WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Sarah King has just released a new single ahead of her debut solo EP The Hour, due out in March. “Not Worth the Whiskey” is a gritty, bluesy, stomp-and-holler murder ballad that is raw and authentic with devil-may-care whistling, and atmospheric blues-rock guitar. King stands up to the idea that women should just smile and be quiet, exploring how righteous anger, revenge, and fear can actually lead to empowerment.
Joe Mansmen and the Midnight Revival Band have unleashed a new single from their forthcoming album Renegade called “Wild Woman” that will be played at the top of Sunday night’s EQXposure show at 7pm. Raw visceral rock and roll at its finest, and EQXPosure is the only place you can hear this jam.
You’ll also catch “Grape Juice,” the latest single from Skeletons; Red Light Rivals from Mayfield, NY with their latest “Ghost Town,” and “Turn to Dust,” the title cut off Son of a Gun’s newly released EP of the same name which will make it’s EQX debut on EQXposure. Read our profile of Son of a Gun here.
Chick Corea, a legend behind the keys, who fused jazz piano with numerous styles of music, has died. He was an innovator of jazz-rock fusion in the 1970s. Corea died at his home in Tampa, FL on Tuesday at the age of 79.
photo by Andy Hill
Best known for playing acoustic piano, Corea had a crispness to his sound, one that was easily identifiable, regardless of the genre. Whether he played classical, jazz, Latin or funk, Corea broke new ground throughout his career, especially with Return to Forever, his best-known band.
Corea played with Miles Davis and Herbie Hancock, met Stevie Wonder in the early 1970s at The Bitter End in New York City, and recorded an album with banjo virtuoso Bela Fleck, a testament to his dexterity as a musician. Additionally, Chick would use the strings inside the piano as a percussion instrument, influenced from his early years playing drums as a child. Corea also collaborated with Gary Burton, Pat Metheny, Al Di Meola, Christian McBride, a small sampling of an extensive list of musical peers.
photo by Andy Hill
Chick Corea wrote “Spain,” “500 Miles High,” “La Fiesta,” “Armando’s Rhumba” and “Windows,” all of which have become jazz standards. Corea was nominated for 60 Grammy Awards, taking home 23 over the course of his career.
Born Armando Anthony “Chick” Corea on June 12, 1941 in Chelsea, MA, he was introduced to piano by his father, a jazz trumpeter. In high school he performed in New York City, before attending music school at Columbia University and Juilliard, both of which he stayed at for only a short time. Corea remained in NYC to begin his music career.
Corea lived in Cambria Heights, Queens at 114-73 227th Street, and can be found on The Queens Jazz Trail Map, which was created as a part of Flushing Town Hall‘s Queens Jazz Trail Tour.
Corea’s technical facility on the piano was unparalleled and astonishing. He played together with other greats like Cab Calloway, Mongo Santamaria, Willie Bobo, Blue Mitchell, Herbie Mann, and Stan Getz, and he recorded with Donald Byrd and Dizzy Gillespie.
In 1967 he accompanied Sarah Vaughan with Miroslav Vitous and drummer Roy Hanes and in 1968 replaced pianist Herbie Hancock to play in The Miles Davis Band with bassist Ron Carter, saxophonist Wayne Shorter, and drummer Tony Williams — one of the best jazz ensembles of all time. He can be heard on Miles Davis’ iconic album “Bitches Brew.”
He formed Return To Forever and The Elektric Band, two groups that were on the cutting edge of the jazz fusion era that performed some intricate and memorable music. Corea was one of jazz’s great pioneers, helping to establish the synthesizer in fusion jazz. He received the NEA’s Jazz Master endowment in 2006.
https://www.youtube.com/watch?v=-R3RqcVKVB0
The family of Chick Corea shared the following statement on his Facebook page:
It is with great sadness we announce that on February 9th, Chick Corea passed away at the age of 79, from a rare form of cancer which was only discovered very recently.
Throughout his life and career, Chick relished in the freedom and the fun to be had in creating something new, and in playing the games that artists do.
He was a beloved husband, father and grandfather, and a great mentor and friend to so many. Through his body of work and the decades he spent touring the world, he touched and inspired the lives of millions.
Though he would be the first to say that his music said more than words ever could, he nevertheless had this message for all those he knew and loved, and for all those who loved him:
“I want to thank all of those along my journey who have helped keep the music fires burning bright. It is my hope that those who have an inkling to play, write, perform or otherwise, do so. If not for yourself then for the rest of us. It’s not only that the world needs more artists, it’s also just a lot of fun. “And to my amazing musician friends who have been like family to me as long as I’ve known you: It has been a blessing and an honor learning from and playing with all of you. My mission has always been to bring the joy of creating anywhere I could, and to have done so with all the artists that I admire so dearly—this has been the richness of my life.”
Chick’s family will of course appreciate their privacy during this difficult time of loss.
It’s always been my mission to keep the music fires burning bright for myself, my family and friends and people everywhere. It’s the reason why I continue to travel and play. I think it helps bring the quality of the environment up a notch – helps remind us who we really are and that life can be creative and therefore pleasurable.
The music is starting to return… LonCon, a two-day music event to be held in the Southern Tier of New York’s scenic Catskills will feature national touring acts at the legendary Arrowhead Ranch over August 27-28, 2021.
In 1991, music producer Bill Graham brought a vision to Arrowhead Ranch, making the summer of 199 legendary, with acts including Phish, The Band, Richie Havens, Billy Preston, Hot Tuna, Blues Traveler, Widespread Panic, and many more. 30 years later, LonCon will hold its inaugural weekend at the historic venue over Friday August 27 and Saturday August 28, 2021.
“The event is going to be so humbling to all three of us in Baked Shrimp. Being younger and going to outdoor music concerts in the mountains has been something we’ve all been doing for much of our lives, and we’ve always dreamed that one day Baked Shrimp would do something similar and keep it going for years to come. Now that we can finally announce that we’re helping put together what will be a beautiful two-day event at such a historic venue, it’s really a dream come true. The lineup is also filled with artists who we have looked up to over the years, so we are unbelievably excited to share the stage with them.”
Jared Cowen, Baked Shrimp
Cowen also shared his thoughts on putting the event together in honor of Lon Conscious.
“The Live for Lon stream was so humbling in it’s own way. Where we’re at in the world is something no one could really prepare for. When Lon left us, we had to think of a way despite these hectic times to honor his incredible legacy and spirit. The stream was the best way we could have thought to do this. The night had a true sense of community, like we were all together, Baked Shrimp, our fans, family, friends, and so many of Lon’s hundreds of friends who he meant so much to. The performers were incredible, and we were able to raise over $2,700 for a really great cause, the White Light Foundation. The stream was our way to honor Lon, to reminisce, to laugh, to cry, and everything in-between. LonCon is our way to continue the Lon Gellman legacy. LonCon is how we will make sure Lon is always remembered, and we’re brainstorming things to include over the course of the two days and hopefully make traditions.”
Jared Cowen, Baked Shrimp
Health and safety are the number one priority for attendees at LonCon. Promoters are dedicated to ensuring all proper COVID-19 restrictions in New York State that are in place at the time of the event are followed.
We’re coming up on one year without live music. Venues across New York State, and the country, are shuttered with no option for music beyond streaming. Our venues are the lifeblood of so many towns and cities across this great state, and these independent music venues still need our help, as they struggle to stay afloat until we’re in the clear.
In June, NYS Music photographers, having no live music to shoot, began looking at these music venues across the state. Over the summer and fall we saw venues closed for the foreseeable future, including The Jazz Standard in Manhattan. Venues are rallying their supporters to help as best they can at this time, including Arlene’s Grocery on February 9.
Paramount Hudson Valley Theater, Peekskill, NY – photo by Steve Malinski
Venues in New York and beyond are stuck in limbo, but they aren’t gone – not for good – so long as we can find resolution and relief at the state and national levels. The Heroes Act has passed in the House of Representatives, and the upcoming relief bill looks poised to jump-start the economy and provide a much needed lifeline to venues.
Winter has arrived, and across the state, venues still shine through the snowy nights. We start this month’s photo series of music venues across New York State in New York City, courtesy of Joseph Buscarello.
Visit NIVA to find out how you can help venues across New York, and the country. We need to #saveourstages and preserve live music now, for when this is over.
Judy Collins will perform at The Town Hall in New York City, on Friday, February 12. She is recreating her debut 1964 show from the very same stage, featuring music by Bob Dylan, Tom Paxton, and Billy Ed Wheeler, among others.
Collins, an award-winning singer-songwriter is known for her versions of traditional and contemporary folk standards, as well as her own poetically poignant original compositions. Her rendition of Joni Mitchell’s “Both Sides Now” from her 1967 album, Wildflowers, has been entered into the Grammy Hall of Fame. Judy’s intimate version of “Send in the Clowns” won “Song of the Year” at the 1975 Grammy Awards, and she has garnered multiple top-ten hits and platinum-selling albums.
Judy began her music career at 13 as a piano prodigy, but hard luck tales of folk revival music by artists such as Woody Guthrie and Pete Seeger drew her away from a life as a concert pianist. This path led her towards a lifelong love affair with the guitar and pursuit of emotional truth in lyrics.
Recently, Collins released the 2020 album Winter Stories, featuring critically-acclaimed Norwegian folk artist Jonas Fjeld, and masterful Americana band Chatham County Line. Collins was fêted by contemporary and classic artists, among them Rufus Wainwright, Shawn Colvin, Dolly Parton, Joan Baez, and Leonard Cohen, on the album Born to the Breed: A Tribute to Judy Collins.
Speaking about her concert performance on February 12 at The Town Hall, Collins said:
It was such a tumultuous time in the world. The Vietnam War was just rolling along, breaking into thunder and lightning and anxiety and pain. People were burning their draft boards cards, trying to get to Canada and facing up to going to Vietnam where many of them would die. Making this album and concert at The Town Hall – my very first solo appearance at one of the great concert stages in New York – was a relief and joyous event. It feels right to go back to the material and time period now with the knowledge and life lessons learned in 2020.
Judy Collins, recalling her debut performance at The Town Hall
Tickets are $40 and on sale now via Judy’s website.
On Friday, February 7, 1964, Beatlemania arrived in the United States, as John, Paul, George and Ringo touched down on Pan Am Flight 101 at JFK Airport in Queens. More than 3,000 screaming fans greeted the mod suit wearing Beatles on the tarmac, leading to a few injuries among the crowd.
AP photo
In Anthology, Paul McCartney shared his thoughts as the plane approached New York.
There were millions of kids at the airport, which nobody had expected. We heard about it in mid-air. There were journalists on the plane, and the pilot had rang ahead and said, ‘Tell the boys there’s a big crowd waiting for them.’ We thought, ‘Wow! God, we have really made it.’
At nearly 1:30 p.m., the plane taxied to the terminal and the aircraft door opened. Cheers and screams rang out from the crowd. The NY Daily News reported a 17-year-old June Clayton of Brooklyn saying “They’re so cute. And Ringo’s the cutest. Look at them comb their hair!”
In addition to the huge crowd carrying signs and placards, the press numbered 200, reporters, photographers and cameramen among them.
How did so many people arrive at JFK Airport on this Friday afternoon? It seems Seltaeb, who handled The Beatles’ merchandising in the States, offered a promotion that promised every one who showed up at the airport would receive a t-shirt and a dollar, or $8.40 in 2021 dollars. The idea was crafted by Nicky Byrne of Seltaeb, with direction from Beatles manager Brian Epstein.
Byrne made a deal with radio stations WMCA and 1010 WINS to promote the offer, but Capitol Records had a promotion of their own, arranging for posters and car stickers that read “The Beatles are Coming” being spread out across New York City. When fans called Capitol Records, receptionists would answer the phone, “Capitol Records, The Beatles are coming.” Between radio, print and offers of a free shirt and money, fans flocked to JFK to give the boys from Liverpool a proper welcome.
Murray the K, DJ at 1010 WINS, announced The Beatles’ flight number and time of arrival over the air, which was spread by larger stations WMCA and WABC, helping to build anticipation.
The band then held a press conference inside Kennedy Airport where they met Murray the K, and were asked by the press pool to say their names, as the were individually not well known to the press.
The playful press conference was nothing more than a slapstick routine for the foursome, mildly frustrating the straight-laced press. Just as the crowd was dissipating, Paul grabbed the microphone to say “We have a message.” As reporters got ready to take notes and photographers jockeyed for position, Paul would say, “Our message is: buy more Beatles records!”
The Fab Four would leave the airport in four separate limousines, with Cynthia Lennon accompanying John and the others riding solo. Epstein and others needed to hail a taxi to get into Manhattan. A play-by-play could be heard on the radio by McCartney, which culminated in a crowd of fans and reporters swarming the band at the Plaza Hotel, where the band was giving a 10-room suite on the 12th floor with a Central Park view.
In the days that followed, The Beatles would make music history in New York City and Washington, D.C. On Sunday, February 9 at 8pm, Ed Sullivan welcomed the band to his stage for five songs: “All My Loving,” Meredith Willson’s “Till There Was You,” “She Loves You,” “I Saw Her Standing There” and “I Want to Hold Your Hand.” 73 million tuned in to watch The Ed Sullivan Show that night, roughly two-fifths of the population in America at that time. This would be the largest television audience at the time, according to Nielsen.
On February 11 at the Washington Coliseum, The Beatles performed their first American concert, with 8,000 lucky fans in attendance. They returned to the Big Apple the next day for performances at Carnegie Hall on the 12th and 13th, each of which were attended by 2,000.
From New York, The Beatles flew to Miami, making a second appearance on The Ed Sullivan Show on February 16, broadcast from the Napoleon Ballroom at the Deauville Hotel in Miami Beach, bringing in another huge audience of 70 million viewers. Returning to England via Heathrow Airport on February 22, the band was met by 10,000 fans, leaving the beginnings of Beatlemania in their wake back in America.
Arlene’s Grocery, located on the Lower East Side, has seen many young and well known acts get their start, including Arcade Fire, Lady Gaga, Lana Del Rey and Jim Carrey. You may also recognize Arlene’s Grocery from the #SaveOurStages movement, where now Senate Majority Leader, Senator Chuck Schumer, was seen on the street showing his support for the venue.
Due to the unfortunate circumstances that COVID-19 has left indie music venues in, without the support of live music crowds, Arlene’s Grocery is in need of funds to remain open.
Fortunately, up and coming indie R&B/Hip-Hop artist, Versa the Band, is putting on a livestream concert benefit on February 9 at 7 PM EST to raise money for the venue. Tickets are $10 with all proceeds going to Arlene’s Grocery.
Arlene’s Grocery was indeed a grocery, and opened its doors in 1995 in the, then treacherous, Lower East Side. The venue’s history begins with upcoming bands that flocked to the neighborhood to experience sounds emanating from the 150-capacity room, which played host to garage rock, punk, and bohemian newcomers, including Jeff Buckley. In the late 1990s, the club branched out into the butcher shop next door and became two rooms under one roof.
As the neighborhood gentrified around them, the Lower East Side became the hub of NYC rock. The club hired a Live Rock n’ Roll Karaoke band who became an instant hit in the city, attracting New Yorkers and tourists from all over the globe to catch a glimpse of celebrities, such as Moby, belting out AC/DC. As a handful of live music clubs pop up (and down) around the area, Arlene’s holds fast to its intention of nurturing unsigned bands; its attention to the highest quality sound; and remaining an institution in the NYC rock scene.
Originating from Long Island, New York, Versa the Band got its start in 2019 and made it a priority to create music that was genreless; a discography for anyone to listen to, not defined in any one box. The band — which isn’t much of a band at all — describes itself as a “Music Collective” of artists who come together to collaborate with founder Ethan Felizzari.
Versa the Band blends alternative and hip hop with traditional pop, elements of jazz, soft rock & more. Influences include artists like Bon Iver, James Blake, Rosalía, and soul legend Sam Cooke. Sharing why this live stream benefit is important to them, and what viewers can expect from their performance, Ethan Felizzari of Versa the Band said:
This event means the world to me. Arlene’s Grocery is by far my favorite independent music venue. It’s everything NYC underground is about. To perform here and headline our very own event all in benefit for the classic venue is just insane. The fact that we get to help out a small business during this difficult time. That’s always been so important to me coming from a family of entrepreneurs. It all starts with small business and indie venues are often forgotten.
The Livestream is going to be unlike any other VTB performance. I am honored to be performing with three other amazing artists who are just going to elevate this thing to a whole new level. We’ll be performing a bunch of originals and some crazy covers. Harry Styles. Ariana Grande. It’s gonna be nuts I can’t wait.
Ethan Felizzari of Versa the Band
Get tickets to the Tuesday, February 9 livestream, 7pm, HERE.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Paintbox Records Artists Senior Living, The Classical, and many more artists from across the Capital Region and Hudson Valley.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
On Sunday, February 7, WEQX will feature four cuts from the newly minted Paintbox Records Pallete release series. Among them are two songs from Senior Living and two songs from The Classical. Paintbox Records happened because the bands, who are all friends, were planning on touring together last year, but the pandemic prevented those road runs from happening.
But COVID-19 couldn’t stop this crew of creatives from making rock happen, thus Paintbox Records was born.
Also featured are new music debuts from two Albany groups – Fine Grain, “Missing Adult,” and Son of Gun “Cry all Night,” the latter off their forthcoming release Turn to Dust, due out February 12
East Williamsburg based singer/songwriter, Sam Rappaport, released his debut single today, “Till the Morning Comes.” The song is an intimate and emotional piano-driven ballad with a paced delivery that recalls Norah Jones and Randy Newman.
For most of his life, Sam believed he was headed for a career in the NBA. But after a clarifying stint as a shooting guard on the Vassar College Men’s Basketball team, he decided to turn his aspirations toward his first love: music.
I have to be honest–I was a mediocre D3 college basketball player. I held onto the NBA dreams as long as I could, but once I hit college it was pretty clear that those dreams were out of reach. Still, I spent the first three years of college thinking that I’d end up overseas playing in some Euro league. I remember finishing a practice my senior year, running to the bathroom, heaving all the liquid in my body into a trash can, and thinking–I don’t want to do this anymore. So I quit. And it was quite liberating, until I realized there was a great void in my life that I now had to fill.
Sam cut his teeth as a keyboardist in Chicago, playing for two years with R&B singer Brandon James at venues across the city. At Brooklyn open mics, house parties and comedy shows, he started to gain his footing as a songwriter with the ability to pull from folk, rock, and soul to craft intimate, understated arrangements.
Rappaport is also a member of indie-rock band Gooseberry, and began writing “Till the Morning Comes” early in the pandemic, knowing that it would be geared for his solo work.
I’ve been playing piano since I was five. It’s always been there. But frankly, I’ve never felt that I was good enough to put it front and center. I mean, I still don’t. There were a lot of mental blocks I had to find my way around before I was able to share the things I was writing.
“Till the Morning Comes” is a song that I wrote toward the beginning of the pandemic. It just seems to flow better as a piano-driven ballad, as opposed to something that needs a drum kit, electric guitar, etc. I wanted to open an avenue to release solo material that might not fit with Gooseberry, which leans a little more toward indie-rock.
With a style that reflects the aforementioned Jones and Newman, his song writing style is still in development. Rappaport teamed up with East Williamsburg based producer Lorenzo Wolff. A stripped down piano ballad soars into a second chorus with the help of ethereal synths and the twang of a lap steel. It is there that Sam’s knack for poignant storytelling and tasteful melodies is on full display.
If I do have a songwriting style, I don’t know what it is. I’d rather others decide. I have, over the past year, spent a lot of time listening to Tom Waits and Randy Newman, and I’m sure those influences show up in “Till the Morning Comes.” I’m interested in storytelling, loneliness, intimacy, the sounds of an old upright piano–I hope some of that comes across in the song. I’m still finding my footing.
The vocals, both melancholic and hopeful, float delicately above the instruments. “Till the Morning Comes” is a song that rises from the stillness of the night, yearning for some way to steel itself against the uncertainty of tomorrow.
Atlanta-based artists Outkast and TLC received shout-outs during the ‘Blue Georgia’ sketch, and The Office theme song finally gained lyrics courtesy of John Krasinski.
For his first song, Machine Gun Kelly sang “My Ex’s Best Friend” The punk-lite track recalled Sum 41’s performance on October 6, 2001, the second episode after 9/11. Kelly channeled Gen Z’s muffled rage, throwing his guitar into the crowd at the end of the song.
https://www.youtube.com/watch?v=Rd7APH5XeFc
MGK performed “Lonely” for his second song, an emotional song about his father who passed away in July 2020. Both songs are from Machine Gun Kelly’s fifth album Tickets to My Downfall, released in September 2020.
Uproxx notes how fitting the second song is, “not just because of what he shared about watching the show being a family affair, but because these emotions of loss, grief, and loneliness are pervasive right now during the coronavirus pandemic that has been plaguing the world since last year.”
https://www.youtube.com/watch?v=B_djsCw1iS8
To close the night, Machine Gun Kelly attempted to pick The Dirt co-star Pete Davidson, allowing hilarity to ensue.
