Category: Features

  • Loops & Loops Take a Trip Into Heartbreak’s Past With New Album

    Songwriter Peter Bogolub under the moniker Loops & Loops has created the album, Fake Face, released on June 11. 

    Knowing that this project was recorded during quarantine and almost entirely in the closet of his NYC apartment, listening to it feels like even more of a personal experience. Aptly so, Pete took a dive into analyzing failed relationships throughout his life, relying on his affinity for shoegaze-style indie rock while merging elements of pop synths and melodic guitar/ukelele loops.

    Loops & Loops Fake Face

    Citing Yo La Tengo, My Bloody Valentine, and The Magnetic Fields as his biggest musical influences, Fake Face can be seen as a return to his DIY/ indie roots. A self-taught musician and collaborator in bands for over 20 years, this album showcases a side of Pete that could only be brought out as a solo act.

    So far, the singles for this album have been “County Fair” and “Pain In My Heart”. 

    “Dark Clouds” is the opening of the album, a slow soft beginning to a melancholic motif. A stand out lyric being, “People see what they want to see / They can tell there’s something wrong with me.” 

    “The Light,” the second song, has bright happy guitars with a familiar beat. Telling the story that sometimes the end of something is really the beginning. None of the songs on the album are really happy but they’re neither all doom and gloom either, this song really highlights that.

    “Down in Mexico” is almost wistful but similar to how I do not speak Spanish beyond a high school level I could understand about 50% of the words in this song. That isn’t a dealbreaker considering what could be heard clearly is, “Someday it’ll be okay,” which is comforting. 

    “Things Are” is the focus track, an indie anthem reminding us how to get by in life. Sometimes things just don’t go our way, but not sweating what we can’t change. The line “Things are what they are no matter how you feel” a lament to the unchangeable nature of life and the relationships within them. An acceptance of the hard truths despite the hope that it won’t be true. 

    It’s a song about accepting things as they are instead wishing circumstances were different. Written during the pandemic when life was rather chaotic, the upbeat melody offers a glimpse of hope.

    Peter Bogolub

    “Pain in my Heart” with its squishy beat as if hitting a cartoon frog stretched into a banjo. Echoey vocals are a heavy feature on this album but they really shine on this track. The lines “There’s a pain in my heart / Why are we so far apart” painting the picture of when you make a promise with someone and find it is no longer being kept and you’re alone.

    “Outta Control” has the vibe of the opening track to a lighthearted coming of age movie that will inevitably take a turn and have a sad ending or the two best friends will fall in love after much trial and error. “Making bad choices too many times”

    “Gaslight” a slow track in tribute to society’s general growing awareness to the toxic trait of gaslighting. With the lyrics “that’s not really an apology,” there’s a realness. Very reminiscent of mooseblood, joyce manor. “Run To You” is very instrumental heavy where the vocals seem to be more of a background element to the song. Gives the same vibes as an underwater town being explored.

    “Drawn To You,” with the acoustic guitar being the star of the track and johnny cash style, is about being drawn to someone without control. Whether for better or for worse the attraction is there.

    “Not Yet” feels like the end credits to a comedy show. Which is ironic considering the line “You ain’t catch me yet.” “County Fair”, if “Not Yet” felt like the end “County Fair” is the after credits scene. 

    Overall the album delivered on what Pete set out to do, which is to tell the stories of relationships and their messy ends in a way that is pleasing to the ears. Stream Fake Face on your chosen platform.

  • The Strokes reopen Irving Plaza with Benefit for Maya Wiley

    Irving Plaza reopened on Saturday, June 12 with a performance by The Strokes in front of a fully vaccinated crowd, in support of Maya Wiley’s campaign for Mayor of New York City.

    John Mulaney started the night with a stand-up, not far from his run of sold-out City Winery show. Wiley and Congresswoman Alexandria Ocasio-Cortez both spoke from the stage prior to The Strokes set.

    the strokes irving plaza
    photo via The Strokes Twitter

    Guitarist Nick Valensi was unable to make the show, and had Longwave’s Steve Schlitz fill in for the night. Dev Hynes from Blood Orange joined The Strokes for “One Way Trigger” amid a 16-song setlist that spanned the group’s discography. Check out videos from the night below.

    the strokes irving plaza
    photo via The Strokes Twitter
    photo via Maya Wiley Twitter

    The Strokes – Irving Plaza, NYC – June 12, 2021

    Setlist: Juicebox Someday, The Adults Are Talking, One Way Trigger (w/ Blood Orange), You Only Live Once, Hard to Explain, Ize of the World, The Modern Age, 12:51, Is This It, Bad Decisions, Take It or Leave It

    Encore: Automatic Stop, Last Nite, Ode to the Mets, Reptilia

  • Dee Snider Rocks Long Island Homecoming

    On Friday, June 11, Dee Snider came back to Long Island and rocked Stereo Garden in Patchogue. The show was filmed and will be released simultaneously with his new album Leave a Scar. Check out the video for the first single “I Gotta Rock (Again)” below.

    dee snider long island

    Snider joined Twisted Sister in 1976 and became the band’s sole songwriter. In 1982 they released their first studio album Under the Blade. By 1984 they had released their third and most successful album Stay Hungry. The album featured the metal anthems “We’re Not Gonna Take It” and “I Wanna Rock”. In 1985 Snider was pushed further into the spotlight when he spoke before Congress against censorship in music and the PMRC (Parents Music Resource Center).

    dee snider long island

    I wasn’t sure what to expect since it has been a few years since Snider has performed. The the show was electrifying to say the least. Dee was full of energy and kept the crowd connected and engaged throughout the entire seventeen song set. His band also did a great job. He was accompanied by Charlie Bellmore on guitar, Nicky Bellmore on drums, Nick Petrino on guitar and Russell Pzutto on bass. Five songs from the new album made their debut as well as all of the classics. One of the highlights of the night was when former Twisted Sister bandmate Mark “The Animal” Mendoza joined Dee for a rendition on the 1982 song “Under the Blade.”

    dee snider long island

    The show ended with a cover of what Dee said he considers to be the greatest rock song ever, Ac Dc’s “Highway to Hell.” The show was awesome and Dee proved he can still bring it! It was also good to see live music return after 16 months. This was the perfect show to bring it back.! You can preorder Dee’s new album here

    Dee Snider – Stereo Nest, Patchogue, Long Island, NY – June 11, 2021

    Setlist: I Gotta Rock (Again), Tomorrow’s No Concern, You Can’t Stop Rock and Roll, Down But Never Out, American Made, Under the Blade, Time to Choose, I Am the Hurricane, We’re Not Gonna Take It, Before I Go, Become the Storm, Burn in Hell, Stand, Ready to Fall, I Wanna Rock, For the Love of Metal, Highway to Hell

  • Music Venues Spring Back to Life Across New York State

    Continuing NYS Music’s look at the venues of New York State, we are now more than a year since music venues were forced to shut down, and signs of life are visible everywhere this spring.

    While venues await relief from the Small Business Administration (SBA), who administer Shuttered Venue Operators Grant to eligible entities, there are some venues that have returned to live music. Restrictions are lifting, allowing for greater capacity at venues, as well as Drive-In shows and socially distanced concerts continuing well into August.

    Venues New York State

    Once New York State has 70% of the population receiving one dose of a COVID-19 vaccine, most remaining restrictions will be lifted, based on a statement from Gov. Cuomo last week.

    Our March installment of ‘This Darkness Has Got to Give’ showed venues across New York State that started to come back to life with socially distanced shows. Now in June, we have crowds returning to venues, a summer of live music ahead in various arrays and a brighter 2021 in the making.

    Woodstock and New Paltz – Em Walis

    Joe Booth – Geneva

    Ithaca – photo by Casey Martin

    Venues New York State

    New York City – photos by Joseph Buscarello

    Buffalo – photos by Zachary Todtenhagen

    Hudson Valley – photos by Steve Malinski

    Long Island – photos by Rob Tellerman

    Plattsburgh – photos by Jerry Cadieux

    Hudson Valley – photos by Mickey Deneher

    Albany and Saratoga Springs – Zach Culver

  • Resonance Music and Arts Festival Announces Initial 2021 Lineup

    The Resonance Music and Arts Festival has recently announced its initial 2021 lineup featuring multiple sets from Resonance alumni, including Tipper, Lotus, Lettuce, Papadosio, Umphrey’s McGee and many more. The fest will run from September 16-18 at a new location – Marvin’s Mountaintop Campground in Masontown, West Virginia.

    Resonance Festival

    The lineup announcement comes on the heels of a recent change in location for the fest, now taking place at Marvin’s Mountaintop. Cooper’s Lake in Slippery Rock, PA hosted the festival in 2019, after a five-year run at Legend Valley in Thornville, OH.

    We’re so happy we have a new home for Resonance at Marvin’s Mountaintop. Despite all of the challenges we’ve encountered, we’re looking forward to a fantastic weekend with a ton of incredible artists.

    Casey Schneider – Founder of Resonance Fest

    Resonance Festival will continue its tradition of special sets from a range of performers, including a mountain sunrise set from Tipper and a sunset set from jam-band Spafford. The special sets continue with “TAUKing Wonder,” a Stevie Wonder tribute set and Keller Williams’ “Grateful Grass,” a “psychedelic bluegrass” set inspired by the Grateful Dead.

    Papadosio at Resonance 2019 Photo Credit: Keith Griner

    Known for providing a blended lineup ranging from electronic to instrument-driven music with everything in between, Resonance is expected to stay true to form this year. In the past, the Resonance Festival 2021 has featured art tents, light shows, interactive displays, and scenic views.

    In the coming weeks, attendees can expect updates on lineup additions, visual artists, activities, and more. Tickets are on sale now through the event website with weekend, RV, car, camping and VIP packages available. 

    Resonance Fest 2019 Recap Video Credit: Sacred StoryWeavers
  • Brooklyn Duo Corbu Release “Lost & Found” EP

    Brooklyn-based electronic dream-pop duo Corbu has released their Lost & Found EP. The EP reimagines the title track with five new remixes, along with the original version.

    corbu

    Corbu, comprised of Amanda Corbu and Jonathan Graves, focuses on bringing an ethereal, even other-worldly sound to their psychedelic and ambient pop tracks. They have previously toured with Bloc Party, performed with Goldfrapp and played both Austin City Limits and Electric Forest festivals. Last year, Corfu released their debut album Crayon Soul, featuring mixing by Tame Impala and MGMT collaborator Dave Friedman.

    [Corbu is] trying to lure their audience deeper into their own subconscious while giving them something to sing along to.

    Corbu

    On the original single version of “Lost & Found”, Corbu collaborated with Doves frontman Jimi Goodwin. Goodwin produced the track and added reggae and electronic flares, creating a laid-back yet energized soundscape.

    The EP features “Lost & Found” redone five times over and explores new genres and sounds. On the “Seaside Version”, the track goes vintage and utilizes upbeat 80s synth to create a sound that could easily fit into an episode of Stranger Things. On the “JKriv Remix”, Brooklyn DJ JKriv remixed the track to fit a more booming club sound evocative of traditional house music and drum loops. The EP as a whole is perfect for the summertime.

    Check out all six tracks below and keep up with Corbu on their website, Instagram and Youtube channel!

  • Tim Reynolds Performs in Ithaca and Saratoga Springs, Talks Tunes amid Solo Tour

    June is ablaze in the Finger Lakes region for live music. Ithaca’s Lakewatch Inn offers 30 foot high wooden ceilings as part of a barn where acoustic performances shine. On Friday, June 11, London McDaniel and Tim Reynolds each performed solo in front of an intimate crowd in New York’s rolling hills.

    Tim Reynolds
    Lakewatch Inn Ithaca NY

    At 7:30 P.M, London McDaniel plugged in so we could tune out. London’s new record Anatural Aphrodisiaca just won a 2021 SAMMY Award for Best Jazz. Three songs in to sunset, a version of Led Zeppelins “Over the Hills” and far away let the crowd know he was locked in to the Southern Tier.

    After his set McDaniel was recounting about a conversation with musician Mike Stern from Miles Davis Bitches Brew album. “This history of music is so great. The greats go out of their way to do it. Every lick I play I work hard for”

    London McDaniel

    Tim Reynolds treated the crowd to his acoustic set at 8:30 PM sharp. His Martin 6 and 12 strings were on deck. Ups, downs, ins and outs… hair raising. The new tune “If Everything Could be OK for Just One Moment” was inspired from a Tom Petty performance at Beacon Theater. Reynolds sported an old Tom Petty road crew tee for the show. He also debuted a self taught interpretation of a Bach composition while at home during “dark times.”

    Tim Reynolds
    Tim Reynolds

    The track “Summer Night in December” off That Way felt like a nod to Tim’s last Southern Tier performance at Homer Center for the Arts in Winter 2016. Reynolds left his loop on full blast ambient mode as he exited the stage at 10:00 PM. After an 18 song set, he visits the moon outside. Returning to encore the show with his classic composition “Stream.”

    Tim is a chameleon of different acoustic genres with plenty of slide guitar accents reminiscent of Duane Allman at Muscle Shoals. Reynolds reflected on an experience of once playing Duane’s Gibson on loan for a show. “That was a big moment for me, the ryhthm pick up on it was kind of muddled but it didn’t matter. I remember Carter saying that guitar sounds nasty man.”

    Ithaca Setlist

    Reynolds spoke with NYS Music after the show about his past, present, and future experiences in the State.

    Matthew Romano: Producer Daniel Lanois’ lyrics from “Beauty of Wynona”… Where you been since last December?” come to mind tonight. You along with Brady Blade, Tony Hall, Ray Paczkowski, Trey and Dave all collaborated on his material.

    Tim Reynolds: Did you hear his last album, Heavy Sun? He (Lanois) produced it. The vocals are like you’re in church but also has that skanky dub reggae sound. I love Tony. You know those guys when your playing a gig, he’ll look right at you? That’s him. He’s a bad ass. Tony and Brady just lock in some way that’s perfect.

    TR: Daniel came to sit in with Dave and Friends for his song The Maker. Emmy Lou Harris was also there. So many people playing so I just did the melody while he sang it. He looked back smiling and I’m like its Daniel Lanois… WTF. He was so cool. During soundcheck in the empty arena he was playing this Brian Eno space funk.

    MR: What was an arena act you saw from the audience for a live performance that you remember fondly?

    TR: Peter Gabriel and Sting at Madison Square Garden a few years back. I’ve got the hoodie from it with me. The show was back and forth yet also a little competitive. They did each others songs. Peter Gabriel covered “If You Love Somebody Set Them Free” but like Al Green style! Every time the crowd sang the chorus back to them…they waited to pause.

    TR: When Peter did “The Rhythm of the Heat” with both bands I screamed like a woman and I only have one vocal chord.

    MR: Nights like those are truly an influence on your own sound. How much is composition compared to layers of improvisation?

    TR: Most of it now is composition. For my recent streams I went in and really learned these songs. Especially if people are going to be tuning in to watch it. It took a lot of different phases to get to that.

    MR: How does it feel playing your work in front of a live audience in a small room like this before returning back to big amphitheaters later this Summer?

    TR: Oh, incredible. I think this year is wide open man.

    Tim Reynolds

    As Reynolds wrapped a two-night run at Putnam Place in Saratoga Springs. he provided a great way to end his Empire State weekend ahead of sold out shows at Lakeview Amphitheatre in Syracuse and two night run at SPAC with Dave Matthews Band.

    Spinning off Friday night’s conversation in Ithaca, Reynolds opened the show with an acoustic version of Daniel Lanois song “O Marie.” After the Dust settled, Reynolds covered another Lanois classic, “The Messenger.”  The notes chosen to cover this work are a great blend of Tim’s originality mixed with Lanois’ influence. 

    tim reynolds

    Reynolds delivered the full two-part composition of Segovia I and II for all, keeping good intentions going as he told one of the first gathered crowds in Saratoga Springs for live music the relatable origins of “To Touch Yearning.”

    Tim Reynolds was able to break the barrier and relate to being in the audience for a moving musical experience. During the encore for his acoustic version of Peter Gabriel’s “In Your Eyes.” The seated crowd all stood to rise and applaud with the same energy Reynolds’ had seeing Gabriel perform live at Madison Square Garden. Just another live music spring seed growing into Summer. 

    Dave Matthews and Tim Reynolds head back to Riviera Maya, Mexico in 2022 for a three night beach run at the Moon Palace Resort.

    tim reynolds
    Saratoga Springs setlist
  • This Week’s EQXposure Features The Grandstand Jockeys, Timbre Coup and More

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from the Grandstand Jockeys, Timbre Coup and many more!

    Grandstand jockeys

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Grandstand Jockeys

    The Grandstand Jockeys’ debut EP, Win, arrives on June 18. Its first single, “Better Days,” is a nostalgic call to long-past good times, holding out hope for their eventual return. The song is especially timely in the wake of many COVID-19 restrictions being lifted: “Time to begin, the time is now / Get yourself off the ground.” The Grandstand Jockeys’ Facebook page describes their sound as a mix of Tom Petty, Nirvana and QOTSA, but “Better Days” has the former written all over it.

    Timbre Coup

    Timbre Coup’s latest single, “Running Always,” is an indie rock piece that occasionally delves into prog and funk. The song’s scarce lyrics contrast its vast, sometimes trippy soundscape, replete with a sweeping electric guitar that wouldn’t sound out of place on OK Computer. The four-piece band from Albany will release their fourth studio album, Sudden Urge, on June 25.

    Ciarra Fragale

    Indie-pop singer-songwriter Ciarra Fragale’s self-titled EP is out on July 2. Described by Fragale as “a love letter to my anxiety (and yours),” single “It’s Only Raining” isn’t concerned with the weather so much as the stressful hypothetical situations our brains create for us. Fragale’s vocals are effortless yet passionate, and the staccatoed keys will stay with you long after listening.

  • Neighborhood Heroes: Stack Bundles

    The trappings of inner-city life are evident in many of those who have had to experience it. To the end that growing up in or near a housing project can lead to many tumultuous situations. The terrain of public housing is a breeding ground for congregation. Factor in the extreme poverty, and public housing projects have become hubs for all kinds of illegal drug and gang activities. 

    Stack Bundles and Max B
    Stack Bundles (left) and Max B (right)

    It doesn’t take much to falter in those conditions and for some, making it out without succumbing to the influences of the streets can feel like walking in quicksand. With that in mind, when someone has a chance to escape the repetitive cycle of implodement, there are contrasting feelings and behaviors from peers. Some live vicariously through the impending defect-ee, while it breeds contempt within others. 

    Such was the case for up-and-coming rap star, Stack Bundles. Hailing from Redfern Houses in Far Rockaway, Queens, one of the most dangerous housing projects in New York, where death had become the norm, according to the New York Times.

    Mourning the murdered has become a familiar routine at the Redfern Houses in Far Rockaway, Queens. First there are the makeshift memorials, with flowers and candles and a smattering of personal items. Then, the dead often get more permanent epitaphs scrawled on the walls of the apartment house they called home.

    Who Was Stack Bundles?

    Stack Bundles
    Jim Jones (left) and Stack Bundled (right)

    Born Rayquon Elliott, the slain rapper had made a name for himself with his “compelling raps, magnetic personality, and unique fashion sense.” Which gave him the attention of Dipset general, Jim Jones. Along came ByrdGang (Jones’ crew) affiliation and a prominent feature on Jim Jones’ “Weatherman,” with Lil Wayne. 

    The record’s success meant Stack Bundles had enough gravitas to go on tour with Lil Wayne, where he began to cultivate relationships with Wayne and other important figures in the music industry. Moreover, he already had strong ties with Jones, Wayne, DJ Clue, Lupe Fiasco and Funk Flex, amongst others. It seemed as though a record deal and a major-label debut was inevitable. 

    Unfortunately, not every rags-to-riches tale comes to fruition and on June 11, 2007, a 24-year-old Stack Bundles was fatally shot as he was heading into his apartment building in the morning’s wee hours. In detail, Stack spent the night out with friends at a Manhattan nightclub, he was approached by an unknown number of assailants and shot in his head and neck as he entered his building, according to relatives and acquaintances.   

    Per routine, Stack’s friends and family celebrated his life with a small memorial outside of his building, with candles, copies of his CD’s and a White Castle bag from the fatal night he killed.

    All in all, Stack Bundles is a Far Rockaway legend. However, his legend serves as a harrowing reminder that no matter how close one is to making it out, the drawbacks of the inner-city wait for no one. 

  • Third Time’s The Charm for the Dead and Knickerbocker Arena: June 11, 1992

    By 1992, there was no secret about the affinity the Grateful Dead had for Albany’s Knickerbocker Arena. This would be the third year in a row they made sure to make a tour stop here. But after two previous three-night runs, including the acclaimed one from 1990 that will always be associated with their acclaimed Dozin’ At The Knick live album, the Dead only had two nights to play all the hits this year. This first of these performance went down 29 years ago today.

    Dead Knickerbocker

    Tonight’s Grateful Dead show, despite a ravenous Knickerbocker Arena, has a very relaxed open as the band slowly ambles into a “Bertha” opener. No complaints are heard as the crowd drowns out the opening lyrics in delight. After a mild jam that’s peppered with some thunderous bass notes from Phil Lesh, the entire room seems to be singing along for the remainder of this first set staple. The “New Minglewood Blues” that comes next begins in similar fashion. Garcia and keyboardist Vince Welnick each drop a couple of bluesy solos and get stretched out a little while, in between, Bob Weir takes care of the vocals, making note of the “Upstate fllies” in a nod to the locale.

    “Row Jimmy” gets the rest of the band singing again, and sees more dexterous work from Garcia on guitar, as he digs into his MIDI bag of effects and offers something that sounds closer to a flute solo at one point. After three classic Dead originals, the first cover of the night is Bob Dylan’s “Queen Jane Approximately,” with Weir once again manning lead vocals. Welnick gets in on the act here and highlights this one with a blissful, ethereal piano solo.

    “Dire Wolf” finally brings the tempo back up and the band rips through another first set mainstay, with Garcia plowing through his requisite solo with ease. But it’s near a minute and a half until the next selection is made, “Beat It On Down The Line.” With both the Dead and Knickerbocker Arena now alive and well, the sing-a-long is back on thanks to “Loose Lucy” as the crowd continues to add their collective backing to the lyrics in revelry. Welnick makes the shift from piano to Hammond organ nicely and adds some flavorful support as well. “The Music Never Stopped” then puts the fitting finishing touches on a crisp opening set that’s nothing but treasured Dead originals and a Dylan cover.

    The Dead dive into one of their more recent originals with “Foolish Heart” to kick off the second set at the Knick. Garcia and Welnick once again complement each other beautifully on guitar and keys, respectively, as the band sears through this one effortlessly. No extended jam of note develops afterwards. Instead, it’s a brief pause and away with “Playin’ In The Band” where, after a quick run through of verse, the collective improvisation starts almost immediately and doesn’t let up anytime soon. When it does, the beginning to “Uncle John’s Band” ensues, as the audience seems to come back up for air after the quick yet heavy display of psychedelic mayhem that immediately preceded it.

    The Dead then go back down to the bottom, the way bottom, courtesy of an extended “Drums” > “Space” sequence that stretches out to nearly a half hour. A well rested Knick is more than happy to help out with the vocals for the “I Need A Miracle” that finally emerges. A quick jam, punctuated by an aggressive Welnick piano solo, is crafted before things slow down one last time with “Wharf Rat.”

    Dead Knickerbocker

    After another set comprised of solely live Dead originals, and some intense improv, the evening closes out with a pair of covers. Weir hams it up one last time on vocals, and Welnick on piano as well for that matter, on Chuck Berry’s rocker “Around and Around” that suits the crowd perfectly. And the band help themselves to some more Dylan material with “The Mighty Quinn” that serves as tonight’s encore.

    With night one of the two-night run now in the books, expectations were surely through the roof for the following evening. Thanks to some sort of odd cross-promotional gadgetry straight out of 1992, if you held onto your ticket stub from tonight, the Dead would make sure you were well fed for tomorrow.

    Dead Knickerbocker

    Grateful Dead Knickerbocker Arena – Albany, NY 6/11/92

    Set 1: Bertha, Minglewood Blues, Row Jimmy, Queen Jane Approximately, Dire Wolf, Beat It On Down The Line, Loose Lucy, The Music Never Stopped

    Set 2: Foolish Heart, Playin’ In The Band-> Jam-> Uncle John’s Band-> Drums-> Jam-> I Need A Miracle-> Wharf Rat-> Around and Around

    E: The Mighty Quinn

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