On Wednesday, July 14th, Albany’s Alive at 5 concert series featured two acts native to upstate New York, indie folk-pop duo, The Sea The Sea, and Folk-rock, multi instrumentalist Amy Helm.
For the third week in a row, the concert was held at the Rain location under the 787 overpass. Despite the uncooperative weather, attendance was near capacity. Check out the setlists and photo gallery below.
Alive at 5 returns this week, Wednesday, July 21, with Hartley’s Encore and YAM YAM.
Setlists from Alive at 5 with Amy Helm and The Sea The Sea
The Sea The Sea: I’ll be loving you, Rainstorm, A thousand years, Broken, In the altogether, Back to the wild, Not the same as goodbye, The meaning of love, This is the way, Love we are we love, Let our Kites Fly, Nothing Brighter, The Art of Feeling, I’m so Lonesome, Stumbling Home, Everybody, Fall before the climb
Amy Helm: This Too Shall Light, Heat Lightning, Breathing, Rescue Me, Roll The Stone, Carry It Alone, Calling Home, Cotton On The Cane, Running Out Of Love, Wait For The Rain, Terminal B, He Called Me Baby, Atlantic City, Didn’t It rain, Sweet Mama
The lead-up to Newport Folk Fests in recent years have generally been shrouded in a bit of mystery. Surprises are the norm, leaving fans with clues to decipher and history-making to anticipate. This year, for all the obvious reasons, the mystery has been deeper, more secretive, and has been unraveling for well over a year. Starting with the most basic and obvious question that fans began to ponder starting as soon as the 2020 festival was cancelled.
Will there be a Newport Folk Festival in 2021?
Yes! But more technically, no. Amid the uncertainty of planning anything during a global pandemic, the producers decided they didn’t want whatever they put together in 2021 to be held up to the standard of expectations that the label “Newport Folk Festival” carries with it. This year, things would be different. So instead, they are holding two separate 3-day events titled, Folk On. Still held at Fort Adams State Park in Newport, the fun gets started this weekend, July 23-25 and continues with the second event in the weekdays immediately following on July 26-28. The events will be held somewhere around half-capacity so splitting in two allowed more fans to return to the Newport experience after the unscheduled year off.
Who is playing?
This is always the biggest question. In a normal year the lineup is released in a slow drip of announcements over months, with many surprises left unannounced. This year the festival left it up to each artist to self-announce. The amount of detail provided by each performer varied greatly. We still don’t know what day, what stage, what time, or with whom many of the sets are taking place. Add to that what will certainly include some special one-off sets of collaboration and likely tribute. What we do know is listed below.
Friday, July 23 Margo Price Marcus King Band Ida Mae Grace Potter Black Joe Lewis Lucy Dacus Shakey Graves Resistance Revival Chorus
Saturday, July 24 Jimbo Matthus & Andrew Bird Randy Newman Yasmin Williams Natalie Hemby Jason Isbell
Sunday, July 25 Billy Strings Devon Gilfillian plays “What’s Going On” Tre Burt Kevin Morby Caamp Tommy Prine Elijah Wolf
Monday, July 26 Billy Strings Aoife O’Donovan Sunny War Hiss Golden Messenger Fruit Bats Middle Brother Courtney Marie Andrews Erin Rae Ben Gibbard Andrew Von Kampen
Tuesday, July 27 Allison Russell Steve Gunn and William Tyler Bonny Light Horseman Langhorne Slim Vagabon Sharon Van Etten Beck
Wednesday, July 28 Deer Tick Watchhouse Julien Baker Katie Pruitt
Artists with no confirmed performance date Joy Oladokun Lake Street Dive Celisse Dimmer Twins Early James Jonathan Russell S.G. Goodman Waxahatchee Yola Sierra Ferrell Emma Swift
What else will be different?
For starters, all the music produced by the above will take place on just two stages, down from the usual four. The small indoor Museum Stage will not be active this year, nor will the Harbor Stage, which will alleviate the traffic jam that usually occurs there. The main Fort Stage has been renamed the Lawn Stage and will be reconfigured with a new position and new tent, providing a more intimate atmosphere for the reduced capacity crowd. The Quad Stage inside the Fort will pushed back to allow more space to spread out on the grounds. Additionally a third stage will reside next to the Lawn Stage providing a space for open-mics in the morning and workshops and surprise pop-up performances sprinkled throughout the day.
Surprise will be the name of the game even more than usual this year, the full mystery won’t be revealed until the events are in the rear view. Fortunately, NYSMusic will be there covering both events, so check back here for our full report.
Will there be after parties?
Officially, no, there are no festival-produced after parties. But after the Fort goes quiet for the evening, there will still be music to be had in the city of Newport. The Newport Playhouse will play host to a few shows during the Folk On events. Shows start at 8pm and will be held on an outdoor stage with food trucks and a bar.
July 23 Maggie Rose with Dylan Hartigan, Ali McGuirk
July 24 Old Jack’s Newport Nights: Will Dailey, Lonely Lisa and the Lost Cowboys, Charlie Marie, Oldjack, Mary-Elaine Jenkins, Senseless Optimism
July 26 What’s Up Newport RI Folk Showcase: Dan Blakeslee, Avi Jacob, Allysen Callery, John Fusek, Cardboard Ox, Beth Barron, Jodie Treloar Sampson, and Jen Long w/the Whale Guitar
Up-and-coming neo-soul artist Kristen Merritt paired up with NYS Music to create a summer playlist for fans to enjoy, leading up to the release of her debut album on Sept 14.
NYS Music x Kristen Merritt Playlist
Detroit native turned New York local, Kristen Merritt has taken advantage of the creative energy the city has to offer. Since 2019 she has released an EP and various singles all leading up to the formation of her debut album Joi. The latest release from the artist is the single “I Don’t Think About You,” which is the second taste of the upcoming album after “I’m Done” was put out this May.
“I Don’t Think About You,” has a little bit more of the flavor that you’ll see present throughout the album. I say that because “I Don’t Think About You” is a little bit more of a love song. While “I’m Done,” is a love song in a way, it’s a breakup song, love was there at some point.” said Kristen adding, “Generally, the tone of the album is love songs that explore the different parts of love. Whether it’s beginnings, endings, something in between, just to describe how it feels to have love and to carry that love for someone.”
While writing this album, Kristen went about it the same way she goes about life, “I’m very hype as a human being so I like to bring hype to everything that I’m doing. In addition to being hype, I’m very “go with the flow.” I hadn’t always been this way– and don’t get me wrong, I like the list, but for the most part, I am pretty free flowing and so I carry that into my writing process as well.”
“I will hear a melody in my head, sometimes that melody is on guitar and sometimes that’s a vocal melody. I’ll go ahead whether it’s vocal or guitar and record it in the recording function on my iPhone. Then I will freeform, stream of consciousness, let the thoughts flow. Then after the fact, I’ll go in tweak some metaphors, make sure things make sense, and make sure that there’s a story within what I’m expressing.”
For specific songs and their meanings, Kristen always makes sure to focus on storytelling and the emotional weight, “On the smaller, micro level, different lines that hit me emotionally like, “Wow. Okay, that that came from a deep place, a vulnerable place.” Then on the macro level, when there is a story being told, and it feels like it started, in a way that is going to pique someone’s interest, and ended in a way that didn’t have to be completely resolved, that still felt like there was some level of finality then I know that I have written a good song.”
“I Don’t Think About You” featured on the Kristen Merritt playlist
This summer NYS Music and Kirsten Merritt have teamed up to give the people a “Summer Jamz” playlist to fit everyone’s newly liberated and fully vaccinated plans. Filled with songs like “Feels Like Summer” by Childish Gambino, “Toothache” by Topaz Jones, and of course Kirsten Merritt’s own tracks.
“What I ended up doing to create the playlist was going through my liked songs on Spotify and any song I found that immediately brought a smile to my face I added it to the playlist. I have about maybe 300 songs on my liked songs so I made sure to comb through. The ones that really stood out to me where I loved this song, I loved the way that it feels, or the lyrics, or the message it imparts. I added that to the playlist. I wanted to share good feels with everyone.”
While it is technically a summer playlist, for Kristen at least, that is just a state of mind. And that state of mind is put on repeat, “You could blame it on me being a Taurus. One time I saw a Zodiac thing that said, “Taureans, we love playing the same song 15 million times. You never get tired of it.” That is true for me. Where often I will play the newest songs that I’ve added because I’m so excited about that and then occasionally I’ll shuffle through. Unless it’s a colder or a rainier day outside I generally go for higher energy music and then if it is one of those other days I might do a little bit more chill music.”
As a growing artist, Kristen has been setting and making goals for her various works, “My biggest goal now– you know if you had asked me this a year ago, it would have been to release more music. So, that’s what I’m doing now and to get more comfortable with releasing music, because previously, while I felt there was an expectation and a standard that I was holding myself to with releasing music. It was good and I liked it, but there was a level of enjoyment and joy, if you will, that I hadn’t yet accessed in terms of feeling comfortable releasing music. At this point, that’s not the case with this album. I feel very excited to release the album.”
At any level of performing, getting in front of a crowd can be intimidating. Despite that feeling, Kristen can’t wait to give it another go, “Previous to the pandemic I was working on doing some sets with open mics and gigs like that. And while I was pretty comfortable, I was getting much more comfortable with my instrument because I haven’t been playing guitar for too long. There was still just a part of me that really wanted to be present in those performances. It may not come off as it but I feel internally stilted in a way that I want to tease out and untether a little bit.”
“Moving forward, I want to work on having fun at the live performances and feeling really present. So whether it’s busking in Washington Square Park, doing a gig at a small cafe, or all the way up to a larger venue. Having bandmates accompanying me, I want to enjoy performing. My work moving forward is allowing myself to be open and have fun with it.”
“I’ve been very fortunate that the first song, “I’m Done,” got added to some Spotify playlists and I’m hoping the same for “I Don’t Think About You.” I want to let people know that I’m so happy that I’m getting to meet people digitally, even if it’s digitally for now. Being able to have my music out there and hopefully affecting people, whether it’s positively or negatively, I’m open to all types of effects just as long as it’s there. “
The next single “Breathe,” is except to hit all platforms in late July or early August, while the album, Joi, will drop on Sept 14.
To stay informed, follow Kristen Merritt on Facebook, Instagram, Twitter, Spotify, and Apple Music and be sure to listen to the Kristen Merritt playlist “Summer Jamz” linked below.
John Mayer just released his new solo record Sob Rock, produced by Don Was and released on Columbia Records and Tapes.
Mayer also announced a 2022 Sob Rock Tour starting at the Times Union Center in Albany, NY on February 17. This marks the fourth world tour he has started in the Capital Region of New York In 2015, he played his first Dead and Company Show there. In 2017, he started his Search for Everything Tour at the arena, and Mayer also started his last solo summer tour in Albany on July 19 2019.
John Mayer’s musical journey over the past twenty years is a classic rock and roll dream. Growing up, Mayer never had a doubt about what he wanted to be. His bedroom in the 1980s was adorned with Stevie Ray Vaughn posters. At this time, he was inspired by Buddy Guy’s “Damn Right I got the Blues.” Mayer is one of the last artists to amplify his sound to the masses through original radio and TV circuits, years before the social-media/stream world of exposure.
In 2002, he played at Onondaga County War Memorial on his first solo American tour the same fall Bob Weir and Jeff Chimenti’s Ratdog played Syracuse’s Landmark Theater down the street. 20 years later they are Mayer’s band mates with Oteil Burbridge, Bill Kreutzman, and Mickey Hart on tour as Dead and Company, with four dates in New York scheduled for this August.
Dead and Company Fall Tour opener Albany 2015
In between this time, Mayer’s life was a continuum of battle studies majoring in heartbreak warfare in cities like New York. Who says he can’t get stoned and call a girl he used to know? Halfway to the moon, his vocal cords needed a recharge, which led to him living off the grid in Montana. A poolside chance encounter with the Grateful Dead’s Althea on satellite radio helped Mayer carve out another new sound. He then debuted his psychedelic chops on solo albums Wildfire and Paradise Valley before joining Dead and Co.
Mayer kept his blues roots alive by inducting Stevie Ray Vaughn in to the Rock and Roll Hall of Fame. Mayer and Gary Clark Jr helped pay musical tribute at the ceremony. Mayer also kept his English blues roots atone for performances with The Rolling Stones and joining Eric Clapton for his 70th birthday at Madison Square Garden. He reunited with producer and drummer Steve Jordan to help bring back the John Mayer Trio with Pino Palladino. Dont’t forget Pino’s groove on Don Henley’s 80’s anthem “Boys of Summer”. He recruited D’Angelo guitarist Isiah Sharkey for the his recent solo tours as well. Mayer also dabbled after midnight at the LOCKN festival with Lettuce for Jerry Garcia Band Tribute.
Mayer’s first record fresh off the heels of growing up, however, has an ironic connection to his most recent. Romanticizing years ago on the track “83” off Room for Squares with lyrics like Oh, if only my life was more like 1983. All these things would be more like they were at the start of me. I’d plot a course to the source of the purest little part of me.
John Mayer Search for Everything Tour Albany 2017
Sob Rock is a nod to this era of Mayer’s life experience until now, the simplicity of any given 1980s summer day before we all had to grow up. “Why you no love me?” Is a great example of this angle “They are the most brutal lyrics I’ve written. Musically you’re on a sailboat, but lyrically it’s intense. ‘Why you no love me?’ I’ve spoken those words in relationships and it is the child learning that language. Maybe it takes 43 years to ask it?”
The song’s lyrics, Hurt me once I let it be. Hurt me twice, you’re dead to me, Three times makes you family. Mayer reflects on these words about getting older, “Do not try and create bonds with scar tissue, there are people in our lives who have hurt us enough to join this legacy gang. As you’ get older you learn not to build relationships on the connective tissue of ‘sorry’ hangovers and morning afters. As you get older you say, ‘Be good to me from the start.’
Sometimes nothing feels better for someone than stitching up a wound they made. At 28, that felt like love times a thousand but when you get in your 40’s its sexy to hear someone say, “I would never do that to you” That’s the new language you become attracted to
John Mayer
Musically a Dire Straits tone is found on “Wild Blue” with chilly Knopfler-like vocals. “I’m walking through the wilderness and living off the loneliness. I found myself when I lost you.” Sob Rock is binge watching Stranger Things for its Eighties nostalgia with Carla Francesca in an October past. Mayer wants this album to create memories that you might not have actually had. Can you have memories of things that never happened to you? “For me, I can’t quite see the memory…I’m almost there…it’s my grandmother’s house and Gumby is on TV…is it a dream?…a memory?” Maybe its all a dream I’m having at seventeen, I don’t have tattoos and very soon mother will be calling me and saying come upstairs you got some work to do.
Additionally, two music videos released off the record, “Last Train Home” and “Shot in the Dark,” look like playbacks of recorded VHS tapes off an old Zenith console TV. We cast the same scenes in our social circles. His live performance on the tonight show with Isaiah Sharkey really shows the reflection on the stitches of old love from the road Now the road keeps rolling on forever and the years keep pulling us apart, if its on someone i blame both of us, it shouldn’t matter but it does
His experience with Dead and Company has affected the guitarist in that he wants to hear how the music has affected you. Where did it take you and what has it brought out personally? New York musicians like John McConnell, whose only rest in 20 years was for vocal chord treatment like Mayer, his song “When This, Then That” with the lyrics “So I’ll settle in and relax for a while, I’m a 40 something victim of comfort but I do it with style” is certainly a sound off the new light trail Mayer has bended for all to hike on. At this stage in his life John (Mayer) just wants to be a musical servant. “I’m only here for transportation.”
Key Tracks: Why You No Love Me?, Wild Blue, All I Want is to Be with You
John Mayer 2022 Sob Rock Tour Dates tickets go on sale Friday, July 23 at 11 am ET at JohnMayer.com.
Feb. 17 – Albany, NY – Times Union Center Feb. 18 – Philadelphia, PA – Wells Fargo Center Feb. 20 – New York, NY – Madison Square Garden Feb. 23 – Washington, DC – Capital One Arena Feb. 25 – Pittsburgh, PA – PPG Paints Arena Feb. 27 – Toronto, ON – Scotiabank Arena March 1 – Belmont Park, NY – UBS Arena March 4 – Boston, MA – TD Garden March 11 – Las Vegas, NV – Grand Garden Arena March 13 – Los Angeles, CA – Forum March 15 – Los Angeles, CA – Forum March 18 – San Francisco, CA – Chase Center March 22 – Seattle, WA – Climate Pledge Arena March 25 – Salt Lake City, UT – Vivint Arena March 27 – Denver, CO – Ball Arena April 2 – Sunrise, FL – BB&T Center April 5 – Tampa, FL – Amalie Arena April 8 – Atlanta, GA – State Farm Arena April 11 – Charlotte, NC – Spectrum Center April 13 – Nashville, TN – Bridgestone Arena April 20 – Austin, TX – Moody Center April 23 – Houston, TX – Toyota Center April 24 – Dallas, TX – American Airlines Center April 28 – Chicago, IL – United Center
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music fromSara Devoe, Blackcat Elliot and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Sara Devoe
Albany artist Sara Devoe blends a dream pop aesthetic with the songwriting sensibilities of Phoebe Bridgers and Lana Del Rey. “Big Night” is the first single off her debut EP, out this summer. Chill and slightly aloof, it’s tailor-made for solo summer drives.
Blackcat Elliot
Inspired by the CBGB punk scene of the 1970s with a side of 90s grunge, Albany garage band trio Blackcat Elliot is still going strong after 20 years. Made up of Fast Eddie on bass, Marky Balboa on drums and Gus on guitar and vocals, they’re self-proclaimed “troublesome, working class heroes.” Their 2019 album There Is No Good In Us features “Take It Back,” a hard rock number with Grohl-esque vocals.
U.C.
Toronto prog trio U.C. released their album Time Distortion in March. Quirky and experimental, “Magnanimity” pays tribute to the titular five-dollar word with daring production choices. While relegated to the background, the shimmering piano that enters halfway through makes the song. At times, “Magnanimity” appears to pay homage to Freddie Mercury and “Bohemian Rhapsody.” If the listener didn’t know its release date, it could easily be mistaken for a song from the past or even future.
New York City’s Hunter Blair Ambrose has released her latest single, “Too Much,” off her upcoming album, Scorpio Season.
Hunter Blair Ambrose is a Pop/R&B artist and songwriter based in New York City. Inspired by dark, synth-pop, chilling Toronto R&B, and the melodic hip hop of the 2010s, Hunter has created a sound shaped by the music that has been the soundtrack to her life. By the age of 17, she had immersed herself in the company of industry giants, working alongside Grammy-award-winning musicians and producers such as Narada Michael Walden and working as an in-house songwriter and studio vocalist Tarpan Studios in San Francisco, CA.
Shortly after the inception of her career, she enrolled in Boston’s Berklee College of Music and quickly emerged as one of the school’s many promising, young talents. Following her departure from Berklee, from 2017 through 2019, Hunter wrote and produced material with her core creative team for her debut EP, Scorpio Rising (April 2020). Her debut album, Scorpio Season, is a tribute to a fall-time “cuffing season” romance gone wrong, exploring themes of heartbreak, self-doubt, psychosis, and self-destruction – all inspired by Hunter’s life experiences.
“Too Much” is a synth-pop summer track written by Hunter and produced by Jason Strong, with mixing and mastering done by Travis Bruce and Randy Merrill. It’s about acceptance in overindulging in your vices to avoid anxiety. It’s a track that highlights the struggles of drinking habits, obsessing over a love interest, the fear of being “too much” for someone, and the frustration with having too much anxiety over all of the above.
I wrote this song to take accountability for my avoidance issues. For a long time, I would ignore my problems by indulging in partying and drinking until I realized it was getting to be too much. This song is about dancing and drinking to avoid your pain which can be a good and bad thing.
Hunter Blair Ambrose
Ambrose continues to steal the spotlight with her growing music presence and has already produced an extensive repertoire to her name. You can check out a timeline of her projects HERE. Also, be sure to catch the latest of Ambrose by following her on Instagram, Tik Tok, Twitter, Facebook, and on Spotify and YouTube below:
New York based husband and wife duo Astroblue Express are incredibly excited to have just released their newest single “Cotton Candy Dreams.” The track is the third song from their upcoming EP The Optimistic Traveler which will be available this fall.
Astroblue Express has a unique sound that encompasses cinematic music, dream pop, blues, and experimental R&B. Their creativity shines in their production, which is done independently by them from start to finish. One of their songs “Here to Dance” was a recent finalist in the International Songwriting Competition in two separate categories.
“Cotton Candy Dreams” is an eccentric song about the universal desire to achieve a specific dream life and how the media distorts our realities of these aspirations. The track makes listeners both optimistic and perspective at the same time, seeing the dark truths of the media that society is saturated in.
One powerful string of lyrics from the track is, “We plug into our own worlds / And forget to connect / But we walk beside each other / Like a flock of wild birds.” The vocals are astoundingly beautiful and the production gives off a chill, euphoric feeling. The video that accompanies “Cotton Candy Dreams” is a masterpiece, featuring bright, saturated colors and clips of the whirlwind that is New York City. The project feels both comforting and refreshing for listeners of all kinds.
“Cotton Candy Dreams” showcases the remarkable talent that Astroblue Express has. Keep an eye out for their EP being released in the fall, as it will provide similar sensory feelings as the wonderful “Cotton Candy Dreams.”
Togs, a new band formed in Brooklyn, are self-releasing their debut EP More of Your Favorites today. Set to a groove-laced indie rock jam, a cyclist out for a cruise gets mugged and chases his attackers into a twisted disco nightmare. The release is accompanied by the adventurous music video for lead single “Disco Ball Shoes”.
“Disco Ball Shoes” via YouTube
After first coming together in 2018, Togs found a new stride while living through the pandemic by playing socially-distant shows from their stoop in Bedford-Stuyvesant. The stoop was upgraded to an outdoor, backyard venue where full-day shows became regular programming. Back in May, Togs headlined a party for a full-house and played the final version of More of Your Favorites for the first time. The band has natural chemistry and were noticeably “at-home” playing in front of friends, family, and strangers who heard the music from the street.
More of Your Favorites Cover Art, Designed by Graci Mills
Specializing in “angular music suitable for aqua-aerobics, wave simulation, and so much more,” the original 4-piece lineup consists of Graci Mills on guitar and keys, Colin Vallee on guitar and vocals, Abbie Krinsky on drums and vocals, and Justin Birmingham on bass and vocals. New member Tony Catalano joined the group in 2021 to round out the live show on guitar and effects.
You can see Togs this Friday, July 16th, headlining a release party at Gold Sounds in Bushwick with support from Night Coast and Plastic Hag. You can find the EP on their BandCamp or Spotify pages.
Togs Headlining the Doomyard, 5/22/2021 – Photo By: BuscarPhoto
Check out more photos from May’s Doomyard show below and keep your eyes peeled for more shows to come this summer.
With the return of live music performances throughout New York State and much of the country, an embarrassment of riches in the form of live music options is upon us. New York City has abundant Broadway and restaurant scenes, but a live music scene that doesn’t get equal billing.
One reason for this is a lack of a simple guide for live music. There is Broadway.com for all things Broadway, Zagats and Yelp for restaurant info, but nothing of the like for live music. In order to keep track of the sheer magnitude of concerts, events, club shows and intimate performances that may fly under your radar, there is a new way to keep tapped in to what’s going on musically in New York City.
The Tapped In app is one that is especially needed now, as small venues are reopening while larger venues wait for the pieces to fall into place heading into the fall.
The idea for Tapped In originates with founder of NYC Freaks Aaron Stein, inspired by his weekly ‘Shows you shouldn’t miss’ column on Freaks List. In mid-2020, NYC Freaks List member Daniel Saewitz began making an app that used the same information he shared and incorporated the information into maps, building a searchable way to find these shows.
I had been living in NYC for years when I came across Aaron’s weekly concert calendar. I was blown away. Even though I was obsessively seeing concerts across the city, identifying the best concerts was peculiarly more difficult than one might expect. There are concert listing platforms, no doubt. But they are all generally automated scrapers; which leads to two main problems: they list anything and everything and yet, they miss the local gems.
Daniel Saewitz, co-founder of Tapped In
Tapped In app as seen on Android
With Stein’s list of shows shining light on ‘you gotta be here’ shows competing with algorithms and promoted shows, Saewitz aimed to take the overlooked shows that Stein was clued into and get it into the hands of as many people as possible.
Aaron was very open to the idea so we built a quick version and shipped it out to the world in 2019. Over time, we’ve slowly expanded the functionality of the app and have some more plans percolating now that concerts are back in full swing.
Daniel Saewitz, co-founder of Tapped In
But these live music performances are smaller, non-traditional, outdoors shows that are otherwise diamonds in the rough, ones that you’ll not know unless you know. For that, there is a level of curation to Tapped In.
As far as curation, we’re getting back to an almost-full calendar of shows daily in New York City, so my “job,” as it were, is to try and sift through all the options and try and pick out the 10-20 or so that are most noteworthy. Of course, that’s 100% subjective, but hopefully I get it right more often than not. Yes, occasionally I get a note telling me what I’m missing, but not as often as getting a note thankful for the heads up for something that wasn’t on someone’s calendar.
Aaron Stein, co-founder of Tapped In
One aspect of live music that Stein is most excited to see is the return of regular weekly residencies.
Anyone with a long-running weekly gig in this city is doing something right, especially if that gig has survived the past year. If you’re scrolling Tapped In over the coming weeks looking for a sure thing that might not already be on your radar, try Rev Vince Anderson & the Love Choir at Union Pool on Mondays, Slavic Soul Party at Barbes on Tuesdays, or The National Reserve at Skinny Dennis on several Fridays this summer. And if you go, definitely let me know what you think!
Aaron Stein
Tapped In app as seen on Android
The Tapped In app is fully functional and available for both IOS and Android, and with the early positive response, there is the potential to have the app expand to other cities.
The app was designed from Day 1 to support multiple curators. For now, Aaron is the sole curator and he handles the NYC rock/folk/jazz scenes with precision. But if someone came along who was genuinely interested in curating a live music calendar, either for other genres or in other cities, we’d be glad to accommodate them. When I was traveling overseas, a friend pointed me towards a similar curated list in Berlin. I used it every night I was there and it was incredible.
Daniel Saewitz, co-founder of Tapped In
Whether music, Broadway, or any of the arts, there is no competition for a motivated fan with good taste. As Saewitz points out, when it comes to something as disorganized as the NYC live music scene, the experts not only have the technology, but the capability to bring about a positive change for all who seek the best live music New York City has to offer.
With COVID-19 restrictions abating and live music emerging from the shadows, Summerland Tour 2021 is out in full force. It’s a rock ’n roll road show merging alternative acts in a festival atmosphere. The annual tour, conceived in 2012 by Art Alexakis, front man for Everclear, varies the lineup year to year.
Everclear
The Summerland Tour 2021 assemblage consists of Living Colour, Hoobastank & Wheatus and headliners Everclear. Prior to this year’s excursion, Alexakis shared, “After personally fighting Covid—19 for two months and managing the lingering symptoms, I’m so grateful that the numbers are going down, the vaccines are going up, and that we’re getting the chance to tour the U.S. again. I couldn’t be more proud of this year’s lineup of legendary alternative bands.”
Wickham Falls
Opening at the Orange County Fair Speedway stop was Wickham Falls. A local Warwick N.Y. four-piece who shared songs from their debut album To Pluto. With the night’s appetizer served, Alexakis came out, welcomed everyone, and shared praise for the acts on this year’s tour.
Art Alexakis, Everclear
Stepping into Summerland 2021, Wheatus took over. Opening with “Break it Don’t Buy It,” the band flowed through a seven-song set this night. Featured was an AC/DC cover ( “Rock ‘n Roll Damnation”), and they closed with the HBO, Netflix and film -featured tune “Teenage Dirtbag.”
Wheatus
As the day transitioned from afternoon into evening, a storm started looming on the horizon. With no regard for the inevitable, Hoobastank kept things moving, performing tunes from their Hoobastank, The Reason, and Every Nan for Himself albums.
Hoobastank
Three acts in, the musical heat was being turned up. But the dark clouds in the west had other plans. As Corey Glover, Vernon Reid, Will Calhoun, and Doug Wimbish were stepping on stage, it started to rain. Without hesitation, the band tore into “Type.” Nature, not to be outdone, then engulfed the speedway in a deluge. As if meteorologically energized, Living Colour didn’t look back and played through, finishing up with “Cult of Personality.” Having left it all out there, both the band and the storm exited the stage.
Living Colour
The house quickly jumped into action to pump out, dry off and prep for headliner Everclear. With the band and crew plugging in for the start of their set, Alexakis took center stage and called out everyone: the audience, crews and house support teams, for their stoicism during the torrent of rain and shared how great it was to be playing out once again. Starting with the apropos “Summerland,” Everclear took the slightly waterlogged but enthusiastic crowd through a thirteen-song set that included “Heroin Girl” and “Father of Mine.”
Summerland Tour 2021 is scheduled through September. So if you can’t get to a festival this year, no worries, let the festival come to you.
