Harlem-based rapper Princess Nokia performed a vibrant set at Irving Plaza in New York City on October 24th for one of the last domestic stops on her tour. Known for her high-energy performances and colorful stage design, Princess Nokia lived up to her reputation by giving the crowd exactly that.
As one of the more prominent female rappers in today’s pop landscape, Princess Nokia had no shortage of hits to run through, from old favorites like “Tomboy” off the 2016 project 1992 Deluxe, to the extremely popular “I Like Him” off the 2020 project Everything Sucks. Backed up by some stage dancers, she exemplified why these songs have been popular for so long, moving the crowd to the rapid rhythm and maintaining a breakneck pace.
Princess Nokia oozed charisma and charm on the stage, always interacting with fans between songs and making jokes. Between the rapid-fire rapping, dancing, banter, and screaming crowd, this concert was an absolute spectacle. The spectators were one hundred percent into her the whole time and before the concert even started, she peaked her head out on the balcony and the crowd screamed with delight. There was no shortage of electricity the whole set.
Princess Nokia’s tour has one more stop in Boston at Paradise Rock Club on Wednesday, October 27 before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!
Georgia native TORRES returned to her current city of residence, New York City, on Thursday, October 21st for one of the last stops on the North American leg of her tour. Making an appearance at Bowery Ballroom, TORRES played several songs off her most recent LP Thirstier, in addition to several fan-favorites from her previous projects.
TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger
With Thirstier having been released back in July of this year, the songs from it were very fresh in the crowd’s minds. They enthusiastically sang along to songs like “Don’t Go Puttin’ Wishes in My Head” and the title track “Thirstier.” The crowd energy was infectious and it was impossible not to move a little bit and lose yourself in the great instrumentation of it all.
TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger
As it has been a common thread amongst many performers I have watched recently, TORRES was visibly emotional performing for a sold-out crowd in NYC for the first time in so long, due to COVID-19. She said multiple times that she was close to tears and was just astonished by how good it felt to play in her city again. TORRES interacted extensively with the crowd and it was obvious that this was a very devoted fanbase.
TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger
TORRES’s tour has one more stop in Brooklyn at Baby’s All Right on Thursday, October 28th before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!
Phish returned to Southern California, with a trio of shows lined up between Chula Vista, Inglewood, and Santa Barbara. While the Fall Tour has caught eyes and ears with extraordinary jams, bustouts and shenanigans, Phish is clearly warmed up for Halloween in Las Vegas. On the way there, Phish stopped at The “Fabulous” Forum. Photographer Steph Port was there to capture the night for NYS Music.
The first set starts with the Trey quaran-tune, “A Wave Of Hope,” followed by a 23-minute “You Enjoy Myself” that brought back the glory of late 90s “YEMs.” A smooth transition into “Moma Dance” kept the crowd on their toes, with “Waiting All Night” a surprise appearance with a slightly funky beat, that brought forth “Maze” and “Fee,” before a set ending “Run Like an Antelope.”
Set 2 began with a tone-setting “Cars Trucks Buses” that dropped into “Tweezer” right after, which sveltly moved into “L.A. Woman,” the last since December 30, 2003. A huge jam would brew from this surprise bust out, one that took off even farther in “Say it to me S.A.N.T.O.S.” and “What’s The Use?” To polish the set off, heavy hitters “Chalkdust Torture,” “Carini” and “Mr. Completely” made their presence know, all with a segue into “Tweezer Reprise” to close the set.
A normal encore of “Grind” preceded the atypical “Bathtub Gin” that followed, ending awkwardly as Trey thanked the crowd for having such a great show. With the band having this much fun, whatever is on tap for Las Vegas has them excited and playing in mid-season form.
Phish – The Forum, Inglewood, CA – October 25, 2021
Set 1: A Wave of Hope > You Enjoy Myself > The Moma Dance[1] -> Simple -> Waiting All Night -> Maze, Fee[2] -> Steam > Run Like an Antelope
Set 2: Cars Trucks Buses, Tweezer -> L.A. Woman[3] -> Say It To Me S.A.N.T.O.S.[1] -> Whatâs the Use? > Tweezer > Birds of a Feather[1] > Chalk Dust Torture[1] -> Boogie On Reggae Woman > Carini -> Mr. Completely[1] > Tweezer Reprise
Phil Lesh wrapped up his second three-show run at The Capitol Theatre on Wednesday, October 20, 2021. The evening featured Stuart Bogie and Amy Helm joining Phil, along with Eric D. Johnson, Josh Kaufman, Elliot Peck and Grahame Lesh from Midnight North, Joe Russo and Heartbreaker’s keyboardist Benmont Tench.
Phil Lesh has one more run of shows at The Cap this month, with Phil-O-Ween weekend, from Oct. 29-31, including Nicki Bluhm, Larry Campbell, Griffin Goldsmith, Taylor Goldsmith, Grahame Lesh, Trevor Menear, Lee Pardini, M.C. Taylor and Teresa Williams.
Phil Lesh and Friends – The Capitol Theatre, Port Chester, NY – Wednesday, October 20, 2021
Set 1: Jack Straw, When I Paint My Masterpiece, Ship of Fools, Peggy-O, Tennessee Jed, Touch of Grey
Set 2: Truckin’, So Many Roads, Caledonia Mission, Bird Song, Let It Grow, Stella Blue, Rag Mama Rag, Not Fade Away, Morning Dew
A few songs into The Dude of Life Band’s first set at Lark Hall, Steve Pollak (aka, The Dude of Life) announced that after the show, they’ll be streaming the Phish show from San Francisco, which started shortly after 11pm ET on Saturday, October 16. “So we’re opening for Phish a few time zones away,” said Pollak, much to the crowd’s delight. And in a way, the band was opening for Phish, a band with whom Pollak has a decades-long connection.
The Dude of Life Band, a genre-bending group led by the Dude of Life, Steve Pollak, includes Pollak on lead vocals and rhythm guitar, Fred Scholl on lead guitar, Charlie de Saint Phalle on bass, Doug Schneider on drums, and Jon Liebowitz of God Street Wine on keyboard and organ.
For several decades, The Dude has been writing songs in an ongoing collaboration with Phish, and first teamed up with Trey Anastasio while the two were in high school. The Dude wrote lyrics for a number of Phish’s most beloved songs, including “Fluffhead,” “Run Like an Antelope” and “Suzy Greenberg,” and has also been a mythical sideshow with the band, making random guest appearances often highlighted by the throwing of uniquely-inscripted rubber chickens into the crowd. The Dude’s debut album, Crimes of the Mind, was recorded with Phish for Elektra Records and released in 1994.
In recent years, The Dude of Life has developed a more refined sound, and a recent burst of creativity has yielded an album’s worth of new material which was recently recorded by acclaimed producer Bryce Goggin.
The Dude of Life Band performed some of these new songs – “Automatic Pilot,” “Dilaudid Nurse” and “In Case You Didn’t Know,” alongside his Phish classics, plus a handful of Grateful Dead covers, “Ruby Tuesday” by The Rolling Stones and “Badge” by Cream. The flow to the show was smooth and the hits kept coming as the evening progressed. Pollak wrapped up the show with an appropriate “Show of Life,” right before turning the mic over to Phish, live from the Chase Center in San Francisco
Setlist: Crazy Too, Althea, Can’t Always Listen, Ain’t No More Caine, Nobody Finer, Mississippi Blues, Automatic Pilot, Franklin’s Tower, Suzy Greenberg, Dilaudid Nurse, Fluffhead, She Belongs to Me, Sugaree, Space -> Lost Moments in Time, In Case You Didn’t Know, Crimes of the Mind, Ruby Tuesday, Badge, Goin Down the Road Feelin Bad -> Show Of Life
Pigeons Playing Ping Pong were joined by Neighbor on October 15, for the second of a two night run at The Capitol Theatre in Port Chester. Dogs In A Pile started the party at Garcia’s at The Capitol Theatre.
The atmosphere at “The Cap” felt familiar and comfortable. It was that cool uncle with the cool T-shirts that was very excited about legalization of certain herbs. It was a relaxed vibe that did not take itself too seriously, which helped cultivate pure enjoyment from fans. Most employees resided at the venue since its reopening and seemed to love working there. The rich history of the venue contributed to a feeling of experience and familiarity. For those cautious to attend an indoor concert.
Fans of Pigeons filled with anticipatory excitement for the next cue in their favorite song. The crowd burst with joy every time their part in the collaboration, and were beautifully illuminated for each moment.
Pigeons Playing Ping Pong – The Capitol Theatre – Saturday, October 15, 2021
Setlist: Pop Off, Fall in Place, Melting Lights > Poseidon, Paperboy, Porcupine > Ocean Flows, My Own Way, Water, Skinner, Dawn A New Day, Snake Eyes, Living for the City (Stevie Wonder), King Kong, Day in Time, Overrun, Doc
Embarking on their first tour since 2019, Dopapod chose a familiar setting in Saratoga Springs’ Putnam Place to kick things off, which they did in remarkable fashion. A mostly packed house was treated to a first set that began, and ended, with a cover of Pink Floyd’s “Echoes.”
photo by Pete Mason
In fact, that’s all they played for a full hour, finding room to jam and improvise without any let up. After 25-30 minutes of “Echoes,” fans looked around at each other wondering “Is this still Echoes?” and simultaneously realizing “This is all they’re going to play this set.” There were no complaints, and no one second-guessed the band’s choice here, rocking out for the full 63-minute set with teases of The Beatles and Dopapod originals mix in, the crowd reveling in the awesomeness they witnessed during setbreak on the Putnam patio.
Set 2 found far more songs, nine to be exact, with a range of material from across Dopapod’s catalog. The recent debut “Velcro” kicked things off, followed by “Happy Song” off 2009’s Radar and fan favorite “Braindead” from Redivider, Luke Stratton’s lights silhouetting the band throughout.
“Black and White,” a highlight of Dopapod’s 2017 Halloween show at Putnam Place, featured teases of “I Might Be Wrong” by Radiohead and “Funky Duck” by Vulfpeck. The final segment of “Onionhead” > “Grow” > “Present Ghosts” capped the night perfectly, bolstered by room shaking bass from Charles Jones.
For an encore, while the setlist only showed “French Bowling,” an audible was called with AC/DC’s “T.N.T.,” preceded by Eli Winderman fist pumping and engaging the crowd to add in “OY! OY! OY!” before Eli and Rob Compa led the band through the 70s rocker. “Bowling” did indeed then close out a fun night of music afterwards.
Dopapod, who just released their new single “Think” today, arrives at Buffalo Iron Works on Wednesday, October 27 before heading to the Midwest. Get your tickets here.
Dopapod returned to The Dock in Ithaca, a premier music venue on Cayuga Lakes Inlet, for the first time since 2012. Rob Compa gave the crowd an A+ for their vibe, saying, “This is exactly how we want a Dopapod show to be.”
The four piece crushed their first set with a standout “Trapper Keeper” jam that the fall crowd boogied down on. Whether you had a Jansport or an Eastpak to store it in, you probably had your video game cartridges in there as well. Dopapod fired up their old consoles for the “Donkey Kong Country Theme” -> “Something from Zelda.”
Cornell’s infamous Barton Hall that sits in The Dock’s sightline sent a sonic wave to crash in the set. During their original “Sonic,” Dopepod took the Grateful Dead’s classic “Dark Star” on an uptempo disco vibe that sent people dancing in the boat launch.
The band opened the encore on drummer Neal “Fro” Evans who laid down a tight groove of improvisation before launching the band back into the 1990s. Dopapod rocked the dock with Alanis Morissette’s classic “You Oughta Know” to close the night out. Rob Compa noted told NYS Music after the show “I think Taylor Hawkins (current Foo Fighters drummer) is on the original studio drum beat for that.”
Dopapod – The Dock, Ithaca, NY – October 21, 2021
Set 1: Freight Train > Mucho, STADA, Trapper Keeper, Numbers Need Humans, Vol. 3 #86
Set 2: Bats in the Cave, Donkey Kong Country Theme -> Something from Zelda > Trickery, Nerds -> Sonic¹
Encore: You Oughta Know²
¹ Dark Star (Grateful Dead) tease ² Alanis Morissette cover, Nerds tease
Show-stopping, astounding, and phenomenal are just a handful of words you can use to describe The Struts, whose ‘Strange Days Are Over’ tour hit Rochester at the Main Street Armory on October 15th and the glam rock band brought the house down.
Luke Spiller of The Struts. Photo by Samantha Rychlicki
Lead singer, Luke Spiller, is an electrifying showman. Luke nailed every single note of every single song as the energy kept up. He ran back and forth and eventually had to remove his shirt, which naturally sent the fans into a frenzy. Accompanying Spiller was Adam Slack on the Jed Elliott on the bass, and Gethin Davies on the drums.
Fans of The Struts packed the Main Street Armory. Photo by Samantha Rychlicki
Each musician brought their own personality. This mixed with a killer performance and the die-hard fans that knew every word created an atmosphere that was intoxicating in the best way possible.
If you ever have the chance to see this band, don’t walk, strut.
Setlist: Primadonna Like Me, Body Talks, Kiss This, I Hate How Much I Love You, Fire, One Night Only, Dirty Sexy Money, Low Key In Love, Mary Go Round, Medley, Am I Talking To The Champagne (Or Am I Talking To You), Wild Child, I Do It So Well.
Encore: Strange Days, It Could’ve Been Me
Luke Spiller of The Struts. Photo by Samantha Rychlicki
Adam Slack of The Struts. Photo by Samantha Rychlicki
Jed Elliott of The Struts. Photo by Samantha Rychlicki
Gethin Davies of The Struts. Photo by Samantha Rychlicki
Luke Spiller of The Struts. Photo by Samantha Rychlicki
Adam Slack of The Struts. Photo by Samantha Rychlicki
Jed Elliott of The Struts. Photo by Samantha Rychlicki
Luke Spiller of The Struts. Photo by Samantha Rychlicki
Adam Slack of The Struts. Photo by Samantha Rychlicki
Luke Spiller of The Struts. Photo by Samantha Rychlicki
Lil Tjay, born in the Bronx, has become at just 18 years old one of his generation’s fastest breakout rappers, having performed since 2019, put on a thrilling show on Saturday, October 9 at the Westcott Theater in Syracuse. The Westcott inhabits a cinema style venue with a capacity of 700 people; it was a complete night and day difference before and after the crowd came through. Giving off a festival pit vibe upfront with a bar in the back, this is a perfect venue for the youth. The stage is easy to see from all angles which is very inviting.
One of many stops on the “Destined to Win Tour” Tjay performed a series of his latest hits such as “Headshot”(featuring. Polo G), and one of his top hits with almost 400 Million plays, “Calling my Phone.” A variety of performers preceded Lil Tday’s set, including Jacosse, The Real Raw Breed, Syndacit, Kyy Stacks, Kaash Paige and Rassandra, also known as RazyBaby, who recently dropped a song with Tjay called “In too Deep.”
Host for the night, Concert Crave, played various top rap hits throughout the concert which entertained the crowd in the pit, VIP section and throughout the known ‘sidelines.’
During “Calling My Phone,” Tjay and crew asked the crowd to put up the flashlights on their phones. This immediately lit up the venue and created an amazing atmosphere for the crowd, fans and all performers.
Tjay appealed to the audience with phones lit up in the sky and performed “What You Wanna Do,” followed by “Mood Swings.” Shortly after, Rasandra came on stage not once but twice after Lil Tjay brought her out on stage to perform their new single “In too Deep.”
Throughout the show, various artists were throwing water into the crowd, taking selfies with front row fans, encouraging mosh pits, and even throwing merch to various crowd members.
At a prime point, Tjay ripped off his shirt and threw it into the audience, which brought the crowd to an uproar, captivating his audience and making the best of that night.
With millions of views and millions of fans, Tjay’s career has only shortly begun. Relating to the younger crowd, he speaks to his generation, relating to teen and young adult struggles, and also his own. Lil Tjay has come a long way and will continue on the path ahead of him.
Lil Tjay next performs in New York at Citi Field on October 30, part of Rolling Loud. More info here.
Tucked away in the hills of Coeyman’s Hollow, NY at Magic Forest Farm, artists, vendors, and fans alike came together for the first ever Diggin’ Roots Festival. Sugar Productions, Lyons Den Productions, and co-founder Koryn Shear put in countless hours, days, and months making this cozy little farm with a name to match a haven for the few hundred fans who would descend upon it.
The two-day festival started Friday evening with solo artist Matt Cosgrove covering plenty of 90’s rock hits and some amazing originals. Local Favorites, Raisinhead, were the first to grace the main stage with a few sit-ins from harmonica extraordinaire, Junebug. Ted Grey of Raisinhead stayed on stage for the next set as Quantum Cosmic came on, comprised of him and members of Annie in the Water, The Switch and the Reflexions. Last but surely not least, the Deadbeats rounded out the night with two hour long sets.
Saturday, music began at the crack of noon with the Token Locals. And no, not the heads just waking up from the night before. The wonderful Laura Leigh Band was on next. Laura and companions put on and amazingly whimsical and beautiful performance, setting a light mood for the remainder of the afternoon for Hilltop and the Lousy Slaughters.
As the day grew dark, local legends, the Wheel rolled out a classic set of Grateful Dead tunes before stepping aside for Dr. Jah and the Love Prophets. These two Captiol Region favorites have been playing here for many years, Dr. Jah looking at close to 30 years of incredible Reggae.
Hailing all the way from Harrisburg, PA, you might remember Yam Yam from their recent set at Alive at Five, Albany’s free summer concert series. Shane Spillinger of Sugar Productions noted how well they were received that night, making sure to bring them back for this festival. As the band came on stage the crowd chanted “Yam Yam! Yam Yam!” continuing, whether they liked it or not, after every song.
Long Island’s Baked Shrimp was the last band of the night, playing a quick hour set before giving way to Danish DJ David Maros who played deep into the night.
Their inaugural year was an absolute success and we at NYS Music hope there will be plenty more in the years to come as the new festival continues Diggin’ Roots.
