Category: New York Singles

  • Rochester Musicians Collaborate as The Ribbon Project – listen to the first single “Medicine”

    Like many musicians, Jason Pariseau has been writing a lot of music over the past year. And as some artists discover, what they write may not fit with their current group and they branch out from there. For Pariseau, this meant that while some songs fit the mold for his group Periodic Table of Elephants (PToE), some had an alternative/indie rock sound. Thus, The Ribbon Project was born.

    Pariseau wrote songs that were inspired by artists like The National, Bear’s Den, Novo Amor, and others, with “Medicine” the first of the new batch. Since the process to record these songs took a while due to the collaborative process, he decided to release these one-by-one, instead of waiting for an all at once EP release.

    the ribbon project

    With a small pile of acoustic folk songs and a great deal of potential for them, Pariseau took the idea to Josh Pettinger at Wicked Squid Studios. They talked about the best way to approach the project, and instead of trying to synthesize everything in the studio, Pettinger encouraged him to lean on the local music scene in Rochester. When Pariseau started reaching out, the response was overwhelmingly positive. 

    As an indie-acoustic project featuring various musicians from the Rochester area, The Ribbon Project features PToE drummer Sean Scanlon on all tracks. For “Medicine,” Jason and Sean are joined by Joel Boyer (banjo), Arjun Baxter (upright bass), Ian Downey (cello), and Darren DeWispelaere (trumpet).

    With the feedback received from the first song, Pariseau is looking to bring The Ribbon Project to a live audience sometime later this summer. Still, the group of musicians have not played together in person just yet.

    The way the first song came together far exceeded my expectations.  And, what has been an interesting approach is that at no time have all of these musicians been together to play the song.  Everything was done digitally by sharing tracks and ideas, then having each person come into the studio one-by-one to record their parts.  Once one person was done, I’d send the track to the next person, and they would add on their layers.  Each person building on the previous person’s track. It’s been a fantastic project.  The next song is about 50% done, and will include a different group of musicians. 

    While the next evolution of PToE will be a step back from 90s punk, and pay homage to other 90s bands like Hum, Failure and Our Lady Peace, The Ribbon Project will set forth on an indie route, adding to the rich music scene waiting to burst open once again in the Flower City.

    Catch Pariseau perform virtually at “Homegrown Presents: Going Green Party” streamed from Lovin’ Cup in Rochester. The stream kicks off at 2pm on Saturday, March 20th.

  • Fake Dad Announce Debut EP ‘Old Baby’

    Brooklyn duo Fake Dad return with their new EP Old Baby, and its final single “Listen.” The band is previewing the album on March 19th via Baby’s TV, a livestream series presented by Williamsburg venue Baby’s All Right.

    fake dad old baby

    Fake Dad, comprised of Andrea de Verona and Josh Ford, formed in early 2018. Their sound is defined by their signature butter-smooth R&B vocals combined with buzzing hip-hop and electro-pop textures that form a dizzying cocktail that always finds its groove. The band has three singles in preparation for their debut, “Summerhill”, “Breakfast in New York”, and their newest single “Listen”.

    Brooklyn-based electro-duo Fake Dad bring that same energy to their new single, “Breakfast in New York,” a bite of R&B-tinged bliss guaranteed to make your mouth water for a bacon, egg, and cheese from your bodega or deli of choice (for those of us outside The Big Apple, maybe an Egg McMuffin at the very least).

    The All Scene Eye

    Other song on the EP include “Pretty/Ugly” which sees the duo imagining themselves among the ranks of famous pop stars. The song “Knit Sweater” offers an innate comfortability, seeing the band reaching for something safe and whole. The newest single, “Listen”, is grounded in silky meditations offering a serene mood. The unique soundscape offered by this EP see the band meld these inflection points together for something both invigorating and comforting. The EP is an exciting a bold move for the promising duo.

    Tickets for the March 19th preview livestream are available here.

  • Sulene Releases Introspective “he•don•ic”

    On March 5th, South African-born, Brooklyn-based artist Sulene released her new EP, he•don•ic, on Trash Casual.

    Sulene

    The five songs on the EP dive deep into her struggles with alcohol addiction, depression, and hedonic pleasures, and finding a way out of these destructive cycles.

    Sulene’s dark lyricism is juxtaposed by dancey, sexy beats strewn with synth and guitar that she describes as a “gothic disco party.”

    This vulnerable-meets-underground club aesthetic is found on songs like “identity crisis” and “photo booth”, both questioning bad habits she’s encountered in her life.

    Written at the start of the pandemic, “diner coffee” brings a more slowed down, sullen moment to the record as Sulene states “I promise to be useful” – a nod towards needing to create while blocking out depression.

    For Sulene, writing he•don•ic was a painful and difficult process, but also one that allowed her to experiment with music in a new way.

    Exploring a darker side of her character and production, Sulene wrote, recorded, and produced the entire EP out of her apartment in Brooklyn, NY. She also delved into filming and editing her own music videos and artwork, giving a full 360-degree view of her newest art.

    Speaking on the release, Sulene stated:

    he•don•ic explores my relationship with hedonism and addiction. Lyrically it speaks an uncomfortable truth and sonically it makes me wanna be in the club; a contradiction I find intriguing.

    This is definitely a fair overview or the EP. Each song is introspective in its own way, with Sulene analyzing her habits and tendencies, as well as her mental state. Sulene is heavily critical of her relationships with others, and her indulgences and dependencies.

    At the same time, the pounding, synth-heavy beats remind the listener of going out at night and partying with friends at clubs. It is a truly interesting contradiction, especially now in a time when clubs have been completely empty for almost a year.

    With the release of the he•don•ic EP, Sulene has broken new ground as an artist, bringing an experimental and refreshing take on pop music. You can stream he•don•ic here now and purchase the EP on vinyl here.

  • Amsi Drops New Single, “Cry,” Reflecting on Pandemic Pain

    New York City-based singer-songwriter Amsi releases the second single of 2021 today, “Cry” being an outlet for listeners to be vulnerable and express their grief on matters pandemic and beyond. The artist prides herself on her culturally diverse background and unique sound, whilst also addressing experiences that are all too universal and relatable.

    There were many instances where I was told I was too sensitive or too emotional, but now especially in this past year, I realized that crying doesn’t mean I am weak, it means that I am processing & growing. I hope people find comfort in knowing that it’s okay to cry too.

    Amsi, on “Cry”

    The impact of the coronavirus pandemic and quarantine on the mental health of today’s society is one that cannot possibly be looked over, with the yearning for things to return to normal and the fears that someone you love could possibly be affected. These fears became a reality for Amsi, who was quarantined with her father, sick with COVID-19, ten days after her last live performance.

    amsi

    You can stream her newest single here, as well as check out the rest of her works on her Spotify.

  • Lowhency Pierre Releases Somber “Losing” With Choreocinema Visual

    On March 1st, Brooklyn based singer-songwriter and poet Lowhency Pierre unveiled a new single and visual for his latest single “Losing.”

    The genre-bending crooner delivers a strong and passionate vocal performance that details not measuring up to gain the attention and affection of a partner.


    The somber cut is his most vulnerable and emotional track to date – with its thrumming heartbeat and bassline that grow more pronounced with time, over theatrical strings and overlapping vocals.

    In “Losing,” Lowhency Pierre turns grappling with self identity and worth into moments of clarity, security and liberation.

    Lowhency shares, “Lyrically, I’m saying that it’s really hurtful, and exhausting trying to exceed your expectations to win your love; and, recognizing my value and self worth enough to set myself free from that negative and toxic space.”

    Inspired by the art form of dance and natural human body movements, Lowhency says, “After discovering choreo-cinema films by Maya Deren (Study In Choreography for Camera), and Robyn Brentano and Andrew Horn (Cloud Dance), I really wanted to challenge and explore new areas of my body to express myself beyond writing and singing for the visual.”

    Pierre teamed up with longtime collaborator, choreographer and director, Barby Beauvais, to share his vision, and began training for two months on steps and movements that conveyed the concept of the song.

    Barby created the choreography piece-by-piece to showcase reflection, frustration, vulnerability and peacefulness.

    The new release is a taste of what’s to come on Lowhency’s forthcoming (yet-to-be-titled) project. Pierre’s last single “Crew Love” received and generated support from Grandma Sophia’s Cookies, Music and Other Drugs, Bands Do Brooklyn and more!

  • Interview: Zola Opens up About Misogyny in New Single

    18-year-old singer-songwriter Zola releases her new single “Not Like Other Girls” today, March 12. Building her fanbase in the New England area, the young artist blends indie, pop, and R&B. Zola integrates her raw and honest lyrics within her work also.

    Zola

    Zola’s music is oriented around her vulnerability. The way in which she can unapologetically be herself is what resonates with many fans. Although, at such a young age, Zola has had to face hardships within the music industry. Zola shares with NYS Music:

    I think, especially being a woman in the industry, there’s a completely different set of expectations placed on us than on our male counterparts. Women in music constantly have to reinvent themselves in order to stay relevant and, in general, face way more judgment on whether or not we’re ‘basic.’ If you’re basic, that has a sort of negative connotation, but if you’re ‘alternative’ you’re trying too hard. It’s an impossible battle to win.

    Zola

    This “frustration and relationship between judgment and identity” had a major influence on how she wrote the new song. Being a young woman in this industry places a microscope on one’s work. Zola takes this scrutiny, though with an enlightening and mature perspective. She aims to fit no one’s narrative but rather create her own.

    Zola

    Calling Out Misogyny

    “Not Like Other Girls” sets a haunting tone with penetrating piano keys, moody guitar chords, and a synthesizer. Layered over this is Zola’s riveting vocals that effortlessly glide with the beat. When constructing this single, Zola shared that she first began with the lyrics and then built the additional instrumental sounds around that. As this single is very personal to Zola, she wanted the song’s tone to be reflective of the meaning.

    The song deals with “finding the courage to stand up for one’s self.” This phrase ‘not like other girls’ is inherently misogynistic because it instinctively devalues other girls. Zola purposefully utilizes this phrase in order to bring attention to this popularized but damaging mindset.

    The ‘Not Like Other Girls’ trope is very interesting and complicated, and there is definitely a growing discussion about how the whole concept is rooted in misogyny. The whole thing started out as women trying to remove themselves from femininity, in order to set themselves apart and prove superior to other women. Oftentimes it’s even just a ploy for male attention. I think in order to break down this harmful trope and mindset we need to educate people on what it actually means, and have conversations with other women about it. Being into popular things isn’t bad, and being into unpopular things doesn’t make you better. Everyone should be able to like what they like, but if I see a girl with a superiority complex, I’m not going to think twice about calling her out.

    Zola
    Zola

    Breaking Down Barriers and Building Connections

    Zola values the importance of her individuality and has expressed that freely in her work. Being personal with her fans has built a relatability that is hard to find. Her new single is one of many that encapsulates her artistry and vulnerability.

    I’m just a very vulnerable person, so my music and what I write directly represents who I am. I’m driven by everything; life experiences, relationships, hardships. Life’s too short to not be vulnerable, because what’s the point if you don’t let yourself feel, isn’t that what music is all about? I like to think so.

    Zola

    Check out “Not Like Other Girls” out now on major platforms.

  • NYC Native Mae Krell Opens Up in New Single

    NYC Indie singer Mae Krell peels off layers of their personal story as they release their newest single “are you sure?” on March 5.

    Mae Krell
    Mae Krell by Sarah Midkiff

    Krell is more than a singer, they entered the music industry through photography and traveled around the nation capturing pictures. They wrote poems and aspired to become a performing artist one day and found the courage to do so. As a member of the LGBTQ+ community, they find ways to connect that with her artistry. Krell is also an advocate for mental health and incorporates messages surrounding the topic within their music.

    Before this new release, they created and dropped their singles “Monsters” and “Scars” when they were just a teenager. Their debut EP Anabasis released in 2018, resulted in a nationwide tour at the age of 19. They took a two-year hiatus from music and returned in March 2020 releasing four new folk-pop singles and receiving about 500,000 streams on all of them.

    At the time, it helped me take a step back and learn about myself and why I was really doing all of this. I was so worried about what other people thought for so long that I forgot to enjoy making music- I was so overcome with anxiety all the time. I write songs to figure things out, get closure on situations, or just to express how I’m feeling. Releasing those songs is scary, but I’ve learned that I can’t be too much of a perfectionist or else I’ll never put anything out.

    Mae Krell

    These new releases start a new era for the artist as they confront past hardships, self-love, self-truth and reflection. Some of their influences are Bob Dylan, Phoebe Bridgers and Gregory Alan Isakov. When the 21-year-old returned from their hiatus they came back with a more mature and understanding approach.

    “are you sure?” is their first single of 2021 and it was written on the two-year anniversary of their sobriety. The song explores cognitive dissonance and feeling stuck even though they made a lot of progress. It dives deep into the low moments that make you forget how far you’ve come. Krell pours their emotions into the song singing over a guitar loop with pain in their voice. The lyrics honest, raw and intimate. Although spreading awareness wasn’t their initial thought about the track, they hope releasing this “personal and intensely emotional” song will bring discussions about it to normalcy.

    More so than raise awareness I want to normalize talking about feelings. Why don’t we share how we feel when someone asks? What’s wrong with being honest and open? I think the world would be a much kinder place if we all had an open mind when we asked someone how they’re doing.

    Mae Krell
  • Arsun Shares Visuals For “Southern Winds” and Launches T-Shirt Collab

    New York indie rocker Arsun has released a new music video for his song “Southern Winds,” premiering on i-D, alongside an exclusive interview.

    Arsun southern winds

    The music of Arsun is influenced by the art-rock of the late 60’s and 70’s, with heavy influence from Lou Reed and The Velvet Underground. The music video for “Southern Winds” is directed by Arsun’s girlfriend, Tasmin Meyer Erahin, makes special use of black and white, intentional video artifacting, and a four way split camera perspective. Shot on a vintage Super 8, the video was not initially meant for a music video – just the couple causally videoing their tropical getaway. Nature is a key fixture of the video, strolling through idyllic beach vistas and gorgeous ocean’s to match the serene mood of the music.

    The new track comes packed with a catchy, retro instrumental line, as Arsun’s gritty vocals take the lead

    Indie88

    Arsun released “Southern Winds” with Dover Street Market as part of their Art Book Fair programming. Dover Street Market is multi-brand relator that collaborates with several of its closest associates to release a series of virtual events. Arsun’s collaboration with Dover Street Market also includes a new t-shirt designed in conjunction with visual artist Tom Sachs.

    The t-shirts are up for purchase on DSM New York E-Shop.

  • AJA Creates Inclusivity Through Diversity

    International role model AJA (they/them) has broken down barriers in their new single titled “21 Roads,” featuring Katie Jobes. The revered artist and performer has brought non-binary visibility into the music industry, while also building a safe community among their fanbase. AJA is of an ecletic Puerto Rican, Nigerian and Egyptian background. Being an adopted Afro-Latino from Brooklyn has also had a lot of influence over their music and this new single. 

    AJA
    Photo Credit: Tanner Abel

    “21 Roads” is the first single off of AJA’s upcoming sophomore album CROWN. The song delves into being stuck at a crossroad, re-evaluating and learning to prioritize yourself. Protecting your happiness and being at the forefront of your own destiny is what AJA preaches.

    The artist used three tracks on the single: an interlude, the actual song, and recorded drumming. AJA shares that “the beat of the song, the interlude sample of the drums as well as the instruments, singing, and chants that are on the drumming — these are traditional songs for Esú Elegba, who is the gatekeeper, and opener of all roads in the Lukumi Faith; which stems from Nigeria.”

    Watch the Lyric Video for “21 Roads” Here

    Later this spring, AJA will release CROWN. The album incorporates themes of back spirituality, fame, race, class, gender, and sexuality. CROWN deals with AJA’s hardships and their adjustment to vulnerability. Following their critically acclaimed debut album, Box Office (2019), CROWN has high anticipation. 

    AJA
    Photo Credit for CROWN Album Cover: Tanner Abel

    AJA constantly uplifts their fans through inspiring perspective, fashion, and activism. They have taken their positive outlook to over 180 live shows and even sold out venues worldwide. The new single is nothing short of AJA’s empowering insight.

    “21 Roads” (featuring Katie Jobes) is available on major platforms. Listen to the single below.

  • Love Lola Love Drops New Single, “How I Do It,” Drawing inspiration from Lizzo’s “Good as Hell”

    On February 26th, Brooklyn-based pop artist Love Lola Love dropped a vibrant new single, “How I Do It,” hoping to capture the feeling of self-love in musical form. Described as “straddling the line between brat pop and swagger,” Love Lola Love carries an anti-pop sound that hopes to squash previous misconceptions about the pop genre.

    Anyone who’s lived in NYC knows how tough it can be. I def have had a love/hate relationship with it. This song was inspired by Lizzo’s ‘Good As Hell’ which is one of my fav self-love anthems. Living loud with absolutely zero fucks.

    Love Lola Love, on “How I Do It”

    Alongside Lizzo, some of her musical influences include Charli XCX and Gwen Stefani. Music of hers has landed spots in an Old Navy commercial and a Chanel commercial, the newest addition being “How I Do It” in a Samsung commercial.

    Artist Love Lola Love pictured above.

    If you as well are in need of a funky pop song that focuses on self-love during the pandemic, this is a must-add to your playlist, and Love Lola Love could be a rising artist that you catch before she blows up. You can keep track of her work on Spotify, where you can listen to “How I do It,” “Bang!,” and “Bold.”

Built in Breakdance