Joey Calfa of Cousin Earth drops his exhilarating new solo EP, Baby Kangaroo Baby Cow, Part II, bringing spring into summer with his vibrant sound.
Baby Kangaroo Baby Cow Part II Album Artwork
The EP opens with the track “Brain Lehrer” and is immediately funky with its building guitar grooves. This track can be easily imagined in a bar, feeding the room with its danceable beat. As a tribute to the legendary WNYC/NPR host, “Brian Lehrer” is an ebullient song that deserves a listen.
The second track “Double Whammy” opens with harmonic, virtuosic guitar lines. The shredding and the funky bassline intertwine for a sublime groove. Inspired by video game music, its technical prowess is shared with an ensemble put together by Calfa, including Frankie Coda and Ryan Liatsis (SchwizZ).
The third song on Baby Kangaroo Baby Cow Part II is “Small Hands,” which draws inspiration from Frank Zappa, as well as features an FDR snippet from 1941 that eerily parallels the politics of today. The guitar work is once again wildly funky, interspersed with 80s-inspired synths. Calfa’s vocals interacting with the vocal sample is creative and catchy.
Baby Kangaroo Baby Cow Part II is a solid EP, full of songs that become earworms after the first listen. Members included throughout the EP range from members of his main band Cousin Earth, as well as long time high school friends of Joey Calfa. The quirky, funky release is out now! You can listen here and find more information about Cousin Earth here.
Brooklyn-based neo-soul singer-songwriter Kristen Merritt is releasing her first single and music video off her debut self produced album Joi. The song, “I’m Done,” is available now on all streaming platforms.
Marked with a soft, mellow guitar opening, and playful “Check, one, two,” the track sets up a bright instrumental to a sad story. The layered vocals are a refined touch to the full sound of the track. The chorus then also sees the welcoming of a warm, fun drum that pushes the song forward.
Merritt doesn’t overload the listener, she simply lets her lyrics tell the story while the music sets a leisurely pace. It’s a great break up song, but it’s also a fantastic song to play in a small COVID safe gathering, or out back by a bonfire. The tempo and vocals are perfect to both belt out in your car on the way to pick up the rest of your belongings and slow dance alone in your room.
The music video, with it’s spilt screen style, gives a visual representation to Merritt’s anger and sadness. On one side, a yellow adorned Merritt laments a failed relationship and the other shows a red dressed Merritt divulging all her frustration over a less-than partner.
“I’m Done” is the beginning of a must-follow new era for the Detroit native that will demonstrate the breadth of her powerful artistry and ability to dissect and interpret our most intimate emotions from a relatable and personal perspective. Heartfelt and soulful, Merritt scorches with her poignant lyricism and passionate delivery. It’s vulnerable and cathartic, with each jazz-tinged inflection and mesmerizing line, she finds her voice and freedom.
Merritt has been inspired by Take 6 and neo-soul greats such as Lauryn Hill, Erykah Badu, and Jill Scott and their soulful musical compositions and lyrical storytelling ability. Newer inspirations of hers include artists such as Daniel Caesar, Jacob Collier, Hope Tala, and H.E.R. These elements in her own sound have led to music with a nostalgic twist and modern warmth.
My hope is that “I’m Done” becomes the anthem of the person who has both feet out the door, and wants to leave their former partner with a memorable goodbye. I want it to serve as the Millennial/Gen Z equivalent of Erykah Badu’s “Tyrone,” where the goodbye is short, direct, and permanent (and also a little humorous at points to cut the mounted tension).
Since emerging in 2019 with her debut EP, Spectrum, Kristen Merritt’s storytelling has been the clear driving force at the heart of her craft. Last year, Kristen unveiled three singles, “Thyme,” “Never Again,” and “Ending.” Having been featured on Spotify’s playlists, the songs have already accumulating over 32,000 streams, with more on the way, Kristen Merritt is an artist you can’t miss.
Starting her musical journey in NYC Merritt scooped up local performance slots and open mics, building her confidence on stage while developing her sound and voice. During which she worked in the background on things that felt more raw, intimate, and worth exploring. the culmination of those efforts will soon be shared.
Bard SummerScapecelebrates the uplifting spirit of Black music with BlackRoots Summer, presented in association with Electric Root and organized and led by the rousing vocalist, bandleader, cultural commentator, and anti-racism educator Michael Mwenso and his longtime collaborator Jono Gasparro, former curator of Ginny’s Supper Club in Harlem.
An outdoor stage at Bard’s Montgomery Place campus on the Hudson River, the Sierra Leone-born, London-raised, NYC-based Mwenso are where the concerts will be held for two weekends (July 23 & 24 and July 29-31) Even more, there will be a predominantly BIPOC lineup of more than 20 artists, singers, musicians, and dancers will premiere three original concerts.
Mwenso explains that the concert series in the midst of the pandemic, and in response to the murder of George Floyd, they realized, “Now is the time to push the doors down.” Electric Root was established and set out to collaborate with universities and presenting institutions in order to
“revolutionize how Black music is presented, expose lesser-known artists, decolonize music curriculum, provide artist-led anti-racism training, and heal people.”
All tickets go on sale on June 2. The box office can be reached by telephone at (845) 758-7900, on Mondays through Fridays at 11am–4pm EST, or by email at boxoffice@bard.edu. Tickets are also available 24/7 on Bard’s website at fishercenter.bard.edu.
All SummerScape productions will be presented in adherence with strict COVID protocols. Learn more about SummerScape 2021 health and safety protocols here.
Guitarist and producer Cory Wong will head out on the road this summer with his new band, Cory and The Wongnotes. This will be their first live tour as a band.
Corey Wong
On stage, Wong will be accompanied by an 11-piece band that includes members from Hornheads, Stay Human, and featured vocalist Antwaun Stanley. This tour will be a follow-up from a YouTube series on Cory Wong’s YouTube called Cory and The Wongnotes.
The eight episode Youtube series is a fun mix of a talk show, comedy sketches, and of course live music from their album Cory and The Wongnotes. They also have played live on The Late Show With Stephen Colbert alongside Eddie Barbash performing “Bluebird” from their new album.
FRANK, a Brooklyn based group made up of Christian Linsey (drums and percussion, vocals), Billy Ziff (bass) and Scott Porter (guitar, vocals). On April 23, FRANK released their most recent piece of their already great discography. The title, Dreams and Fears of the Outside, is a perfect reflection of where we are now.
With the opening lyrics, “Things will never be the same now, somehow everything’s the same” FRANK puts forth their most eclectic album to date by changing everything while keeping their unique style intact. With a collection of folksy, lyrically driven tunes and funky dance numbers, this latest release offers something that everyone can enjoy. For that matter, this album is loaded with really unique songs that flow nicely into one another.
The album opens with “The Confusion”. This acoustic track builds brilliantly throughout and transitions into an incredibly danceable song, “New York (How I Feel)”. The group finds their groove here before moving on to a song that sounds like it could be right from The Big Pink. Big credit to the band for being able to span such a vast gamut of styles through the first half of the album. Though each song is so different, there is a cohesiveness to the atmosphere of the record.
The bass goes wild on “Namaste” as the drums groove with a spry pep. The energy picks as the anthemic “Can You Hear Me Now?” injects a bit of a Neil Young with guitarist Scott Porter’s dirty yet wonderfully melodic vocals. “Big Sur” is a great downtempo song with lush harmonies and a really harrowing guitar part that hovers like a cloud above the song. “Have a Good Time” is a beautifully written song. It has everything you want from a Rolling Stones influenced vibe. It still maintains the characteristic heavy drums and renegade guitar that FRANK has been putting on display throughout the record.
The last couple songs are a nice come down from the meaty middle of this release. “Today” is a perfect bookend for the album to pair with the opening track. This whole work is a pleasure to listen to, and as guitarist Scott Porter puts it, “The record is like calling a friend.” While each song oozes influence from past artists, FRANK does a spectacular job of making each tune their own. From top to bottom, there is not a song that you should skip. There is plenty of replay value. Keep on the lookout for more from this group. While they are split between the Catskills and NYC area currently, they are still able to release gems like this while apart. Stream the album and access all streaming platforms here. Check out their YouTube, Instagram and Facebook for more info.
Key Tracks: New York (How I Feel), Have a Good Time, Today
Tickets are currently on sale for both one day and two day passes. The event has limited capacity due to the pandemic with only 200 tickets available for each day. While camping and lodging is available through Blackthorne Resort, it is not included with the ticket. Spring Jubilee will be following protocols such as mask wearing to reduce the spread of COVID-19.
For six weeks in the summer of 1969, and nearly 100 miles south of Woodstock, another groundbreaking cultural event was taking place. The Harlem Cultural Festival, filmed in Mount Morris Park (now Marcus Garvey Park), celebrated African American music and culture, and promoted Black pride and unity. While the footage was never seen and largely forgotten, Ahmir “Questlove” Thompson brings ‘Black Woodstock’ to light in his debut documentary, Summer of Soul(…Or, When The Revolution Could Not Be Televised).
The trailer debuted during the 93rd Academy Awards ceremony on Sunday, April 25, where Questlove was serving as music director and DJ for the evening. Part concert film and part historical record, the documentary is an important piece of history that stands as a testament to the healing power of music during times of unrest, both past and present.
While this is Questlove’s first directing jawn, he has appeared in numerous music documentaries, including Beats, Rhymes & Life: The Travels of A Tribe Called Quest, Mr. Dynamite: The Rise of James Brown, and served as co-executive producer of Finding the Funk.
Summer of Soul features performances by B.B. King, Stevie Wonder, Mahalia Jackson and Mavis Staples, Hugh Masekela, Mongo Santamaria, Nina Simone, and Sly & the Family Stone, among many more. Included in Summer of Soulare never-before-seen concert performances by Wonder, Nina Simone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach, the 5th Dimension, David Ruffin, and more.
All this from an historic six week music festival that would be overshadowed by the one weekend Woodstock festival that summer. With over 300,000 people in attendance, it rivals the attendance of the iconic festival, yet received virtually no coverage from the mainstream media.
40 hours of never-seen-before footage has remained in storage in a basement for the past 50 years, keeping this incredible event in America’s history lost, until now. Questlove, speaking of the personal significance of the footage, told Indiewire, “What would have happened if this was allowed a seat at the table? How much of a difference would that have made in my life? That was the moment that extinguished any doubt I had that I could do this.”
Summer of Love premiered at the 2021 Sundance Film Festival on January 28, 2021, where it won the US Grand Jury Prize in the documentary category.
Summer of Soul (Or, When the Revolution Could Not Be Televised) will hold special engagements at two theaters ahead of wide release on 600 screens, and on Hulu, starting Friday, July 2. Early screenings will be held at El Capitan Theater in LA and the Magic Johnson AMC Harlem.
Chances are high that you haven’t had your usual dose of funk over the last year. The global pandemic has slowed the release schedule of many bands and while we have gotten some great releases over the last few months, it’s nothing compared to past years. That all changes today with Garage A Trois’ newest offering, Calm Down Cologne.
This sensational release from the band’s original lineup of prolific drummer Stanton Moore, master guitarist Charlie Hunter and multi-instrumentalist Skerik marks 22 years since their debut album, MysteryFunk. The band still delivers the same energy and excitement that they first showed over two decades ago.
The new album was recorded in 2019, across the street from Nectar’s Lounge in Seattle where the band was playing a 3-night, sold out run in Skerik’s hometown. Most of this offering is an improvisational documentation of what the trio was able to elicit together in that studio session, save for one pre-composed track. The resulting five songs are a testament to the prowess and musical moxie that each member possesses and is able to showcase as a group.
“No Zone” is the perfect choice to start the album and illustrates how sync’d up the members of GAT are. Guitar and Organ blend seamlessly as Moore’s drumming drives the trio through nine minutes of head-bobbing, in-your-face funk. The aptly named “The Epic” is a spooky and funky carnival ride, as if a funhouse had its own effects-pedal laden jam session with it’s driving funk and electro-cacophony.
The title track is the only non-improvised song on the album, but it’s one that you’ll find yourself listening to on repeat. Skerik’s ability to play horns and organ blend magically with Hunter’s bass as Moore provides hints of New Orleans throughout the short, but sweet ditty.
“In-A-Pro-Pro” is the longest track on the album and is a jam that’ll get you to stand up and dance. This song is nothing short of incredible as each instrument bubbles to the surface to play their perfect part. “In-A-Pro-Pro” is like a good seltzer… effervescent with the perfect amount of flavor. Hunter has the chops and energy of at least two guitar masters as he lays out a flurry of sounds from the guitar and bass that comprise his Hybrid Big6. The album closes with the laid-back fuzzy funk of “Numinous,” a track that is reminiscent of walking off into the sunset. The drums, bass and keys paint a canvas that allows the horns and guitar to really pop in and shine.
It might only be April, but this release will certainly be in the running for Best Album of 2021. Stream on various platforms here, and purchase the LP from Royal Potato Family or on GAT’s Bandcamp, where you can also purchase the digital album as well.
Key Tracks: Calm Down Cologne, The Epic, In-A-Pro-Pro
Hometown horn funk favorite, Victory Soul Orchestra, features the dirty sounds of New Orleans’ driving brass, with influences including Galactic and The Dap Kings. You can find them fronted by Albany’s own JB aka Dirty Moses and singer Dali Soto. Their efforts combined help create a funk/rap show that brings the house down. In January 2019, they released their first album, Astrobeat, which is available on vinyl and all streaming platforms.
C.K. and the Rising Tide’s brand of music features poetic, nostalgic lyrics supported by music that is rockin’ and emotionally evocative. Curtis K. Flach (“C.K.”) appreciates how a film’s soundtrack enhances and cements the emotions portrayed on-screen. C.K. has a similar agenda for his tunes: “I write music as a soundtrack to daily life – a way to express things you might not be able to say otherwise…or may not want to say.”
Tickets are available via Eventbrite for Victory Soul Orchestra on April 17 and C.K. and the Rising Tide, with special guest Julia Alsarraf on April 24. Expect more live music announcements from Lark Hall in the coming weeks.
On Saturday, April 10, Lark Hall welcomed The Wheel and a crowd of 70 or so Deadheads who barely found time to take a break from dancing. It seemed like everyone was letting loose the pent up dance moves honed over the past year. With two sets packed with Grateful Dead classics, including a fiery “Help on the Way” > “Slipknot” > “Franklin’s Tower,” the crowd was elated and showed the band their love all throughout.
Brooklyn Lo-fi indie R&B duo Fake Dad strike back with their silky smooth new EP Old Baby. The duo consist of Andrea de Varona as the lead vocalist and Josh Ford doing most of the albums production. The EP releases today on all streaming services.
Old Baby is a masterclass example of creating a vibe. Personality oozes out of every corner of this EP and that is largely thank to the project’s supreme production along with de Varona’s incredibly serene vocals. Verona’s voice glides effortlessly over the production on nearly every song on this EP. Several songs such as “Listen” see Verona’s vocals distorted and mixed in some incredibly inventive ways. The signature nasally deliver of Verona makes every song incredibly comforting and welcoming. Ford comes through on the song “Breakfast In New York” adding a refreshing bass filed contrast to Verona’s high pitched R&B inflection.
Verona’s vocals is only one half of the equation as the production is a feat of its own. The glossy production is reminiscent of contemporary indie band with a classic R&B flare added by de Varona’s vocals. The groovy bass leads and chilled out synth keyboards are a highlight in songs like “Breakfast in New York”.
A unique assortment of instruments are present on the EP, with every song having its own uniquely identifiable musical motif. Motifs such as the trumpet present on the song “Knit Sweater” acts as a lowkey corner stone to the songs peaceful energy.
Fake Dad take listeners on a trip down memory lane — but it feels closer to a cautionary tale than a fond retelling.
The Wild Honey Pie
Old Baby offers the perfect soundtrack to any relaxing experience, weather that be studying or chilling at the beach. The universality embodied by this album makes it recommendable to nearly everyone. The smooth vocal will satisfy any R&B fan and the mix between hip hop and indie pop will be loved by any fans of each respective genre. The EP is available for purchase here.
Key Tracks: Pretty/Ugly, Breakfast in New York, Knit Sweater
