Category: Special

  • Cortland County, New York – Home to more than a Heavy Metal Icon

    This is the second article in the seriesMade in New York,” a historical examination of the music history of each of New York’s 62 counties, this time looking at Cortland County.

    Welcome to Cortland County! This area is located in Central New York, southeast of the Finger Lakes region, and has a rich history since the end of the Revolutionary War. The land that makes up this county was originally set aside by the Province of New York to compensate local soldiers for their participation in the War. Consisting of two million acres, the Military Tract of Central New York was approved by Congress in 1789 and made final in 1799. 600 acres were given to each solider and, by 1908, the boundaries of current-day Cortland County were finalized.

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    This particular county got its name from the president of the Kingston Convention that drew up the first state constitution of New York back in 1777. Pierre Van Cortlandt was a General in the Revolutionary War, was considered by George Washington to be his most trusted friend, and was also the first lieutenant governor of this fine state. His name lives on in this county, the city of Cortland, and also the similarly named Cortlandt, which is located in Westchester County.

    While the county is known commercially as a hub for the production of milling machines, electronic parts, and components for NASA, the Cortland name, most well-known for for the variety of apples, is named after the county. This cross between the Macintosh apple and the Ben Davis apple was first produced at the New York State Agricultural Experiment Station in Geneva, NY, but was named after the county that this article is about. This particular variety is very slow to brown, making it perfect for recipes that call for fresh apples. Since it was first bred in 1898 by S.A. Beach, it has become one of the most commonly produced varieties in New York State and is one of the fifteen most popular apples in North America.



    Apples aren’t the only food from this county that have nationwide recognition. Scott, NY is the birthplace of James Henry Salisbury, who famously invented a dish which took on his name. During the Civil War, he was a doctor and noticed that certain foods would get soldiers sick. After incorrectly assuming the culprit was baked beans, his experiments gave him the belief that ground beef was healthier on the intestines. In 1888, he debuted the first recipe for Salisbury Steak and its popularity increased as the years went by. Much of this is attributed to the years around World War 1, when German-sounding recipe names like “hamburger” fell out of favor.



    The city of Cortland is the county seat of this area and is also known as the Crown City, a name it earned due to its location on a plain formed by the convergence of seven surrounding valleys. Cortland also has the honor of being the city closest to New York’s geographic center and has a prestigious university whose famous alumni include actor Kevin James and wrestler Mick Foley.

    Cortland County boasts some unique buildings and architecture that have remained through its history, but the Center for the Arts of Homer is one of the most unique in the area. In 1801, early settlers of the area made their dream a reality and created a Baptist Church for the up-and-coming community. The building opened up in 1827 and quickly outgrew its space. The community came together to fund, design, and build the new facility and, by 1894, the new church was opened to the public.

    Fast forward to 2001, and a number of people in the community came together to determine what would become of the centuries-old church. After renovations, fundraising, and non-profit status being secured, the inaugural season of entertainment began in 2014. Since then, countless artists have graced the 400-seobinson Brotherhood and Hot Tuna. In addition to the fantastic acts that the venue brings in, they also feature artwork from local and regional artists and host film screenings and a community theater program. Next time you’re passing through Homer, NY, be sure to check out this awe-inspiring venue. Even if there isn’t a show that night, the building itself is a thing of beauty and absolutely worth the visit.

    Now that we’ve explored a tiny bit of Cortland’s rich history, let’s take a look at the residents of this county who have had an impact on the music industry

    Ronnie James Dio

    Ronnie James Padavona moved back to Cortland before the age of five, after spending his first few years in New Hampshire. Both of his parents were from Cortland and while they gave birth to their son in Portsmouth, they moved him back to NY, where he spent the rest of his formative years. Dio’s love for music started at an early age, as he learned to play the trumpet at age five and spent most of his childhood listening to opera, specifically the music of Mario Lanza.

    High School is when Ronnie’s musical talent began to develop and take off. He played in the Cortland High School band program and, during that time, he formed his first rock and roll group, The Vegas Kings. With Ronnie on bass guitar, the band would play dances every weekend and soon changed their name to Ronnie and the Rumblers. Despite being named after the Duane Eddy song, a promoter who wanted to book the band felt that their name encouraged violence and soon the band became Ronnie and the Red Caps. Check out one of their songs below


    It was around this time that our hero changed his named from Ronnie James Padavona to the name we all know him by now. While there is no concrete explanation on how he landed on Dio, there are two common stories. The first is that he chose it as a reference to Mafia member Johnny Dio and the other is that his grandmother said he had a gift from God and should be called the Italian word for God, which is Dio. After taking the name, the band changed their name once more to Ronnie Dio and the Prophets and they were able to put out a single and an album under Atlantic Records.


    In 1967, the band took on a keyboard player and changed their name once again to The Electric Elves. The following year, the band was involved in a terrible car crash which took the life of one of their guitarists. The band shorted their name to The Elves after recovering from the accident and used that name until 1972 when it released their debut album. This album solidified their final name change and the band Elf released the album Elf in August of 1972. Throughout this album, Dio used his family name on songwriting credits because he wanted his parents to see their family name on an album at least once.


    Elf’s first two albums were produced by Deep Purple bassist Roger Glover who took note of Dio’s voice and asked Dio to perform on Glover’s solo album titled The Butterfly Ball and the Grasshopper’s Feast. His work on this album gained the attention of Ritchie Blackmore, the lead guitarist for Deep Purple. Blackmore had been looking to start a new band and used the members of Elf to form his new project, Rainbow.


    The combination of Blackmore and Dio was a perfect match. Blackmore was very much into incorporating classical music into the sound and Dio was excellent at writing lyrics about medieval times. Blackmore, however, wasn’t impressed with the other member of Elf and fired them shortly after releasing their first album, leaving Dio to sing. With additional musicians, the two released Rising in 1976 and Long Live Rock n Roll in 1978. The group went on a massive world tour throughout 1977 and 1978, but afterwards Blackmore felt that the band should have shed their sword-and-sorcery theme, which Dio did not agree with.


    Ronnie left Rainbow in 1979, but did not have to wait long to join another significant group. That same year, Ozzy Osbourne’s behavior and drug issues got him fired from Black Sabbath and it was suggested by the manager’s daughter Sharon, (future wife of Ozzy), that Dio replace him on lead vocals. For the next three years, Dio would front the band, changing the sound and attitude of the group while releasing Heaven and Hell in 1980 and Mob Rules in 1981. It was during the engineering phase of their 1982 live album, Live Evil, that trouble bubbled over for the band members.

    Miscommunication and incorrect allegations of Dio mixing his own vocals higher during the middle of the night led to band mates falling into conflict, with Dio and drummer Vinny Appice quitting the band in late 1982. Dio would rejoin members of Black Sabbath in 2006 and they would tour under the name Heaven and Hell, which was the name of the first Sabbath album recorded with Dio singing.


    When he left Black Sabbath, Ronnie wanted to form a new band with Appice on drums once again. In October 1982, they formed the band Dio with guitarist Jackie E. Lee and bassist Jimmy Bain. By May of 1983, they had released their debut album, Holy Diver, featuring such hits as “Rainbow in the Dark” and “Holy Diver.” The album was received with great praise, went Platinum in the U.S., and has been ranked 16th in Rolling Stone’s list of ‘100 Greatest Metal Albums of All Time.’ Over the next 28 years, the band Dio would release ten studio albums and seven live albums. Throughout the band’s tenure, Ronnie himself would remain the only constant member.


    On top of his vocal prowess and lyricism, Dio is known for making the ‘sign of the horns’ hand gesture a staple of heavy metal. When Dio joined Black Sabbath, he wanted to bring with him a hand gesture similar to the peace sign that Ozzy would frequently flash on stage. Growing up, Dio’s grandmother would always make the ‘now-famous’ devil horns hand gesture to ward off evil spirits. Dio took this gesture and incorporated it into his stage presence with Sabbath. He never claimed to have invented the sign, as artists before him had made it on stage, but he was certainly the one to popularize it in mainstream culture.


    In Dio’s later years, he had no issue being praised and parodied by the current culture. 1997 saw him singing backup vocals on a big band version of “Holy Diver,” which can be heard on Pat Boone’s album In A Metal Mood: No More Mr. Nice Guy. Two years later, he was spoofed on the South Park episode Hooked on Monkey Fonics. Dio was originally hesitant to let Matt and Trey parody him, as he had seen what they previously did to Elton John and Ozzy Osbourne. After being assured that the show’s staff were actually fans of his, he allowed it and when asked what he thought of the end result, he said, “I thought it was wonderful.”


    Ronnie James Dio’s legacy cannot be understated, but one of his biggest fans has been the band Tenacious D. On their debut album, they got the approval from Ronnie himself to include their song titled “Dio,” in which they ask the singer to pass the torch on to Tenacious D. He was so impressed with the song they wrote in his honor that he appeared in their film Tenacious D in The Pick of Destiny as himself. As the movie opens with the song “Kickapoo,” a poster of Dio comes alive and the artist himself sings to a young Jack Black, inspiring him to travel to Hollywood and form “the world’s most awesome band.”


    Unfortunately, Dio was diagnosed with stomach cancer in November of 2009. The illness spread very fast and he passed away on May 16, 2010. The following year, the city of Cortland celebrated Dio’s birthday on July 10 with a day-long benefit to raise money for cancer and to fund a memorial music scholarship at the high school he previously attended. Cortland has also memorialized their most famous musician by naming one of the city’s street Dio Way. To learn more about the life and career of Dio, his autobiography titled Rainbow in the Dark will be posthumously released on July 27. Those that pre-order the upcoming book here will have the opportunity to receive a copy autographed by Dio’s widow, Wendy Dio, who helped finish the book after her husband’s passing.

    Arthur C. Sidman

    Photograph courtesy George Musante



    The late 1800s and early 1900s were prime years for American Vaudevillian performers and some very notable acts had their origins in Cortland County. One of these noteworthy performers was Arthur C. Sidman from Homer, NY. Early in his life, he worked a number of jobs, including being a reporter for a small local newspaper. While working at the paper, he dabbled in amateur theater and found success in this endeavor, leading him to quit his reporting career and focus on theater. In his late 20s, Arthur began his Vaudeville career and earned fame with his portrayals of stereotypical Yankee farmers. He would write a number of plays and skits throughout his life, with his most famous being York State Folks. This play about pastoral life would go on to become a Broadway play and a film, but he had unfortunately passed away suddenly in 1901 before seeing the ultimate success of this piece.

    The Dillon Family

    Another famous Vaudevillian family from this county was the Dillon family. Harry and John Dillon were famously known as The Dillon Brothers and performed comedy songs as well as sketch comedy together for over 20 years. Their hits included “Put Me Off at Buffalo,” “Do, Do, My Huckleberry Do,” and “Why Do They Sell Killarney.” They each retired from Vaudeville in the 1910s, but their brother William started a separate but similar career in the industry that same decade.


    William Dillon did perform with his brothers before their retirement and while William himself would retire from Vaudeville around the same time as them, he would continue his songwriter career for decades to come. In 1907, he released the song “Every Little Bit Added to What You’ve Got Makes Just a Little Bit More” with his brother Lawrence, but most famously he recorded a song in 1911 with American songwriter Harry Von Tilzer that wound up becoming one of the most popular songs of that year. “I Want A Girl (Just Like The Girl That Married Dear Old Dad)” has become a barbershop standard since its release and sold over five million recordings and score sheets by the year Williams passed away in 1966. Dillon billed his own act as “the man of a thousand songs”.

    Joel Eric Suben

    Joel Eric Suben was raised in Cortland, NY and would grow up to be prolific conductor and composer. At 8 years old, he would begin studying violin and trumpet and soon after that, would start transcribing music that he listened to on his record player. Throughout his teenage years, he would spend his summers learning percussion, string bass and clarinet. His innate musical talent allowed him to audition for Karl Kritz, the leader of the Syracuse Symphony Orchestra, who invited him to play violin in the symphony’s youth orchestra.

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    During his senior year of high school, he auditioned to be in the music school at Syracuse University and was offered a scholarship. He declined this to instead study trumpet at the Eastman School of Music in Rochester. At the age of 21, he won first prize in a nationwide composers contest and graduated from the Eastman School two years later. He would continue his studies as a doctoral student at Brandeis University.

    In 1973, Suben would move to New York City and begin an intensive private conducting study with renowned French musician, Jacques-Louis Monod. During this four year period, he would learn standard orchestral and opera repertoire. Towards the end of that decade, Suben would be invited to study in Poland and upon his arrival back to New York City in 1979, would resume teaching at Baruch College and Fordham University. Following these part-time teaching gigs, he took a professorship at the University of Richmond and famously honored the American hostages in Iran by organizing an orchestral concert that caught the eye of news outlets.

    Suben finished the final nine years of his teaching career at William & Mary as Director of Orchestras before retiring from academics to live in New York again. Throughout his distinguished career, he has led over performances of over 500 pieces of orchestrated work by more than 150 composers from Europe and America. Since leaving the academic field, he founded the non-profit called Save The Music, Inc and is still on the board of directors for that organization.

    Spiegle Willcox


    Newell “Spiegle” Willcox was a renowned jazz trombonist who grew up in Cortland, NY. His father was a amateur musician and bandleader and taught him how to play valve trombone before Spiegle decided to switch to slide trombone as a teenager. After making the switch, he joined a group from Syracuse known as The Big Four, which soon caught the attention of bandleader Paul Whiteman. After Whiteman joined the group, he brought the members to New York City to play to a larger audience and renamed the band Paul Whiteman Collegians.

    While playing with the Collegians, Willcox made his first recordings and built a reputable as a melody player, rather than an improvising soloist. He left that band and returned to Cortland in 1925, but soon continued him music career with a group called the California Ramblers. Soon after joining, he replaced Tommy Dorsey’s spot in the Jean Goldkette Orchestra and continued to play with them when Bix Beiderbecke joined in cornet and Frankie Trumbauer joined in saxophone. This band and lineup would be extremely popular at the time.

    Two years after joining the group, Willcox left the industry as a whole and joined his fathers coal business as he now had a family to care after. He would still lead small groups around Syracuse, but by now his job in the coal industry was his main focus. This would be the case for 48 years, when a now-retired Willcox was asked to take party in a reunion show for the Goldkette band at Carnegie Hall. During these shows, he worked closely with a violinist named Joe Venuti. The two would play a number of clubs over the next three years until Venuti passed away in 1978.

    Now firmly re-established in the music industry, Willcox would play around the country and even parts of Europe. At age 91, he traveled to Amsterdam to record with a number of Dutch musicians and that session would be released under the name Jazz Keeps You Young. Spiegle Willcox passed away in Cortland in 1999 but his legacy lives on through his music and through Ken Burns documentary, Jazz, where he can be heard discussing his life and the music he had the honor to play.

    Patrick “Patsy” Conway

    Patrick “Patsy” Conway moved to Homer, NY at a very young age after being born in Troy, NY. As a young man, he took a job at a local carriage factory and during his time there he learned to play the cornet, which is very similar to a trumpet. Years later he joined the Homer Cornet Band and eventually became the leader of the Cortland Band.

    In 1894, Conway and his band were playing the Central New York Volunteer Fireman’s Association convention and the event was a total success. The judges of the event recruited Conway to move to Ithaca where he served as director of the Cornell University Cadet Band, the predecessor to the Cornell Big Red Marching Band. The following year, he formed the Ithaca Band and over the next decade and a half, the group would gain national acclaim. Around 1910, his group would become known as Patrick Conway and His Famous Band and he toured extensively around the country, including the Cincinnati Zoo, the Pan-American Exposition and the St Louis World’s Fair.

    As time moved on, Conway began to sense that popular bands weren’t as popular as they once were and founded the Conway Military Band School in 1922, which was one of the first schools like it in the county. Five years later, his famous band played on the premiere of the General Motors Family Hour radio show. During this time, Conway led his newly-founded school in Ithaca until his untimely death in 1929. His name lives on through his work, but also in the famous movie and musical, The Music Man. During the introduction of the hit song, “Seventy-Six Trombones”, Conway is mentioned by the main character, Harold Hill.

    Adelaide Hawley Cumming

    Adelaide Hawley Cumming has a claim to fame that very few that others have experienced. She grew up in Willet, NY and studied under a scholarship at the Eastman School of Music at the University of Rochester. While there, she studied piano and voice and graduated with a music degree in 1926. Shortly after this, she formed a vaudevillian trio with two of her friends, taking their name from their colored hair which was part of the act. “Red, Black & Gold” helped pave the way for her future radio show, titled the Adelaide Hawley Program.

    She hosted the radio show for 13 years, first appearing on NBC radio and then moving to CBS radio. The daily show was broadcast nationwide and had a following of 3 million listeners. In the last few years as a radio host, she also hosted the Fashions On Parade television program, first on the DuMont network and then on ABC. Although she was known across the country for her entertainment programs, her fame would grow exponentially with her next opportunity.

    In 1921, the General Mills company debuted the name “Betty Crocker” and hired Adelaide to portray her from 1949 to 1963. During this time, she appeared in the “Betty Crocker Show”, “Betty Crocker Star Matinee”, “Bride and Groom” and also commercials during the Gracie Allen and George Burns comedy series. She has been billed as “America’s First Lady of Food” and during the time of her portrayal, she was the second most recognizable woman in America, behind Eleanor Roosevelt.

    After being dropped by General Mills in 1964, she returned to school and earned her doctorate in speed education 3 years later. She spent the next three decades teaching and even gave her final class three days before she passed away in 1998 at age 93.

    Cortland County’s history and residents have made an incredible impact on the shape of New York State and the entertainment industry as a whole. Next time you see a show at the Center for the Arts in Homer, eat a Cortland apple or throw the “sign of the horns” at a concert, be sure to remember this particular area of our home state and its residents who helped make our culture and our music what it is today.

  • Craig Greenberg Spreads Unity in new single, “We’ll Come Together”

    “The world is counting on us now, we have to find a way.” Powerful lines are imbued in the new song, “We’ll Come Together,” by Queens based singer and native New Yorker Craig Greenberg.

    “I wrote this song the day after the 2020 election, from having a strong positive feeling that I hadn’t had in a very long while about the country,” Greenberg expresses when asked about the message of the song.” Coming off a year of isolation, lockdowns and protests, it’s safe to say that we need a catchy song that promotes unity.

    Although the message of the song is, “Getting past our the differences of the previous few years,” Greenberg originally saw this piece as a, “Sardonic type of song in the vain of Randy Newman,” but after really hitting on the positivity message, Greenberg decided to keep it as an uplifting song, going on to say, “And really I just thought, coming out of the pandemic, people could just use an upbeat song.

    When asked about any specific lines or images that were meant to be conveyed, Greenberg responded with, We’ll love our country the red white and blue. All the other colors, yeah we’ll stand for them too” really sums up the feeling of the song for me.”

    Greenberg has also released a video for the song, which has received a great response from the public, shown above.

    Album Premiere: Craig Greenberg 'Phantom Life'
    Listen to his released songs on Spotify

    Greenberg has self-released 4 albums in the past 10 years, the most recent a 12 track album titled “Phantom Life,” which was released in Dec 2020. He has performed upwards of 1000 shows, since his start playing in bars while living in Chile, and later Spain.

    His songs have received praise in American Songwriter, the Huffington Post, Relix Magazine, and have been played on radio stations all around the country and internationally.

    Greenberg was born in Bayside, Queens and grew up on the south shore of Long island.  His mom was from Manhattan and Westchester, and Dad from Brooklyn. When he was 25, He left NYC to teach English abroad in Chile. He was only supposed to be there for six months, but was offered his first gig playing covers in bars. Preforming six nights a week for another year, Greenberg learned to sing and preform.

    “I was fortunate to have a few good music teachers at my public school in LI, and as well a private guitar teacher, who really opened my eyes and ears. I also had several friends who were more advanced players who I would have show me stuff as well.”

    “I’ve been making music as long as I can remember. I knew from a young age that I wanted to affect people and improve their lives, and when I started writing music that just seemed like the ideal way to do that.”

    For upcoming events, new music and updates visit craiggreenbergmusic.com

  • Revisiting Past Discoveries at Rochester International Jazz Festival

    In normal times, music fans in Rochester would be finishing off another Jazz Festival, a nine-day smorgasbord of musical delights. However, for the second straight year, the city is bereft their biggest live music week and all the discoveries that come with it.

    rochester jazz fest

    Despite the shutdowns, artists still managed to put out some incredible music last year, the Rochester International Jazz Festival alumni among them. So while we sit and wait until the festival returns in 2022, let’s take a look at what ten of our favorite RIJF discoveries released in 2020.

    Mammal Hands (2016)

    The Made in UK Series brought this trio across the pond in 2016 and we’ve been digging them ever since. With Captured Spirits, saxophonist Jordan Smart, pianist Nick Smart and drummer and percussionist Jesse Barrett build on the sound they’ve been evolving with each release, adding in more electronic influence.

    Kat Edmonson (2013, 2015)

    Kat Edmonson enchanted us at the festival both in 2013 and 2015 and she ratchets up the magic in her latest release, Dreamers Do, which reimagines music from the Disney canon to incredible effect. You’ll never want to hear the originals again. Watch out for a guest spot from fest-alum Bill Frisell.

    Gogo Penguin (2015, 2018)

    Another trio brought in by the Made In U.K. series, Gogo Penguin made their stateside debut at the festival in 2015 and then returned to wow us again in 2018. The mostly acoustic piano trio has always injected some electronic influence, increasing it with each release. It comes even more to the fore on last year’s self-titled release, though the wordless melodies are still as catchy as ever.

    Girls in Airports (2019)

    In the last festival staged, back in 2019, no band wowed us quite like Girls in Airports. The Danish quintet moved through “ethereal soundscapes, intense evil marches and organ-rich spacey grooves, mixing in infectious rhythms and melodies,” and it’s more of the same on 2020’s Dive, a must-listen.

    Ibrahim Electric (2010, 2014)

    Sometimes the much-beloved International aspect of the festival brings otherworldly sounds. Other times it shows off the inescapable influence of American music. Another fest-alum out of Denmark, Ibrahim Electric exemplifies the latter, exploring the organ-trio oeuvre (and well beyond) with aplomb on the aptly-named Time Machine.

    DakhaBrakha (2017)

    Ukrainian quartet DakhaBrakha had the Big Tent venue in awe during their 2017 appearance. A blend of traditional ethnic folk music with varied and at times avant-garde influences, the music complemented their colorful quasi-traditional garb. It was an expansion of most of the audience’s musical universe for sure. Alambari touches on almost everything that made their performance so thrilling, minus the visuals of course.

    Polyrhythmics (2016)

    Every Rochester International Jazz Festival boasts at least a handful of badass funk outfits that invigorate the generally staid crowd into a dancing frenzy. Seattle’s Polyrhythmics were just one band and with their latest, Man from the Future, they have us hoping for a return visit soon. This thing cooks!

    Matt Wilson (2002, 2003, 2007, 2011, 2018)

    One of the most frequent visitors to the festival, NYC-based drummer Matt Wilson always brings something a little different. When we last caught him in 2018 it was pure joy mixed in with some serious statements on politics and humanity. Likewise on last year’s Hug, you might not find a happier jazz track than the title cut, while “Space Force March/Interplanetary Music” takes an overt but fun political turn.

    Samuel Hallkvist (2010)

    A decade ago the young Swedish guitarist, Samuel Hallkvist, really caught our attention. And with last year’s Epik, Didaktik, Pastoral he proved he’s only improved with age. It’s impressive and compelling set of adventurous avant-garde jams.

    Nubya Garcia (2019)

    We’ll close this out highlighting another artist from England. More than any of the previous in the list, saxophonist Nubya Garcia has shapeshifted the most. When we saw her in 2019 she blew us away with her fiery playing and mind-expanding jazz compositions. With SOURCE she has broken free from the jazz shell to produce something uniquely brilliant that has been met with widespread critical acclaim and commercial success. If you haven’t already, definitely give this one a listen.

  • In Focus: Peach Fest 2021 heralds the return of Music Festivals

    After nearly all Music Festivals worldwide postponed their events in 2020, the return of those festivals has begun, bringing with it joyous fans, packed houses and the live music that has been missing for far too long. Peach Fest 2021 marked the first large scale music festival to return, held over July 1-4 at Montage Mountain in Scranton, PA.

    Thursday, July 1

    Kicking off Thursday afternoon with sets from Eggy, Mikaela Davis, Twiddle, Pigeons Playing Ping Pong and Dark Star Orchestra, the muggy air and intermittent rain was an afterthought for those in attendance. Spread out between the Peach and Grove stages, the acts all had full crowds, with few attendees missing a full range of live music. A wide selection of jam, funk and, in the case of Davis, harp music, kept the crowds satiated, and it was only Day 1.

    Friday, July 2

    The Mushroom Stage, where Goose performed a breakout set in 2019, opened up Friday at Peach Fest 2021 with Thumpasaurus, Ghost Light and Aqueous. Nicole Atkins, followed by Live at the Fillmore East, a tribute to the 50th anniversary of the Allman Brothers Band seminal live album (stay tuned for our look back at the album and performance on July 6!).

    What felt like a celebration of a steady return to normalcy found both musicians and patrons delighted to be back. Friday night the crowd was rocked with two sets from Joe Russo’s Almost Dead (JRAD) and Umphrey’s McGee following with a two hour late-night set.

    Russo gave special thanks to his drum tech/nephew Evan Roque for taking over his role behind the kit two years earlier while Joe was tending to his newborn child. Roque then sat in with Joe for an encore of “Samson & Delilah.” Umphrey’s McGee’s late-night set included a mind-blowing sit-in from lead singer from Doom Flamingo, Kanika Moore, who joined the group for a cover of Led Zeppelin’s “Dazed and Confused.” The Chicago septet closed the set with “Glory” -> “Hajimemashite” -> “Glory” followed by “40’s Theme.”

    Watch Moore’s sit-in below and stay tuned for a full report on Saturday’s music!

    Saturday, July 3

    A wet Friday night gave way to a much drier, enthusiastic, and jam packed Saturday at Peach Fest 2021. Spirits were high for Oysterhead and everyone raging at Turkuaz late-night. The rain picked up around 5pm when Oteil & Friends started a set of Allman Brothers tunes, welcoming the Allman Betts Band for a couple of of songs to help clear up the rain. Dopapod played an incredible, packed set at the Mushroom Stage, a welcoming sight for a Northeast Festival favorite.

    On the Grove stage, Andy Frasco welcomed a cast of friend including Taz, Mike Gantzer, and members of Doom Flamingo. Frasco recreated his Peach 2019 set by crowd surfing over to the pool from the stage. Later at the Grove, Trey Anastasio sat in with fellow Ghosts of the Forest member Celisse.

    Peach fest 2021

    Oysterhead took the stage for a highly anticipated performance, their first together since Fberuary 2020 in Colorado, and also Les Claypool’s last time on stage. Opening with “Mr.Oysterhead,” they worked through much of their catalog with Anastasio taking command on many songs, including a surprise cover of Phish’s “First Tube.” To close the night, Turkuaz played an irresistible dance set of Talking Heads covers, featuring a surprise King Crimson cover, “Thela Hun Gingeet,” with KC guitarist Adrian Belew joining them for the set.

    One more day to go Peach Fest! Have a Happy 4th of July!

    Sunday, July 4

    Never miss a Sunday show, so they say, and what a SUNday it was! The weather finally gave way to a fun in the sun packed last day of Peach Festival 2021. Patrons were excited to utilize the water park and enjoy an independence day full of leisure.

    Sunday started off with the Peach guitar pull, a tradition started in 2019. Later in the day Warren Haynes played a mostly acoustic, solo set. This proved to be slow but also genuine and touching, playing a soul warming “Hallelujah” (Leonard Cohen), an always loved “Soulshine,” and a well played “It Hurts Me Too” amongst an array of wonderfully executed tunes.

    The main event came soon after Warren, with two sets of The String Cheese Incident. Playing a monstrous first set, opening with “Texas” and paying tribute to Independence Day by closing with the Grateful Dead’s “U.S. Blues,” with Warren Haynes sitting in.

    peach fest 2021

    The second set opened up with another sit-in, this time by “The Blind Boys of Alabama” followed by a reggae, bass heavy sequence of “Best Feeling” > “Exodus” > “Best Feeling.” The second set was incredibly energized and even featured a Drums section. SCI paid tribute to the Allman Brothers Band with a performance of “Jessica” as their encore.

    The music was over but many of the patrons were not looking to end their nights just yet. Circling to and past the “Thunder Dome,” a DIY stage in the campgrounds consisting of a tent a and few canopies. At night it hosted as many people that could be accommodated, with musicians playing late into the night.

    Another Peach fest in the books. See you next year!



  • Grabbitz Gets Cinematic in New Music Video

    Buffalo-based star Grabbitz just released his artistic, short-film style music video for his newest single, “Pigs in the Sky.”

    The just over 7-minute video shows Grabbitz in a mysterious Buffalo art museum where he finds himself immersed in paintings and scenes from different eras. Grabbitz even faces ruthless attacks from his antagonist (Sarah Santizo) as he tries to snap back into reality.

    The video is an entertaining creative feat. Strong direction by Mac Cappuccino even incorporates sitcom tropes and alternate timelines (à la Wandavision) while “Pigs in the Sky” itself is a catchy, playable track.

    It seems like cinematic music videos are fading out. I grew up watching immersive videos, and there were so many platforms that catered to them. Nowadays, we live in a time of TikTok where videos have to be short, to the point, and hook you in half a second. So we decided to make this video really f’ing long.

    Grabbitz
    Grabbitz
    Photo by Daniel Leahey

    Grabbitz, AKA Nick Chiari, is not only a singer-songwriter but also a producer and musical composer. Spoken like a true 716 native, Chiari recounts that the first song he ever learned was the Buffalo Bills theme. He learned guitar and piano at a young age and began using the Xbox game “MTV Music Generator” to produce songs and beats throughout middle school.

    Chiari, 28, started performing as Grabbitz back in 2014 as a DJ in the EDM world. His song “Here With You Now” gained traction and he even caught the attention of Shaquille O’Neal. In fact, Shaq made an appearance in Grabbitz’s 2018 music video for “My Cloud.” He has also collaborated with big names like One Republic and deadmau5.

    Grabbitz is now back home in Buffalo after previously living in Los Angeles. With “Pigs in the Sky” and a deal with Hopeless Records, Grabbitz is hoping to enter the next phase of his musical career, having pivoted away from EDM.

    Grabbitz
    Photo by Margaryta Bushkin

    It’s got rapping and an interesting chord structure in the chorus. This is not a song I would have attempted a few years ago, but it feels right and I feel good about doing it now. It has a weird, driving, heavy beat that will blow your speakers if you play it too loud, and the lyrics are reflective because I wrote it during the pandemic when I had nothing but time to think. I wanted something that was serious but had comedic relief, and I think I got there. I’m proud of it and see it as a stepping stone to the next permutation of what I do.

    Grabbitz on “Pigs in the Sky”

    You can connect with Grabbitz on his website, Instagram, Facebook and Twitter.

  • Merged Pop-Punk Band RODERIK Release “You’ll Never Know”

    RODERIK, the Long Island pop-punk/post-hardcore band, debuted a new single titled “You’ll Never Know.” This is the band’s second single and the latest in a series of new tunes the band will be releasing this year.

    RODERIK

    The band name, RODERIK, derived from Edgar Allan Poe’s The Fall of the House of Usher, and fittingly formed during the early stages of a global pandemic, is comprised of remnants and fragments of bands that once reverberated through the vibrant Long Island music scene. Members include Alternative Press recognized band Approaching Troy, singer/songwriter Jake Anthony Salazar & guitarist Jay T. Sutherland set out with bassist David P. K., and drummer Danny Nugent, to rebuild and reformulate.

    After years of writing and playing shows together, these four members have finally come together to not only make music, but build visual experiences that would mirror that of its dark origins. The band aims to combine musical elements with visual representation, showcasing the dark and honest truth of Salazar’s dark lyrics, which stem from his life experiences and ongoing battle with depression.

    Of the new track, singer/songwriter Jake Anthony Salazar said, “In many ways, “You’ll Never Know” is a sequential follow up to our first single, “Save Me. Save Me” which was about my internal monologue during one of the most difficult times in my life. Whereas “You’ll Never Know” is about realizing I had to save myself, and reconciling with that. Only I could make the changes that were needed for me to be happy, but with change comes loss. “You’ll Never Know” is more focused on coming to the reality of my situation, and the grief that came with escaping it. Things that are good for us, in the long run, don’t always feel that great in the now, and this song is me trying to come to terms with that.”

    To stay up to date with RODERIK follow them on Facebook and Instagram.

    Stream “You’ll Never Know” below, and on Spotify and Apple Music.

  • “MORNIGHT” Released By NYC Based Band ALMA

    NYC-based indie dream-pop trio ALMA has entered the stage, with their latest single “Mornight.” The single is a realistic twist on your classic top of the pops hit, it takes the perspective of a bartender working the night shift in NYC. Showcasing the trio’s impressive production chops, “Mornight” is full of catchy melodic hooks, dreamy harmonies, and has an overwhelming danceability sound.

    ALMA
    Photo Courtesy of Abbey Mackay

    The song is from their LP Mosaic (coming out this fall). Mosaic, is a personal letter to NYC. Each song delivers the story of a moment in time in the city they call home. Mosaic invites you to sit beside them on the subway, walk with them through Astoria Park, and ride the Wonder Wheel at night as you feel what it means to be a New Yorker. They have been releasing singles from the album since September of 2020.

    ALMA is comprised of Alba S. Torremocha (vocals, strings, bass, drums, guitar, uke) Lillie R. McDonough (vocals, piano, glock, violin, hammer dulcimer), and Melissa K. Carter (vocals, guitar). The trio formed in 2019 out of a shared delight in harmonizing and experimentation with quirky instrumentals and old-fangled synthesizers. They discovered certain alchemy in the combination of sensibilities as film composers and audio engineers that have made for a genre-bending offering to the wide world of indie-pop. Elements of Folk, Rock, Grunge, Pop, and even movie soundtracks are all at home in their songs. 

    ALMA was named an NYFA Fellow for their genre-pushing work in 2019, and later was an Awesome Foundation Grant recipient in 2020. They are currently in the process of producing a staged, theatrical musical of their freshman album in partnership with Savannah Repertory Theater. 

    Their newest single, “Sips of Oxygen” will be released on July 30th and is a marvelous stripped down track that guides listeners through the moments before you lose someone special to you. The track is admirably vulnerable and raw, and perfectly encompasses the vibe of ALMA.

    “Sips of Oxygen” is about the moment before you lose someone, when the vibrancy of a life collapses into the act of breathing in and out. The entire song is a cinematic journey that is gentle yet also extremely heavy. The lyrics perfectly grasp the horrific pain of grief and proves to listeners how fast life runs away from us.

    Their debut album, Mosaic, is to be released on September 7th. It is a personal letter to NYC that is a patchwork of personal experiences that the band members have endured while living in the city. What’s special about this album is it takes the listener on a citywide adventure through many of the five boroughs: on the subway, through Astoria park, and on the Wonder Wheel at night to feel what it’s like to be a New Yorker. More than that, the album transcends the limits of place and invites the listener to fully inhabit each song, no matter where they are. 

  • The Forms Release “Southern Ocean” – First Single After Ten Year Hiatus

    Queens-based band The Forms released their first new new song “Southern Ocean” on June 21. This single marks The Forms’ return to music after a ten year hiatus.

    The Forms

    The New York duo, made up of musicians Alex Tween and Matt Walsh, have two full-length albums to date, debuting Icarus in 2003 and critically acclaimed, self-titled, The Forms in 2007. 

    The last taste of new music from the group prior to ‘Southern Ocean’ was 2011 EP Derealization, that featured The National’s Matt Berninger and Shudder To Think’s Craig Wedren. Over the course of these releases, The Forms were invited to share the stage with a large collection of artists including St. Vincent, Nick Cave, The National, Dizzee Rascal, The Hold Steady, Kurt Vile, Jose Gonzales, Deerhunter and Bat For Lashes.

    It might have taken a decade for The Forms, but “Southern Ocean” is worth the wait. The song provides a first hint of what is to come from The Forms’ upcoming third album.

    The Forms Southern Ocean

    The Forms’ style is a great representation of early 2000’s alternative, reminiscent of bands like Modest Mouse and Arcade Fire. This idea is most prevalent in their cover of Billy Joel‘s “We Didn’t Start The Fire.” The grungy electronic pop is iconic for the decade, and their current sound seems to be a more “grown up” version of the same intensity.

    “Southern Ocean” is super upbeat and beachy, a similar vibe that electronic duo The Chainsmokers have. Fun-loving, yet reflective with lyrics like “Just another phase I’m in – Just another road I’m on – Doesn’t make a difference what I do.” This single definitely has potential to be on a pop-radio summer playlist.

    The single arrives with a visualizer made up of a series of stunning shots of the Southern Ocean, the waters that inspired the name of the new track. Previously considered a part of the Pacific Ocean, the swift current off the coast of Antarctica is now being considered “too distinct” by National Geographic cartographers and is worthy of its own name.

    “Southern Ocean” is available to stream on Spotify, YouTube, Apple Music, Deezer and will be pressed on vinyl

  • Frank Palangi Drops New Track “Fire Of Love”

    Upstate NY-based indie rocker Frank Palangi is here to show that rock and roll never dies. Palangi released his newest song “Fire Of Love” on June 25, the first track shared by Frank ahead of his upcoming EP due out this fall.

    Frank Palangi Fire Of Love

    The track lives up to its flaming title, bringing heavy electric guitar with lively metal and grunge influences. Palangi explained that “Fire Of Love” explores how love is the driving force that fixes our mistakes, sets us free and, of course, brings us all together.

    Creating a hard rock love song complete with strong guitar flares, Palangi argues, adds a “bring it on baby” attitude and swagger to all of these emotions. Palangi’s gravelly, gritty and vibrato vocals also add an edge to his music, appealing to a wide scope of rock fans.

    Frank Palangi Fire Of Love

    Palangi began pursuing music at the young age of 13, teaching himself guitar, bass, drums and recording techniques. He aimed to blend different genre styles, specifically citing the influence of ’80s and ’90s rock as well as post grunge and heavy metal.

    I was a shy kid with health issues growing up so no sports, so I turned to creative outlets. Learning from those decades, I wasn’t going for the typical drinking, smashing hotel rooms as the rocker lifestyle is known for. It could be more about the music, the positive elements, that so many people get drawn into and yes, that rock n roll rebel yell to stand up for yourself.

    Frank Palangi

    Palangi most recently shared the music video for his song “Bring On The Fear” back in January, which addressed the turmoil and need for togetherness during the COVID-19 pandemic. “Fire Of Love” brings a new mood for the summer and is currently available to stream.

    You can connect with Frank Palangi on Twitter, Instagram and Facebook. Check out his website for updates on releases and performances.

  • Blues Fest Returns at State Fairgrounds; Robert Randolph talks to NYS Music

    The 2021 New York State Blues Fest, a free concert at the State Fairgrounds in Syracuse over Thursday June 24 till Saturday June 26 in Chevy Court. Downtown Syracuse’s Clinton Square hosted Dumpstaphunk at the last Blues Fest held in June 2019.

    Blues Fest


    Artists included Larkin Poe, Robert Randolph & The Family Band, The Fabulous Thunderbirds, Carolyn Wonderland, Vanessa Collier, Ghost Town Blues Band, Ray Fuller & The Bluesrockers The Gabe Stillman Band, The Ripcords, Miller & The Other Sinners, Diana Jacobs Blues Band Jane Zell & The Zelltones Colin Aberdeen & Max Eyle Hot Dogs & Gin Chris Merkley, Mark Nanni and Ryan Holweger.

    County Executive Ryan McMahon helped kick things off on Thursday for one of the Northeast’s largest free festivals. Southern Pennsylvania power trio Gabe Stillman Band and Robert Randolph and the Family Band opened the first sounds at Chevy Court in over a year, with Stillman Band performing a great cover of Bill Withers “Friend of Mine.”

    Blues Fest


    Robert Randolph and The Family Band helped bring the State Fair experience to all in attendance. The family band has Lenesha Randolph on vocals, Ray Ray Holloman on guitar Stevie Ray Ladson On Bass, and Rochester native Levi Bennett on drums.

    Blues Fest
    Stevie Ray Ladson, Lenesha Randolph, Robert Randolph

    The group periodically changed instruments during their soul set performance. Lenesha Randolph was quoted “It was great to be out in the land of the living. Such a great time, thank you guys for welcoming us.”

    Local Solvay saxophone player Dunham Hall got the call at 5:30 to join Randolph’s set at 7PM. He showed up and laid down saxophone for an extended cover of Sly and The Family’s Stones “Thank You (Falletinme Be Mice Elf) Again”.

    Blues Fest
    Levi Bennett Ray Ray HollomonnRobert Randolph Lenesha Randolph


    Robert Randolph spoke with NYS Music at the Jus Sum Jazz lounge following his show:

    Matthew Romano: It’s good to have you guys back in New York State performing live. What memories come to mind when you play Upstate?

    Robert Randolph: It’s crazy how many iconic shows have happened up here. One of the first shows I played with The Word was at a small club in Syracuse in 2000. The Word is playing at Tipitina’s at Jazz fest in New Orleans this year. It’s a vibe.

    MR: This jazz club has a New Orleans vibe to it.

    RR: Yea I like it. It’s reminds me of a modern day juke joint.

    MR: What shows have you attended in New York State that made an impact?

    RR: The first Phish show I saw was at Madison Square Garden. I remember it was a blast but it also humbles you. It’s one of these things where It all becomes special. I go to the Dicks shows in Colorado too.

    MR: What shows of your own are on the horizon in New York State In 2021?

    RR: I’m playing with The Word at Levon Helm Studios in Woodstock. That’s gonna be special, def come check that out.

    Robert will be performing at the Gorge Amphitheater with Dumpstaphunk and Dave Matthews Band Labor Day weekend when live music continues at the Fairgrounds.

    Vanessa Collier from Dallas took on a James Brown-like stage presence on Friday night at the Fairgrounds. She was out front counting on the one in between playing funky arrangements on lead saxophone.

    The Fabulous Thunderbirds from Austin TX helped keep that legendary blues smoke going to close the night. Attendees in the crowd reflected on Stevie Ray Vaughn’s New York State Fair performance in 1986. The Austin, TX guitarist played “The Sky is Crying” while the rain came down upon the old grandstands. Vaughn and Double Trouble walked a tightrope at Miller Court in 1989 as well.

    Saturday afternoon’s set by The Ghost Town Blues Band from Memphis was definitely channeling older spirits. Gregg Allman’s chilling composition “Whipping Post” was taken on by the ensemble. Matt Isbel’s whiskey gravel soaked vocals helped resurrect Allman’s sound. Trombonist Suavo Jones traded notes off Cedric Taylor’s howling B3 Hammond to boot.

    Perhaps this was a nod to the 50th anniversary of the Allman Brothers Band closing the Fillmore East. Their final performance on June 27, 1971 found the Allmans playing until 8AM. 2016 NYS Blues Fest artist Butch Trucks reflected “I remember Duane (Allman) walking in front of dragging his guitar while i was sitting there completely burned and he said “Damn its just like leaving church”

    Blues Fest
    Suavo Jones

    Rebecca and Megan Lovell from Georgia performed as part of Larkin Poe to close the weekends music. They are descendants of tortured artist and genius Edgar Allan Poe. The duo and their band treated the crowd to songs off their 2020 album’s “Self Made Man” and “Kindred Spirits.”

    The title tracks lyrics resonated on the blues soaked audience “I was down and out, now I’m up again When I roll the dice, everybody wins Like a cannonball, moving down the track, Baby’s on her way, she ain’t coming back”

    New York Blues Fest has made its way back across the land helping ease everybody’s same old blues on a different day.