Kentö, NY-based multilingual singer, songwriter and producer,has released his new single “Silhouette.” Kentö has been creating his own music for the past 8 years, developing songs that tell stories about his own life experiences.
Born in Northern Maine to a half Japanese/half French Dad and a Brazilian/French Canadian Mom, Kentö’s upbringing and travel have shaped him into the artist he is today. While living between Maine, Brazil and Canada, Kentö predominantly spent his childhood and teenage years in Japan, where he learned about music from all over the world at a young age.
After working on a punk/pop project for four years in Japan, Kentö realized he wanted to branch out and discover a more timeless sound that felt more authentic to him, rather than what managers and labels decided on his behalf. In 2012 Kentö decided to take a chance, move to LA, call his own shots and start diving into a more diverse range of music. While doing so, he met artist/producer Frankmusik, and recorded/released his debut EP Complicated. From thereKentö was born, and his electro-edged pop music started grabbing the attention of media.
I am LGBTQI+ and I’m on the autism spectrum, and I think these are all my superpowers. I think pop music tends to have trends that all sound like one thing, and then someone comes along and shakes things up with a timeless sound. That’s the kind of music I want to make. I have overcome a lot in my life, my parents passed when I was young, I’ve battled Cancer, and navigating the world not only as an LGBTQI+ person, but also one on the spectrum has really given me a lot of perspective on the world, life, and music. The amount of joy I feel being able to even be writing this right now that I have is immense. I’m so proud of myself, and I want to just share my music and positivity to the world.
-Kentö
In 2019 Kentö was selected to join Them[Condé Nast], as one of the first of 30 LGBTQI+ ambassadors for the launch of their new publication and initiative. Being a strong voice for others to receive inspiration from has always been a shining light throughout any project he takes on.
The Bard Music Festival will return for its 31st season with an exploration of the life and work of Nadia Boulanger. Nadia Boulanger is the pioneering Parisian pedagogue, composer, conductor, pianist, organist, and indomitable personality who shaped more than a generation of American musicians.
Through a series of themed concert programs, Nadia Boulanger and Her World pays tribute to one of the most important female figures in the history of classical music.
Works will be featured by Nadia Boulanger, J. S. Bach, Grażyna Bacewicz, Lili Boulanger, Johannes Brahms, Elliott Carter, Aaron Copland, Gabriel Fauré, Walter Piston, Raoul Pugno, Francis Poulenc, Jean Françaix, Peggy Glanville-Hicks, Philip Glass, Adolphus Hailstork, Dinu Lipatti, Marcelle de Manziarly, Olivier Messiaen, Claudio Monteverdi, Thea Musgrave, Julia Perry, Astor Piazzolla, Claude Debussy, Maurice Ravel, Erik Satie, Ethel Smyth, Igor Stravinsky, Germaine Tailleferre, Louise Talma, Louis Vierne, George Walker, and Charles-Marie Widor.
Weekend One: Music in Paris
August 6 Program One: The Exemplary Musician
August 7 Program Two: Contemporaries and Colleagues
Program Three: 88 x 2: Music for 2 Pianos
August 8 Program Four: The Epitome of Chic: Paris Between the Wars
Program Five: Teachers, Mentors, and Friends of the Boulanger Sisters
Weekend Two: The 20th Century Legacy of Nadia Boulanger
August 12 Program Six: L’Esprit de Paris
August 13 Program Seven: Crosscurrents: Salon and Concert Hall
August 14 Program Eight: Boulanger the Curator
Program Nine: Remembering Ethel Smyth and Boulanger’s Circle at Home and Abroad August 15 Program Ten: The Catholic Tradition in France: Clarity and Mysticism
Program Eleven: Boulanger’s Legacy: Modernities
Program Twelve: Boulanger’s Credo
Check out more articles from NYS Music on the Bard Music Festival here.
Z2 Comics announced that the graphic novel, Among the Living which was inspired by Anthrax, and the titans of thrash metal’s landmark 1987 album of the same name, to be released in stores on July 6. In an effort to support the comic book specialty market, which had been hardest hit by the COVID-19 health crisis of the past year, Anthrax and Z2 shipped a surprise limited number of copies early that stores could make available for sale this week.
L-R: Jon Donias, Frank Bello, Charlie Benante, Scott Ian, Joey Belladonna Photo Credit: Jimmy Hubbard
2021 marks Anthrax’s 40th anniversary, during which time the band has released 11 studio albums, been awarded multiple Gold and Platinum certifications, six Grammy nominations, and a host of other accolades from the media, the music industry, and fans. In 1991, the band helped break down race and genre barriers when they collaborated with Public Enemy on the track “Bring The Noise,” and was the first metal band to have its music heard on Mars when NASA played “Got The Time” to wake up the Mars Rover in 2012.
I grew up with Marvel and DC, and they were part of my life from the time I was four or five years old. My mom worked at Primrose Bakery on Tremont Avenue in New York, and when I’d go to work with her, I’d sit in the back with the bakers. I’d read and draw the superheroes from the comics she would buy for me from this little shop just a couple of doors down. I’ve loved everything about comic books and the neighborhood comic book stores ever since.
-Anthrax’s Charlie Benante
Anthrax and their landmark 1987 album Among the Living influenced an entire generation of metalheads, cementing the New York band’s place in the Big 4 of Thrash alongside Metallica, Megadeth, and Slayer. The book pulls together a “who’s who” of names from the worlds of comics and music who created “bubble dialogue” and original artwork to express what the songs meant to them. Taking advantage of COVID-19’s prohibition of concert touring, the band has been hard at work writing the next Anthrax album. Check with your local comic shop for the availability of the standard TPB edition, with all editions available to order directly from Z2’s website now, with Charlie Benante’s Judge Dredd variant exclusive to preorders.
Opera Saratoga has announced the concert series America Sings will return to Caffè Lena this month on June 19th for A JuneteenthCelebration, celebrating the end of slavery in the United States.
The program was curated by bass-baritone Carl DuPont, a distinguished alumnus of Opera Saratoga’s Young Artist Program who is now on faculty at Peabody Conservatory where he teaches voice and a survey course on Art Song by African American Composers.
Carl DuPont is a highly accomplished bass-baritone and vocalist equally engaged in performing, teaching, and research. Major operatic credits include productions at Opera Columbus, The InSeries, The Glimmerglass Festival, Opera Carolina, Toledo Opera, Opera Saratoga, Sarasota Opera, Cedar Rapids Opera, El Palacio de Bellas Artes, Opera Company of Brooklyn, and Leipzig Opera. His world premieres include the title character in Dennis Rodman in North Korea as well as Why Peace is Always a Good Idea at Carnegie Hall under the baton of composer Jacqueline Hairston.
In putting together the concert program, DuPont has included prose and poetry – along with an extraordinary selection of music by African American composers – to create a more comprehensive texture of why we celebrate Juneteenth. Musical selections include songs by H. Leslie Adams, Tim Amukele, Margaret Bonds, Uzee Brown,Moses Hogan, Betty Jackson King,Rosephanye Powell, Florence Price, and Hale Smith. Spoken word selections include excerpts from The Declaration of Independence, The Emancipation Proclamation, and The General Orders which actually notified the enslaved people that they were free. The program will also include first-hand diary accounts and poetry from formerly enslaved people, as well as newspaper copy of the observation of the first Juneteenth celebrations.
The program will be performed by Festival Artists from Opera Saratoga’s Young Artist Program, who include notable emerging Black singers alongside artists who come from a wide range of other racial backgrounds, many of whom are learning more about Juneteenth through the experience of putting together this program.
I am glad that the performers at this concert represent a wide variety of racial backgrounds. Some of whom might be performing art songs by Black composers for the first time. Many of the members of the concert-going public will also be hearing these wonderful songs for the first time. That will be a special moment, and I hope the singers feel inspired to continue to advocate for Black composers as well as other marginalized composers, themes, or causes in their careers. And, I hope the audience gains a window into the faith, hope, joy, dreams, suffering, consolation, and frustration of the Black American experience and of our shared history as a nation.
The Empire State Youth Orchestra which consists of a group of high school-aged musicians and artists from the Empire State Youth Orchestra (ESYO) Young Leader Program have announced that they will be hosting a Soundwalk at Washington Park in Albany. This Soundwalk, which will premiere on May 30, 2021-Memorial Day Weekend, will be available all summer.
A Soundwalk is an immersive audio experience curated to accompany a walker as they stroll along various nature trails. As a walker passes through each section, the music changes to match the particular sections of the trail. Young composers from ESYO and guest artists composed pieces of music for specific parts of the trail, highlighting its features. In addition to the focus on nature, some pieces will center on the significance of Albany’s heritage, both Dutch and Native American.
Pieces are composed by Brett Wery, Aaron Houston, Jason Handron, Mike Blostein, Monica Roach, Clare Criscione, Max Caplan, and youth composers William Lauricella and Matthew Kenyon. Each piece is performed by ESYO musicians and special guest artists from the Musicians of Ma’alwyck, including ESYO Young Leader mentor Ann Marie Schwartz.
This Soundwalk is an important project for so many reasons. I joined ESYO and the Young Leader program because I wanted to make music with other dedicated young musicians like myself, and now, I want to give that opportunity back to the community. A park is a place that brings people together, and I am reaffirming that statement through this music. I hope that the Soundwalk will continue to grow, fueled by the community surrounding it.
Emma Edgar, Founder and Artistic Director of the Soundwalk project and a 12th grader at Bethlehem Central High School
“Founder and Artistic Director Emma Edgar and Recording Producer Sean Jones oversee the recording session for “Thrumming” composed by Michael Blostein, a musician, educator, and composer in the Capital Region.
The Albany Soundwalk will be a creative musical event that will bring the community together through the COVID-19 pandemic. For additional information about how you can experience the ESYO Soundwalk event, visit esyo.org/soundwalk. To donate and support the artists in the project, click here: esyo.org/soundwalk
Brooklyn-based Wild Yaks have announced Live at Rippers, their fifth LP and first live album, due July 16, 2021. Alongside its digital release, Live At Rippers will be available in a run of 500 LPs with jackets hand-screened in Rockaway Beach, NY. Wild Yaks are proud to be the first band back at the venue in 2021, setting a performance there for July 17.
For Wild Yaks, music is the ability to take the horrible parts of life, and elevate them into a sacred, firey riot.
I think my chief interest is to transform despair into moments for celebration. What I’m trying to do is rejoice in what’s fragile, and rejoice in what’s already broken. The only thing that I will accept is being fully abandoned. It’s about moving and singing with no concern for the consequences.
Wild Yaks’ frontman and songwriter Rob Bryn.
Live at Rippers presents this vision and the band’s “sense-clobbering” performance better than any album to date. It was recorded at the Rockaway Beach punk-rock-beach-burger-joint Rippers in October of 2019. Bryn again:
Almost all of the songs grew out of moments that happened in Rockaway. And to perform them at Rippers on the altar of blood from which so many of these things sprang is strange and amazing.
Wild Yaks play an ecstatic fusion of punk rock and big-city folk reinforced with passionate vocals (often delivered in unison by the full membership). The band was formed in the fall of 2007 in Brooklyn, New York by singer/guitarist Rob Bryn and drummer/vocalist Martin Cartagena.
While many players have made their way through the Yaks’ over the years, today’s lineup is Jose Aybar (bass), Patsy Carroll (guitar), Giovanni Kincade (Farfisa), Matt Walsh (guitar), plus Cartagena and Bryn. The Yaks’ discography also includes the EP 10 Ships (Don’t die yet, 2009), and full-length albums Million Years(2012), Rejoice! God Loves Wild Yaks (2015), and Great Admirer (2019). The band’s music has been featured in numerous television shows and films, most notably their live performance in an episode of Law and Order SVU.
Independent Venue Week returns July 12 – 18, 2021, bringing together venues from all across the country for a series of shows and programming in celebration of the spirit of independence.
The venue-curated programming will be combined with the return of #IVWTalks, a virtual conference series that discusses current live music industry issues and includes Get Schooled, a full day dedicated to student participants interested in a career in live music to take place on Thursday, July 15.
Among the more than 450 shows to take place as part of Independent Venue Week are performances by hip-hop icon Snoop Dogg at Phoenix’s Celebrity Theatre,roots music icons Steve Earle & The Dukes at Ram’s Head On Stage in Annapolis, midwest indie-pop sensation Beach Bunny at Milwaukee’s The Cooperage, world-class Afro-Cuban percussionist Pedrito Martinez at NYC’s DROM, New Jersey DIY favorites Long Neck, Whiner and PYNKIE at WhiteEagle Hallin Jersey City, legendary rock’n’rollers The Marshall Tucker Band at Missoula’s KettleHouse Amphitheater,and bass virtuoso George Porter Jr. for his reopening run at Garcia’sin Port Chester.
Getting ready for this year’s event feels particularly meaningful. For the past 14 months, independent venues and promoters have collectively fought for their very survival and this feels like the turning point that we’ve all been working for. We were happy and proud to grow Independent Venue Week last year—to even have it, under the circumstances. This year, we hope and believe that fans will return with a renewed appreciation for these uniquely important spaces.
Cecilie Nielsen, Director of Special Projects at Marauder, the firm that runs Independent Venue Week in the US.
The team behind Independent Venue Week has released the first episode of its new podcast series, Independent Venue Speak. Like its namesake, Independent Venue Speak will celebrate the spirit of independence, through the vehicle of deep-diving conversations. The series will be hosted by a different guest artist each episode and focus on how a specific independent venue has shaped the narrative in their music community.
For its inaugural episode, Independent Venue Speak invited the Grammy-nominated, Brooklyn-based artist and songwriter J. Hoard to tell the tale of the iconic Lower East Side room Arlene’s Grocery and its ties to The Lesson, a world-renowned hip-hop jam ensemble that forged an entire music culture.
To truly make Independent Venue Speak as incredible in execution as it was in concept, we enlisted the artists and venue operators to tell these stories themselves. These stories are about extraordinary people who helped inspire prolific music movements and about the venues that offered these movements not just a stage, but a home.
Cecilie Nielsen, Director of Special Projects at Marauder
#IVW21 PARTICIPATING VENUES (So Far!)
Princess Theatre Center for the Performing Arts (Decatur, Alabama)
Theatrikos (Flagstaff, Arizona)
Jeremy’s Juke Joint (Lake Havasu City, Arizona)
The Neighborhood Comedy Theatre (Mesa, Arizona)
The Nile Theater (Mesa, Arizona)
Last Exit Live (Phoenix, Arizona)
The Rebel Lounge (Phoenix, Arizona)
Club Congress (Tucson, Arizona)
Groundworks Tucson (Tucson, Arizona)
The Wayfarer (Costa Mesa, California)
T-Bar Social Club (June Lake, California)
Marvyn’s Magic Theater (La Quinta, California)
1720 (Los Angeles, California)
Globe Theatre (Los Angeles, California)
The Paramount LA (Los Angeles, California)
The Sardine (Los Angeles, California)
The Glass House Concert Hall (Pomona, California)
Crest Theatre Sacramento (Sacramento, California)
Harlow’s (Sacramento, California)
Sacramento Comedy Spot (Sacramento, California)
Belly Up (San Diego, California)
The Casbah (San Diego, California)
Soda Bar (San Diego, California)
Spin Nightclub (San Diego, California)
Amado’s (San Francisco, California)
Bimbo’s 365 Club (San Francisco, California)
Great American Music Hall (San Francisco, California)
The Riptide (San Francisco, California)
Center Stage Theater (Santa Barbara, California)
Kuumbwa Jazz (Santa Cruz, California)
Boulder Theater (Boulder, Colorado)
Fox Theatre (Boulder, Colorado)
The Black Sheep (Colorado Springs, Colorado)
Monkey Barrel (Denver, Colorado)
Roxy on Broadway (Denver, Colorado)
Aggie Theatre (Fort Collins, Colorado)
Ridgway Chautauqua Society / The Sherbino & The Courtyard at 610 (Ridgway, Colorado)
Bijou Theatre (Bridgeport, Connecticut)
The Midpoint (Hartford, Connecticut)
Arden Concert Gild (Arden, Delaware)
9:30 Club (Washington DC, District of Columbia)
The Anthem (Washington DC, District of Columbia)
DC9 Nightclub (Washington DC, District of Columbia)
Lincoln Theatre (Washington DC, District of Columbia)
Pearl Street Warehouse (Washington DC, District of Columbia)
Pie Shop (Washington DC, District of Columbia)
Songbyrd Music House (Washington DC, District of Columbia)
High Dive (Gainesville, Florida)
Murray Hill Theatre (Jacksonville, Florida)
North Beach Bandshell (Miami Beach, Florida)
Van Wezel Performing Arts Hall (Sarasota, Florida)
The Village Theatre (Atlanta, Georgia)
The Blue Door (Brunswick, Georgia)
Grant’s Lounge (Macon, Georgia)
Hargray Capitol Theatre (Macon, Georgia)
Hilo Palace Theater (Hilo, Hawaii)
Hawaii Theatre Center (Honolulu, Hawaii)
ProArts Playhouse Maui (Kihei, Hawaii)
Hey Nonny (Arlington Heights, Illinois)
Annoyance Theatre & Bar (Chicago, Illinois)
Beat Kitchen (Chicago, Illinois)
The Lincoln Lodge Theater (Chicago, Illinois)
The Promontory (Chicago, Illinois)
Reggies (Chicago, Illinois)
Subterranean (Chicago, Illinois)
The Wild Hare & Singing Armadillo Frog Sanctuary (Chicago, Illinois)
Winter’s Jazz Club (Chicago, Illinois)
Egyptian Theatre (DeKalb, Illinois)
Skooter’s Roadhouse (Shorewood, Illinois)
Buskirk-Chumley Theater/BCT Management, Inc. (Bloomington, Indiana)
Mojo’s BoneYard (Evansville, Indiana)
Hi-Fi (Indianapolis, Indiana)
Hoyt Sherman Place (Des Moines, Iowa)
Wooly’s (Des Moines, Iowa)
xBk (Des Moines, Iowa)
East Of Omaha (Griswold, Iowa)
The Englert Theatre (Iowa City, Iowa)
Hutchinson’s HIstoric Fox Theatre (Hutchinson, Kansas)
Liberty Hall (Lawrence, Kansas)
Stiefel Theatre for the Performing Arts (Salina, Kansas)
The Warehouse at Mt Victor (Bowling Green, Kentucky)
Alhambra Theatre (Hopkinsville, Kentucky)
Headliners Music Hall (Louisville, Kentucky)
Old Forester’s Paristown Hall (Louisville, Kentucky)
Renfro Valley Entertainment Center (Mount Vernon, Kentucky)
The Southgate House Revival (Newport, Kentucky)
Texas Club (Baton Rouge, Louisiana)
Carnaval Lounge (New Orleans, Louisiana)
Howlin Wolf (New Orleans, Louisiana)
The Grand (Ellsworth, Maine)
Regent Theatre (Arlington, Massachusetts)
Narrows Center for the Arts (Fall River, Massachusetts)
Atac: Downtown Arts + Music (Framingham, Massachusetts)
Soundcheck Studios (Pembroke, Massachusetts)
Electric Haze (Worcester, Massachusetts)
Pyramid Scheme (Grand Rapids, Michigan)
Kalamazoo State Theatre (Kalamazoo, Michigan)
7th St Entry (Minneapolis, Minnesota)
Fine Line (Minneapolis, Minnesota)
First Avenue (Minneapolis, Minnesota)
The Parkway Theater (Minneapolis, Minnesota)
TAK Music Venue Inc (Moorhead, Minnesota)
The Fitzgerald Theatre (St. Paul, Minnesota)
Palace Theatre (St. Paul, Minnesota)
Turf Club (St. Paul, Minnesota)
RecordBar (Kansas City, Missouri)
Uptown Theater (Kansas City, Missouri)
Kettlehouse Amphitheater (Bonner, Montana)
The Music Hall (Portsmouth, New Hampshire)
Crossroads (Garwood, New Jersey)
Hopewell Theater (Hopewell, New Jersey)
White Eagle Hall (Jersey City, New Jersey)
The Newton Theatre (Newton, New Jersey)
Township Theatre (Township of Washington, New Jersey)
Bard SummerScapecelebrates the uplifting spirit of Black music with BlackRoots Summer, presented in association with Electric Root and organized and led by the rousing vocalist, bandleader, cultural commentator, and anti-racism educator Michael Mwenso and his longtime collaborator Jono Gasparro, former curator of Ginny’s Supper Club in Harlem.
An outdoor stage at Bard’s Montgomery Place campus on the Hudson River, the Sierra Leone-born, London-raised, NYC-based Mwenso are where the concerts will be held for two weekends (July 23 & 24 and July 29-31) Even more, there will be a predominantly BIPOC lineup of more than 20 artists, singers, musicians, and dancers will premiere three original concerts.
Mwenso explains that the concert series in the midst of the pandemic, and in response to the murder of George Floyd, they realized, “Now is the time to push the doors down.” Electric Root was established and set out to collaborate with universities and presenting institutions in order to
“revolutionize how Black music is presented, expose lesser-known artists, decolonize music curriculum, provide artist-led anti-racism training, and heal people.”
All tickets go on sale on June 2. The box office can be reached by telephone at (845) 758-7900, on Mondays through Fridays at 11am–4pm EST, or by email at boxoffice@bard.edu. Tickets are also available 24/7 on Bard’s website at fishercenter.bard.edu.
All SummerScape productions will be presented in adherence with strict COVID protocols. Learn more about SummerScape 2021 health and safety protocols here.
