NYS Music 202​1

Author: Lucas Essex

  • Rufus Wainwright adds Zach Galifianakis and James Corden to Live Show Audience

    Grammy Award winning pop artist, Rufus Wainwright, announced Zach Galifianakis and James Corden as audience members to his acclaimed virtual live stream tour through all nine of his albums, Rufus-Retro-Wainwright-Spective!

    Rufus Wainwright

    Galifianakis will be the guest for the two performances Out of The Game livestreaming on February 5 and 12 with Corden joining for Take All My Loves: 9 Shakespeare Sonnets and a special Rufus at the Movies show. Past guests have included Jamie Lee Curtis and husband Christopher Guest, Joel McHale, Darren Criss, Marius de Vries, Rain Phoenix, and Scott Dunn. More guests will be announced for the remaining shows. The live streams proceeds go to help raise money for charities with the virtual audience donating to a cause chosen by the at-home guest during the shows.

    I am so excited to be playing some of my songs for Zach and James, both of whom I have known and admired for a very long time. Normally when doing a show I have to do all the talking in between songs so it is nice to actually have a chat with someone you like and probably will make you crack up quite a bit.

    Rufus Wainwright, Musician

    Rufus Wainwright was on the forefront of live-streaming with his IGTV Quarantunes Robe Recital series where each day he performed a song a day while playing in his bathrobe at his home. Now with Rufus-Retro-Wainwright-Spective he takes a step further playing 45-minute concerts highlighting albums from his illustrious catalogue. Guitarist Brian Green and keyboardist/pianist Jacob Mann will accompany Wainwright in these concerts and fans will be treated to songs he has not played in many years with exciting new arrangements. On top of the songs from the albums, Wainwright will sprinkle in cover songs that fans can vote from over 100 that he has performed in the past, or has wanted to perform in concert.  

    Tickets for individual shows are $20.00 in advance and $25.00 day of show, and 4 show bundles are also available. Bundles come with the opportunity for fans to participate in intimate Q&A’s with Wainwright and other surprises. Go here to purchase tickets.

  • Hearing Aide: Evil Key “The Host”

    Syracuse based rapper Evil Key (Jonas Nicholson) follows his 2020 release SAVE FACE//ESCAPE FATE with his newest concept album The Host. Nicolson is also member of fellow Syracuse psychedelic jam rock band Vaporeyes. The Host is a brave departure from any of Nicholson’s previous work done with Vaporeyes, opting for a bold lo-fi rap concept album that explores becoming a new person, possibly without your control.

    About a decade ago, I had a particular experience that changed my life. I made positive changes and stopped being overall self-destructive. Looking back at it now, it feels like a lifetime ago. Like a different person. What if I am? What if I’ve been taken over? What if I’ve been someone else all these years? Would I know? Am I in here?

    Evil Key, Rapper
    Evil Key

    Meeting at the crossroad between the moody emo rap ruling the mainstream and the nerdy backpack rap of the early 2000s, Evil Key finds a unique niche to fill. While Evil Key’s influences from the likes of Aesop Rock to Eminem are abundantly clear, he operates in a unique enough lane that it does not take much out of the overall experience. The Host offers a stellar mix of beats from upbeat synth driven songs like “The Host”, to more spaced out cloud rap tracks like “Happy”, to noisy sample heavy tracks like “Concords”; all containing a particular lo-fi edge. “Hear It Still” has a particular vocal sample that meshes perfectly with the tracks chilled-out hook.

    Evil Key’s amateurish lunch room battle rap approach to rapping is endearing at first, but quickly becomes the records biggest flaw. Evil Key will often go off on tangent-like flows, such as on “FYPM,” that only serve the purpose of flexing his ability to rap fast rather than add an appealing sonic element to the songs. This tactic comes across awkward and can kill the mood of the multitude of somber and reflective songs on the album. With the beat being as subdued and laid back as they are, this hyper-aggressive approach to rap does not mesh well. On songs like “Hear it Still,” Evil Key is able to find a much more measured flow that shows he is capable of a more relaxed approach.

    Evil Key

    While The Host’s core concept is vague and hard to follow, the basic themes of depression, reinvention and paranoia are easy to identify with and ring throughout each track. As a whole, the album is a cohesive experience with each track sonically and lyrically meshing well together. The general mood of the album is oppressively gloomy and with pockets of light such as on songs like “The Host.” Each track being as versatile as they are adds to the engaging seamless listening sequence.

    The overwhelming highlight of The Host is Evil Key’s impressive lyrical ability; Evil Key is able to create incredibly verbose bars seemingly effortlessly. Creating impressive rhyme schemes such as on songs like “Usurper.” Evil Key offers an endless stream of impressive rhymes that refuse to let up at any point throughout the album. While the nonstop rhymes are undoubtedly impressive, just like with the aggressive flows, they often act directly against some of the more subdued moments on the albums such as “Good Morning.”

    Overall, The Host is an ambitious sophomore effort from Evil Key. An array of diverse beats do wonders in crafting the album’s depressing mood, some even being produced by Evil Key himself. Lyrically, Evil Key proves he is a force to be reckoned with on the mic, dropping one clever and emotional bar after another. What sets Evil Key apart from his obvious influences is his ability to craft unique and focused song concepts along with his dictionary-like lyrical arsenal. Even if Evil Key’s flows set the mood of certain songs off-kilter, what this album shows more that anything is serious potential in the budding artist.

    The Host is available for purchase physically on CD and Bandcamp as well as streaming on all platforms.

    Key Tracks: The Host, No Exorcism, Hear it Still

  • Black Suit Youth Release Acoustic Single, “Survivor’s Guilt”

    New York City based band, Black Suit Youth, released a new single off their upcoming album, The World Is Almost Over, due out this spring. The group began work on the album in late 2019 following the release of groups 2017 project False South. The 9-song LP navigates the harsh reality that the worst may be yet to come.

    Black Suit Youth

    “Survivor’s Guilt” is the second single off the bands upcoming new album. Bryan Maher, the band’s guitarist and vocalist, comments on the song’s meaning:

    It’s a song about two buddies of mine, Mark and Mike (who was Black Suit Youth’s original bassist). I miss Mark and Mike the most out all of those I’ve lost. The first verse is a reflection about Mark when we were teenagers, and the second verse is about Mike and I growing apart before his untimely death and the total shock of it.

    Bryan Maher, Guitar and Vocals

    Formed in 2005, NYC’s Black Suit Youth remain a relentless 4-piece outfit that blend elements of punk rock, classic rock, and indie rock. Two-thousand and ten saw the release of the LP, Meet Me in Death Valley, from which Black Suit Youth managed to secure opening gigs for Story of the Year, Alien Ant Farm, The Undead, and more.

    After a few DIY tours, the album was re-released on vinyl. In 2016, the band signed with 59 X Records and released 2017’s False South which saw the band take a new direction while maintaining their DIY punk rock ethos. Black Suit Youth is comprised of Bryan Maher (Vocals/Guitar), Fed Canalos (Guitar), Juan Orellana (Bass), and Ray Mazza (Drums).

  • New Expansion Revealed for Rock and Roll Hall of Fame

    The Rock and Roll Hall of Fame in Cleveland announced on December 18th a 100 million dollar expansion headed by New York-based company Practice for Architecture and Urbanism (PAU). PAU was chosen after submitting a request for quotation to nearly 22 other companies. The expansion is set to grow the museums size by one third, including a new band shell that overlooks Lake Erie.

    Practice for Architecture and Urbanism / Crain’s Cleveland Business

    This expansion was motivated primarily by a desire to add more space for concerts and other events. In the past, the Hall of Fame had ambitions to host huge live shows along the lines of Brooklyn Museum’s David Bowie show but could not due to the lack of space. Greg Harris, CEO of the Hall of Fame, comments on the plans for the new space:

    We want to give our audiences the giant wow moment that you would expect from a place of our magnitude.

    Greg Harris, CEO

    Included in the expansion is the creation of a museum campus compounded with the nearing Great Lakes Science Center, classrooms designed for interactive learning, new workspace along the lakefront, and a number of other event spaces for indoor and outdoor performances. In a press release, the Rock and Roll Hall of Fame described these ambitious plans as:

    A pivotal moment for the museum, the community and for individuals who champion education and the preservation of rock and roll history.

    Rock and Roll Hall of Fame

    The expansion is set to begin in 2022 with a final design being chosen sometime in 2021.

  • Annie in the Water Announced As Newest Edition to The Palace Sessions

    Genre fusing band Annie in the Water is set to be the next group taking part on The Palace Sessions. The Palace Sessions are a set of live music events that focus on acts regional to the Albany area. All concerts in this series are livestreamed on The Palace Theatre’s YouTube page.

    Annie in the Water
    Photograph by Frankie Cavone

    Annie in the Water’s music exists at the intersection of Rock, Reggae, Funk, Blues and Jam written with a conscious dose of positive vibes, unique melodies and down to earth lyrics. The band has an innate ability to fill an entire night with original music and also cover well known songs in their signature style, fans share extraordinary experiences that can’t be seen anywhere else.

    After over 12 years of touring and shows, founding members of Annie in the Water, Bradley Hester (lead vocals/rhythm) and Michael Lashomb (lead guitar/vocals) lead a full band composed of core members Ryan Trumbull (drums/vocals), Chris Meier (bass/vocals), Matt Richards (keys/vocals) and Brock Kuca (percussion/auxiliary/vocals). 

    Annie in the Water
    Photograph by Frankie Cavone

    The Palace has been one of Albany’s iconic downtown landmark for the past eight decades, bringing the biggest names in entertainment to the Capital Region. The Palace Theatre, built in 1931, originally presented vaudeville acts, feature films and became a civic auditorium before closing its doors in 1969. The theatre’s original design and beauty has remained largely untouched and is a historical landmark in the City of Albany.

    The Palace Performing Arts Center was established in 1984 and incorporated as a nonprofit organization in 1989, created to operate the Palace Theatre. The mission of the Palace is to bring world-class arts and entertainment to New York’s Capital Region, greatly enhancing the area’s cultural and economic development. Our mission is carried out through core programming and community initiatives that include performing arts entertainment, free arts education, family-friendly performances, free summer movies and a classic movie program series.

  • Venus Furs Share Video For Their Song “New Inspiration”

    Montreal band Venus Furs share visual for their song “New Inspiration,” a trippy video that taps into the core of the track. The track premiered on website Under the Radar to high praise from fans and critics alike. “New Inspiration” was directed by Justis Krar of IMMV Productions, who has previously worked with Zoon and Mundy’s Bay.

    venus furs

    Venus Furs is the brainchild of Paul Kasner, a multi-instrumentalist, writer, producer and self-described “perfectionist.” Kasner has gone under the banners of The Horrors and The Twilight Sad as he worked to discover exactly what Venus Furs was meant to be. After years meticulously crafting a standout product, Kasner is on the verge of releasing Venus Furs, a rigorously crafted set of songs that voyage heedlessly through sonic and mental terrain in a way that could only come from one singular vision. This speaks to his remarkable determination to create the album he long envisioned, and has now realized with the dazzling Venus Furs.

     I wanted to present the visuals as a relation to both the lyrical tone and musical tone of the song. Heavily affected visual effects layered onto night time footage created a lushness that I feel when listening to the song.

    Justis Krar, Director

    The record invites you to bare witness to a world of sound that sits at the nexus of psych rock and garage rock, shot through with grand melodic hooks that echo the British alternative scene that he’s always had an affinity for, all produced with a careful attention to detail.

    This album, for all intents and purposes, is just a huge experiment in dealing with minutia,

    Paul Kasner

    This collection of songs came to fruition after a year long process. At first, Kasner just sat with his guitar or piano and organically let the music form a rough outline, he then meticulously layered, carved and contoured them into songs, eventually reaching a harmonious balance between edge and polish. While Venus Furs is filled with furiously-pitched guitars, walls of sound and driving rhythms, the intricate instrumental aspects are not lost; each can be picked out wall of sound, but in unison they enhance each other, creating a polychromatic and passionate whole.

  • Melt, NYC Pop-Soul Band Release Dreamy New Single “Hours”

    NYC-based psychedelic pop-soul group Melt released new single, “Hours,” ahead of their hotly anticipated forthcoming EP. The contemplative ballad is the third single released from the band’s debut EP, set to come out next month.

    Available across all streaming platforms, the single captures the band’s sonic and lyrical maturity – a welcome presentation of their impressive studio prowess. A balanced combination of a passionate low end, moody synth leads, inquisitive guitar lines, and a lustful melody create “Hours.”

    melt

    Hours totally captures the energy and intoxication we feel working on something new. We wanted to convey that feeling of meeting someone –– the excitement, but also the haziness and fantasy of it,

    Eric Gabriels, Vocals and Keys

    “Hours” was produced and engineered by Aaron Nevezie at The Bunker Studio, mixed by Michael Brauer, and mastered by Heba Kadry. Melt is known throughout the East Coast for their exhilarating live performances. The track captures Melt’s signature sound, despite the challenges the current pandemic presented to the creative process. 

    melt

    Melt is: Veronica Stewart-Frommer (lead vocals), Eric Gabriel (vocals, keys), Marlo Shankweiler (guitar), Josh Greenzeig (drums), Nick Sare (saxophone), Lucas Saur (bass), and Aaron Alcouloumre (trumpet).

    Something unique about this project is that before we release new music, we normally test it live on tour for months to years. Quarantine forced us to hunker down, write new songs, and create—without any feedback from an audience,

    Veronica Stewart-Frommer, Vocals

    When Melt records a new song, they turn to each other and ask “what the hell is this band?”  The septet’s sound is rooted in soul and psychedelia, infusing ethereal jam-sections into existential pop songs.  Dubbed “one groovy super organism” by NPR, four years after their first-ever release “Sour Candy” went viral in 2017 and reached #5 on Billboard’s US Viral 50 Chart (and #6 in Canada). Melt sells out shows across the Northeast and repeatedly in their hometown of NYC at venues Mercury Lounge and The Knitting Factory. 

  • War Orphan Look Back At Hardcore Origins In “New Core”

    Thrash/hardcore band War Orphan, featuring guitarist Rich Cipriano formally of Sick Of it All and Reach fame, drummer Dante Renzi (Reach) and vocalist David Bason (Barfbag and Lords of the Drift), have released a new single titled “New Core,” which nostalgically looks back at the bands come up in the hardcore scene.

    War Orphan

    Guitarist Richie Cipriano elaborates further on the origins behind the song:

    New Core is a song about growing up in the hardcore scene and making the decision not to leave it behind as you get older

    Richie Cipriano, War Orphan

    This song follows their recent explosive statement of a song “F*ck the NRA“, a tribute to fellow hardcore band The Exploited.

    War Orphan released their debut in 2020, the politically charged trash punk EP Closer to Death Than Life. The EP delivers as a fearless protest record that doubles down on the angst which defines the hardcore scene with a particular focus on attacking rightwing extremists and the current presidential administration. Bason channels the seething dissatisfaction with the political establishment that has lead to unrest over the past few years, seeking to tackle systemic racism with “Autonomous Zone” and a deceitful president with “Prop up the Polls,” among other topics that have never been relevant and important.

    War Orphan began when longtime friends Dante, Richie and David graduated from recording songs just to make each other laugh to taking it seriously. Singer David Bason is based in LA. Missing his New York friends, he would leave guitar player Richie Cipriano voicemails making fun of heavy metal. Richie and Dante would track record metal songs to the voicemails and send them back. Thus, was born Bloodbath and Beyond, what started a just a funny inside joke to kill time.

    Afterwards, Richie called and said he had a song they should take seriously this time. Bason was on board and the EP was tracked, mixed and master in a matter of weeks. War Orphan came about organically and their music shows it.