Category: Media

  • Madison VanDenburg kicks off Music in Motion Season 2 this Friday

    On Friday, March 12, Madison VanDenburg will kick off NYS Music in Motion Season 2, when she sits down with our host, rocker Frank Palangi.

    Sponsored by Helping Friendly Salve, the series brings together seasoned musicians who hail from the Empire State or have made New York their home, alongside Palangi, a Warren County native.

    music in motion

    Guests for Season 2 of NYS Music in Motion include American Idol’s Madison VanDenburg, Scott Hannay, The Voice’s Moriah Formica, Donny Frauenhofer, Sirsy and Lowell Wurster.

    Tune in starting on Friday, March 12 and every other Friday for each installment of Music in Motion on the NYS Music YouTube, IGTV and Facebook page. New for Season 2, you can catch all episodes on the JamCast Network.

    Palangi will have a sit down conversation with each artist, with a first season lineup that includes the following musicians from across New York. A homegrown indie rock recording artist, singer, songwriter, and guitarist, Palangi fuels his positive ambition naturally by serving up a feeding frenzy of edge heavy guitars, with a side of deep, gritty vocals. With a no-quit mentality, Palangi draws on influences from 80s & 90s rock, including post-grunge and heavy metal.

    NYS Music in Motion Season 2 Schedule

    March 12 – Madison VanDenburg
    March 26 – Scott Hannay
    April 9 – Moriah Formica
    April 23 – Donny Frauenhofer
    May 7 Sirsy
    May 21 – Lowell Wurster

  • Grateful Dead Return to the Garden: March 9, 1981

    Grateful Dead Garden

    Few buildings have as storied a relationship with the Grateful Dead that Madison Square Garden does. The World’s Most Famous Arena quickly became the band’s “home” arena on the East Coast beginning with their first run here in January of 1979. Their welcomed stay would last until their final shows played there in 1994. Today, we celebrate the anniversary of the Grateful Dead’s third run at the Garden and only their sixth show ever here. This would be the first of only two Dead shows here this year. But its musical impact, thanks to an incredibly well preserved AUD recording, will last forever.

    The opening tones of “Feel Like A Stranger” ring throughout the Garden to kickstart things this evening. The electricity immediately comes through the pristine recording on this one as the bands “get’s on with the show.” Guitarist Bob Weir’s voice is in fine form for the opener and throughout the rest of this show. Some typical brief, scat-like improv singing from him gives way to a short but tight little opening number. “Althea” then follows, with fellow guitarist Jerry Garcia getting his turn to serenade the New York faithful. A fierce early guitar lick sets just the right tone early as Garcia nimbly moves from singing to soloing and then back.

    This is followed by a super-bluesy “C.C. Rider” that’s fueled by some great interplay between Garcia, Weir and Mydland on keys. A raucous Garden crowd makes their feelings well known afterwards. An extended tuning break might disrupt the rhythm for any other concert, but it’s not long before the arena is back in full sway and singing along with Garcia to “Ramble On Rose.” As expected, the “Just like New York City” line is met with resounding approval. Weir seems to begin “El Paso” by himself at first, but the band soon catches up and nails the rest of this first set staple. This one sees more impressively delicate guitar fills thrown in by Garcia who sounds clean and inspired from the onset this evening.

    A return to the blues then follows, this one of the “Deep Elem” variety. After being taken off the shelf late last year in October, the vocal sections still sound a little unsure on the Dead’s take of this blues standard but the continual passionate guitar stylings from Garcia more than makes up for it. There’s nothing unsure about Weir’s vocal delivery on “Beat It On Down The Line” as the band rips through another first set staple.

    Jerry’s vocals seem to run out of steam somewhat in the “Bird Song” that comes next. But the initial lackluster vocal section quickly gives way to some dazzling improv in the jam that follows with Garcia’s guitar leading the way. This seems to infuse some life into the band and the song’s dismount is much cleaner. Weir then re-assumes command and “New Minglewood Blues” closes out a rollicking opening stanza. Whether it was planned or not, the two guitarists wind up going tit-for-tat and alternate lead vocal duties between each song in the opening set.

    But like any Dead show, the real “meat and potatoes” of the show are generally found in the second set. Tonight’s show at the Garden would be no different. After some clearly audible teases while tuning, the band takes their sweet time before launching into a majestic set-opening “China Cat Sunflower.” Garcia’s meandering guitar solos play perfectly atop a bed of fresh bass rhythms supplied by Phil Lesh. The slowly building jam eventually makes its seamless transition into “I Know You Rider” where both Weir and Garcia throw a little extra mustard on their respective parts. The second “China Cat” > “Rider” sequence ever played at MSG is certainly one to behold.

    Out of the ashes of this blistering start comes “Samson and Delilah” with drummers Bill Kreutzmann and Mickey Hart wasting no time at all before launching into the percussive into. The accompanying jam is played at a near-frenetic pace that seems to have carried right over from the start of the set. Things finally cool down for a bit with “Ship Of Fools” that Garcia ably leads the group through with no issues. Even a slower number like this one seems to have the Grateful Dead Garden crowd enraptured.

    Things perk back up in a big way in the second set with the two heavy hitters that follow. “Estimated Prophet” sees a fired up Weir complemented beautifully by Mydland and the signature tone of his electric keys on this number. A typically patient and slow-building jam then ensues with Jerry soon beginning to take the helm musically. When this reaches its conclusion, he switches tones and starts the opening chords to “Uncle John’s Band.” The Garden is again enthralled by these proceedings, with many clapping along in time.

    Towards the end of the second’s set traditional “Drums” > “Space” section, some familiar chording can be heard. And before long, Lesh’s bellowing bass roars once again, signaling the high-intensity start of “The Other One.” The rest of the band follows Weir’s lead on vocals with this passionate take on a classic Dead number.

    After this powerful, but fairly short “Other One,” begins to peter out, Garcia slows things down once more and the beginning of “Stella Blue” ensues. A large crowd that was in full rock mode, clapping along wildly just more than an hour ago, is now in near total silence listening to Jerry’s deliberate and soulful vocals – a testament to the emotional power of a Grateful Dead Garden show.

    It sounds like Jerry wants to revisit and possibly finish “Uncle John’s Band” at the end of “Blue,” but they instead shift towards a “Good Lovin’” closer, the second set’s only cover song. The Garden crowd, once more, shows their love and appreciation afterwards before a “U.S. Blues” finishes things out, a proper call after so much blues-inspired songs and playing this evening. The Dead would go on to play one more show at MSG the following night. And thanks to the impeccable recording by Barry Glassberg below, we’ll be able to enjoy this one forever.

    Grateful Dead – Madison Square Garden – New York City, NY 3/9/81

    Set 1: Feel Like A Stranger, Althea-> CC Rider, Ramble On Rose-> El Paso, Deep Elem Blues, Beat It On Down The Line, Bird Song, Minglewood Blues

    Set 2: China Cat Sunflower-> I Know You Rider-> Samson & Delilah, Ship of Fools, Estimated Prophet-> Uncle John’s Band-> Drums-> The Other One-> Stella Blue-> Good Lovin’,

    Encore: U.S. Blues

  • Diving into Rochester’s Underground Music Scene with Ben Rossi of Friday In America

    In episode 113, Ben chats with Ben Rossi from Friday In America, a Rochester band mixing rock, Americana, folk and hip-hop. As the band says, “If Abraham Lincoln was a band he’d be Friday In America.”

    Friday in America has a range of influences spanning from The Band to The Roots, with the result a menagerie of music styles – from the heavy rock and funk arrangements of songs like “Hitman” to the stripped-down folk of “Water.”

    Friday In America ben rossi

    In 2011, the band released their first full length album Cut the Brakes, and had the track “Water” featured in the closing scene of the AFI-Fest award-winning film The Hammer, which told the true story of deaf UFC fighter Matt Hamill.

    The album’s rock and folk arrangements have garnered comparisons to artists like Jack Johnson and Bruce Springsteen, and have received regular rotation on shows like Scott Regan’s “Open Tunings” (NPR). The band’s love of all music and their ability to write and play across numerous mediums makes for a unique concert experience. They have opened for acts like Max Creek, Ekoostik Hookah, and the Ryan Montbleau Band, and are constantly fusing their disparate influences in a groove-oriented framework.

    Timestamp:

    00:31: “Hitman” by Friday In America

    06:04: Conversation with Ben Albert and Ben Rossi

    37:00: ” Renaissance” by Friday In America

    41:29: Conversation Continued

    1:00:19: “Six And Counting” by Friday In America

    1:06:22: Conversation Conclusion

    1:37:44: “Driftin” by Friday In America featuring Amanda Lee Peers

    At Rochester Groovecast, the mantra “We’re Fans First!” harnesses the belief that the best businesses are built by fans. The podcast is deeply dedicated to playing an active role in the culture of its local scene.

    The brainchild of Rochester native, Ben Albert, was created in 2016 to serve as a portfolio of the city, and nowadays, the entire region.

    The podcast believes in the artistic brilliance abundant in Rochester, NY, and the surrounding regions. Ben seeks to play a pivotal role in our community by helping give Rochester a well-earned voice. He has seen first hand the abundance of talent, character, creativity, innovation, and beauty the Flower City has continuously offered.

    Keep In Touch with Friday In America.

    Download their albums FOR FREE!

    Rochester Groovecast is Powered By balbertmarketing.com

  • Luminous Crush, Girl Blue and more are Featured on this week’s EQXposure

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Luminous Crush, Girl Blue, and many more.

    luminous crush

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    This week’s featured artist is Luminous Crush, celebrating the release of their new creative album Luminous Inc.  The duo of Laura Molinelli and Ben Campbell create music defined by Ben as “original bluegrass outlaw country post-punk psychedelic fusion indie dream pop.”  Each song is a sonic journey into electric glitch and layers upon layers of instrumental treatment making for some unbelievably interesting music. 

    Tonight, Pearson will be playing “Stagg,” “Radio Kills Zombies,” “One That Got Away” and “Dragons.” Listen below for a preview of the album.

    As we shared yesterday, Girl Blue has released a brand new single called, “Heaven.” A bright acoustic foot tapper describing the dangers of cell-phone addiction. Here is what she says in her own words:

    “Heaven” is a light, grooving, harmony-drenched pop track juxtaposed by dark, introspective and sometimes scathing lyrics about cellphone addiction. It makes a statement about how our relationship with technology has come to replace deep connection with spirituality, other people, the earth, and ourselves. The song does this while using very natural and organic instrumentation and production that make you want to bop your head and dance along in spite of yourself. 

  • Girl Blue goes to “Heaven” with her Newest Single

    The latest single from the Capital Region songstress Girl Blue, “Heaven” was released today, the second single off her uupcoming full length album, slated for release in Fall 2021. The warm, uplifting single is well timed for spring, with a late 80’s indie-pop feel, and follows “Just a Dream,” the first single, released in February.

    girl blue heaven

    “Heaven” was written and produced by Girl Blue and recorded at White Lake Studios in Albany. Girl Blue is joined on the track by Albany’s Dark Honey – Jimi Woodul (electric guitar), Dan Dekalb (piano), Ben Woodul (bass) and Josh Morris (acoustic drums). 

    The light, grooving, harmony-drenched pop track is juxtaposed by lyrics that are dark, introspective and sometimes scathing about cellphone addiction. Making a statement about how our relationship with technology has come to replace our deep connection with spirituality, other people, the earth, and ourselves, the song will have you singing along and bobbing your head with ease.

    Arielle O’Keefe (Girl Blue) satirically celebrates the fact that “No one can stop me from hating myself, nothing can make me forget it,” and deems herself “the queen of my cellphone” in an angelic, serene tone of voice that only hints ever so slightly at the loneliness inherent in those statements. 

    Listen below or on various platforms, and visit Girl Blue’s Bandcamp for more music.

  • Revisit the 2020 SAMMY Awards ahead of Tonight’s 2021 Livestream Show

    It has been one year since the 2020 SAMMY Awards took place in Syracuse, at the Palace Theater in Eastwood. So much has changed since that night, with this annual event taking place just two weeks before the music industry, and seemingly the world, shut down.

    2020 was certainly a challenging year, especially in the music industry with virtually no concerts taking place and the beginning of live streaming shows as a form of entertainment.

    SAMMY Awards 2020
    MBK Music Group

    A year later, we are starting to see signs of life, with festivals popping up down south and venues getting the green light to let in limited capacity crowds.

    The 2020 SAMMY Awards set records for the number of artists submitted, as well as the votes for the winners. The full list of nominees/winners can be seen here. In preparation for the new virtual SAMMY Awards for 2021, check out NYS Music’s photo gallery and revisit the good memories of that night, one that showcases why the Syracuse music scene is one of the best in the state.

    The SAMMY Awards will live-stream from SubCat Studios in Syracuse via the SAMMYs Facebook page beginning at 7 PM on Friday, March 5.

  • Spaghetti Eastern Music Blast Off With “Blues For a Lost Cosmonaut”

    Spaghetti Eastern Music returns with the maxi-single, “Blues for a Lost Cosmonaut.” The solo project of  NYC and Hudson Valley-based musician Sal Cataldi, Spaghetti Eastern’s latest releases have ventured into ambient music. The sprawling new track occupies almost ten minutes of time and space, taking the listener on a peaceful star trek through the galaxy.

    Despite lacking lyrics and hooks, “Blues for a Lost Cosmonaut” still makes room for a narrative and recurring themes. While an overall peaceful auditory experience, suspense and uncertainty creep up on the listener between stretches of serenity. In its most tense moments, “Blues” evokes the eerie prog-pop bookends of Gary Wright’s 1975 “Dream Weaver,” but this time the dissonance is in the middle. If Walt Disney World’s Space Mountain had a secret chill detour, this would be the soundtrack.

    The inspiration came from watching some old videos of the early Soviet space program, especially the first space walk by Alexei Leonov. It was about recreating the contrasting moods and feelings that the film of this moment imparts. There’s peace, wonder and weightlessness combined with the realization that this could spin out of control at any moment, as it did for some early Soviet space explorers.

    Sal Cataldi

    Another clear inspiration is Fripp & Eno, an ambient side project consisting of Brian Eno and Robert Fripp. “Blues” is the third offering in a trilogy of similar pieces: in 2020, Cataldi released “Her Lemon Peel Raincoat” and “Peace Within.”

    It’s just a fun exercise in soundscapes, in impulsive sound painting recorded in the wee small hours during the lonely moments of the COVID quarantine.

    Sal Cataldi

    Cataldi released his first album under Spaghetti Eastern Music in 2015, titled Sketches of Spam. He recorded “Blues for a Lost Cosmonaut” on his houseboat in Port Washington, Long Island, Houseboat Garlic Knot Studios, as well as at Sonic Garden in West Saugerties, New York. “Blues for a Lost Cosmonaut” is available for download and streaming on Bandcamp, CD Baby, iTunes, Spotify and elsewhere.

  • Watch Nick Jonas Host And Perform on Saturday Night Live

    Saturday Night Live welcomed Nick Jonas for 15th episode of Season46.
    Tonight’s cold open featured cast members feigning medical conditions in order to receive the COVID-19 vaccine. Kate McKinnon continued her portrayal of Dr. Anthony Fauci, with Aidy Bryant as Senator Ted Cruz and Pete Davidson as Governor Andrew Cuomo. Despite criticisms of SNL having a liberal bias, both politicians were teased equally, with more than a nursing home joke thrown in Cuomo’s direction.

    Gearing up for his first solo album since the success of the Jonas Brothers’ 2019 comeback, Nick Jonas had double duty as host and musical guest. In addition to new songs “Spaceman” and “This Is Heaven” he appeared in several skits throughout the night, playing Prince Charming and a Mirror fitness coach.

    https://www.youtube.com/watch?v=ihYNJjykVIA

    Besides promoting his new music, Nick is also set to return for his sophomore season as a coach on The Voice. In a Dionne Warwick Talk Show skit opposite Ego Nwodim, she told him, “I’ve heard you’re the most boring coach, even though one of the other coaches is John Legend.”

    In his opening monologue, Nick paid homage to Broadway theatre, still shuttered nearly a year later, by singing “Drink With Me” from Les Misérables. Back in 2010, Nick played Marius in the London production of Les Mis at the O2 Arena. He also gave a shout-out to older brother and bandmate Kevin, who was in the audience, as well as his home state of New Jersey.

    https://www.youtube.com/watch?v=wCy5Gb9NYN0

    Nick’s first song was his new single, “Spaceman.” With themes of isolation and disillusionment, the song references mask-wearing and the rising pandemic death toll, tying them up with an outer space metaphor. “And the numbers are high but we keep going down / ‘Cause we ain’t supposed to live with nobody around,” the chorus says.

    https://www.youtube.com/watch?v=12akdhW8OEs

    He closed out the night by debuting “This Is Heaven,” which sounds suspiciously like his 2014 hit “Jealous.”

    https://www.youtube.com/watch?v=7p9TzfI6WGM

    SNL returns on March 27, with former cast member Maya Rudolph hosting and Jack Harlow as the musical guest.

    nick jonas
  • Architrave, AliT and more are Featured on this week’s EQXposure

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Architrave, AliT, Annie Scherer and many more.

    architrave

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Kicking off the night is Architrave with their cover of True Widow’s “O.O.T.P.V.” A dark and cool jam, the track is brooding with a huge, electrifying sound. After discussion with members of True Widow, Architrave agreed all proceeds from the sale of the track would be donated to Feed the People Dallas Mutual Aid.

    WEQX will also be matching that donation with a donation to something more local to us, the Free Food Fridge of Albany, a cool project that sets up fridges stocked with food staples, to help tackle food insecurity in the area.

    Next up is AliT with “Sitting Pretty,” featuring a bright pop sound, drum machines, a huge boundless voice, and an all-heart sensibility. AliT is a true singer-songwriter and instrumentalist making pop music with a touch of grit, soul, and emo harmony. Tune in for AliT’s weekly set live on her Facebook page every Friday at 7:30 pm.

    In the vein of Lana Del Ray comes Annie Scherer, a modern pop cinematic journey with images of longing and desire. Open minded listeners will hear the voice of a songwriter opening up her soul, crawling up the walls to find a new plane of existence. “Take Me Places” is a cool tune that transcends the idiom and is treated delicately with plenty of space for the listener to attach their own images to and yet want to listen again to bring those feelings back.

  • Watch Quiltro perform “Antilla” at Burlington’s Autochrome

    Burlington’s Quiltro has shared the new live video for “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington. The old industrial building is where some of the world’s first “autochrome” color photographs were produced in the early 1900s.

    The band recently released their debut album, an emotional journey that will set you at ease, wake you up, drive you into a groove and leave you looking to replay the debut immediately after. Peaks and valleys are found throughout the nine-track album, fitting perfectly into the ups and downs of the real world.

    quiltro antilla

    Quiltro brings together a range of sounds, influences, and emotions through band members Mark Taylor (guitar, keyboard), Mike McKinley (bass) and JD Hoffmann (drums), creating a psychedelic wall of sound that brings to mind Neal Casal’s Circles Around the Sun. Quiltro is quite simply excellent modern psych rock.

    While Autochrome was gobbled up by someone looking to lease the entire building, after many years of calling the space home, Quiltro got the boot over the summer. In normal times, they would have had a huge blowout and celebration — live music, collaborative art, and more, but due to COVID-19, they played with no audience and recorded the video.

    Eric Segalstad (Sabi Sound, who engineered and co-produced the album) did the recording, Tony Berry (Psychedelic Soup) did the liquid light show, and Matt Bushlow produced the video. Watch “Antilla” below and visit Quiltro on Bandcamp.