Category: Features

  • Last Vestige Music Shop: 32 Years and Still Turning

    Jim Furlong is the owner of Last Vestige at 173 Quail Street in Albany. A native of Albany, Jim opened up a mail-order business that also has a storefront, just over 30 years ago. He has moved locations once (across the street) and has had to expand his store further into his backyard.

    He stands just over six feet tall wearing a graphic T-shirt, stylishly old jeans, and sneakers to match his thick grey hair that is a bit shaggy at most. He leans back with comfort in his store and folds his arms over his chest as he thinks back to different times when his hair wasn’t so grey, and he was living a bit more of a wilder and freer life; whether it was working odd jobs, going to school, drawing, or moving to NYC with his band.  Jim shares his story with NYS Music.

    Jim Furlong. Photo: Joseph Regan

    The man behind Last Vestige

    I grew up in the South End off of 2nd Avenue. It was a good mixed neighborhood, German and Irish, African American, Italian 1950s through 60s early 70s. When I got old enough and I moved out when I was out of high school. I worked factory paper mill, construction, loading trucks. And then I went to SUNY for fine art for a couple of years. Went to New York City with a program through SUNY to study art for a semester in the city. Then I came back and was bouncing around. 

    Worked at a pizza place called Albany Campus Pizza, which was over in Westgate. Every dorm room had a party. I mean I delivered pizzas there with the Albany campus. I mean, I’d get tipped with bongs and joints. And you got to the room and everybody back then all these Long Island kids that they had these massive stereo systems that they moved up with speakers and you just get to the room, and you’d be hearing Aerosmith blaring from the room. You bang on the door and the door would open up and there’s smoke there’s, there’s beer baby. Yes Sir, no problem. OK, I gotta go back to this pizza place now get another eight more pies that come back up for the next batch. 

    Then I went to junior College of Albany, which is Russell Sage. Considered now over on New Scotland Avenue and Academy that was Russell, now I think it’s four years but I went there, and I got a two-year degree in commercial art. And then I was working at record stores doing my own artwork. 

    In 1980. We formed a punk rock band here in Albany when I was in my mid-20s and I was in a group called the A. D’S.”

    Last Vestige
    Jim Furlong in his store- Shot By: Joseph Regan

    A Unique History

    Anyways we played in Albany for, well throughout most of the 80s moved to New York City with the band. We tried our luck down there for a while, didn’t work out, of course, but it was a good time.  

    This fella in Manhattan, who had tons of vinyl from his loft apartment over to this shop on West 23rd that we opened up, so I worked for him for a couple of years. 

    In 1984, I moved back from the city, and I decided to start a Mail Order business based on what I had learned working in New York. And then around 1987 or 1988, like three years into it, I was doing well enough that I just couldn’t do a day job anymore. I was just selling records all through the Mail, all over the world, US, overseas. I built up a good clientele and while a lot of guys were getting rid of their records and because of the CD thing over here plus a lot of the record stores were going out of business or and a lot of guys were buying records. People would walk in with amazing collections and the guys were putting them out at these various stores I travel around the state. You could get albums that were two and three bucks, and I could sell for twelve or fifteen online. So that was a fun gig. 

    In 1986, when (Governor Mario) Cuomo senior made the drinking age 19 and then a year later, they went to 21 that essentially killed college drinking bars in Albany area and New York State for that matter. In 1987 a friend of mine purchased the building that’s no longer across the street, Frank’s Living Room. It was a famous SUNY college bar. It was a notoriously crazy bar. I went in a couple of times because I was a townie, but I mostly went to other places, but I went in there. Place was so small, and people were sitting, and people are shooting darts. I mean, it was insanity. 

    Frank closed up and I was rehabbing that for her doing some carpentry work on the side with the Mail Order and then she said you want to open a store. I said well I don’t know, you know, I’m doing good with the Mail Order, I don’t want to drop a whole bunch of money on rent because all I got is records. She said, well, you can rent my store out. I’ll do it like a really cheap rental for one year and we’ll see how it goes and all I had to do is remodel it so it was pretty much a wide-open space because they took the bar out before I even got there. 

    Last Vestige
    Last Vestige Upstairs Mail Order Room – Photo Shot By Joseph Regan

    I opened on Halloween of 1989. And then the store started building up and getting more popular, and I ran out of space.

    This was a laundry mat for college kids, but the guy who owned it was a freak and he was a drug addict, and he was kind of a weirdo. But in 1992 it came up on the Albany County auction block because taxes the guy hadn’t paid $60,000 he owed on the building, so they took it from him. I went to the auction. First time I went they wanted to open the bid at $60,000, so nobody bid on it. Then I went back three months later they put it back on the next auction for only $40,000 to start and I was told by somebody that there was a family that were thinking about grabbing it for a restaurant.

    The guy said “OK coming up to 173 Quail Street, opening bids is $40,000 and I looked over at them and they just sat there. So, I raised my hand and said “I’ll take 40” and they never countered it, so I was the only guy who bid on it.

    By New Years’ of 1993, I opened. In this part here (the main room upon entry), this floor and the one above is added on about six years later, because I needed more space. 

    My overseas business was spectacular, but the price of postage now is kind of tough. One Greek guy coming twice a year and he would, he would like me. “Hey, Jim! I love your records!” He’s pulling out, you know all the heavy metal Black Sabbath albums. “Looking good! Good!” He’d tell me. But those days are gone now because it’s harder to get that stuff.

    Selling Your Records

    Their really good stuff goes quick and like I said, I used to have 20 Pink Floyd Dark Side of the Moon in my backup, you know if I sold one boom. Now there’s none and if one comes in, it’s like ‘”Thank you God!” You know same with Led Zeppelin, Beatles, Stones, all the classic rock guys like that all your punk rock or your stuff from the 80s. Any of those albums that come in, I’m lucky if I have one or two in a backup at any given time.

    I love when someone walks in with a great record collection to sell and I love getting a phone call from people who say, “You know, I’ve got this big collection, a couple 1,000 albums. Can you come to my house to look at it?” Sometimes you go there and it’s amazing stuff, and sometimes it’s almost all garbage. 

    Last Vestige
    One of the T-Shirt Designs Jim Made: Photo By Joseph Regan

    Being The Boss

    It’s been a rollercoaster ride. You know sometimes there’s a year or years where the business was lean, you gotta just juggle and balance and do what you can and can’t get by. Then there are other years where it’s killer and you’re just thank God you can keep the door unlocked because you know there are certain things that no matter what you do, or how bad, or goo, dit is the prices go up. Nothing cheapens. 

    You know, I’ve been pretty fortunate. I pay all my bills and everything. I don’t owe anybody any money which is a good thing, but you’ve gotta know what not to buy and what to buy because people, as far as everybody is concerned, they got the best stuff in the world. 

    last vestige
    Jim Furlong in his store: Photo by Joseph Regan

    I’m either the worst boss or the greatest boss in the world. The two guys at the counter have been with me for at least 25 years. The other guy has been with me close to 20. Kim works up in the mail order department, she’s been with me since I was across the street the year after I opened.

    I didn’t know in 1989 that I’d still be here in 2021. I wasn’t sure. But here I am, and I own it so.

    Yeah, it’s still fun.

  • Alicia Keys’ “Songs in A Minor” Turns 20 Years Old Today

    On this day in 2001, Alicia Keys released her debut album, Songs in A Minor. Bolstered by the success of lead single “Fallin’,” it became an instant neo-soul classic and propelled Keys to R&B superstardom.

    alicia keys

    After the past half-decade defined by image-based teen pop acts such as Britney Spears and the Backstreet Boys, 20-year-old Alicia Keys carved out a space on the charts once more for scaled-back production and soulful vocals. Discovered by Clive Davis, Keys melded her classical piano background with modern hip hop beats. The gospel-influenced lead single “Fallin’” did it best: built on a simple two-chord riff, it feels timeless while foreshadowing the decade’s future in R&B. Keys has since surpassed the success of “Fallin’” with 2007’s “No One,” but her debut single remains her best.

    Other highlights on Songs in A Minor include follow-up singles “A Woman’s Worth” and “Girlfriend.” Despite the album’s title, only one song here is written in the key of A minor: the Kandi Burruss-produced “Jane Doe.” That said, if the A is to stand for Alicia, Songs in A Minor delivers on its promise and more. From the Moonlight Sonata-interpolating opener “Piano & I,” it’s a moody young adult record that shares more in common with Jill Scott and Mary J. Blige than Keys’ same-age peers in Destiny’s Child.

    Songs in A Minor went on to be a major commercial and critical success. It debuted at #1 on the Billboard 200 albums chart, and nearly doubled its sales in the second week. Taking home five awards at the 2001 Grammys, including Best New Artist and Song of the Year, Keys became the second female solo artist to win that many in a single night after Lauryn Hill in 1999. As the initial wave of Max Martin-produced pop acts fell out of favor, she ushered in a new era of female singer-songwriters like Norah Jones, Nelly Furtado and India.Arie, blending pop with jazz, folk and soul and emphasizing talent first and foremost.

    alicia keys
    Nelly Furtado, Alicia Keys and India.Arie covering a 2002 issue of Entertainment Weekly.

    Keys went on to release her arguably better sophomore effort, The Diary of Alicia Keys, in 2004, and eventually scored more hits with “No One,” “Girl On Fire,” and Jay-Z’s “Empire State of Mind.” But still, “Fallin’” and Songs in A Minor remain her signature song and album.

    https://www.youtube.com/watch?v=WpV6wOdkmmo&list=PL05CE9A08E62DB1D1

    In honor of the album’s 20th anniversary, an expanded edition of Songs in A Minor is available for streaming. It includes four previously unreleased songs, one being a new version of “Fallin’.”

  • Sea.Hear.Now Festival Announces 2021 Lineup

    The Sea.Hear.Now Festival has announced their return to Asbury Park, New Jersey this year and has revealed their long-awaited lineup. Big names like Pearl Jam, Billy Idol and the Smashing Pumpkins are topping the bill.

    The annual fest will take place September 18-19 this year, showcasing live music alongside surfing demos by professional wave surfers on Asbury’s North Beach.

    Pearl Jam, The Avett Brothers, Lord Huron, Patti Smith and Her Band, Patti Scialfa and more will take the stage on Saturday, September 18. The Smashing Pumpkins, Billy Idol, Dirty Heads, Grouplove, Orville Peck and more will close out the weekend of music on Sunday, September 19.

    New additions to the music lineup include R&B singer/songwriter Cory Henry, as well as rockers White Denim and Strand of Oaks.


    Sea.Hear.Now’s world-class lineup of surfers, including 2018 New Jersey Female Surfer of the Year Cassidy McLain, will compete in daily North Beach Expression Sessions. Expression Sessions are “soulful” alternatives to the traditional surf meet, where top surfers come together to show off their best moves. At Sea.Hear.Now, surfers will be grouped into sets of five, where they will have 30 minutes to catch as many waves as they can. The scoring system is based on the surfer’s creativity and style in each ride.

    Art installations are the main centerpieces of the event, accenting the beauty of the shoreline. Murals and recycled surfboards will create a walkway arch down the sand called “Stoke Henge,” and Danny Clinch’s Transparent Gallery Pop Up will be on display this year.

    According to festival staff, organizers are in regular communication with local health and public safety officials and will follow current recommendations and guidelines at the time of the festival. Patrons will receive regular updates regarding procedures, which will also be shared on their social media.

    A limited number of two-day General Admission Tickets are available to purchase now on the Sea.Hear.Now ticket website. Children ages seven and under may attend for free alongside a ticketed adult.

    2019 Sea.Hear.Now Fest Highlights
  • Speak, Memory Releases “Adirondack” EP

    Oklahoma City based band Speak, Memory released their latest EP, Adirondack, on May 21. Adirondack features 3 original tracks evocative of the Upstate NY mountains, fittingly titled “Trails,” “Lakes” and “Cabin.” 

    Speak, Memory is a three-piece act comprised of Timothy Miller on guitar and vocals, Cody Fowler on bass and Jonathan Thomas on drums. Adirondack was recorded back in December 2019 at Breathing Rhythm Studio in Norman, OK. Throughout the recording process, the band collaborated with iconic OKC musician, producer and sound engineer Bartees Strange. Strange mixed the EP, creating a rich and percussive sound profile.

    Speak, Memory

    While Adirondack is almost entirely instrumental, aside from some brief vocals by Miller on “Lakes,” there is a deeply emotional feel to each track. The instrumentation, especially on “Trails,” feels wistful and breezy yet contains strong punches of drums and a catchy guitar riff. The band has previously talked about how the complex idea of unrequited love often inspires their work. This sensation of romance entangled with tinges of sadness or chaos feels strongly present on their new EP.

    We try to invoke a feeling of hope into our music, which is something I personally feel the world needs more of right now. Adirondack specifically focuses on varying elements of nature, and how the volatility of it all often reflects our current economic and political climate.

    Timothy Miller

    Speak, Memory’s conceptual choices of both unrequited love and an exploration of nature and volatility are also made clear in their music video for “Trails.” The video, which premiered on April 2, shows scenes of crashing waves and neon-lit bedrooms as the two protagonists seem to figure out their emotions. The band themselves are even shown playing music in the woods.

    The quirky calmness and the math rock influences of Adirondack make for an incredibly enjoyable and laid-back listening experience. The EP is currently available to stream and purchase. You can find more about Speak, Memory on their website and stay updated on Facebook, Instagram, Twitter and YouTube. Check out the official video for “Trails” below.

  • Neckscars Reimagine Punk Rock With Debut Album “Don’t Panic”

    Emerging in late 2018 out of Downstate New York, Neckscars turned a variety of stylistic music ambitions into a seamless reimagination of punk. To listeners, their sound is reminiscent of classic punk rock and roll. In reality, the sound is independent of frayed nostalgia and standard song formulas.

    Neckscars

    Then, in March of 2020, Neckscars entered Nada Studios in Montgomery, NY. The band collaborated with producer John Naclerio and Sean-Paul Pillsworth for their first full-length recording. After ripping through 8 songs in just three days, the session came to a halt in response to the COVID-19 global pandemic.

    Eventually, the band returned to the studio in the fall to tie up loose ends and bring another two songs to the table. The album begins with an earthy introduction from “In Front of Me,” followed by an even grittier set of middle tracks, and finishes with more subtle melodic rock undertones espoused by songs like “Let You Down” and “First Time, Long Time.” Finally, the album and new tracks were completed with a mastering by Jesse Cannon followed by the release date announcement.

    Neckscars
    Courtesy of Neckscars – Labels: Sell the Heart Records (US) | Engineer Records (UK)

    Neckscars’ motive with their debut album Don’t Panic? To bring to life a blend of rock and melodic punk with gravelly vocal delivery. The band has teased a new single, “Jarring” to highlight the upcoming album release. Below, check out the official music video via Engineer Records.

    Don’t Panic will officially be available on June 18. Until then, stream “Jarring” and more by Neckscars on Spotify and Bandcamp.

    Key Tracks: Jarring, Let You Down, and First Time, Long Time

  • Superbloom Serve Brooklyn Grunge With Live EP & Album

    Brooklyn’s alternative rock band Superbloom has dropped Live at Studio G, a 3 song live EP made up of tracks off their upcoming studio LP ‘Pollen’ out June 1st. The EP includes the live version of a new single, in fact, the title track, off the upcoming LP Pollen.

    Superbloom: Live at Studio G

    Superbloom: Live at Studio G was recorded at Studio G in Brooklyn, engineered by Jack Counce, and mixed & mastered by Brian DiMeglio. The EP contains three songs off the new album Pollen including the title track itself, “Mary on a Chain,” and “Whatever.”

    Superbloom’s recent singles “Muzzle,” “Whatever” and “Mary on a Chain,” needed a good follow-up considering those landed on Spotify’s All New Rock, Alternative Noise playlists and more. They definitely lived up to the hype with both Pollen the single and the album.

    Recording at Studio G was a dream. We’re huge fans of live studio recordings like Audiotree, KEXP and Live at Studio 4 and we sort of threw ourselves at the idea with our own resources. The studio itself is unreal and Jack is a longtime friend of the band. We spent the day hanging out, messing with tones, playing through the songs and eating pizza. Can’t imagine a better day for a band.

    Their debut album, Pollen is a 12-track love-letter to heavy alternative music. A mixture of old and new make up every song, if you’re looking for something fresh that somehow still sparks nostalgia Pollen has got it. Perfect for road trips or hangs by the water.

    Pollen by Superbloom

    With all the vibes of Seattle moved to the east coast this Brooklyn based band brought grunge into 2021 in a great way. If you have any sort of Nirvana, Smashing Pumpkins, Soundgarden, or Pearl Jam shaped hole in your heart Superbloom is the sound to fix that. Most of the album is face paced but if you want to slow it down Muzzle or Twig are the songs for you.

    The album was mastered by Will Yip (whose credits include projects with The Menzingers, Turnstile, Quicksand, Mannequin Pussy, Code Orange), mixed by Joe Reinhart (Beach Bunny, Remo Drive, Joyce Manor, Hop Along), artwork by Patrick Turk Collage Art, and produced by Superbloom. 

    While the album’s feedback-laced instrumentation is hard-hitting at every turn, the band’s sonic signature is embedded in the vocal performance that fills each track with complex layering, earworm melodies and lush harmonies that deliver discoveries of nuanced detail with each listen. The sounds span from infectiously bouncy hard rock, instantly nostalgic acoustic songs, sing-along choruses, and undeniable hooks.

    Pollen released on all streaming services on June 1, and is available for digital and pre-orders for the 180 gram blue with white marble vinyl, on June 14.

    Stream Superbloom Live at Studio G here. Digital Pre-order of Pollen available now on Bandcamp, Vinyl Pre-Order here, and for UK and EU orders, visit Thirty Something Records. Stream “Pollen” on Consequence, Spotify, and Apple Music.

  • In Focus: Twiddle, Aqueous and Dopapod drench fans in jams at Apple Valley

    Twiddle headlined 4 nights at Apple Valley in Lafayette, NY over Memorial Day weekend, and welcomed Dopapod and Aqueous for two nights each. It was a rainy run of shows just south of Syracuse, but the weather didn’t damper spirits one bit.

    Dopapod and Aqueous each opened two nights, with Dopapod taking the honors on Thursday and Friday, and Rob Compa & Eli Winderman joining Twiddle on night one for “Syncopated Healing.” The next night all members of Dopapod, including Chuck Jones and Neal ‘Fro’ Evans joined for the evening’s closing number, “Latin Tang.”

    twiddle dopapod aqueous
    photo by Dave Decrescente

    Aqueous would also join Twiddle on Saturday and Sunday, with Mike Gantzer sitting in for “Slippin in the Kitchen” and “All along the Watchtower.” Similar to their Dopapod counterparts, all of Aqueous joined in for “Shakedown Street” to close out the weekend.

    Apple Valley Park has a great lineup this summer, with Get the Led Out, Allman Betts Band, Billy Strings, Umphrey’s McGee, Tedeschi Trucks Band and many more arriving over in the next couple months. Get your tickets here.

    Amid the festivities in Lafayette, Long Island’s Baked Shrimp performed two afternoon shows at the Westcott Theater in Syracuse, welcoming Ryan and Mihali from Twiddle, and Mike from Aqueous, to join them. Baked Shrimp are poised for a breakout year, especially after building up momentum during this last year and heading to the finals of NYS Music’s March Madness. Check out photos of the early afternoon action from Zak Radick.

    Dopapod Setlists
    May 27
    : Mucho, Freight Train, Upside of Down, Bats in the Cave, Vol. 3 #86

    May 28: Cloudworld >PLSS >Braindead, We Are Not Alone, Trapper Keeper, FABA

    Dopapod photos via Dopapod Facebook page

    Aqueous Setlists
    May 29
    : Origami, Little Something to Me, Aldehyde1, Random Company2
    1 – Puddle of Mud teases after Aldehyde
    2 – Rob playing half time through vocals

    May 30: Second Sight > Timmy’s Blades > Second Sight, Weight of the Word, Kitty Chaser (Explosions) > Funky Monks²³⁴ > Kitty Chaser (Explosions), Be the Same
    1) Featuring David Loss on tambourine
    2) Red Hot Chili Peppers
    3) MKDevo (Dave Peck) on vocals
    4)FYMFYD full band quote

    Aqueous photos by Jim Houle

    Twiddle Setlists

    May 27: Collective Pulse, Carter Candlestick, Second Wind, Hattibagen McRat, Beehop -> Ganja Medley -> Beehop Moments, Zazu’s Flight, Syncopated Healing%
    % w/Rob Compa & Eli Winderman of Dopapod

    May 28: Amydst the Myst, Jamflowman >Frankenfoote, Brown Chicken Brown Cow, White Light >WIRIP * D’yer Mak’er%, Latin Tang #
    % Led Zeppelin # with all members of Dopapod

    May 29: Enter > Orlandos > Apples > Funky town > Apples, Dr Remedies, Tiberius > River Drift> LITC, Honeyburste
    Encore: Slippin in the kitchen^, All along the watchtower^
    ^ w/Mike Gantzer of Aqueous

    May 30: Peas and Carrots -> Gatsby the Great -> Harry’s Pond -> Gatsby -> Bronze Fingers, My Truck, Machine, Beethoven and Greene, Milk%, Shakedown Street!
    % with Mike Gantzer
    ! with Rob Compa, Mike Gantzer, Rob Houk & Dave Loss

    Twiddle photos by Dave Decrescente

  • Otto Botté new single “Dancing Company” ft. Emma Claye

    NYC-based Colombian producer, singer-songwriter, and sound engineer Otto Botté unleashed his vibrant new single, “Dancing Company,” featuring Emma Claye. The song is accompanied by a Pablo Morelo-directed lyric video and news that the rising artist will release his debut EP, Dancing Company Vol. I, on July 16. 

    Emma Claye and Otto Botté

    On the title offering of his forthcoming debut EP, Botté delivers a genre-defying track about passionate nights on the dancefloor while highlighting Claye’s dreamy vocals with an array of live instrumentation and house-leaning synths.

    With “Dancing Company,” the self-taught, multi-faceted sound engineer and artist demonstrates his ability to infuse traditional Colombian roots music and Latin pop with elements of house music. The dance influences he’s absorbed from a decade of immersing himself in NYC’s nightlife and music scene by working with a spectrum of rising and prominent musicians shine on this single. 

    The lyric video, which premiered via Bands Do Brooklyn, starred Botte himself and Emma Claye and displays both the Spanish and English translations of the song. The colorful background interposed with the black and white filtered shots highlights how well the video was color-graded. The high-energy cuts and continuous dancing replicate the clubbable vibe of the track.

    This song has freed me to express my unfiltered version through flirtiness and sensuality looking to portray the beauty in human connection, whether it’s instant and led by sounds or when it’s intimate and sensed through smells. I see God reflected in our ability to connect in community. There’s a line in the song that says, ‘I feel you watching me like if I got no clothes on’ and this takes place on the dance floor when I’m doing my thing, feeling watched by somebody else, desired, and vulnerable, yet comfortable in my skin.

    “This thought immediately made me draw a parallel in my relationship with God and how comfortable I can be when I feel naked or mess-up, when I dance or sing, just being my true self before God, knowing that he looks over and meets me no matter how lonely or fulfilled I may feel. It’s refreshing to feel his presence in my daily life, in and outside of music, on and off the dance floor,” he added.

    “Dancing Company” the third single released off of Botté’s debut EP after “Humbara,” which recently surpassed 100K global streams, received its first radio spin Wednesday on Los Angeles’s 88.5FM LatinAlt HD3. So far, this time around Botté has received support from Indie Criollo and EDM Nations. Previous support has come from NPR Music’s World Cafe, Acid Stag, Medium, Urban Latino, The Fox Magazine, and Kick Kick Snare, just to name a few.

    Tracklist for Otto’s debut EP, including unreleased remixes by Jacuzzi Jefferson:

    Dancing Company Vol.1

    Since arriving in NYC as a teenager from Bogotá, Botté has acquired a Best Remixed Recording – Non-Classical Grammy nomination in 2015 for his co-mastering of “Waves” by Mr. Probz, a remix of Robin Schulz. Credits on multi-platinum projects of Enrique Iglesias, Joey Bada$$, Trey Songz, Fedez, and more. Botté is also a member of the NYC-based electronic trio Pool Cosby, which most recently released its Day Breaks album in 2020 and has been featured on Billboard, Earmilk, GRUNGECAKE, and more.

    Stream or watch Dancing Company here. Follow Otto Botté on Facebook, Instagram, and Twitter. Listen to Otto Botté on Spotify, Apple Music, and YouTube.

  • D’Arcy Releases Alt Rock Single “Bad Habit”

    New York City-based indie alternative act D’Arcy shared her newest single “Bad Habit” on May 28 in preparation for the release of her debut EP album and tour.

    D'Arcy

    D’Arcy’s debut single, “Crush,” was released in October 2020. “Crush” was followed by her single “Bad Girls” in December 2020 with a remix by producer Morgothbeatz, who has previously worked on tracks with rappers Lil Xan and Juice WRLD.

    “Bad Habit” stands in contrast to D’Arcy’s other tracks, which focus on upbeat young love, lust and wild nights. “Bad Habit,” with its buzzing bassline and low-spirited lyrics seems to reflect the aftermath of the “cocaine, head spin, pills and gin,” that D’Arcy sings about in “Bad Girls.”

    D’Arcy’s alternative style shines in “Bad Habit,” using original electronic tracks that add to the mysterious and grungy feel of the lyrics. The genre-bending singer sticks out in a similar way that Nine Inch Nails does, shifting from electronic, to art-pop, to more angsty alt-rock in each single. D’Arcy is one of those artists that simply can’t be kept within a genre label.

    Bad Habit centers on a struggle with addiction and the road to recovery, the song involves self-awareness about the reality of addiction.

    D’Arcy

    “Bad Habit” also evokes a similar vibe to popular singer Lorde’s alternative style, both discussing themes like addiction, nightlife, and settling into adulthood. D’Arcy’s developing style through her first three singles is a promising introduction for her upcoming album.

    D’Arcy’s “Hard to Kill” Summer Tour headlined by country singer Lee Dewyze will kick off on August 14 and make four stops in New York State in September. D’Arcy’s debut EP will be released in mid-August.

  • New York Series: Guy Carawan ‘We Shall Overcome’

    Some songs are written with such great embodiment of the human spirit that they become far bigger than a simple, melodic hook you whistle in the shower. They are the songs that represent a period in time for a group of oppressed people and epitomize the challenges they faced on a daily basis. Unlike other songs that come and go as life drifts on, these anthems leave such an impact that they are still read about in history books years later. For the Civil Rights Movement in the 1960s, the protest song “We Shall Overcome” was sang far and wide in tribute to peaceful protest. While the song was influential to many groups in the 1960s, its significance in the LGBT movement came after the Stonewall riots of New York in 1969.

    Most people know that Pride Month is in June, however, many don’t realize that’s because on June 28, 1969, the catalyst for the LGBT movement occurred in riot form at the Stonewall Inn in Greenwich Village. The Stonewall Inn was a well-known, mafia-run gay night club which hosted an array of illegal activities from an absent liquor license and prostitution to dealing drugs. While the bar owners were normally tipped off about police raids, on the night of the 1969 riot, they weren’t told anything would be happening. The police barricaded the 200+ patrons and employees in the bar and began to arrest all the transvestites they could find.

    As the cops were arresting patrons, to their surprise, bystanders began to push back against the heavy police presence in the form of verbal taunts and thrown bottles. At that point, raids on gay bars were becoming routine and, for the LGBT community, the raid on the Stonewall Inn was the last straw. As police were dragging people into their paddy wagon, the crowd began to boil and violence soon erupted. Bricks and bottles were being thrown at the cops as more people from around the neighborhood began to join in on the protest, forcing the police into a rare retreat. While some of the crowd turned violent, many others committed to nonviolence in the form of jokes, kick-lines and songs.

    As an unstable riot occurred all around, the protest hymn “We Shall Overcome” echoed through the streets long into the night. For days following the Stonewall riot, more protests, mostly nonviolent, began to pop up all around the city. A gay community began to form and within six months two gay activist organizations were established in New York. The movement was given legs, and by June 28 of the following year, the first gay pride marches took place in New York, Chicago, Los Angeles and San Francisco to commemorate the anniversary of the riots. “We Shall Overcome” was a vital tool used to demonstrate nonviolence throughout each protest.

    Originally written as a hymn titled “I’ll Overcome Someday” by Charles Albert Tindley in 1900, the song was warped multiple times throughout history before it became the protest anthem we know today. It was sang by tobacco workers, vagabond travelers, and eventually political activists. It became associated with the Civil Rights Movement in 1959 when Guy Carawan sang his and Pete Seeger’s version of the song at a nonviolent civil rights protest. From there, other artists began using it as a protest tool, playing it at rallies, folk festivals and other demonstrations to make it clear to the world that oppression will not be tolerated.

    ‘We Shall Overcome’ Lyrics:

    We shall overcome
    We shall overcome

    We shall overcome some day

    CHORUS:
    Oh, deep in my heart
    I do believe
    We shall overcome some day
    We’ll walk hand in hand
    We’ll walk hand in hand
    We’ll walk hand in hand some day
    CHORUS
    We shall all be free
    We shall all be free
    We shall all be free some day
    CHORUS
    We are not afraid
    We are not afraid
    We are not afraid some day
    CHORUS
    We are not alone
    We are not alone
    We are not alone some day
    CHORUS
    The whole wide world around
    The whole wide world around
    The whole wide world around some day
    CHORUS
    We shall overcome
    We shall overcome
    We shall overcome some day
    CHORUS

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