Category: Media

  • Phish Goes Under the Covers in Albany: November 25, 1998

    Fresh off the heels of another legendary Halloween performance in Vegas and two iconic shows in Hampton, Phish rolled into Albany for the second to last stop on their legendary Fall 1998 tour. It sees the band at the height of its powers, mixing in new, fresh material to go alongside a bevvy of cover songs that have been unearthed this year. With a rare one-night only appearance in Albany, Phish lets it all hang out in a show that often gets overlooked, but certainly shouldn’t be.

    phish albany

    Tonight’s festivities begin with the signature guitar intro to “Punch You In The Eye,” which receives a giant roar of approval from the Pepsi Center. Page McConnell shines early with some stellar runs on both the electric keys and grand piano as the Gamehendge-adjacent number revs up an already rabid arena even further. At its conclusion, another familiar guitar riff emerges. This time it’s the bluesy intro to “My Soul,” a cover song Phish first started injecting into their live shows the year before. McConnell again dazzles with a ferocious piano solo before handing off to Trey Anastasio who returns the favor in kind and then some on guitar. Phish then eases off the gas pedal a bit with another new number, “Roggae,” one of the tracks from The Story Of The Ghost which was released just last month.

    Phish Albany

    The musical setting then shifts back to Gamehendge with “AC/DC Bag.” Anastasio again takes the reigns on a patiently developing jam that gets plenty of noticeable assistance from Mike Gordon on bass and drives the crowd into a certified frenzy by the end. McConnell has a little fun on piano as well, stretching out the ending until Phish changes lanes once more and jumps into the increasingly rare “Lifeboy.”

    Phish in Albany 1989-1995

    Afterwards, Jon Fishman’s familiar hi-hat drumming signals the introduction to “David Bowie,” which is stretched out and teased beautifully before being cleared for launch. Phish then absolutely obliterates the song’s composed section, playing at a near manic pace, before embarking on a jam that serves as one of the show’s true highlights. It’s patiently crafted, with Anastasio and McConnell parrying back and forth early and often. As the jam continues to build in intensity, Phish does the same with the ending, stretching it out for all its worth to complete a 19-minute journey that blows the roof off the Albany arena.

    Phish Albany

    Few would complain if the first set ended right there, but instead the band throws out one more change of pace pairing. Trey jumps on acoustic guitar for only the sixth ever “Sleep,” a song first debuted earlier this tour, and “Driver,” both songs that would be included on the band’s forthcoming 2000 release Farmhouse. To cap things off, Phish throws in a cover of Led Zepelin’s “Good Times, Bad Times,” with another incendiary guitar solo from Anastasio escorting the Albany faithful to set break.

    Phish In Albany: 1997-2000

    After a little spacey ambiance, another familiar Fishman drum beat starts up set two. This time it’s “Also Sprach Zarathustra,” aka the theme to Stanley Kubrick’s 2001: A Space Odyssey. Again, Phish takes their time in slowly building up the song’s introduction, going well past five minutes before the first signature guitar lick rings out. The jam that ensues is flavored by some tremendous Mike Gordon bass play before coming to a rousing finish. “Golgi Apparatus” serves as another throwback song to the days of yore and goes off without a hitch before they get into another jam vehicle, this time a cover of The Who’s “Drowned.”

    As another whirlwind musical excursion slowly comes to an end, Anastasio quietly starts the beginning of “Prince Caspian” and the rest of the band quickly follows along. After another stout feedback-heavy guitar solo, the music comes to a crawl and then “Piper” emerges, with it’s now “classic” slow build which fits in perfectly with the show tonight. The slow build yields another manic jam, with McConnell furiously pounding away on the baby grand piano. With the Albany crowd once again supercharged, Phish then drops a “You Enjoy Myself” on them in what’s already a full second set of music.

    Phish In Albany: 2003-2009

    The closing sequence for this show is straight out of 1998 and not one to be duplicated anytime soon. As “YEM” and its customarily eerie vocal jam concludes, instead of taking a bow, Phish bursts into “Been Caught Stealing,” the Jane’s Addiction song that made its debut earlier in year during the “Summer of Covers.” Until a certified bust out at Walnut Creek in 2011, this was the last one played. A rip roaring “Llama” then closes out the second set in fine fashion. For the encore, Phish breaks out yet another cover selection, this time its The Beatles’ “Something,” penned by George Harrison and covered by Phish only on this Fall 1998 tour. To date, it’s the last time it’s ever been performed. “Guyute,” another pick from the recently released Ghost, follows this before an a capella “Free Bird,” as only Phish can do, closes out yet another sterling Albany gig.

    Listen to show at PhishTracks or see complete audio recording below.

    Phish Pepsi Center – Albany, NY 11/25/98

    Set 1: Punch You In The Eye > My Soul, Roggae, AC/DC Bag > Lifeboy, David Bowie, Sleep, Driver, Good Times Bad Times

    Set 2: Also Sprach Zarathustra > Golgi Apparatus, Drowned->Prince Caspian > Piper, You Enjoy Myself, Been Caught Stealing > Llama

    Encore: Something > Guyute, Free Bird

  • In Focus: Billy Strings Brings Tour to Wilkes-Barre

    Billy Strings is filling arenas coast-to-coast in support of his latest album Renewal, and on Friday, November 19th saw Billy and his band come to Wilkes-Barre, PA to entertain the sold out Mohegan Sun Arena. Half way through the second set Billy brought out ukulele player Jake Shimabukuro.

    While the rest of the band took a short break the duo debuted Smokin’ Strings, the collaboration that appeared on Jake’s recent album, Jake and Friends. The rest of the band soon returned as Jake remained for the rest of the show including a take of John Hartford’s All Fall Down which included an extended jam much to the delight of the rapturous crowd. See below of the setlist and photos from the show.

    Billy Strings – Mohegan Sun Arena, Wilkes-Barre, PA – November 19, 2021

    Set 1: Ole Slewfoot, This Old World, While I’m Waiting Here, Heartbeat of American, Katy Daly, Ice Bridges, In the Morning Light, Libby Phillips Rag, Unwanted Love, Leaders, Wargasm

    Set 2: Van Scoy Jingle, Thunder, Know it All > Ernest T. Grass > Little Maggie, Smokin’ Strings*, Nothing’s Working*, All Fall Down*, Elderly Woman Behind the Counter in a Small Town*, This Heart of Mnie*,

    *with Jake Shimabukuro on ukulele

  • Ireland’s We Banjo 3 Announce Spring Tour Dates, Holiday Album

    Irish acoustic band We Banjo 3 have announced the upcoming release of their first ever holiday album, along with their first American tour dates in nearly two years. A Winter Wonderful, an album featuring holiday tunes from their native country as well as the United States, will be available on all digital music platforms beginning December 3.

    In support of this, We Banjo 3 toured the US for the first time in nearly two years throughout the first two weeks of December, and has announced Spring 2022 tour dates, including shows at City Winery in Manhattan, and Caffe Lena in Saratoga Springs.

    We Banjo 3

    WB3 will host their 2nd annual “A Winter Wonderful” livestream performance on Saturday, December 18 at 8 pm ET. Tickets, including ticket/merch bundles with new seasonal/limited-run offerings, are available at www.webanjo3.com. Each ticket purchase includes on-demand streaming access until New Year’s Day.

    The friendships and kinships we’ve experienced on the road all over the world were interwoven into an incredible celebration last year during the pandemic with our livestreamed concerts. The holiday edition, ‘A Winter Wonderful,’ was a particular highlight, so we want to make it an annual tradition. We are so thrilled to return to the U.S. after close to 21 months off the road for our Winter Wonderful tour, which will include very special livestream on December 18th direct from the Rocky Mountains. Our fans can celebrate the holiday season with our banjo family in venues and in their living rooms.

    WB3’s Martin Howley

    Since 2012, We Banjo 3 has toured the U.S. several times a year, building a passionate and loyal following. The Galway, Ireland quartet––comprised of two sets of brothers, Enda & Fergal Scahill and Martin & David Howley––have fine-tuned their knack for seamlessly converging the shared and varied traditions of Americana, Bluegrass, and Celtic music with pop-sensible songcraft to create a truly unique signature sound.

    With a brilliant command of their instruments––banjo, fiddle, mandolin, guitar, and percussion––combined with a pop sensibility and an undeniable energy, their seamless blend of Americana/bluegrass/Celtic music has made them fan favorites at a diverse range of festivals including BottleRock, Summer Camp, ROMP, Wintergrass, Merlefest, Milwaukee Irish Fest and more.

    We Banjo 3

    Their most recent full-length album releases––Haven (2018) and Roots To Rise Live (2019)––each reached the #1 position on Billboard’s Bluegrass chart. See below for the track listing to A Winter Wonderful as well as tour date information.

    Track listing for A Winter Wonderful:
     
    1. Christmas in Prison (John Prine)
    2. Sunrise at Solstice (We Banjo 3)
    3. Driving Home for Christmas (Chris Rea)
    4. We Three Kings (John Hopkins)
    5. Joy to the World (Handel)
    6. Silver Bells (Jay Livingston & Ray Evans)
    7. Little Drummer Boy (Katherine Kennicott Davis)
    8. The Wexford Carol (Traditional)

    We Banjo 3 Spring 2022 ”Awaking Tour”

    Sat, Jan 15—Weinberg Center for The Arts, Frederick, MD
    Sun, Jan 16—Musikfest Café, Bethlehem, PA
    Tues, Jan 18—City Winery, New York, NY
    Wed, Jan 19—Caffe Lena, Saratoga Springs, NY
    Thurs, Jan 20—The Sinclair, Cambridge, MA
    Fri, Jan 21—Colonial Theatre, Keene, NH
    Sat, Jan 22—Barre Opera House, Barre, VT
    Sun, Jan 23—Stone Mountain Center, Brownfield, ME
    Wed, Jan 26—Firehouse Arst Center, Pleasanton, CA
    Thurs, Jan 27—Crystal Bay Club and Casino Crown Room, Crystal Bay, NV
    Fri, Jan 28—The Sofia, Sacramento, CA
    Sun, Jan 30—Freight & Salvage, Berkeley, CA
    Wed, Feb 2—Orpheum Theater, Flagstaff, AZ
    Thurs, Feb 3—Yavapai College Performing Arts, Prescott, AZ
    Fri, Feb 4—Webb Center For the Performing Arts, Wickenburg, AZ
    Sat, Feb 5—Chandler Center for The Arts, Chandler, AZ
    Sun, Feb 6—Rialto Theatre, Tucson, AZ
    Thurs, Feb 24—Tin Pan Listening Room, Richmond, VA
    Fri, Feb 25—The Hamilton, Washington D.C.
    Sat, Feb 26—Rams Head On Stage, Annapolis, MD
    Sun, Feb 27—Mr. Small’s Theater, Millvale, PA
    Tues, Mar 1– Memorial Hall, Cincinnati, OH
    Wed, Mar 2—Memorial Hall, Cincinnati, OH
    Thurs, Mar 3—Kent State University, New Philadelphia, OH
    Fri, Mar 4—Newport Music Hall, Columbus, OH
    Sat, Mar 5 & Sun, Mar 6—The Ark, Ann Arbor, MI
    Tues, Mar 8—The Playhouse at White Lake, Whitehall, WI
    Wed, Mar 9—Thalia Hall, Chicago, IL
    Thurs, Mar 10—Meyer Theatre, Green Bay, WI
    Fri, Mar 11—Historic Temple Theatre, Viroqua, WI
    Sat, Mar 12—Riverside Theatre, Milwaukee, WI
    Sun, Mar 13—The Cedar, Minneapolis, MN
    Fri, Mar 18—Bluegrass Music Hall of Fame, Owensboro, KY
     
    *Tickets on sale now at www.webanjo3/tour

  • Alexander 23 Sells Out Webster Hall

    Alexander 23 played a sold-out show at Webster Hall in New York City on Friday, November 19. Signing to Interscope records in 2019, the artist has quickly garnered a massive audience with his soft pop masterpieces. His debut single, “dirtyaf1s” instantly went viral and catapulted the artist to the top of streaming charts.

    His knack for delicately layering airy vocals with unexpected instrumentals has not gone unnoticed. The artist has written and produced for fellow musicians, such as Role Model and mxmtoon. He also co-produced one of 2021’s biggest pop songs, “good 4 u”, performed by Olivia Rodrigo. 

    Alexander holding a rose to the crowd

    Despite the “Oh No, Not A Tour!” tour being his first-ever North American headline run, Alexander 23 commanded the stage with ease. Opening the show with “Cry Over Boys” off of his latest EP, Oh No, Not Again!, he instantly energized his young audience. As the night progressed, he played hits such as “girl”, “IDK You Yet”, and “Come Here and Leave Me Alone”. 

    Towards the end of his setlist, the artist took a moment to stray away from his releases and played a cover of Katy Perry’s hit single, “Teenage Dream”. The audience roared with approval and sang along so loudly that it became hard to hear Alexander 23’s vocals. 

    In between songs, the artist profusely expressed his gratitude for being able to make music and tour for a living. The crowd danced and sang along to each and every song, filling the room with the hallmark of a good concert — a light scent of sweat.

  • Reverend Peyton’s Big Damn Band Returns to Caffe Lena

    Reverend Peyton’s Big Damn Band played two shows for the Caffe Lena crowd in Saratoga Springs on Thursday, November 19, 2021.

    Playing in support of their April release, Dance Songs for Hard Times, the show, and album, conveyed the hopes and fears of pandemic living, including the bleak financial challenges detailed on the songs “Ways and Means” and “Dirty Hustlin’.” Payton pines for in-person reunions with loved ones on “No Tellin’ When,” and he pleads for celestial relief on the album-closing “Come Down Angels.”

    Reverend Peyton’s Big Damn Band

    Far from a depressing listen, Dance Songs lives up to its name by delivering action-packed riffs and rhythms across 11 songs. The country blues trio that won over crowds on more than one Warped Tour knows how to make an audience move.

    Reverend Payton found itself sidelined from a relentless touring schedule because of the coronavirus pandemic. Peyton says he was surprised when his mind and soul unleashed a batch of new songs in March and April of 2020. This also allowed Big Damn Band supporters around the world check in monthly for pay-what-you-can livestream performances that originate at the Peytons’ log cabin.

    Back on tour and playing to an always supportive audience at Caffe Lena, Reverend Peyton’s Big Damn Band put aside the hardships of this moment in history, to focus on music created so that it may help people through it, as it seems to help Peyton through it as well.

    Setlist: You Can’t Steal My Shine, Ways and Means, Give me Back My Wig, Plainfield Blues, Poor Until Payday, Dirty Hustlin’, No Telling When, Nell, My Old Man Boogie, Too Cool to Dance, Train Song

  • Watch Saweetie ‘Tap In’ to SNL while Pete Davidson pays Tribute to Staten Island

    SNL returned last night with first-time host Simu Liu accompanied by musical guest Saweetie. The juggernaut rapper, fresh off her own McDonald’s Meal and a newly inked deal for a Netflix series, performed favorite hits and a brand new single for the crowd. 

    Saweetie Simu Liu SNL

    The episode opened with Cecily Strong parodying Judge Jeanine Pirro of Fox News discussing the Kyle Rittenhouse verdict. Chloe Fineman played a white female analyst discussing the shocking nature of the exoneration, while Chris Redd’s Howard University professor notes the American justice system has behaved this way before. When Fineman mourned “This is not who we are!” a sarcastic Redd responded, “I kind of feel like it is though…” James Austin Johnson returned with his pitch-perfect Trump impression. Above all, the sketch was a strong, hilarious opening.

    Simu Liu, star of Marvel’s Shang Chi And The Legend of the Ten Rings, brought energy and ease to his monologue. He joked at his status as the first “openly Chinese superhero,” and a strong later sketch between Liu and Bowen Yang expanded the joke. In his opener, he mainly skewered his Canadian heritage and the uniquely polite way he obtained his breakout role. Spoiler alert: he tagged them on Twitter, and got about ten likes. 

    Firstly, Saweetie hit the stage with a montage of “Tap In” and “Best Friend.” Dressed in old Hollywood glam and flanked by dancers in tutu’s, she introduce a jazzy rendition of “Tap In.” In a floor-length gown, she performed a gracefully choreographed routine. As the whistle-heavy beat faded in, her backup dancers removed the train on her dress.

    With her blood-red curls serving Jessica Rabbit, Saweetie cemented her status as a classic R&B girl with a diverse catalog. Dance, fashion, rapping, singing; all of it is in a day’s work for Saweetie. Above all, the montage was a celebration of Saweetie at her peak, highlighting her greatest hits.

    https://www.youtube.com/watch?v=iOItdP6ZjU8&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=5&ab_channel=SaturdayNightLive

    Throughout the night, standout skits included a “karaoke recap” from a dive bar, aptly parodying many types of karaoke singer. From “Guy Who Was Doing Great Until The High Notes Came In” to “Girl Who Claimed Her Friend Signed Her Up But We All Know The Truth,” each was spot on. Later on, Simu Liu perfectly embodied a crotchety professor in a skit of a 420-friendly Friendsgiving celebration. 

    https://www.youtube.com/watch?v=HyKnQPpLR2I&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=3&ab_channel=SaturdayNightLive

    Later, Saweetie returned to the stage to perform a brand new single, “Icy Chain.” On the track, she bodies an opportunity to flex her harder flows. She impressed with her breathless flows, never missing a beat even in the midst of a high kick or twerk. Clearly, Saweetie takes her craft seriously. However, the rapper wasn’t afraid to have fun during “Icy Chain,” laughing and smiling through the number. 

    https://www.youtube.com/watch?v=jx0Ag3fEeDE&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=10&ab_channel=SaturdayNightLive

    Pete Davidson recruited fellow Staten Islander Method Man and rapper Big Wet for “Walkin in Staten,” a parody of Marc Cohn’s “Walking in Memphis.” Cohn was at first reluctant to join the video, but then appeared with the trio, adding to the hilarious take on the outer borough. Davidson and company sang about the unique attractions found in Staten Island – pizza places on every corner, bagel shops, and pizza places within bagel shops, among others.

    https://www.youtube.com/watch?v=W62Vmju18Vw

    SNL will return on December 11th with Billie Eilish serving double duty as host and musical guest. Later next month, Charli XCX will perform alongside host Paul Rudd on December 18th.

  • Dead and Friends Dazzle In Rochester: November 20, 1970

    The Grateful Dead’s first ever show in Rochester saw them bring a few friends along for the ride. Members of Jefferson Airplane joined them to cap off a mesmerizing night of music at The Palestra at University of Rochester. The late night gig allowed their fellow Californians, who played earlier that night at the War Memorial, a chance to get in on the fun. Jorma Kaukonen, and later Jack Casady, took full advantage, adding their unique styles to the psychedelic stew that serves as the second set. And the first one is essentially an entire Grateful Dead show crammed into a singular set, featuring more than 20 songs. All of this adds up to a simply unreachable bar for all future Dead shows in Rochester to reach.

    The show starts off innocently enough with a leisurely run through of “Cold Rain And Snow” whose ending is unfortunately cut off in the recording. “Me And My Uncle” then picks things up a bit, sung ably as always by guitarist Bob Weir. An attuned Pigpen even adds some inspired fills on the organ as the song progresses. This paves the way for him to take center stage and lead the band through a blues cover of “Next Time You See Me” that has the Palestra now fully engaged. Things then get decidedly more psychedelic, starting with a “China Cat Sunflower” that’s accentuated with an early, effortless guitar solo from Jerry Garcia that hits home. A rapid, near chaotic, jam then transpires before a silky smooth landing into “I Know You Rider” as the Dead show off one of their signature song pairings to the Rochester crowd’s delight.

    The Dead follow this up with a smoking take of “Sugar Magnolia,” a still relatively new song in their live repertoire at the time. Another furious Garcia solo and the drumming duo of Bill Kreutzmann and Mickey Hart fuel this one. The pace then slows back down again with the folksy pairing of “Friend Of The Devil” and “Mama Tried,” led by Garcia and Weir on vocals, respectively. An interesting little percussive jam then introduces “Good Lovin’” and the Dead are off and running again. Their cover of The Rascals’ hit song immediately goes deep, as the percussive vibe returns in a big way with a near immediate drum solo that doesn’t let up for several moments. It’s essentially the “Drums” portion of the show thrown right in the middle of “Good Lovin’.” Garcia eventually leads the rest of the band back into the fray and then he takes his turn exploring every aspect of the song in a jam that stretches out well past 20 minutes – a Type II “Good Lovin’” if there ever was one.

    The Palestra at University of Rochester

    A rowdy “Cumberland Blues” follows this, with the Palestra crowd clapping along joyously before an emotional and well harmonized “Candyman” that settles things back down once more. The first ever performance of “Truckin’” in Upstate New York comes next, as the Dead show off another new tune that will go on to become a classic. Although it doesn’t beget much of an extended jam, there’s some fun musical interplay between Garcia and Pigpen before another manic drum-heavy section that signals the beginning of “The Other One.” However, after an extended opening sequence, it’s a shortened “Other One” as the band quickly shifts gears and jumps into “Saint Stephen” after just one verse. Before “Stephen” is even finished, a noticeable “Not Fade Away”-like drum beat picks up, so it’s no surprise that they launch into that next. This kickstarts a truly vintage “Not Fade Away” > “Goin’ Down The Road Feeling Bad” > “Not Fade Away” sequence that has both the Dead and the Rochester crowd fully engaged.

    As if that weren’t enough already, the set goes on afterwards as a bluesy shuffle starts up, clearing the path for Pigpen, with harmonica in tow, to take center stage once more for “King Bee.” The marathon set then finally comes to a close with a rousing “Casey Jones.” The Dead are then able to get their comrades from Jefferson Airplane out for a second set that’s short on songs but long on blues-infused psychedelic improv. It begins with a cover of “All Over Now,” a song popularized by The Rolling Stones. Jorma Kaukonen, who plays the entire set, steps right up and delivers a jaw dropping guitar solo with what sounds like Garcia on the pedal steel guitar and Weir belting out the vocals. A fun, short little “tuning” jam takes place afterwards before they jump into another cover, this time a ripping take Chuck Berry’s “Around & Around.”

    Then the band just jams out for a while, with Koukanen and Garcia playfully trading guitar riffs back and forth. The rhythm section is locked in and it makes for one of the more enjoyable portions of this show as the West Coast-based musicians deliver their brand of psychedelic rock to an eager East Coast auditorium. It’s also probably one of the reasons that this sit-in has been dubbed one of the ten best ever with The Grateful Dead, per Rolling Stone.

    As the jam progresses, Jack Casady joins in on bass as the music begins to take some structure. The group then goes through two verses of “Darling Corey,” a traditional song that Pete Seeger, among others, have recorded. This is just quick thought though, as the structure quickly devolves and soon dies out completely. After some extended tuning, the ensemble launches into another extended jam, now with dueling basses to go along with three guitars. They bounce and move from one loose melody to another, never stopping for too long. At one point, a jam reminiscent of a souped up “Cumberland Blues” seems to take place. “Uncle John’s Band” then closes out a lengthy night of Grateful Dead in Rochester, highlighted by a monumental sit-in from members of Jefferson Airplane.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

    Grateful Dead The Palestra at University of Rochester – Rochester, NY 11/20/70

    Set 1: Cold Rain And Snow , Me And My Uncle, Next Time You See Me, China Cat Sunflower > I Know You Rider, Sugar Magnolia, Friend Of The Devil, Mama Tried, Good Lovin’ > Drums > Good Lovin’, Cumberland Blues, Candyman, Truckin’ > The Other One > Saint Stephen > Not Fade Away > Goin’ Down The Road Feeling Bad > Not Fade Away > I’m A King Bee, Casey Jones

    Set 2: It’s All Over Now, Instrumental > Spring Song Tuning > Around And Around, Jam > Darling Corey > Jam > Tuning > Space Jam, Uncle John’s Band

    Dead Rochester

  • In Focus: Tech N9ne Reigns Supreme at Empire Live in Albany

    Tech N9ne brought his Strange New World Tour to Empire Live in Albany, NY on Wednesday, November 11. Opening the show were rappers Jhery Robinson, King ISO and Rittz.

    Tech N9ne

    After King Iso seemlingly died on stage from rapping too hard, Tech N9ne took the stage to a roaring crowd. Donning a crown or clown mask, he mixed old with new, finally ending the night with a heavy slew of classics. He spoke afterwards of recently turning 50 and gave a surprisingly elliquent speech about just being yourself and always moving forward.

    Tech N9ne

    TechN9ne takes this tour south before heading out midwest to end in Kansas City, MO at the beginning of December.

  • Joshua Crumbly Shares New Video For “Kolkata”

    Genre-blurring NYC artist Joshua Crumbly has shared a new video for his nostalgic and moody track “Kolkata.” Crumbly first shared “Kolkata” on his sophomore full-length, ForEver, which he released last month.

    Crumbly’s gift lies in emotionally evocative and masterful bass guitar. He made his debut at age 10, performing with his saxophonist father, and eventually pursued his passion at Julliard. His unique style has led him to record and tour with everyone from Leon Bridges to Kamasi Washington. He performed alongside Bob Dylan in Dylan’s 2021 concert film, Shadow Kingdom. He released his debut solo album, Rise, in 2020.

    joshua crumbly

    The windswept video for “Kolkata” features crumbly as a cowboy wandering a dusty open road. Carefully stepping along the dotted yellow line, Crumbly walks towards a hazy mountain range in the distance. As the camera approaches him slowly from behind, he sets down his guitar case, removed his hat, and turns to face the audience. 

    Crumbly is half African-American and half Indian-American, and frequently visits his mother’s family in Kolkata. It was there he experienced something beautiful while looking over the city, sparking the inspiration for “Kolkata.” 

    “It was a blissful moment filled with gratitude and optimism,” Crumbly said. “I didn’t bring any instruments with me on this trip but I did have my laptop computer to sonically document this moment I was grateful to have experienced.” 

    Joshua Crumbly

    Featuring guests like Shahzad Ismaily, Sam Gendel, and Jay Bellerose, ForEver has received praise from outlets like Hypebeast and Under the Radar. NPR Music highlighted the record on their New Music Friday podcast. 

    The album’s haunting 11 tracks never hit you over the head with their meaning. But Crumbly’s ability to evoke nostalgia and deja vu through a simple, wavering bassline keeps you mesmerized. In ForEver’s lo-fi environment, each song blends into the next while still setting a unique scene. “Family” is heartbreakingly simple and bittersweet, while “C.S.C.” with Jay Bellerose builds on an ominous, hazy funk. Title track and standout “ForEver” takes hints from midwest emo, but remains hauntingly spare throughout. The soft, undulating melody worms its way into your brain and stays. 

  • Ripe Cover Elton John at Empire Live in Albany

    Empire Live has become quite the up and coming venue in 2021 and what better place to host an up and coming band in Ripe, with The Heavy Hours and Max Muscato opening the show on Friday, November 12th.

    ripe

    The Boston based Ripe rolled through Albany in the midst of a long tour taking them through a lot of the Northeast, into Canada, and finishing out the year with two shows for New Years Eve at Irving Plaza on December 30th and 31st. After taking off the month of January their winter tour kicks off in Knoxville and runs through the deep south before heading out to the Midwest.

    ripe

    Set List: Flipside, Downward > Stanky, Escape, Beta Male, Queen of the City, Pretty Dirty > Passerby, Noise in the Forest > First Time Feeling, Bennie and the Jets, 5am, Talk to the Moon > Follow Through > Little Lighter

    Encore: Goon Squad