Category: Features

“MORNIGHT” Released By NYC Based Band ALMA

NYC-based indie dream-pop trio ALMA has entered the stage, with their latest single “Mornight.” The single is a realistic twist on your classic top of the pops hit, it takes the perspective of a bartender working the night shift in NYC. Showcasing the trio’s impressive production chops, “Mornight” is full of catchy melodic hooks, dreamy harmonies, and has an overwhelming danceability sound.

Photo Courtesy of Abbey Mackay

The song is from their LP Mosaic (coming out this fall). Mosaic, is a personal letter to NYC. Each song delivers the story of a moment in time in the city they call home. Mosaic invites you to sit beside them on the subway, walk with them through Astoria Park, and ride the Wonder Wheel at night as you feel what it means to be a New Yorker. They have been releasing singles from the album since September of 2020.

ALMA is comprised of Alba S. Torremocha (vocals, strings, bass, drums, guitar, uke) Lillie R. McDonough (vocals, piano, glock, violin, hammer dulcimer), and Melissa K. Carter (vocals, guitar). The trio formed in 2019 out of a shared delight in harmonizing and experimentation with quirky instrumentals and old-fangled synthesizers. They discovered certain alchemy in the combination of sensibilities as film composers and audio engineers that have made for a genre-bending offering to the wide world of indie-pop. Elements of Folk, Rock, Grunge, Pop, and even movie soundtracks are all at home in their songs.

ALMA was named an NYFA Fellow for their genre-pushing work in 2019, and later was an Awesome Foundation Grant recipient in 2020. They are currently in the process of producing a staged, theatrical musical of their freshman album in partnership with Savannah Repertory Theater.

Their newest single, “Sips of Oxygen” will be released on July 30th and is a marvelous stripped down track that guides listeners through the moments before you lose someone special to you. The track is admirably vulnerable and raw, and perfectly encompasses the vibe of ALMA.

“Sips of Oxygen” is about the moment before you lose someone, when the vibrancy of a life collapses into the act of breathing in and out. The entire song is a cinematic journey that is gentle yet also extremely heavy. The lyrics perfectly grasp the horrific pain of grief and proves to listeners how fast life runs away from us.

Their debut album, Mosaic, is to be released on September 7th. It is a personal letter to NYC that is a patchwork of personal experiences that the band members have endured while living in the city. What’s special about this album is it takes the listener on a citywide adventure through many of the five boroughs: on the subway, through Astoria park, and on the Wonder Wheel at night to feel what it’s like to be a New Yorker. More than that, the album transcends the limits of place and invites the listener to fully inhabit each song, no matter where they are.

July 1, 2021
Turning Stone Showroom Undergoes Renovation

The Turning Stone Resort Casino Showroom in Verona is undergoing an electrifying renovation in anticipation of the return of live events. Turning Stone surveyed 30,000 guests and found that the majority of guests simply cannot wait to attend live music events post-COVID.

The results are especially exciting for Turning Stone as it is an award-winning destination for live entertainment in the state of New York.

After surveying more than 30,000 guests, Turning Stone found that 92% of respondents miss attending live entertainment and events, 76% are looking for live events in intimate venues (less than 1,000 people), 73% are eager to attend live events again, and 65% are willing to travel more than 120 miles to attend live events.

Turning Point recently announced that it is unveiling a series of multi-million dollar renovations across the resort, focusing on a significant overhaul of The Showroom. The Showroom will become much more modernized and will create an all-new intimate environment for live events.

Specific features of the new Showroom include: a state-of-the-art sound system that will provide perfect acoustics for every performance genre; new contemporary design, featuring dark mahogany woods and shades of deep purples and violets; more than 650 premium stadium-style seats; and an all-new bar in the newly added atrium.

Benny Mardones at Turning Stone Showroom

“These survey results are very encouraging as they indicate our guests are eager to attend live performances again, which we know is also a significant driver of tourism in our region,” said Oneida Indian Nation Representative and Oneida Nation Enterprises CEO Ray Halbritter. “This is also great news for the local music scene in Central New York. We take great pride in showcasing local talent in our venues and introducing our guests who come from all over the county to the best our region has to offer.”

The Showroom construction will be completed before September, when live entertainment will resume at Turning Stone. Shows being hosted here will be announced shortly. Get ready for a music-filled fall at Turning Stone!

July 1, 2021
The Forms Release “Southern Ocean” – First Single After Ten Year Hiatus

Queens-based band The Forms released their first new new song “Southern Ocean” on June 21. This single marks The Forms’ return to music after a ten year hiatus.

The New York duo, made up of musicians Alex Tween and Matt Walsh, have two full-length albums to date, debuting Icarus in 2003 and critically acclaimed, self-titled, The Forms in 2007.

The last taste of new music from the group prior to ‘Southern Ocean’ was 2011 EP Derealization, that featured The National’s Matt Berninger and Shudder To Think’s Craig Wedren. Over the course of these releases, The Forms were invited to share the stage with a large collection of artists including St. Vincent, Nick Cave, The National, Dizzee Rascal, The Hold Steady, Kurt Vile, Jose Gonzales, Deerhunter and Bat For Lashes.

It might have taken a decade for The Forms, but “Southern Ocean” is worth the wait. The song provides a first hint of what is to come from The Forms’ upcoming third album.

The Forms’ style is a great representation of early 2000’s alternative, reminiscent of bands like Modest Mouse and Arcade Fire. This idea is most prevalent in their cover of Billy Joel‘s “We Didn’t Start The Fir e.” The grungy electronic pop is iconic for the decade, and their current sound seems to be a more “grown up” version of the same intensity.

“Southern Ocean” is super upbeat and beachy, a similar vibe that electronic duo The Chainsmokers have. Fun-loving, yet reflective with lyrics like “Just another phase I’m in – Just another road I’m on – Doesn’t make a difference what I do.” This single definitely has potential to be on a pop-radio summer playlist.

The single arrives with a visualizer made up of a series of stunning shots of the Southern Ocean, the waters that inspired the name of the new track. Previously considered a part of the Pacific Ocean, the swift current off the coast of Antarctica is now being considered “too distinct” by National Geographic cartographers and is worthy of its own name.

“Southern Ocean” is available to stream on Spotify, YouTube, Apple Music, Deezer and will be pressed on vinyl.

June 30, 2021
Long Island Fan tabs out entire Disco Biscuits Catalog

In live music communities, you’ll find fans who put their talents to use for the benefit of all, thanks to their love of the music. One of those fans, Justin Treanor, has taken his love for the Disco Biscuits and playing guitar to a new level, with a website full of Biscuits’ guitar tabs, SickBarberLicks.net

Justin Treanor, a 32 year old from Babylon, NY has been a Disco Biscuits fan since 2007. He’s also been playing guitar for 20 years, and the two intertwined in 2016 when he started tabbing out the Disco Biscuits catalog.

“Sick Barber Licks,” named for Jon “The Barber” Gutwillig’s ‘sick’ guitar compositions and improvisation, has been a passion project of Treanor’s, one with a worthy cause and goal – promoting the music of his favorite band so more may learn to play the music of the Biscuits. For the last 5 years, he’s tabbed out all 207 Disco Biscuits songs as well as a handful of covers (“The Safety Dance” and “Run Like Hell” among them). Included in each song are scans of his handwritten tabs, song lyrics and in most cases, a video showing how to play the song.

Page 1 of the “Mr. Don” guitar tab

A self-taught guitarist, Treanor has played in local bands over the years, playing for fun more than anything. He would watch guitar videos and later create his own videos, having tabbed out 207 songs. Treanor has had the benefit of band members supporting his endeavors, with Marc, Jon and Aron all giving him feedback.

The response has been overwhelming from the fans. People tell me they use the site all the time, and the site sees about 250-300 unique visitors a week. It’s truly amazing.

Treanor’s first Biscuits show was on May 25, 2007 at Highline Ballroom in Chelsea. He was hooked instantly, sharing that it was an “insane Mr. Don -> inverted Little Betty Boop they played to start the second set” that hooked him. For Treanor, “the mix of jam music and intense trance hooked me from the first few notes.”

Treanor has also made the most of this past year, adding to his site’s cache of tabs, and expanded to bass tabs with Sick Brownie Bombs (9 songs so far) and friend Justin Highland starting Sick Magner Melodies (2 songs so far).

SickBarberLicks.net is a fan created website featuring tabs for all 207 Disco Biscuits songs. Those looking to support Treanor’s work and help improve the fan-driven site’s continuing effort, can do so here, via Paypal here or Venmo (@treanorjustin88).

Watch a few samples of Treanor’s guitar videos below, and subscribe to be sure to subscribe his YouTube channel.

June 30, 2021
Rising Star Ella Isaacson Keeps It Honest

Born and raised in the New York City area, rising singer songwriter Ella Isaacson has been making waves with each new release.

Photo accessed from Bong Mines Entertainment

Isaacson was raised in the arts. As she started writing songs and discovering her passion for music around age 13, Isaacson made sure to infuse personal experiences and raw emotion into her lyrics. Isaacson does not shy away from addressing body image, mental health and other aspects of her inner monologue, making her music uniquely intimate.

I’ve always been an over-thinker, it’s my curse and my blessing. I’m not sure if there’s a moment where my brain really rests, sometimes words and concepts just come to me as I go about my day. If one strikes a chord with what I’m currently going through in my life then the stream of consciousness starts to flow.
Ella Isaacson

Once Isaacson’s career began taking off, managers and industry figures tried getting her to change her image and appeal to the pop landscape. Isaacson instead took a trip to Sweden where she began centering her authentic self. She has continued to release songs with a personal flair and does not fit into a strict genre box.

“Expectations”, one of Isaacson’s latest releases in collaboration with Gallant, saw viral success and has been featured in popular TikToks as well as Spotify and Apple editorial playlists like New Music Fridays, Young Wild & Free, Pop Edge, Pop Right Now, Mood Booster, and Fresh & Chill.

Isaacson’s latest single “Maybelline” explores a love story with truthful transparency. In her own words, her artistic process generally focuses on showcasing relatability and emotional confidence.

I can easily say falling in love for real for the first time, changed everything about my writing. It made me look at myself in a whole new way. I always need my music to say or question something real now. We all want to make the right choices, have the right job, the fairytale love, skyscraper high confidence, the right amount of success but reality exists in the grey and the nuance and I guess that’s something I hope people take away when they hear my music. That we all feel a little lost, a little behind, a little too rough around the edges when you get close.
Ella Isaacson

Isaacson now lives in Los Angeles but continues to take inspiration from her free spirited New York upbringing. You can learn more about her on her website and connect on Instagram, Twitter and Facebook. Her music is available on streaming services like Spotify and Apple Music.

June 30, 2021
Frank Palangi Drops New Track “Fire Of Love”

Upstate NY-based indie rocker Frank Palangi is here to show that rock and roll never dies. Palangi released his newest song “Fire Of Love” on June 25, the first track shared by Frank ahead of his upcoming EP due out this fall.

The track lives up to its flaming title, bringing heavy electric guitar with lively metal and grunge influences. Palangi explained that “Fire Of Love” explores how love is the driving force that fixes our mistakes, sets us free and, of course, brings us all together.

Creating a hard rock love song complete with strong guitar flares, Palangi argues, adds a “bring it on baby” attitude and swagger to all of these emotions. Palangi’s gravelly, gritty and vibrato vocals also add an edge to his music, appealing to a wide scope of rock fans.

Palangi began pursuing music at the young age of 13, teaching himself guitar, bass, drums and recording techniques. He aimed to blend different genre styles, specifically citing the influence of ’80s and ’90s rock as well as post grunge and heavy metal.

I was a shy kid with health issues growing up so no sports, so I turned to creative outlets. Learning from those decades, I wasn’t going for the typical drinking, smashing hotel rooms as the rocker lifestyle is known for. It could be more about the music, the positive elements, that so many people get drawn into and yes, that rock n roll rebel yell to stand up for yourself.
Frank Palangi

Palangi most recently shared the music video for his song “Bring On The Fear” back in January, which addressed the turmoil and need for togetherness during the COVID-19 pandemic. “Fire Of Love” brings a new mood for the summer and is currently available to stream.

You can connect with Frank Palangi on Twitter, Instagram and Facebook. Check out his website for updates on releases and performances.

June 29, 2021
In Focus: Eggy and Pigeons Playing Ping Pong at Westville Music Bowl
On Saturday, June 26, 2021, it was game/set/match with Eggy and Pigeons Playing Ping Pong at Westville Music Bowl.

Eggy came to play, dressed as tennis players who jogged a lap around the floor of the Bowl. Once onstage, the group ripped off their breakaway pants as seen below. For a band from New Haven, this was a huge show for them, especially since Dani Battat (keys/vocals) was brought to Westville to watch tennis matches as a kid,

Pigeons continued their hot streak of live performances, closing their first set with Springsteenâs “Born to Run” inside of “King Kong.” Guitarist and Connecticut local Tim Palmieri joined the band in the second set for a cover of Hendrix’ “Fire.”

Pigeons Playing Ping Pong Setlist

Set 1: Henrietta > Lost In Line, Somethinâ For Ya > Time To Ride, Sorcerer, Poseidon, Sail On, King Kong > Born To Run > King Kong
Set 2: In The Bubble, Lowdown, Ocean Flows, Sunny Day, Fire*, Kiwi > Burning Up My Time
Encore: Offshoot
* w/ Tim Palmieri (Kung Fu , soon to be Lotus) on guitar

photos by Vince Brazen
June 29, 2021
Bronx Music Heritage Center Presents El Tambor Arabe Part 2

The Bronx Music Heritage Center held a percussion discussion on June 16, part two of El Tambor Arabe. The musicians participated in a live discussion on Facebook about what they enjoy the most about Arabic music.

The event started with a performance from the band followed by an interview that was conducted by NY-based drummer Bobby Sanabria. Each of the musicians shared their stories on how they got interested in Arabic music. Zafer Tawil is from Palestine and has worked at many pop records and movie soundtracks. He fell in love with music and instruments at an early age.

Michael Burdi is from Brooklyn and grew up in an Italian and Syrian family. He grew up listening to hip hop and rock music and played guitar. He developed an interest into heritage music and eventually started to play music with Tawil. Philip Mayer grew up in Miami and didn’t grow up listening to Arabic music. It wasn’t until he was in his 20s when Mayer moved to New York and became interested in Arabic music.

The artists also spoke about the drums that they use and how they are used to play music in many other cultures. They also spoke about the difficul parts in playing the drums.

The Bronx Music Heritage Center provides musicians from other cultures to speak about how music has influenced society. You can check out more information about other events on their website.

You can also watch the discussion at the Bronx Music Heritage’s Facebook page.

June 29, 2021
Bedroom Pop Artist on the Rise: Meet Grace Yurchuk

Warwick native and 18-year-old college freshman, Grace Yurchuk, released two singles from her dorm room at NYU during the Spring semester. Written, recorded, and produced all from within the confines of the Covid quarantine.

A student of the Vocal Performance program at NYU Steinhardt School of Culture, Education, and Human Development, she recently received The Josh Goldfaden Award for writing from NYU College of Arts & Sciences and expects to make the Dean’s List this year.

If you need a song to play in the car that your friends will actually like, Grace Yurchuk is an artist to watch. So far with two singles out, she hasn’t missed. Following the rise in feel good music, these bedroom pop tracks are a good addition to playlists with similar artists such as Beach Bunny, Mitski, Phoebe Bridgers, and girl in red.

While it’s not unusual for a young musician to release a song, this effort was unique. When faced with the grim prospect of social isolation, online classes, and staying healthy, Grace turned to her music as a creative outlet. “Need Me” was a solo effort—written, recorded, mixed, mastered, and released from her dorm room without assistance from other artists or a professional studio.

The second single Grace released on May 21, titled “Good Together,” has careful thought put into everything from backing vocals to synth, which were still hand-picked, mastered, and everything in between by Grace herself. If you thought “Need Me” was good, wait until you hear “Good Together.” The progress made in between songs can be heard and it is a pleasure to know this is only the start.

“I think I had a lot of time, more time than usual– I’m sure everybody did because of the pandemic– to do different projects. The way that the first single happened ‘Need Me,’ it came to me kind of suddenly when I was out and about. When it became something I couldn’t put down and I spent all that time on it, I was just like you know what I worked really hard, this one feels ready. I felt it, I kinda knew.”

Both singles that have been released so far deal with interpersonal relationships, released at a time when those were hard to find and maintain for everyone. “I’m from a really small town and the city was different, it was jumping into a totally different experience especially in the middle of a pandemic, and all of my online classes,” Grace explained. “Making new friends was a struggle at first, all I wanted was to make something that was long lasting, meaningful, and making friends that would matter to me.”

When times were particularly tough for the college first year, she turned to music. “I’ve always fallen back on recording, that’s why I’ve done it for so long. I could always depend on it, so when it came down to that– in Manhattan living alone, I was like ‘This is it. This is what I do,’ I did what I know.”

A self-proclaimed Swiftie, Grace draws her inspiration from her pop idol. “I like different artists for different reasons and I like [Taylor Swift] because she has the ability to tell a story that I really admire, like with her lyrics. But then I also like bands like Beach Fossils, I like the atmosphere they create. Other than that I like Ariana Grande because who doesn’t like insane vocals like that. There are so many different factors that make a band or an artist great and for me whenever I make music I just want to tell a story somehow with the instrumentation or with the vocal, with the lyrics.”

But more important is the driving force that kept her going, and got her start, for all these years. “I record and I write alone, but the fact of the matter is, nobody ever does anything really alone. My parents have always pushed me to do this. They’ve never once told me to think about it, they’re always like, ‘No, this is your dream, go for it.’ All of my teachers along the way, I’ve played piano forever and my piano teacher was a big propelling force in that too. My sisters too. I say that I’m the big sister but I look up to both of them, more than they probably look up to me. They’re incredible and I play all of my music for them first. I love them.”

For her dream lineup to perform with, she chose Taylor Swift, obviously, and her new college friends. “I don’t want to sound cheesy but the first people I want to perform with are the people I met at school. Because I know I’ll get to see them again and they’re so insanely talented. As soon as I can go back to any New York venue I’ll want to perform with the people I’ve met and have encouraged me to do this too.”

As for future plans, “First thing, I just want to go out with all of my friends, I want to get a couple of gigs book. Everyone else has been not performing for a year but I am really desperate to get back in there. As long as I’m out and about and getting to live life again. Everywhere you look in the city there’s going to be something to do and I want to do everything.”

Look out for Grace Yurchuk and her debut EP before the summer is over. “I’m looking forward to getting the EP out because I think it tells a really cool story.”

The two released tracks are available on all major platforms including Spotify, Apple Music, Amazon Music, YouTube Music, Pandora, TikTok, and Tidal. The song, entitled “Need Me,” has already been streamed thousands of times since its debut on April 16.

Make sure to stream “Need Me” and “Good Together”

For more information, visit www.graceyurchuk.com

To keep up to date on where Grace Yurchuk is going next follow her on Instagram, Twitter, YouTube, Tiktok, Spotify, and Apple Music.

June 29, 2021
Blues Fest Returns at State Fairgrounds; Robert Randolph talks to NYS Music

The 2021 New York State Blues Fest, a free concert at the State Fairgrounds in Syracuse over Thursday June 24 till Saturday June 26 in Chevy Court. Downtown Syracuse’s Clinton Square hosted Dumpstaphunk at the last Blues Fest held in June 2019.

Artists included Larkin Poe, Robert Randolph & The Family Band, The Fabulous Thunderbirds, Carolyn Wonderland, Vanessa Collier, Ghost Town Blues Band, Ray Fuller & The Bluesrockers The Gabe Stillman Band, The Ripcords, Miller & The Other Sinners, Diana Jacobs Blues Band Jane Zell & The Zelltones Colin Aberdeen & Max Eyle Hot Dogs & Gin Chris Merkley, Mark Nanni and Ryan Holweger.

County Executive Ryan McMahon helped kick things off on Thursday for one of the Northeast’s largest free festivals. Southern Pennsylvania power trio Gabe Stillman Band and Robert Randolph and the Family Band opened the first sounds at Chevy Court in over a year, with Stillman Band performing a great cover of Bill Withers “Friend of Mine.”

Robert Randolph and The Family Band helped bring the State Fair experience to all in attendance. The family band has Lenesha Randolph on vocals, Ray Ray Holloman on guitar Stevie Ray Ladson On Bass, and Rochester native Levi Bennett on drums.

Stevie Ray Ladson, Lenesha Randolph, Robert Randolph

The group periodically changed instruments during their soul set performance. Lenesha Randolph was quoted “It was great to be out in the land of the living. Such a great time, thank you guys for welcoming us.”

Local Solvay saxophone player Dunham Hall got the call at 5:30 to join Randolph’s set at 7PM. He showed up and laid down saxophone for an extended cover of Sly and The Family’s Stones “Thank You (Falletinme Be Mice Elf) Again”.

Levi Bennett Ray Ray HollomonnRobert Randolph Lenesha Randolph

Robert Randolph spoke with NYS Music at the Jus Sum Jazz lounge following his show:

Matthew Romano: It’s good to have you guys back in New York State performing live. What memories come to mind when you play Upstate?

Robert Randolph: It’s crazy how many iconic shows have happened up here. One of the first shows I played with The Word was at a small club in Syracuse in 2000. The Word is playing at Tipitina’s at Jazz fest in New Orleans this year. It’s a vibe.

MR: This jazz club has a New Orleans vibe to it.

RR: Yea I like it. It’s reminds me of a modern day juke joint.

MR: What shows have you attended in New York State that made an impact?

RR: The first Phish show I saw was at Madison Square Garden. I remember it was a blast but it also humbles you. It’s one of these things where It all becomes special. I go to the Dicks shows in Colorado too.

MR: What shows of your own are on the horizon in New York State In 2021?

RR: I’m playing with The Word at Levon Helm Studios in Woodstock. That’s gonna be special, def come check that out.

Robert will be performing at the Gorge Amphitheater with Dumpstaphunk and Dave Matthews Band Labor Day weekend when live music continues at the Fairgrounds.

Vanessa Collier from Dallas took on a James Brown-like stage presence on Friday night at the Fairgrounds. She was out front counting on the one in between playing funky arrangements on lead saxophone.

The Fabulous Thunderbirds from Austin TX helped keep that legendary blues smoke going to close the night. Attendees in the crowd reflected on Stevie Ray Vaughn’s New York State Fair performance in 1986. The Austin, TX guitarist played “The Sky is Crying” while the rain came down upon the old grandstands. Vaughn and Double Trouble walked a tightrope at Miller Court in 1989 as well.

Saturday afternoon’s set by The Ghost Town Blues Band from Memphis was definitely channeling older spirits. Gregg Allman’s chilling composition “Whipping Post” was taken on by the ensemble. Matt Isbel’s whiskey gravel soaked vocals helped resurrect Allman’s sound. Trombonist Suavo Jones traded notes off Cedric Taylor’s howling B3 Hammond to boot.

Perhaps this was a nod to the 50th anniversary of the Allman Brothers Band closing the Fillmore East. Their final performance on June 27, 1971 found the Allmans playing until 8AM. 2016 NYS Blues Fest artist Butch Trucks reflected “I remember Duane (Allman) walking in front of dragging his guitar while i was sitting there completely burned and he said “Damn its just like leaving church”

Suavo Jones

Rebecca and Megan Lovell from Georgia performed as part of Larkin Poe to close the weekends music. They are descendants of tortured artist and genius Edgar Allan Poe. The duo and their band treated the crowd to songs off their 2020 album’s “Self Made Man” and “Kindred Spirits.”

The title tracks lyrics resonated on the blues soaked audience “I was down and out, now I’m up again When I roll the dice, everybody wins Like a cannonball, moving down the track, Baby’s on her way, she ain’t coming back”

New York Blues Fest has made its way back across the land helping ease everybody’s same old blues on a different day.

June 28, 2021

Built in Breakdance