paris, Tom Ford, Public Service Announcement, Clique, Run This Town.

    Encore: Who Gon Stop Me, Empire State of Mind, Izzo, Hard Knock Life, Young Forever.

  • The Yiddish Book Center Celebrates 40 Years of Yiddish Revival with the Klemzer Conservatory Band

    Two beacons of Yiddish cultural revival illuminate the 40th anniversary with a joyous virtual event, filled with music and conversation from members of the Klemzer Conservatory Band. 

    Forty Years in Yiddishland: The Yiddish Book Center Celebrates the Klezmer  Conservatory Band
    Photo by Randy H. Goodman

    On January 24th, 2021, at 2 p.m. EST, the Yiddish Book Center will commemorate the international Yiddish cultural revival with a 40th anniversary video special. This event will be free and open to the public, accessible via Zoom, as well as stream live on the Yiddish Book Center’s Facebook page. Since there will be an interview section, it is required to register a virtual seat and submit questions. 

    In 1980, a revival of Yiddish culture bloomed in New England, led by two 24-year-olds, Hankus Netsy and Aaron Lanksy. Hankus Netsy began jam sessions in a genre of Eastern European folk music that was fairly unknown at the time. That year, the Klemzer Conservatory Band was formed at Boston New England Conservatory. Aaron Lanksy concurrently set out on a campaign to salvage Yiddish literature. With 70,000 books to be saved, Lanksy created the Yiddish Book Center, hitting their goal within six months. 

    40 Years in Yiddishland will include videos of acclaimed performances, ranging from “The Fool in the Flying Ship” with Robin Williams (1991) and “In the Fiddler’s House” with Itzhak Perlman (1997). Joining Netsy and Lanksy in conversation will also include well-known collaborators with the Klemzer Conservatory Band such as Itzhak Perlman and Joel Grey. 

    The two organizations have celebrated their shared history in the international revival of Yiddish culture, and this anniversary special truly encapsulates their forty years of activism. This event special is sponsored by several Jewish organizations, including Yiddish New York, Golden Land Concerts & Connections, Center for Traditional Music and Dance, and the American Society for Jewish Music, among several more. The event was also generously supported by Peter D. Mark, in loving memory of Eugene L. Mark. 

  • Duke Bootee, Pioneer, Musician and Co-Writer of ‘The Message,’ Passes Away

    Hip Hop Legend, Edward Fletcher, known professionally as, Duke Bootee, has passed away from what has been described as “congestive heart failure.” The New Jersey native is recognized for helping pioneer consciousness and social-political messages within hip hop music, with his most famous credit being the composer of Grandmaster Flash and the Furious Five’s groundbreaking record, “The Message.”

    Duke bootee

    The year was 1982 and Fletcher – a band member for Sugar Hill Records house band – had written and produced the track that would go on to revolutionize the hip hop genre. At the time, rap music was composed of mostly party tracks, mainly anthemic records. The record known as “The Message,” was original titled “The Jungle” by Duke Bootee and a demo presented to Grandmaster Flash and the Furious Five, who were not ecstatic about recording the song. They felt it was too serious, wanting to mimic the sound of Sugar Hill Gang’s party song, “Rapper’s Delight.” Melle Mel was eventually convinced to record the song by label executive, Sylvia Robinson. “The Message” went on to become a turning point in rap music.

    The 1980’s were a time of great turbulence within Black communities as this singular effort and its subsequent popularity was the gateway to other rappers exploring the struggles of their neighborhoods through their music. 

    “The neighborhood I was living in, the things I saw — it was like a jungle sometimes in Elizabeth, New Jersey. Even though we lived in a nice area, I’d sit in the living room and watch things happening across the street in the park. The lyrics were sort of cinematic: I tried to hold a message up to society,” Fletcher revealed to The Guardian in 2013.

    The record’s themes of poverty, social and economic problems and overall inner-city struggle was a turning point in rap music. It legitimized the genre when it was thought of as a fad by skeptics.

    Duke Bootee

    Rolling Stone ranked “The Message” #51 on its list of 500 Greatest Songs of All Time and in 2012 it was named the number one song in hip-hop history

    After recording a singular album and starting up a label, Fletcher spent his waning years away from the music industry. He spent time teaching and being with his family. He was 69 years old. 

  • Fyütch Celebrates Historical Black Women in His New Single

    Bronx rapper, Fyütch, released a new song, “Black Women in History,” highlighting the strengths of powerful Black women on Martin Luther King Jr. Day.

    Fyütch
    photo from Fyütch.com

    Fyütch is a social justice musician who uses hip-hop and visual storytelling to educate upcoming generations. He directs music and poetry workshops for K-12 students, college students and corporations. He makes music with the intent of spreading positivity through messages about fatherhood, spirituality and love.

    His distant relative, Fannie Lou Hamer, and other overlooked Black women inspired the song. The lack of representation for Black women in history was apparent when he was growing up. He only recalled learning about Harriet Tubman and Rosa Parks. Fyütch felt compelled to tell their stories and in order to honor their accomplishments; he made “Black Women in History”.

    It acknowledges Black women who have made history in the past and who are currently making history in the present. It began with Civil Rights Leader, Fannie Lou Hamer, who helped Black people register to vote despite voter suppression. He mentions more Black women who have fought against voter suppression such as J Frankie Pierce who also made a school for Black girls in the 1920s; and currently, Stacey Abrams and Felicia Davis. Shirley Chisolm, the first Black woman elected to Congress, and Kamala Harris, the first woman to be elected Vice President of the United States were noted for making history as political figures. 

    The song reveals Claudette Colvin, who was 15-years-old when she refused to give up her seat on the bus, and Ida B Wells who refused to give up her seat years before Rosa Parks. Fyütch also commemorates Black women who have made history in the medical field such as Rebecca Crumpler, who is the first Black woman to get a medical degree along with Jane Hinton and Alfreda Webb, who were the first Black veterinarians. The last impactful Black woman named in the song is Dr. Kizzmekia “Kizzy” Corbett who recently helped create the COVID-19 vaccine. 

    The song doesn’t only recognize Black women in history, it features two Black women musicians. Rissi Palmer and Cheri Moon, from the children’s music band Snooknuk, collaborated with Fyütch to bring the song to life. Palmer made history as the first Black woman in 20 years to reach the Billboard country charts. Her radio show on Apple Music called Color Me Country, honors the contributions of BIPOC country singers. Cheri Moon focuses on raising social awareness for children through family music and has collaborated with Missy Elliot and Timbaland.

    “Black Women in History” gives thanks and gratitude to Black women that have made an impact, by standing up for what they believe in and for being the firsts, despite the struggles they have gone through.

  • Sylvain Sylvain of New York Dolls Dies at 69 from Cancer

    New York Dolls’ rhythm guitarists, Sylvain Sylvain died Wednesday after a two and a half year battle with cancer. On January 14, an official statement was released on his Facebook page.

    As we mourn his loss, the statement quickly leans to celebrate his vast accomplishments. “While we grieve his loss, we know that he is finally at peace and out of pain. Please crank up his music, light a candle, say a prayer and let’s send this beautiful doll on his way.”

    Sylvain Sylvain

    Egypt born Sylvain Mizrahi, was born on Valentine’s Day, 1951. He fled to New York with his family, living Buffalo and Queens. Syl went to high school in Queens, along with lead guitarist Johnny Thunders and drummer Billy Murcia.

    Sylvain Sylvain was so punk, he, along with the Dolls, paved the way before punk-rock was punk-rock. New York Dolls founded in 1971, 50 years ago. Syl and the Dolls heavily influenced the underground movement. They were labeled as “one of the most influential rock bands of the last 20 years,” by British writer Colin Larkin (Encyclopedia of Popular Music). The Dolls went on to influence punk and rock icons that are common place in our music library, including the Sex Pistols, the Ramones and Kiss.

    Patti Smith Group’s guitarist, Lenny Kaye, tipped his hat to Syl in the social media statement. “They [original Dolls] became a quasar in the rock firmament; embodying trash, glam, garage-to-punk, the ambisexual affirmation of music played louder.”

    Sylvain’s role in the band was as lynchpin, keeping the revolving satellites of his bandmates in precision. Though he tried valiantly to keep the band going, in the end the Dolls’ moral fable overwhelmed them, not before seeding an influence that would engender many rock generations yet to come.

    Lenny Kaye – American Guitarist, Composer

    Despite this feat the band lacked commercial success. One thing that remains true, Sylvain Sylvain was apart of New York history. He embodied punk, fashion and influenced New York style.

    The New York Dolls heralded the future, made it easy to dance to. From the time I first saw their poster appear on the wall of Village Oldies in 1972… the New York Dolls were the heated core of this music we hail, the band that makes you want to form a band. Syl never stopped. In his solo lifeline, he was welcomed all over the world, from England to Japan, but most of all the rock dens of New York City…

    Still Syl. His corkscrew curls, tireless bounce, exulting in living his dream, asking the crowd to sing along, and so we will. His twin names, mirrored, becomes us. Thank you Sylvain x 2, for your heart, belief, and the way you whacked that E chord. Sleep Baby Doll.

    https://youtu.be/wun5Cg-xr-s
  • Phil Spector, producer, ‘Wall of Sound’ Creator, Dies in Jail at 81

    One of the most notable music producers of the 20th century, Phil Spector, has died. Spector had been serving a 19-year prison sentence for the murder of Lana Clarkson, for which he was convicted in 2009. He died of natural causes in the California Health Care Facility, state prison authorities announced Sunday.

    phil spector

    Born Harvey Philip Spector on December 26, 1939 in New York City, Spector’s family moved to Los Angeles in 1953, a few years after his father committed suicide.

    Spector had number one records in three consecutive decades – 1950s, 1960s and 1970s, and had his first hit song while in high school with The Teddy Bears, “To Know Him is To Love Him.”

    Soon after Spector would produce a wide range of hits – The Righteous Brothers “You Lost that Lovin’ Feeling,” “Unchained Melody,” “You’re My Soul and Inspiration,” The Ronettes’ “Be My Baby,” and The Crystals’ “He’s a Rebel,” among others.

    Spector had a long association with The Beatles, producing their final album, Let It Be, and tracks “The Long and Winding Road” and “Get Back,” as well as the title track. He continued to work with John Lennon, producing solo work “Instant Karma” and “Imagine,” and George Harrison’s All Things Must Pass and 1971’s The Concert for Bangladesh.

    A producer as well as creative director, Spector wrote or chose material for musicians, supervised arrangements, conducted vocalists and session musicians, and mastered all phases of the recording process. Spector would pave the way for genres of art rock, dream pop, shoegaze and noise music.

    In addition to a litany of producer credits, Spector is credited with developing the “Wall of Sound” technique, which involved overdubbing scores of musicians for a fuller sound. The effect creator a “roar,” which Spector one described as “a Wagnerian approach to rock’n’roll: little symphonies for the kids.”

    He last produced an album in 1980, with The Ramones’ End Of The Century. Spector was inducted into the Rock and Roll Hall of Fame in 1989. Of note, Spector played a cocaine dealer in the 1969 cross-country drama “Easy Rider” and appeared on the 1960s sitcom “I Dream of Jeannie.”

    According to the Phil Spector biography “Wall of Pain,” he sometimes kept a gun on the studio recording console, fired a shot during an acrimonious recording session with John Lennon and pressed a pistol barrel to singer Leonard Cohen’s neck.

    Spector has been in California State prison for the 2003 murder of actress Lana Clarkson. Spector said Clarkson’s death was an “accidental suicide” and that she “kissed the gun.” His first trial ended in a hung jury, but was later convicted of second-degree murder in 2009.

    phil spector

    According to the California Department of Corrections and Rehabilitation, “Inmate Phillip Spector was pronounced deceased of natural causes at 6:35 p.m. on Saturday, January 16, 2021, at an outside hospital. His official cause of death will be determined by the medical examiner in the San Joaquin County Sheriff’s Office.”

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