Category: Best of NYSMusic

  • Gregg Allman eats an Orange

    Happy Birthday Gregg Allman! The road for the Allman Brothers Band certainly does go on forever. Some of its trails were carved by two of their managers who graduated from Syracuse University. They made residency history at the Fillmore East and The Beacon Theater in Manhattan during their time.

    The band evolved with a changing cast at Syracuse University’s Manley Field House over the years as well. The Allman Brothers Band even took on a summer-like residency at the New York State Fairgrounds & ballparks every August.

    Gregg Allman

    The musical concept Gregg Allman and his brother Duane ‘Skydog’ Allman founded in Florida has had Syracuse ties since 1970. During an Allman Brothers Band gig that year on Collins Avenue in Miami, while noticing Eric Clapton in the crowd, Duane told his brother Gregg, “Bay brah, dig who the fuck is sitting over there” to which Gregg replied “Man, I saw him two songs ago.”

    Gregg Allman
    Duane Allman & Eric Clapton Syracuse 1970

    Clapton recruited Duane Allman to play in the studio on Layla and Other Assorted Love Songs. Duane only performed the legendary work live in Tampa, Florida on December 1, 1970 and the last time at The Onondaga County War Memorial in Syracuse on December 2, 1970. Elton John got to see it as he opened the show that night last minute when the dates changed. Less than a year later, Duane gave up his ghost in the band and Gregg took his brother’s angel spirit on the road with him forever.

    Gregg Allman

    In March of 1987, many moons before their infamous residencies at the Beacon Theatre, Gregg Allman brought his solo band to Syracuse. The I’m No Angel tour had a stop at North Syracuse’s USA Sams Rock club. My father, Mark Romano was running the infamous Ground Round chain restaurants that year. As he was ready to close shop one night, much to his surprise, Gregg Allman was posted up at his bar. Gregg’s crew was in transit at the hotel next door on 7th North Street with only their tour bus as means of transportation.

    Gregg Allman

    After some spirits and laughter, Allman asked Romano if he would be able to drive them in his Buick to other establishments that were open. They went to the legendary Crossroads bar on 7th north street to shoot pool & enjoy some conversation. They certainly talked good music as Romano’s father Frank Romano’s cousin played piano with Frank Sinatra in the seventies. As the closing hour approached, Gregg insisted they go to the club where he was performing the next evening.

    Romano backtracked from the North Syracuse club to their hotel on 7th North in the early morning hours to drop them for the night. After all, he had to open the restaurant the next day. While feeling a little bedraggled, he saw Gregg return in true southern gentleman fashion. He brought Romano various records and tapes of music they discussed the night before on the town and passes to his show that evening.

    I started 2009 in NYC at Gramercy Theater seeing Gregg’s solo band perform there New Years Day and during Daytona Beach Bike Week that Spring. I was able to share the tale with Allman at the Turning Stone Casino after a solo band performance in 2009 as well. The same southern hospitality he showed my father was reciprocated as Gregg and I played some blackjack and talked blues music.

    Allman joined Dave Matthews Band on stage at Madison Square Garden in April of 2009 for the Big Whiskey and the Groogrux King tour opening show. When Gregg headlined the 2011 New York State Blues fest in Syracuse, he spoke with Syracuse New Times writer and musician Jess Novak.

    Jess’s question “What is it about blues music and these older songs that draws you to them? Gregg replied, “It’s kind of an outlet, ya know? If you got a little taste of the blues or something hanging on from way back, it’s like a release. It damn sure works too.” Novak found herself performing at Jones Beach with Devon Allman where Jason Isbell played prior and Gregg closed the show, an experience Novak described as “completely insane”

    Devon Allman & Oteil Burbridge , Peach Festival 2021

    Gregg’s sax player Jay Collins performs regularly at Syracuse’s Salt City Waltz every year. In 2012 Gregg released his New York Times best selling book My Cross to Bear from a loungey first person account. Don’t forget a 16-year old Cameron Crowe joined Gregg and the band on the road in the summer of 1973 to write a Rolling Stone cover story on the group.

    Devon Allman is currently on tour with the young blood of his dad, ABB original bassist Berry Oakley and Dickey Betts kin. The Allman-Betts band is currently on their Allman Family Revival tour with a special birthday show for his father at New York City’s legendary Beacon Theatre on December 8 with guests like Eric Gales, Robert Randolph. and G Love.

    The Allman Brothers Band started The Peach Music Festival at Montage Mountain Ski resort in Scranton, PA in 2012. Allman-Betts band returned to the Peach stage this year collaborating with longtime ABB bassist Oteil Burbridge. Derek Trucks and Warren Haynes performed “Why Does Love Got to be so Sad?” at the 2020 Love Rocks NYC benefit at The Beacon Theatre on the infamous March 12th start date of the pandemic.

    Soul Survivor of the original ABB, Jamoie Jameson, grooved on his drum kit at the Peach Festival’s Mushroom Stage this year as well. When I spoke with Devon Allman briefly at the Peach and told him the tale of our pops he replied with a smile “Ah man, that sounds just like him.”

    Gregg Allman

    The life and legacy of Gregg Allman can best be summed up in his autobiography, My Cross to Bear: Music is my life’s blood. I love music, I love to play good music, and I love to play music for people who appreciate it. And when its all said and done, I’ll go to my grave and my brother will greet me saying, “Nice work, little brother—you did right”

  • Best of 2020: Best Tours and Drive-In Shows

    NYS Music’s Best of 2020 series concludes with a look at the best Tours and Drive-In shows of a year we’d all like to forget. When the music industry shut down in mid-March, it was sudden and continues to last into 2021. Few bands got to go on a ‘real’ tour, given there were roughly 11 weeks in which to tour, and the coldest months of the year, at that. Still, a few bands went out on a Winter 2020 tour, making stops in New York State and surrounding areas. Be sure to check out the best Streams, Covers and Jams.

    moe best of 2020
    photo by JD Cohen

    Goose announced shows in Williamsburg for late January, 2020, and immediately added a second, and smaller third show, due to demand. Their shows at The Music Hall of Williamsburg were two of the best of their tour.

    One band, Twiddle, celebrated their 15th year as a band with a Roots Tour of their own, streaming the multi-week event that looked at the venues they got their start in across Vermont, wonderfully recalled by Ryan Dempsey. In addition to these shows, Twiddle performed at multiple Drive-In shows across the Northeast, including New Jersey and Essex Junction, VT.

    All that after a cross-country tour running from January through early March. The band had an impressive 2020, performing shows in Colorado to start 2020 with “Somewhere on the Mountain” in Frisco, CO and connecting with platform LiveXLive for their July Roots Tour.

    twiddle essex
    photo by Dave Decrescente

    When it came to Drive-Ins, there were quite a few across the Northeast – Drive-in-Live in Swanzey, NH, Jericho Drive-In in Glenmont, NY, South Farms in Morris Farms, CT, Fingerlakes Drive-In in Auburn, NY, Silver Lake Drive-In in Perry, NY and Radial Park in Astoria, Queens.

    Live at the Drive, featuring Buffalo’s Aqueous, was one of the first and the most successful series, with three weekends between Lockport’s Transit Drive-in and Perry Silver Lake Drive-In. Buffalo Iron Works produced the shows, with Josh Holtzman and Grace Vesneske’s new company Twenty6 Productions garnering credit for putting on shows that set a standard for socially distanced shows that were safe, well-run and comfortable for fans and staff alike.

    aqueous silver lake best of 2020
    photo by Paul Citone

    Goose also hosted numerous Drive-Ins across the Northeast and even ventured safely to Ohio, North Carolina and Maryland, as well as Swanzey and South Farms. Located in Morris, CT, South Farms was centrally located to the Hudson Valley from Albany to NYC, Western Massachusetts and Connecticut itself. As such, Goose, moe., Warren Haynes, Grace Potter, Allman Betts Band, Dark Star Orchestra, Citizen Cope and even comedian Bill Burr. Due to a recent Zoning Board ruling, South Farms won’t have live music for the time being, but they made some memorable moment in the time they were able to, in a key location in the Northeast.

    goose south farms best of 2020
    photo by Chad Anderson

    moe. and Disco Biscuits each hit the new Drive-In circuit, streaming online and giving fans thirsty for live music the remedy they sought. Shows in Yarmouth, MA became regular stops, with both bands heading to Cape Cod in October. Lafayette Apple Festival Grounds, just south of Syracuse, brought in Dirty Heads and Disco Biscuits, the latter of which performed three nights, culminating their Drive-In shows with a Halloween show and an audience well-prepared for the cold and mud but still got down to dance.

    What will come in 2021? Drive-In concerts will surely be a regular feature starting in the Spring, until the pandemic is under control, the population is inoculated with the vaccine, and venues are able to manage crowds of slowly increasing size. Will Drive-In concerts be here to stay? The collective effort to stem the spread of COVID-19 this year and into 2022 will determine the speed at which we can return to having live music back to where it was in early March of 2020.

    https://youtu.be/1uz8BpvENlg?t=4541
  • Best of 2020: Cover Song, Jam & What We Missed The Most

    As we continue to warm up to the new year, there are a few more musical moments from 2020 that merit special recognition. Here’s the best of what last year had to offer for cover songs and jams and what we missed the most.

    Best Cover Song

    There were a lot of interesting nominations for this category. With bands and artists quarantined at home like the rest of us, that left plenty of time to learn new material and maybe take a stab at some unique covers. The winner this year goes to moe. and their take on “West LA Fadeaway,” from the 1987 Grateful Dead album In The Dark.

    This one went down at Big Blue North Recording Studio in Utica, NY. After scheduled shows at Vernon Downs were cancelled, the band scrambled and Plan B was to play the shows where they had been rehearsing. The extra-bouncey effect on Rob Derhak’s bass and Jim Loughlin on percussion give this Dead classic a fun, uplifting vibe that does justice to the original.

    Other nominees for Best Cover Song included Silversun Pickups and their cover of Martika’a 1988 hit “Toy Soldiers,” Vaporeyes and their take on the Gorillaz classic “Clint Eastwood,” and a breathtaking rendition of Radiohead’s “Weird Fishes” from Lianne La Havas.

    https://www.youtube.com/watch?v=LdbHO_KhCig

    Best Jam

    The nominations for Best Jam of 2020 were once again varied and spread across far across the musical spectrum. But, once again, the winner has roots deeply established in New York State. Like many other bands last year, Buffalo’s Aqueous had to resort to Drive-In movie theaters as venues to play for any mass gathering. And their second set on June 21 at the Transit Drive-In Theatre in nearby Lockport goes down as the jam of the year.

    It was comprised of only one song, an extremely stretched out and versatile “Half In, Half Out.” This particular version reached new heights as it goes on for nearly 68 minutes and showcases the band’s full repertoire. This musical assault seems to have about a dozen different sections that mesh together to form something special. One of the earlier ones is an exact replica of the ending sequence of Phish’s “Sample In A Jar.” The rest of jam features notes of funk, reggae, trance and blissful rock, all while never growing stale. Teases from Rush, Pink Floyd and Red Hot Chili Peppers also abound. Throw in a freshly mohawked Mike Gantzer on guitar and that’s more than enough to bestow “Best of” honors for this one.

    Other finalists in this esteemed category were the “Stash” from Trey Anastasio’s Beacon Jams, Vaporeyes’ “Quarantine Jams,” and Yo La Tengo’s annual Hanukkah show.

    What We Missed The Most

    This contest, predictably, yielded a bit more of a clear consensus. It’s evident from the responses that thing people missed the most in 2020 is the personal and social interaction that go hand in hand with live music. Of course the music is nice (it finished a distant second), but it doesn’t seem to matter as much without the friends and the environment that comes with a show.

    If 2020 has taught us anything, it’s that human interactions certainly goes a long way. And one response mentions one of these that undoubtedly anyone who has ever been to show can relate to in saying, “I miss being in a large room with strangers who instantly become your best friends just because you share the connection of loving a particular musician or band.” Whether it’s reuniting with old friends or making new ones, let’s hope 2021 gives us a chance to do both. And the live music can come along too.

    Best of 2020
  • Best of NYS Music 2020: Best Streams

    Best of 2020 finds The Beacon Jams on the headline for threefold: It took the podium for ‘Best Streaming Series’, ‘Best Charitable Effort,’ and outstanding audience interaction. While we didn’t expect much from such a painstaking year, one thing remains true: music always prevails. The Beacon Jams and Trey also came up countless times in other Best Of categories.

    Best of 2020: Overall Streaming Series

    The Beacon Jams earns the Best of 2020 Streaming series, an eight-week residency featuring acoustic and electric performances from Trey Anastasio, with bonus content and audience interaction. New York City’s historic Beacon Theatre took this on as its first ever virtual residency. Anastasio performed every Friday at 8:00 p.m. ET from October 9, and concluded November 27. The effort streamed exclusively on Twitch.

    With Trey’s name attached, it is hard to believe anything would fall short of ‘Best of.’ Trey is an all-in type of musician, despite being reluctant to create anything virtual. His leap of faith: The Beacon Jams.

    Trey calls The Beacon home. With countless performances at the theatre it was a natural choice. After a crazy two years of touring Anastasio didn’t think live-streaming was necessary. Times changed and he was still creating, with the July release of Lonely Trip, as well as prerecorded SummerStage Jubilee performance and a Jimmy Fallon appearance. While the mass of energy (people) in a live performance is hard to match, Trey was not disappointed with the reaction from The Beacon Jams. In fact, it was overwhelming and inspiring. “I don’t know if I want to play without our community with me,” but we we’re right Trey. We’re right here.

    So much of my work is about getting out of my own way, rather than fighting toward something. The work is to not mess up what already exists. There’s a tsunami of energy happening, and my mind is the impediment.” 

    Trey Anastasio – Homing Beacon, Relix interview
    Best of 2020: Charitable Effort From a Streaming Series

    In true Anastasio fashion, there is always a charity or greater good in mind. With The Beacon Jams, there were two: The WaterWheel Foundation and Divided Sky Fund (DSF). Since 1997 Phish and WaterWheel have been raising money for those in need via touring, while The Divided Sky Fund focuses more on delivering quality care and compassionate treatment for those suffering form alcoholism and addiction. Likewise, all net profit from The Beacon Jams merchandise sales went directly to DSF.

    The Divided Sky Fund crushed their initial goal of $150,000. As the organization inched towards its benchmark with mass fan-donations under $100, large sums (upwards of $15,000) and merchandise sales currently raised over $422,000 dollars. This is again feat in itself, especially during times where fans may have had little money to spend. Anastiaso set the bar high, gave back, and instigated this generous giving-tree lifecycle.

    You can still donate to DSF and aide The Beacon Jams’ efforts via Paypal HERE. Not only is your donation visible, but you can feature a public note or inspiration. A $20.00 donation is auto-populated, but amounts of any kind are more than generous, and can be marked anonymous. They are very close to their new $450,000 goal.

    My hope is that this fund can touch many lives with positive support for addiction recovery. Thank you so much for music each Friday. It became something my girlfriend and I looked forward to every week.

    Chris Strohm – Comments after Donating to DSF
    Best Of 2020: Stream For Audience Interaction

    Twenty-twenty was an odd-egg, but Anastasio opened a Beacon Jam set with “Corona,” interjecting a bit of comic-relief. Music lovers found happiness in all live stream series. It made light of a crude reality around us and social detachment. Livestreams sucked us back into how music should be: a constant, ever-changing dialogue between musicians, instruments and the fans.

    Other Streaming Series in 2020

    Other streaming series were hot on NYS Music’s Best of list from Umphrey’s Mcgee, Aqueous, Goose’s Bingo Tour, Dinner and a Movie, Lotus, Noon Chorus, The Talking Dead and multiple mentions of moe. Share your favorite streams of 2020 with NYS Music.

    Syracuse beat-driven psychedelic jam band, Vaporeyes, took their own flair to a livestream series via Facebook. With over a dozen episodes and a November album release, Cantrips, the band took advantage of live streams to the fullest.

    Catch up on Vaporeyes’ live streams via Facebook

    Heavy hitters moe. rolled with the punches after their drive-in series was shut down due to COVID-19 concerns. The band fired back with a live studio stream from Big Blue, and a saucy full length album stream from The Palace Theatre lobby. If you missed it, you missed out. Click play and get taken away with soaring vocals and unmistaken live-concert energy.

    Red Rocks is magical in its own regard. Add a trippy light-show and cosmic jam band, and well, you see where this is going. Lotus dominated a livestream in two sets and you didn’t have to leave your couch. The 4K livestream sucked us into production. Lotus released Free Swim, a 10-track album on 2xLP Vinyl in August, paired with this event at the Ampitheater as we closed out September.

    Make sure you check out all of your favorite bands and support them during these, still, turbulent times. Stay updated with NYS Music as your #1 source for all things music across New York State and beyond. The Best of 2020 is just beginning. And we promise, once we recap we’ll leave it where it belongs – dead in the past. Thank you to live stream series for keeping us alive.

    Check out photos from The Beacon Jams by Jake Silco