Category: Video

  • Watch “moe.rons on parade”: a stop-motion Animation Featuring a LEGO moe. show

    Throughout the past year, we’ve all had more time on our hands. Some of us made sourdough and/or banana bread, we’ve worked on our houses, worked out, and made the best of the circumstances. One art teacher from Long Island, Brian Baker, came across LEGOs that a friend was looking to get rid of, combined his love for moe. and new found skills in stop-motion animation. The result is “moe.rons on parade,” capturing the spirit of a moe. show in LEGO form.

    moe lego

    Having taught art in K-12 in the Three Village School District in Stony Brook, NY, Baker, like every other art teacher across the country, was put in a tough position last spring – how to teach art online. With such a tactile and hands-on subject needing virtual or least socially distanced lessons, improvisation was needed. In the past year, Baker learned the art form of stop-motion animation, one that he will be bringing to his students after learning the basics at home.

    A 2003 graduate of Hartwick College where he majored in Fine Arts and played lacrosse, he’s been coaching junior high football and JV lacrosse at various schools on Long Island since he graduated college, recently and at various other schools for nearly 20 years.

    moe lego

    Baker first saw moe. at the Oneonta Fieldhouse on April 28, 2001, possibly the only time they’ve played the town. He had heard them a few years before and had a few albums. And having only seen a lot of Phish prior, it was time to diversify. 

    “moe.rons on parade” features “Four” and “32 Things” with Baker telling a short story of a young couple’s first experience at a moe. show through LEGO characters. The video shows quite the effort and love for the band on his part, one that will not only satisfy veteran moe. fans, but newcomers as well. 

    Pete Mason: What’s your teaching background and how did you start in on this moe. LEGO project?

    Brain Baker: This is my 14th and by far craziest year of teaching, and I think that helped generate this project. I am currently teaching 7th-9th grade and have anywhere between 15-20 kids in class and 1-10 kids remote on a Google meet at the same time. Trying to make things equitable has been a challenge. We have to make sure everyone has the same materials. On a normal year, I would have kids, be making clay boxes, cutting stencils for acid etching, creating stained glass mosaics, cutting glass bottles, weaving baskets, making jewelry and other hands on stuff. A lot of these things aren’t practical or safe for kids to use unsupervised at home. So we have had to get creative with what we can do. 

    Last March when schools started closing and throughout the summer, I really challenged myself to learn some new skills so when we came back to school I had some fresh and fun projects for kids to do. They deserve it. Their whole universe got totally upended last spring and they need some fun social things to get it back to normal. Also, I am not allowed to collect artwork from kids, just photos.  So how do we show off their work?  I learned a lot about the iMovie program and other animation software by putting together some short clips of student work.

    I learned a lot about the imovie program this year. They say kids are really resilient which is true, they adapt to things very well. It was a real challenge figuring out all the technical things (lighting, camera angles, focus, computer skills) and I had quite a few mishaps along the way. But it was an awesome way to spend some time and I am looking forward to seeing people’s reactions. I am having a few friends over for an outdoor viewing on the projector Saturday night. I am also looking forward to showing my students the edited version. I shared all the different steps and clips with them along the way and they want to see the end result.

    moe lego

    PM: So it seems you’ve had some time on your hands. When did you start this project and what kickstarted the concept for you?

    BB: Well, as a dad of a 2 year old girl (Althea)  and a 4 year old boy (Frederick), time is something in short supply these days. They are “full speed ahead” kids.  Even though Covid cancelled my coaching gigs for a while, it has still been a busy year for my wife Liz and I trying to keep them active and engaged. Last March when everything started shutting down, I kept my sanity by getting us outside and building stuff. We started with a small kids train made from my old deck wood. Then we built a 9-hole mini golf course in the backyard. My son helped me through the whole thing.  And I did several other backyard recycling projects. But this project really was the perfect storm. I started teaching an animation class this year, and my friend’s kid really wanted a puppy. So his compromise was the play room was going to be the puppy room. The LEGOs have to go. 

    So I got a huge supply of LEGOs to play with. My son loves building things and mechanics, so he was instantly in love. And with the animation class we have already done a ton of drawing, so this will be a nice “mix it up” project for the fourth quarter. I mostly worked on this project at night after they were in bed or sometimes I would have them come down and play LEGOs with me during the day. With stop-motion, you generally use a remote shutter, so I was also able to include my 4 year old in some of the photo taking process. He helped build a few of the smaller pieces as well.  I started putting the stage together in the beginning of February and then began shooting photos later in the month. Once it got rolling I pretty much worked on it everyday until I was done for anywhere between 15 minutes and 7 hours. After I saw the band post the pics on their page I practically lived in the basement that weekend. 

    PM: How many hours did it take to complete the construction, prior to filming?

    BB: Building the stage and all the sets and characters took maybe 5 or 6 hours over the course of a week. The photos took a month and a half of many, many hours. I took somewhere around 30,000 photos.

    PM: Is this your first foray into stop-motion animation?

    BB: I did a short stop-motion a few years ago on powerpoint and my son and I made a police station getting smashed by the Incredible Hulk earlier in the winter, but this was my first real serious stop motion project. It was a huge learning experience.

    moe lego

    PM: Any fun Easter Eggs or tips of the hat that you worked in?

    BB: Yes. You’ll have to look. Lets just say there are some band references and funny characters.

    PM: What is your favorite moe. song and moe. experience?

    BB: Favorite song? That’s like picking a favorite kid! Let’s just say there are no moe. songs I don’t like. There are a few Grateful Dead ones I don’t enjoy, quite a few Phish songs I can’t stand, but I love moe. They play music exactly how I like music to be played. The diverse influences and song writing styles are awesome.  The first time I listened to them was NYE ’99. A buddy put on “Rebubula” and I said to myself “Yes….this is what I’m looking for in my life.” I think we listened to the No Doy album three or four times that night.  I went and picked up a few more albums and some shows on tape. The rest is history. I’ve only seen 60+ shows, but I listen to them more than anything else. I try to catch every live webcast or the old Facebook Live streams (remember those?). Big ups to the moe.stream team for setting up quality live show audio streams. 

    moe. fans are an awesome group of people. I have had some great conversations through the years, connected with cool people and shared tons of fun experiences. This is my 16 minute and 30 second thank you to them and the band.

  • Vaporeyes channel ‘Clockwork Orange’ in new wacky video “Donye Wump”

    Syracuse’s Vaporeyes has released the video for “Donye Wump,” off their recently released album Cantrips. Having premiered on Friday, March 19th, the video was shot in the Salt City, as well as in and around band practice spaces.

    vaporeyes Donye Wump

    With a goal of creating a video that their fans and others used to their shenanigans wouldn’t expect, band member Jonas Reddy-Nicholson, shared insight on the video:

    We had an idea of a conflict happening in this video. The lyrics I wrote very much came from a place of inner conflict, wanting change, and “killing the past,” so Shannon (bass) wanted to play with the conflict idea as much as possible. But we kept the fight between ourselves and our “other” selves, or inner demons in the video so people didn’t think it was some statement or something. It’s not. We just had fun with it. The name of the song actually has nothing to do with anything. Sometimes we just really try to blur the line between goofy and serious/heartfelt. 

    Jonas Reddy-Nicholson

    “Donye Wump” was directed by Thomas Calandra of Synthesis Films (also a member of metal band Bleak), with Director of Photography Mark Kelley, both of whom entertained the band’s wacky ideas and kept Vaporeyes on track to finish the shoot in four days.

    When we came to them with the idea of a fight scene VS ourselves for the end of the song, we thought they would turn it down. But not only were they into it and knew how to make it work, they had some ideas of their own. Thomas asked how we felt about drawing inspiration from the goofy gang fight in Stanley Kubrick’s “A Clockwork Orange.”

    We were into it, so we all sat on the couch and watched the fight together the day before the fight scene shoot. We are so glad they were into the fight, and they really did a great job. That’s even Thomas getting the glass broken on his head in the beginning, per his insistence. (Movie prop bottle, don’t worry). 

    Jonas Reddy-Nicholson

    Vaporeyes recently made it to the Elite 8 of NYS Music’s March Madness. Check out more on them here and watch the video for “Donye Wump” below.

  • The Grateful Dead End Their First Nassau Run: March 19, 1973

    48 years ago today, The Grateful Dead wrapped up their first ever run at Nassau Coliseum. The venerable Long Island venue was almost completely new at the time, having only opened in February of 1972. In fact, the Dead were only the second band to ever play a concert in the building, surpassed only by their brethren in Chicago the year before. Today would wrap up the final show of their first three-day run here, planting the seeds for another 39 Grateful Dead shows at Nassau for years to come. This introduction ends in remarkable fashion with a show that’s got a little bit of everything: a first set that simply overpowers the second, unique costume wear from the band, and a powerful goodbye to a dear friend.

    This show was a double bill of sorts with the Dead’s old friends New Riders of the Purple Sage performing an opening set to get thing started. So the Long Island crowd had already been given a taste of some West Coast psychedelic country and rock styling. Now it was the Dead’s turn. After a quick intro from promoter extraordinaire Bill Graham, they’re off and running with a feverish cover of Chuck Berry’s “Promised Land.”

    Things then slow down and take an immediate emotional left turn courtesy of the “He’s Gone” that follows. This would be the song’s first live performance since the passing of the legendary Pigpen, a founding member of the Grateful Dead, just eleven days earlier. Jerry Garcia’s usually delicate vocals here are surpassed only by a supremely poignant guitar solo that simply oozes emotion. The declaration of “nothing left to do but smile, smile, smile” seems to hit a little harder on this one. And Donna Jean and the crowd both lend some audible support as well in a stirring version that’s more than a fitting tribute to the late Pigpen.

    Grateful Dead Nassau
    Ron “Pigpen” McKernan Sept 8, 1945 – March 8 , 1973

    With the musical eulogy out of the way, the rest of the first set proceeds in a more familiar fashion. Bob Weir leads a quick jaunt through “Mexicali Blues.” And Garcia follows in fine fashion in a flawless, uptempo “They Love Each Other.” But the band doesn’t seem ready to say goodbye quite yet. This time Weir takes the helm on vocals and delivers a beautiful and inspired “Looks Like Rain” that’s comes off as one more nod to the somber circumstances of a friend’s recent death.

    Deadheads will get a kick out of the first set’s “Wave That Flag,” a precursor to “U.S. Blues” that was played only 14 times and features vastly different lyrics. There’s also a decent bust-out as well. For the first time in almost three years and more than 270 show, “The Race Is On” is dusted off by the Grateful Dead and presented to the Nassau crowd.

    Grateful Dead Nassau

    No one would complain if tonight’s opening stanza ended with the flawless “China Cat Sunflower” > “I Know You Rider” that later followed. But, no, this set goes to “11.” Perhaps fueled by some of the emotions from earlier, the band just keeps motoring on. One more Berry cover in “Around & Around” makes an appearance. And “Tennessee Jed” keeps the faithful in the new Long Island barn collectively swaying.

    Until finally, the first set is capped in grandiose fashion with a mad dash of a “Playin’ In The Band.” All the energy and emotions from earlier seem to get collected here and let loose in a near 16-minute gem that serves as a fitting cap to an exhilarating first set that stretches out past an hour and 40 minutes. The footage of it that follows is reported to be some of the only video of live 1973 Grateful Dead music. Members of the band can be seen in their “Nudie Suits,” bedazzled and sequined suits that were worn a handful of times at shows in late ’72 and early ’73. This psychedelic Country-Western garb is named after the designer Nudie Cohn and were popularized by the Flying Burrito Brothers at the time. This is supposedly the last show at which they were ever worn.

    A whirlwind opening set like that would be nearly impossible to top. The second set has nice intentions, but the opening stretch is played somewhat close to the belt. The relatively new-at-the-time “Loose Lucy” kicks things off, with a more pronounced Keith Godchaux on piano coming through in the mix. “Lucy” made its concert debut only earlier last month. Then there’s a a string of “first set”-sounding songs like “Me And My Uncle” and “Big River” that follow. Bill Kreutzmann’s work behind the drum kit really shines on the Johnny Cash cover. And “Mississippi Half-Step” continues this trend of well played live Dead staples that just lack some of the improvisation normally found at this part of the program.

    “Jack Straw” picks up the energy considerably in the second set and seems to fuel the band towards the finish line. “Truckin’” follows, paying tribute to New York, a state that’s “got the ways and means.” This yields the first significant jam of the second set, a bluesy little excursion spearheaded by Garcia. It even includes a distinct “Nobody’s Fault But Mine” instrumental nod as the jam begins to progress.

    Grateful Dead Nassau
    Jerry and Bob in their Nudie Suits, February 1973

    A short and sweet “Drums” section then transitions seamlessly into “The Other One,” with Phil Lesh’s thunderous bass notes triggering the opening sequence. Along with Garcia-supplied guitar licks, the two lead an impressively patient and vibrant musical introduction before the first words of the song are even sung.

    This and the near 17-minute “Eyes Of The World” that follows really serve as the foundation for this second set. This version of “Eyes” is fairly incredible in that it’s another new-at-the-time, this being only the tenth one ever played. The Dead move effortlessly through the composed section, sounding like they’ve been playing this song for years, before settling into another patient and intricate exploratory jam.

    The “Johnny B. Goode” set closer completes the Berry Trifecta for this evening before a “Casey Jones” encore sends the Nassau faithful merrily on their way. Afterwards, the train would be getting on the tracks on heading upstate for two shows at the Utica Memorial Auditorium. It’s a well played set that has a few standout moments but, overall, just doesn’t compare to the emotional powerhouse the opening stanza delivered.

    Listen to this great show track by track below, or all at once here.

    Grateful Dead – Nassau Veterans Memorial Coliseum Uniondale, NY 3/19/73

    Set 1: Promised Land, He’s Gone, Mexicali Blues, They Love Each Other, Looks Like Rain, Wave That Flag, Box Of Rain, The Race is On, Row Jimmy, El Paso, China Cat Sunflower-> I Know You Rider, Around & Around, Tennessee Jed, Playin’ In The Band

    Set 2: Loose Lucy, Me & My Uncle, Brown Eyed Women, Big River, Mississippi Half Step, Stella Blue, Jack Straw, Truckin’-> The Other One-> Eyes Of The World-> China Doll, Johnny B. Goode

    E: Casey Jones

  • Madison VanDenburg kicks off Music in Motion Season 2 this Friday

    On Friday, March 12, Madison VanDenburg will kick off NYS Music in Motion Season 2, when she sits down with our host, rocker Frank Palangi.

    Sponsored by Helping Friendly Salve, the series brings together seasoned musicians who hail from the Empire State or have made New York their home, alongside Palangi, a Warren County native.

    music in motion

    Guests for Season 2 of NYS Music in Motion include American Idol’s Madison VanDenburg, Scott Hannay, The Voice’s Moriah Formica, Donny Frauenhofer, Sirsy and Lowell Wurster.

    Tune in starting on Friday, March 12 and every other Friday for each installment of Music in Motion on the NYS Music YouTube, IGTV and Facebook page. New for Season 2, you can catch all episodes on the JamCast Network.

    Palangi will have a sit down conversation with each artist, with a first season lineup that includes the following musicians from across New York. A homegrown indie rock recording artist, singer, songwriter, and guitarist, Palangi fuels his positive ambition naturally by serving up a feeding frenzy of edge heavy guitars, with a side of deep, gritty vocals. With a no-quit mentality, Palangi draws on influences from 80s & 90s rock, including post-grunge and heavy metal.

    NYS Music in Motion Season 2 Schedule

    March 12 – Madison VanDenburg
    March 26 – Scott Hannay
    April 9 – Moriah Formica
    April 23 – Donny Frauenhofer
    May 7 Sirsy
    May 21 – Lowell Wurster

  • Watch Nick Jonas Host And Perform on Saturday Night Live

    Saturday Night Live welcomed Nick Jonas for 15th episode of Season46.
    Tonight’s cold open featured cast members feigning medical conditions in order to receive the COVID-19 vaccine. Kate McKinnon continued her portrayal of Dr. Anthony Fauci, with Aidy Bryant as Senator Ted Cruz and Pete Davidson as Governor Andrew Cuomo. Despite criticisms of SNL having a liberal bias, both politicians were teased equally, with more than a nursing home joke thrown in Cuomo’s direction.

    Gearing up for his first solo album since the success of the Jonas Brothers’ 2019 comeback, Nick Jonas had double duty as host and musical guest. In addition to new songs “Spaceman” and “This Is Heaven” he appeared in several skits throughout the night, playing Prince Charming and a Mirror fitness coach.

    https://www.youtube.com/watch?v=ihYNJjykVIA

    Besides promoting his new music, Nick is also set to return for his sophomore season as a coach on The Voice. In a Dionne Warwick Talk Show skit opposite Ego Nwodim, she told him, “I’ve heard you’re the most boring coach, even though one of the other coaches is John Legend.”

    In his opening monologue, Nick paid homage to Broadway theatre, still shuttered nearly a year later, by singing “Drink With Me” from Les Misérables. Back in 2010, Nick played Marius in the London production of Les Mis at the O2 Arena. He also gave a shout-out to older brother and bandmate Kevin, who was in the audience, as well as his home state of New Jersey.

    https://www.youtube.com/watch?v=wCy5Gb9NYN0

    Nick’s first song was his new single, “Spaceman.” With themes of isolation and disillusionment, the song references mask-wearing and the rising pandemic death toll, tying them up with an outer space metaphor. “And the numbers are high but we keep going down / ‘Cause we ain’t supposed to live with nobody around,” the chorus says.

    https://www.youtube.com/watch?v=12akdhW8OEs

    He closed out the night by debuting “This Is Heaven,” which sounds suspiciously like his 2014 hit “Jealous.”

    https://www.youtube.com/watch?v=7p9TzfI6WGM

    SNL returns on March 27, with former cast member Maya Rudolph hosting and Jack Harlow as the musical guest.

    nick jonas
  • Watch Quiltro perform “Antilla” at Burlington’s Autochrome

    Burlington’s Quiltro has shared the new live video for “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington. The old industrial building is where some of the world’s first “autochrome” color photographs were produced in the early 1900s.

    The band recently released their debut album, an emotional journey that will set you at ease, wake you up, drive you into a groove and leave you looking to replay the debut immediately after. Peaks and valleys are found throughout the nine-track album, fitting perfectly into the ups and downs of the real world.

    quiltro antilla

    Quiltro brings together a range of sounds, influences, and emotions through band members Mark Taylor (guitar, keyboard), Mike McKinley (bass) and JD Hoffmann (drums), creating a psychedelic wall of sound that brings to mind Neal Casal’s Circles Around the Sun. Quiltro is quite simply excellent modern psych rock.

    While Autochrome was gobbled up by someone looking to lease the entire building, after many years of calling the space home, Quiltro got the boot over the summer. In normal times, they would have had a huge blowout and celebration — live music, collaborative art, and more, but due to COVID-19, they played with no audience and recorded the video.

    Eric Segalstad (Sabi Sound, who engineered and co-produced the album) did the recording, Tony Berry (Psychedelic Soup) did the liquid light show, and Matt Bushlow produced the video. Watch “Antilla” below and visit Quiltro on Bandcamp.

  • Watch Bad Bunny Perform on Saturday Night Live

    Puerto Rican artist Bad Bunny took to the stage at Studio 8H for this week’s episode of Saturday Night Live. This marked Bad Bunny’s first time as SNL’s musical guest, although he did appear in a sketch last season when the show was shooting remotely. Hosting this evening was Regé-Jean Page, from Netflix’s Bridgerton.

    bad bunny

    Bad Bunny is nominated for multiple Grammy Awards this year, including Best Latin Pop Album for YHLQMDLG, and Best Pop Duo/Group Performance for “Un Dia (One Day)” with J Balvin, Dua Lipa, and Tainy. At the 2020 Latin Grammy Awards, Bad Bunny took home the award for Best Reggaeton performance and in 2019 won for Best Urban Music Album.

    For the first performance of the night, Bad Bunny sang “La Noche de Anoche,” joined by nuevo flamenco singer Rosalía. The music video for the song off 2020’s El Ultimo Tour Del Mundo dropped last week, an album which made history for Bad Bunny as the first all-Spanish-language album to hit #1 on Billboard’s Top 200.

    https://www.youtube.com/watch?v=7yb4HX5gwqI

    Bad Bunny also made an appearance in the musical sketch “Loco,” serving as a hallucination for stir crazy cast member Ego Nwodim as she revisits how the COVID-19 pandemic has affected her life.

    Bad Bunny’s second song of the night was “Te Deseo lo Mejor,” also off 2020’s El Ultimo Tour Del Mundo. Translated as “I Wish You the Best,” Bad Bunny performed the track on The Late Show with James Cordon this past December.

    https://www.youtube.com/watch?v=SPEwYnAQQOg

    Saturday Night Live returns on February 27 with host and musical guest, Nick Jonas.

  • Sheff G Performs ‘Eeny Meany Miny Moe’ and “Lights On” on Vevo’s Ctrl Series

    Vevo has revealed Brooklyn emcee Sheff G as the latest artist to get spotlighted in their Ctrl series, with performances of “Eeny Meany Miny Moe” and “Lights On” from his 2020 project, Proud Of Me Now

    Vevo’s Ctrl series highlights the work of hard-hitting, cutting-edge musicians making an impact in today’s music scene – both emerging and established. These artists demand attention, and Vevo’s Ctrl shines a deserving spotlight. Sheff G’s performance follows sessions from Rick Ross, Common, Rapsody, Fat Joe, Jeezy, Jadakiss, Fabolous, A$AP Ferg and more.  

    Sheff G

    From the Flatbush section of Brooklyn, Sheff G — born, Michael Williams — gained recognition for his 2017 drill record “No Suburban.” The song’s popularity — along with a slew of other popular drill songs — helped usher in a new era of rappers from the borough and spotlighted the gang activity that often served as the pre-cursor to the music.

    Following the success of “No Suburban,” Sheff G released his much-heralded debut mixtape, The Unluccy Luccy Kid. The project contained popular records like “We Getting Money,” “Flows” and “Designer,” with the latter two featuring friend and frequent collaborator, Sleepy Hallow. 

    Williams released his next project One and Only in May 2020, and Proud Of Me Now, which includes “Eeny Meany Miny Moe,” in December. He rounded out the year with singles “Light On” and “No Negotiations.” Donning a blue bandana themed shirt and pants, Sheff G’s live performances is a continuation of the rapper’s progression from homegrown talent to bonafide star. In usual Sheff G fashion, both records are thumping and assertive, displaying his fearlessness and bravado on the streets through his music.  

  • Watch White Cliffs Claymation Music Video for “Just Like You”

    On February 3rd, Brooklyn-based electronic rock artist White Cliffs (Rafe Cohan) released an endearing claymation music video accompanying his newest single, “Just Like You.” Garnering a lot of attention from fans to art enjoyers alike, the video is impressively mesmerizing and perfectly captures the feeling of imposter syndrome. The single kicks off the beginning of his upcoming EP, Stockholm, to be released February 19th.

    White Cliffs

    The music video is directed, produced and edited by Rafe Cohan himself and features two clay creatures, identical except for color, that are constantly molding themselves into vibrant animations and dancing around each other. Previously having expressed his struggle with accepting his true self, Cohan created a perfect visual aid to his music and the message he wants to send.

    I wrote the song about our playful and hypocritical struggle with accepting our true selves. And that struggle is just a part of pursuing a career as a musician… You’re constantly drawing this attention to your project, and in the process, you end up learning quite a bit about yourself, both good and bad. Usually, you experience some denial or imposter syndrome, but after time passes, you are left with acceptance.

    Rafe Cohen, on the meaning behind “Just Like You”

    With this track, the artist set out to challenge conformity and use unconventional means, such as a Roland organ/strings synthesizer that allowed him to experiment at the base level, the underlying chords. This idea alongside an unorthodox topic and video meshes together beautifully to create a sense of ease and nostalgia.

  • Watch Nathaniel Rateliff Perform “Redemption” on Saturday Night Live

    This week’s Saturday Night Live featured Oscar winning Actress Regina King, now nominated for Best Director for One Night in Miami, and musical guest Nathaniel Rateliff and the Night Sweats.

    Saturday Night Live nathaniel rateliff redemption

    Nathaniel Rateliff performed “Redemption” for his first song of the night, which was recorded for the upcoming Justin Timberlake movie Palmer. Timberlake, along with director Fisher Stevens, asked Rateliff to record the song for the film. Rateliff started the song solo, then was joined by a trio of backup singers and a full band who joined in.

    https://www.youtube.com/watch?v=EkPr-P2132M&list=PLS_gQd8UB-hJDlt-mCuLRVbb13areCCOk&index=5

    For the second song of the night, Rateliff sang the solo track “A Little Honey” from his band’s 2018 album Tearing at the Seams. With the line “I need you, baby / More than you’ll ever, ever know,”  Rateliff gave a nod to Valentine’s Day.

    Rateliff earned an Album of the Year nomination at the 2020 Americana Honors & Awards for And It’s Still Alright.

    https://www.youtube.com/watch?v=QKRWAjQyKgw&list=PLS_gQd8UB-hJDlt-mCuLRVbb13areCCOk&index=6

    Saturday Night Live returns on February 20 with host Regé-Jean Page and musical guest Bad Bunny.

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