Author: danielle modica

  • Ramiro Marziani: Embracing All Things Music One String At a Time

    Guitarist/composer Ramiro Marziani is taking the NYC music scene by storm using his international style influenced by a love for culture. The Argentinian-born musician has recently released his newest EP, Sep ’20: From a Living Room in Brooklyn, on Friday, August 13.

    Marziani is a young, worldly guitarist based in Brooklyn, New York City. He has previously performed at venues across New York and Europe, from NYC’s Sony Hall, to Le Bal Blomet in Paris and Prague’s Jazz Dock. He has also made appearances at Austin, Texas’ SXSW festival, California WorldFest, and was even featured in a Polynesian string-inspired NPR Tiny Desk Concert with ukulele virtuoso Taimane.

    Ramiro Marziani

    Music played an important role in Marziani’s life since the beginning. Marziani notes that his family’s influence inspired him to take up guitar, due part from Argentinian musical culture. After gravitating towards the guitar from a young age, he began taking the instrument seriously at 11 years old.

    Old Spanish guitars were always sitting around my family home growing up, I had an intense curiosity to pick it up and start playing.

    Ramiro Marziani

    Marziani’s earliest inspiration was 80’s rock band Asia, after attending a concert of theirs with his father. The revolutionary rockers opened a new door for Marziani to explore endless genres of music, fueling his passion for all forms of musical expression. He enrolled in professional lessons, studying traditional Spanish guitar as well as rock and other genres as he got into his mid-teens.

    Ramiro Marziani
    1980’s supergroup Asia

    When you’re young, you have an aesthetic ferocity to try an instrument. How it sounds, how it looks, what it does. For me, it was the guitar, and the Asia concert made me think “yeah, I’m doing this.”

    Ramiro Marziani

    His musical training continued into attending Berklee College of Music which sealed his future as a professional guitarist. After graduating from Berklee, Marziani moved to Brooklyn in search of bigger and better things. He uses New York as a headquarters for music production and performance in-between travels while he continues on his journey as a blossoming international artist.

    NYC as a culture capital is very romantic to me, it’s filled with amazing musical talent and has provided me with inspiration that I had not found anywhere else.

    Ramiro Marziani

    Travel is apart of the magic for Marziani, allowing him to indulge in his love for discovering new forms of music. His style is self-described as “putting together techniques from everywhere” to create something truly unique; the exchange of knowledge and culture seems to make music so enticing for Marziani.

    It’s the fact that I’m not a tourist, and I have immediate access to meeting and learning from the people of any place I visit, the people that come to your shows. This is the biggest prize for a musician like myself.

    Ramiro Marziani
    Marziani in the studio

    Marziani’s professional studies have guided him to an intuitive way of music-making, comparable to an orchestral composer. His process of creating is much less focused on just throwing things out and seeing what sticks. Instead, he takes an intentional approach, focusing in on the conditions behind the creation of an album. This unique approach to musical artistry allows for a freeform fluidity between genres to properly fit the music’s intended role.

    I strive to create an environment of composition with my music that leads into intentional improvisation and collaboration. I want to make things feel purposeful, no matter the genre.

    Ramiro Marziani

    Marziani released another EP, a meditation music guitar album titled Cielito Blue, in July 2020. Cielito Blue is a short 20-minute album of eight solo guitar songs, written with a service mindset rather than a purely artistic goal. Produced in the beginning of the COVID-19 pandemic, its purpose is to allow oneself to re-connect with the present, by quieting the mind through meditation, stretching, yoga or daily tasks.

    Marziani’s newest EP, Sep ’20: From A Living Room in Brooklyn marks his return to the sound of high energy rock n’ roll guitar and extended jazz improvisation. The meditative period of Cielito Blue, is greatly juxtaposed by this new project, as Sep ’20 marks a return to normalcy.

    Sep ’20: From a Living Room in Brooklyn, was recorded shortly after Cielito Blue, but was kept on the back burner while Marziani worked on other projects. It represents a fusion of cultures through collaborations with musicians from Brazil, Indonesia and Argentina. Best described as “jazz and American folk with a little rock n’ roll sugar,” be sure to expect some unique yet enchanting guitar rhythms.

    Now is the right time to release Sep ’20, as it marks the moment in time when it was recorded, but allows us to celebrate that things are beginning to open up again.

    Ramiro Marziani

    Marziani looks to recreate a banjo-like sound through the electric guitar with first track, “Celtic Dreams.” “El Rio,” the second track, is a slower ballad where Argentine folk and country influence become present. The third and final song on the EP is titled “Oliver Oil”, which floats across dreamy Brazilian rhythms.

    Ramiro Marziani

    Other than creating and traveling, Marziani can be found teaching aspiring musicians of all ages as well as sharing various jam sessions and musical covers on Youtube. From just scrolling down his posts, ranging from Clapton to AC/DC and everything in-between, his musical ambiguity is clear.

    Sep ’20: From A Living Room in Brooklyn is available now on all major streaming platforms. Stay up to date with all things Ramiro Marziani through his Instagram and website.

    Marziani performing with Taimane Gardner for NPR
  • Woodstock 94 Revisited

    Twenty-seven years ago this weekend, Woodstock 94 took place on Winston Farm just north of Saugerties, New York. Woodstock 94, or “Woodstock II” was the next generation’s attempt to rekindle the same “Summer of Love” spirit their parent’s experienced at the original 1969 fest. This was the first shot at doing so, and many future attempts will completely flop, like Woodstock 50, or will end in fire-burning riots, like Woodstock 99. 1994’s rendition isn’t as shockingly awful, but some believe it’s still incomparable to ’69. This is Woodstock 94.

    Woodstock 94
    Woodstock ’94 poster, a playoff of the iconic Woodstock ’69 poster art.

    Saugerties‘ Winston Farm is approximately 100 miles away from Bethel Woods and Yasgur’s Farm – the birthplace of “Woodstock.” But, Winston Farm was supposed to be the original location for the ’69 fest until the owners got cold feet. This change in location was a way of improving the flaws of the previous festival for the second time around, while still holding true to Woodstock roots.

    The 1994 concert was scheduled for August 13–14, and Friday, August 12 was added after first-pool tickets sold out under 12 hours. Ticket prices hiked to $135, plus a three-day pass to the beer tent was $250 – a huge jump from 69’s $18 three-day pass. Tickets were only sold in sets of four, and one parking pass was provided per set.

    Woodstock 94
    A snippet of Billboard Magazine’s coverage

    The star-studded lineup included ’69 alum mixed in with up-and-coming ’90s bands. Plus, the extra day allowed for many more artists to join the setlist.

    Friday, August 12, 1994

    Aphex Twin

    Blues Traveler

    Candlebox

    Collective Soul

    Deee‐Lite

    Del Amitri

    Jackyl

    James

    King’s X

    Līve

    Orbital

    Orleans

    Peace Bomb

    Sheryl Crow

    The Orb

    Todd Rundgren

    Violent Femmes

    Huffamoose

    Abba Rage

    Lunchmeat

    Saturday, August 13, 1994

    Aerosmith

    Blind Melon

    Candlebox

    Crosby, Stills & Nash

    Cypress Hill

    Fight

    Hot Tuna

    Joe Cocker

    Melissa Etheridge

    Metallica

    Nine Inch Nails

    Primus

    Rollins Band

    Salt‐n‐Pepa

    Suicidal Tendencies

    The Band

    The Cranberries

    Crosby, Stills & Nash

    Youssou N’Dour

    Zucchero

    Sunday, August 14, 1994

    Cypress Hill

    Fight

    Hot Tuna

    Rollins Band

    Salt‐n‐Pepa

    Suicidal Tendencies

    The Band

    The Cranberries

    The Roots

    Weir & Wasserman

    Green Day

    Country Joe McDonald

    Porno For Pyros

    Sisters of Glory

    Allman Brothers Band

    Santana

    Red Hot Chili Peppers

    Spin Doctors

    Traffic

    Bob Dylan

    There was no Youtube back then. If you wanted your band to get big, you had to hope it came on the radio. We hadn’t heard of bands like Blind Melon and Collective Soul yet, and a lot of these people (festival-goers) had never been to a concert before.

    Dan Lane, Woodstock 94 attendee

    The fest can be credited for the growth of many young millennial bands. Even Green Day was just finding their fame as their second album Dookie, released six months prior to Woodstock 94, would hit #4 on the charts only weeks after the festival weekend.

    Woodstock 94
    Snap of the Woodstock ’94 stage art

    Promoters ensured the event would be secure with drug dogs, security brigade nicknamed the “peace patrol,” hundreds of port-o-johns, and chain-link fence. Re-entry was not allowed, but festival-goers smuggled food and drink over fences and through bushes. There were no reports of excessive force or need for riot control like there was in 1999.

    From the looks of it we thought we were gonna get strip-searched at entry, (with the dogs and officers) but it was pretty mellow, actually. I think the light security is what they tried to fix in ’99 but that all went wrong.

    Dan Lane

    500,000 young-adults flocked from around the country in fear they were going to miss out on something great. Woodstock ’69 attendees even paid a visit to see how they compared. Festival-goers did seem to enjoy the excitement of making history and there was a notable peaceful vibe across the farm. People were just happy to be there and enjoying music.

    People are understanding that Woodstock 94 is a seminal gathering and a once-in-a-generation opportunity.

    Promoter John Scher for Billboard Magazine

    This fest was rumored to be even bigger than 1969, with two stages and constant MTV coverage. Unlike the first festival, ’94 hosted two large stages with constant live music on each. There were a mix of bands playing each stage, for example, while Green Day was playing on the South Stage, Weir & Wasserman were on the North. This helped spread audiences evenly and highlighted the divide of subcultures. DJ rave sets continued the party late into the night.

    Don’t worry: The two stages, facing opposite directions, are about a third of a mile apart, so there’ll be little chance the sound from one will interfere with the other.

    An excerpt from the Baltimore Sun 8/10/1994

    A rainstorm passed over the festival grounds, on top of the cooling sprinklers, leading to the notorious moniker of “Mudstock.” Described by the New York Times as “a sea of mud and trash and amid evidence of anarchy,” festival-goers took this opportunity to roll around, dance, and sling the wet dirt onto the stage – it did not help that Primus had their song called “My Name is Mud” on the setlist.

    Woodstock 94
    Aug. 14, 1994 — A couple dances in the mud to Traffic in the North Stage area
    (Credit: Times Union Staff Photo by Steve Jacobs ATU112)

    There were mile-long conga lines with half-naked people running around. You could feel them coming – they wouldn’t stop either. If you were in the way, you were getting trampled by a train of muddy kids chanting “Primus Sucks.”

    Dan Lane
    Credit: Michael Greenlar

    Was the hype just too much? Anything with the “Woodstock” name attached is bound to have some high expectations. At the time, some attendees complained the event was too saturated in over-commercialized gimmicks. Looking back 27 years later, It is difficult to compare Woodstock 94 to the pedestal Woodstock ’69 is on. After all, even ’69 was a commercialized event too, inviting the biggest names of the time to help put a spotlight on the era’s changing times. Even Led Zeppelin historically turned down Woodstock ’69 to make more money playing in Asbury Park on the same weekend.

    All expectations aside, Woodstock 94 was just as good as fests like Lollapalooza were at the time. It’s the music and the people that make it a memorable experience, not the gimmicks.

    Dan Lane

    The mid-90s were a very different time compared to the late 60s as well, not everyone was in the same ex-Vietnam hippie-free-spirit in the 90s. There were people holding on to that Summer of Love spirit, but others were clad in platform boots, grungy flannels and buzzcuts.

    Subcultures were everywhere. You’d be walking around thinking “wow that guy has a lot of facial piercings” and the same guy will be looking at you like “wow that guy has way too much tie dye on.” Like, immediately after Joe Cocker’s set you had people barricading the stage for Blind Melon. It was wild.

    Dan Lane
    Woodstock 94
    (Image credit: Getty Images/John Atashian)

    A commemorative double live CD set was released on November 8, 1994, nearly three months after the festival weekend. Titled “Woodstock 94,” the two-disc set documents the best song of each of the 27 performing artists. Check out our Woodstock 94 Spotify playlist based on the album, as well as a playlist with some live footage on Youtube.

    After 27 years, it seems 1994’s rendition of Woodstock was, generally, pretty nice. Positive memories, crazy rumors and great music came out of it. The fest served as a cohabitation of multiple generations of music, so maybe, more peace and love came out of it than expected. Plus, Woodstock’s reputation was about to get much worse in the years to come. Enjoy ’94 while it lasted!

    Other notable moments:

    * A “protest concert” was rumored to go on at Yasgur’s Farm frontlined by ’69 alum, though many of the claimed attendees were playing at Winston Farm the same weekend. It is unclear if this rumor is true due to lack of media coverage.

    *RHCP wore their iconic light bulb costumes for the first half of their Day 3 set, then changed into Jimi Hendrix costumes to pay homage to Woodstock ’69.

    * Green Day engaged in a mud slinging fight with the audience.

    * Green Day bassist Mike Dirnt was accidentally punched in the face by a security guard, knocking out some of his teeth.

    * Rumors circulated that The Rolling Stones were to make a surprise appearance because they were scheduled to play a concert in New York that weekend.

    * Johnny Cash was invited to perform on the last day, but after learning that he would not be performing on the main stage, declined to appear.

    * Most of the ’90s-era bands (and their instruments) were completely caked in mud by the end of their performances, audiences were more respectful towards ’60s-era musicians.

  • The Park Theater Announces “The Park Presents” 2021/22 Season

    Beginning in September 2021, the Park Theater Foundation will begin its flagship series, “The Park Presents,” featuring a diverse lineup of national and international musicians from genres including folk, Americana, zydeco, jazz, classical and more.

    The Park Presents

    The Park Theater, located in Glens Falls, is known as the “newest premier venue” in the area and has a passion for sharing quality and affordable musical entertainment and educational opportunities. The building was established as a movie theatre in 1911, subsequently closing in 1935. Revived in the mid-2000s, The Park Theater reopened its doors with a new vitality for providing a stage for music and arts performance in 2018.

    The Park was shut down for eight months following the COVID-19 pandemic and returned in a small scale to present “Dinner & A Movie: ‘A Beautiful Day In The Neighborhood‘” in November 2020. “The Park Presents” introduces the full-force comeback of the theater!

    We have been hard at work on this schedule and are beyond excited to welcome live music back to our stage and guests to our seats.

    Chris Ristau, Excecutive Director

    On September 10, guitarist Ariel Posen will be the first to take the stage for “The Park Presents” season. This season will also feature The Gibson Brothers, the Villalobos Brothers, The Small Glories, The Jason Anick Acoustic Trio, and many more.

    In addition to music concerts, the 2021/22 season will feature a variety of other programs including “Tribute Band Rewind,” “Live & Local,” “Comedy After Dark” and “Third Thursday Jazz.”  

    The Park Presents

    Tickets for the 2021/22 season will be on sale beginning August 6th, 2021. For the full performance listing or to purchase tickets, visit www.parktheatergf.com.

    Check out the full schedule below:

    Park Theater Upcoming Events 2021

    August 12 @ 6:30 pm – Summerland Music Society: Chamber Music

    September 10 @ 7:00 pm – Ariel Posen (Americana, R&B, Beatles-inspired pop)

    September 15 @ 6:30 pm – Rochmon Record Club Listening Party: Crosby, Stills, Nash & Young’s “Deja Vu”

    September 18 @ 7:00 pm – Jason Anick Acoustic Trio (Bluegrass, Jazz)

    October 2 @ 7:00 pm – Misty Mountain Hop (Led Zeppelin Tribute)

    October 8 @ 7:00 pm – Cold Chocolate (Americana, Funk, Folk, Bluegrass)

    October 22 @ 6:30 pm – Fort Vine (Indie-Folk)

    October 27 @ 6:30 pm – Rochmon Record Club Listening Party: The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band”

    October 29 @ 6:30 pm – The Gibson Brothers (Classic Rock, Country)

    November 4 @ 7:30 pm – Billy Wylder (Jazz, Folk)

    November 6 @ 7:00 pm – High Noon: A Tribute to Lynyrd Skynyrd and Southern Rock

    November 11 @ 7:00 pm – The Small Glories (Americana UK Roots)

    November 20 @ 6:30 pm – Villalobos Brothers (Contemporary Mexican Music)

    November 30 @ 6:30 pm – Rochmon Record Club Listening Party: Fleetwood Mac’s “Rumours”

    December 3 @ 7:00 pm – Saints in the City: A Bruce Springsteen Tribute Band

    December 10 @ 7:00 pm – Soggy Po Boys (Music of New Orleans)

    December 29 @ 6:30 pm – Rochmon Record Club Listening Party: Doobie Brothers’ “The Captain and Me”

    Ariel Posen’s Recent Release with Cory Wong
  • Bela Fleck Announces New Album “My Bluegrass Heart” and Upcoming Tour Dates

    NYC-native and 16-time Grammy-winner Bela Fleck marks his return to bluegrass with My Bluegrass Heart, out September 10. In preparation for this release, Fleck shared the single “Charm School,” a collaboration with fellow bluegrass musicians Billy Strings and Chris Thile.

    bela fleck my bluegrass heart

    Banjo virtuoso Béla Fleck is best known for his work with the bands New Grass Revival and Béla Fleck & the Flecktones. Fleck was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival in 2020.

    My Bluegrass Heart is the third chapter in Fleck’s multi-decade-spanning trilogy that began with 1988’s Drive and continued in 1999 with The Bluegrass Sessions. Produced and composed by Fleck, My Bluegrass Heart carries on the bluegrass tradition of sharing music between generations. 

    They nearly always come back, all the people that leave bluegrass. I had a strong feeling that I’d be coming back as well. 

    Béla Fleck

    Fleck first shared single “Charm School,” featuring Billy Strings on guitar and Chris Thile on mandolin, on July 28. The track is hypnotizingly fun – the interweaving of instruments is in a soulful, yet danceable way. The inclusion of the count off and “whew!” at the end with excitable agreeance by the other musicians feels so organic. This natural approach makes listeners feel present at the recording session, only to be brought down from bluegrass heaven once the eight-minute piece inevitably comes to an end. “Charm School” is a promising introduction to My Bluegrass Heart, proving that Fleck’s love for the genre is just as passionate as ever.

    In some ways, it’s the wildest and jammiest track on the album, and yet highly melodic and organized. I feel this was the perfect vehicle for this band and the perfect band for this song.

    Béla Fleck

    Charm School” is out now on all major streaming platforms and My Bluegrass Heart is available for preorder on BelaFleck.com.

    bela fleck my bluegrass heart

    Fleck has also announced he will be touring My Bluegrass Heart throughout 2021 and 2022, including a special night at the Ryman Auditorium in Nashville on January 7 with Sam Bush, Michael Cleveland, Jerry Douglas, Stuart Duncan, Sierra Hull, Edgar Meyer, Justin Moses, Mark Schatz, Billy Strings, Bryan Sutton, Chris Thile, Molly Tuttle and more. 

    Ticket information for the “My Bluegrass Heart Tour” can be found on Bela Fleck’s website and more dates are to come.

    Béla Fleck: My Bluegrass Heart Tour 

    With Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz, & Bryan Sutton:

    9.17 Roanoke, VA //   Jefferson Center 

    9.18 Berryville , VA // Watermelon Pickers’ Fest  2021 

    9.19 Glenside, PA // The Keswick Theatre 

    9.21 Pittsburgh, PA // Carnegie of Homestead Music Hall 

    9.22 Bethesda, MD // The Music Center at Strathmore 

    9.23 Cumberland, MD // DelFest 

    9.24 Princeton, NJ // McCarter Theatre Center 

    9.25 Boston, MA // Berklee Performance Center 

    9.26  North Adams, MA // FreshGrass 

    9.28   Kent, OH // The Kent Stage 

    9.29 Cincinnati, OH // Taft Theatre

    9.30  Charlottesville, VA // The Paramount Theater 

    10.01 Raleigh, NC // IBMA Bluegrass Live! 


    With Sam Bush, Jerry Douglas, Stuart Duncan, Edgar Meyer, & Bryan Sutton:

    * = Béla Fleck, Sam Bush, Stuart Duncan, Edgar Meyer, Bryan Sutton


    11.27   Grand Rapids,  MI // DeVos Performance Hall 

    11.28 Fort Wayne, IN // Clyde Theatre 

    11.29   Milwaukee, WI // Riverside Theater 

    12.01   St. Louis, MO // The Sheldon Concert Hall 

    12.02   Des Moines, IA // Hoyt Sherman Place 

    12.03   Salina, KS // The Stiefel Theatre 

    12.04   Denver, CO // Paramount Theatre*

    12.05   Jackson, WY // Center For The Arts 

    12.07   Portland, OR // Arlene Schnitzer Concert Hall 

    12.08   Seattle, WA // Paramount Theatre* 

    12.09   Eugene, OR // Jaqua Concert Hall – 2 shows!

    12.10   Redding, CA // The Cascade Theatre*

    12.11  Reno, NV // Silver Legacy Resort Casino 

    12.12   Berkeley, CA  // The UC Theatre 

    12.14   Costa Mesa, CA // Segerstrom Center for the Arts 

    12.17   Los Angeles, CA // Theater at the ACE Hotel 

    12.19   Tucson, AZ // Fox Tucson Theatre

    With Sam Bush, Michael Cleveland, Jerry Douglas, Stuart Duncan, Sierra Hull, Edgar Meyer, Justin Moses, Mark Schatz, Billy Strings, Bryan Sutton, Chris Thile, Molly Tuttle & more:

    1.7.22   Ryman Auditorium // Nashville, TN

  • X Ambassadors Release New Single, Announce Tour Dates

    Ithaca-natives X Ambassadors have shared a new song called “Okay” in preparation for their third album, The Beautiful Liar, which is set for release on September 24. X Ambassadors have also announced their upcoming U.S./European Tour, including a stop at Webster Hall in October.

    x ambassadors

    X Ambassadors made their full-length debut in 2015 with VHS, that transitioned the band from Ithaca alt-rockers and Brooklyn-indie-scene outsiders to Billboard chart-toppers. Now certified platinum, VHS delivered X Ambassadors’ popular hits “Unsteady” and “Renegades,” which launched them into mainstream success. Most recently, the band released EP Belong, inspired by ’60s and ’70s soul and R&B, in March 2020 as well as three-song project (Eg) in January 2021.

    “Okay” follows the June release of their darkly cinematic track “My Own Monster” whose black-and-white visual finds lead vocalist Sam Harris performing a choreographed routine with his own shadow. Both songs will be featured on the band’s third studio album The Beautiful Liar

    x ambassadors

    “Okay” marks the start of a compelling new lyrical direction for X Ambassadors. With the same emotional intensity as 2015’s “Unsteady,” “Okay” adds deeper poeticism with verses like “We’ll make no mistake, whatever may come… We’ll rise up, it’s true and we go down this road…”

    Written during a period of such uncertainty, “Okay” has the ability to connect with and validate the worries of today while sending the reassuring message that things will work out eventually.

    Life is unpredictable… things happen that are out of control all the time. We all are living in a constant state of uncertainty. And yet… I say it all the time. ‘Everything’s gonna be okay.’

    Sam Harris, lead vocalist

    Okay” is now available for streaming on all major platforms. Preorder The Beautiful Liar album here

    Tickets are on sale now for X Ambassadors’ “The Beautiful Liar” tour, which will hit New York’s Webster Hall on October 27. Scarypoolparty and Taylor Janzen will open the show on all North American dates. For ticket information, visit xambassadors.com/tour.

    Check out their U.S. tour schedule below:

    X Ambassadors 2021 “Beautiful Liar” Tour

    Scarypoolparty direct support, Taylor Janzen will open.

    October 15 – House of Blues / San Diego, CA 

    October 16 – Phoenix AZ / Marquee

    October 18 – Tulsa, OK / Cain’s

    October 19 – Austin, TX / Emo’s

    October 22 – Nashville, TN / Brooklyn Bowl

    October 23 – Louisville, KY / Mercury Ballroom

    October 25 – Asheville, NC / Orange Peel

    October 27 – New York, NY / Webster Hall

    October 28 – Boston, MA / Big Night Live

    October 29 – Philadelphia, PA / Theatre of the Living Arts

    October 30  – Washington, DC / Lincoln Theater

    November 1 – Toronto, ONT / Danforth

    November 2 – Detroit, MI / St. Andrew’s

    November 4 – Chicago, IL / Vic

    November 5 – Indianapolis, IN / Deluxe

    November 6 – Milwaukee, WI / Rave

    November 8 – Kansas City, MO / Truman

    November 9 – Minneapolis, MN / Varsity

    November 11 – Denver, CO / Ogden

    November 12 – Salt Lake City, UT / The Depot

    November 13 – Boise, ID / Revolution Concert House

    November 15 – Seattle, WA / Showbox

    November 16 – Spokane, WA / Knitting Factory

    November 17 – Portland, OR / Roseland

    November 19 – Sacramento, CA / Ace of Spades

    November 20 – Los Angeles, CA / Belasco

  • Rooftop Rock Fundraiser at Bogart House to Benefit Brooklyn Musicians

    Gear up for a night of music, dance, and community on a rooftop in Brooklyn! “Rooftop Rock,” a live-music fundraiser event for local artists, will be held at the Bogart House in Bushwick on Sunday, August 15.

    rooftop rock

    Starting at 11 a.m., various Brooklyn-based bands will take the stage at the Bogart House’s roof-deck in hopes to bring the Bushwick community together by sharing and promoting local music. New York City visual artists will also have some pieces on display and for sale. All proceeds from the event will be evenly distributed amongst all performers.

    By giving back to the artist community, we give to the community as a whole. The fundamentals of creativity are essential to the well-being of every New Yorker and the city’s vibrancy at its core.

    Alyssa Martin, Founder of Chelsea Records NY
    rooftop rock

    Hosted by non-profit organization Chelsea Records, Rooftop Rock seeks to uplift new musical acts by relieving the pressures and financial burdens of booking shows. This more lighthearted approach allows for a concert experience where artists can express themselves without hesitation and the art can speak for itself. Especially after a year of isolation, collaboration and networking is essential to bring life into local music scenes again.

    We began using a personal roster of musicians to book full line-up shows at local venues and used our own individual contacts to fill the room. (Musicians) were also exposed to a brand new audience that soaked in all of their incredible work.

    Alyssa Martin, Founder of Chelsea Records NY

    A full bar will be available on site and more artists are to be announced. Tickets are on sale now for $25 each on Humbler.

    rooftop rock

    Rooftop Rock Details

    Date: Sunday, August 15th, 2021

    Time: 11:00 a.m. to 4:00 p.m.

    Location: Bogart House – 230 Bogart Street Brooklyn, NY (Rooftop)

    Musical Lineup:

    Almost Sex (Alt Pop Duo)
    Jake Pinto Project (Alt)
    Alyssa Grey
    Pastel (Rock)
    Pan Arcadia (Alt Rock)

    Visual Artists:
    Ella Eliakim
    Jesse Lee

    Pan Arcadia performing “After the Flood” live in 2020
  • Schenectady’s Music Haven Announces 2021 Series

    Schenectady’s Music Haven has announced a three show season of regional and international talent after a year hiatus. Musicians will take the stage at Schenectady’s Central Park on August 15, 22 and 29.

    Since 1990, Music Haven has been bringing world-class music to Schenectady. Although the series is shorter than previous years, Music Haven has been working to continue their reputation as a local hub for music exploration.

    I’m thrilled to keep Music Haven on the map this summer and welcome friends and neighbors back to the heart of the park.

    Mona Golub, producing artistic director of Music Haven

    Kicking off the series is local blues band Wyld Blu on August 15. Headlining the night is blues guitarist Albert Cummings, touring in celebration of his new album, Believe.

    Albert Cummings

    The second concert of the season will feature Israeli/Iranian pop singer, Liraz, who will be accompanied by several members of NYC’s Ethiopian jazz collective, the Anbessa Orchestra. Palestinian Kanun virtuoso, Firas Zreik, will set the stage as the evening’s opening guest.

    The Schenectady Symphony Orchestra returns to Music Haven this year, under the direction of Glen Cortese. Closing the series out on August 29, their program is inspired by “The American Songbook” and contains classic music from the Tin Pan Alley era by Gershwin, Porter and Berlin, Copland, traditional American folk tunes and popular film score by John Williams. Special guest vocalists, Mia Scirocco and Casey Grey will be featured throughout the evening.

    Schenectady Symphony performing with the Octavo Singers in 2018

    Food and drink will be available for purchase from local vendors Michele’s Charcoal Pit, Wolf Hollow Brewing Company and Nine Pin Cider. Ben & Jerry’s ice cream will be on-site as well.

    In the case of inclement weather, shows will be held at at Proctors.

    All concerts are free and begin at 7 p.m. at Central Park in Schenectady. For more information about Music Haven, visit their website. Show updates, including weather calls, will be posted on the Music Haven Concert Series Facebook.

    Check out the schedule below:

    August 15: Albert Cummings (w/ guest Wyld Blue)

    August 22: Liraz (w/ guest Firas Zreik)

    August 29: Schenectady Symphony Orchestra (w/ special guest vocalists Mia Scirocco and Casey Grey)

    Liraz’s “Zan Bezan”
  • ‘Bands on the Bricks’ Concert Series Returns to Rochester

    Live music has taken over Rochester‘s Public Market once again. The annual “Bands on the Bricks” concert series has made a comeback with a lineup of popular tribute bands and local groups, beginning July 16.

    Bands on the Bricks

    The Rochester Public Market, located on 280 North Union Street, has hosted community events since 1905. “Bands on the Bricks” is one of their most popular summer events, bringing crowds from all over the area. All shows are 6-10 p.m. every Friday night until August 13.

    On Friday, July 16 the Zac Brown Tribute Band rocked the market, delivering the “true Zac Brown Band experience” for Rochester locals. Check out a live stream recording of their set from the ZBTB Facebook.

    Bands on the Bricks
    ZBTB

    There are five free city-owned Market parking lots available for use. Railroad Street, Union Street, a large lot across Union Street from Market grounds (accessible from Trinidad or Scio Streets), and two small lots at the corners of Pennsylvania/First, as well as Pennsylvania/Union. Public street parking and paid private lot parking are also available in the surrounding Market District. 

    A market trolley circulates around the grounds and to/from parking lots from May through October, and a pedestrian and bicycle bridge over Union Street is available to and from the Trinidad/Scio Street lot. Carpooling, walking, or bicycling is encouraged, but bikes are not permitted beyond the market gates. Download a parking map pdf here.

    Bands on the Bricks

    Gates open 5:30 p.m., shows start at 6 p.m., all shows are free of charge. Attendees are permitted one sealed bottle of water per person, no other food or beverages is allowed. Seating is limited so personal folding chairs and blankets are suggested. More information can be found on the City of Rochester website.

    “Bands on the Bricks” Upcoming Shows:

    July 23: Into the Now (Grateful Dead, Rolling Stones, the Doors tribute band), Dinner and a Movie (Phish Tribute Band)

    July 30: The Taint (local cover band), Appetite for Voltage (Guns N Roses, AC/DC tribute band)

    August 6: Latino Night (annual partnership with Puerto Rican Festival featuring an array of local Latin music groups)

    August 13: M 80’s (80s tribute band), Kashmir (Led Zeppelin tribute band)

    Kashmir performing Zep’s “No Quarter”
  • EVVAN Shares New Single, Personal Essay for Non-Binary Day

    Alt-folk singer/songwriter EVVAN is marking this year’s International Non-Binary Day (July 14) with a personal essay about her journey to come out, as well as a live video for a previously unreleased song, “Falling Into You.”

    EVVAN

    The Long Island native is known for her distinctive voice, textured melodies and layered harmonies. She is inspired by the works of Fleetwood Mac, Foy Vance, and Brandi Carlile. She evokes a nostalgic spirit through her use of delicate guitars and ethereal vocal lines.

    Released today, “Falling Into You” is the first song of her series written about the phases of a relationship.

    This song is about falling completely into the person you’re pursuing and all that goes with that, the good, the bad, and everything in between. For me, part of what I perceived as ‘bad’ was my inability to understand who I was at that point.

    EVVAN on “Falling Into You”

    The second part of the series is “Falling Over You,” featured on EVVAN’s April 2021 EP, Home, which explores the experiences of dealing with unrequited love and the inability to let go of the feelings expressed in “Falling Into You.”

    EVVAN

    EVVAN’s Home EP reflects a period of personal awakening during which she used to revamp her writing style and artistic identity. The lyrics discuss themes of sexuality and gender, self-discovery and acceptance, and relationships both beginning and ending.

    When I look at myself, I see someone lighter, someone who can act how she wants and dress how she wants, and not care about whatever pushback comes along with it. I finally found myself and instead of wearing countless masks, as I have in the past, I can just be simply me.

    EVVAN

    The heartfelt and airy sounds of “Falling Into You” is sure to strike an emotional chord, beautifully expressing the frustrations of finding oneself and moving forward. Although growing from misfortune is difficult, EVVAN’s signature folky-voice reassures listeners that good comes from change.

    My journey coming out as non-binary was a long one and it was full of worry that I’d never live a life without judgment, mainly judgment of myself. Over a year after writing this song and coming out, we filmed a live performance and just watching it fills me with courage.

    EVVAN on coming out

    Read more about EVVAN’s journey through her self-reflective essay “Taking the Mask Off” here. A live performance of “Falling Into You” is available to watch on YouTube.

    EVVAN has also announced her return to live performances with a show at the Rockwood Music Hall (Stage 3) on July 28. More information can be found here.

  • Judy Collins Debuts “Since You’ve Asked” Podcast

    Folk singer Judy Collins has released her newest project, a podcast series called Since You’ve Asked, named after her 1977 single of the same title. The podcast’s first episode aired on July 8 with guest Julia Cameron.

    Collins began her musical career in the early 1960s playing folk music in clubs around Colorado and Connecticut. She is known for covering crucial protest songs of ’60s, like Bob Dylan’s “Mr. Tambourine Man” and being an multi-faced public activist. She made her way to Greenwich Village and released her first album A Maid of Constant Sorrow in 1961. Collins worked with iconic musicians throughout her career, including Stephen Stills, Randy Newman, and Joni Mitchell.

    Collins was nominated for one Academy Award for co-directing the film Antonia: A Portrait of the Woman as well as six Grammy Awards for “Best Folk Performance.” She won one Grammy with “Both Sides Now” and has multiple Gold and Platinum Record certifications.

    Collins is just as active in her career today, releasing over 15 live albums and EPs since 2000. With her podcast, Collins aims to use her honest and upfront personality alongside her personal experiences to host riveting conversations with public figures and fellow musical artists. She has most recently shared a discussion with best-selling author Julia Cameron, best known for her self-help book, The Artist’s Way

    In the episode, Collins and Cameron discuss the struggles and joys of sobriety, communicating with those that have passed on, Cameron’s relationship with director/actor Martin Scorcese, and “starter husbands.”

    The podcast series is expected to continue into this fall. New episodes debut every two weeks and past episodes are available to stream on Simplecast.

    Since You’ve Asked – Episode Schedule:

    July 8: Julia Cameron

    July 22: Jeff Daniels

    August 5: Ben Harper

    August 19: Pat Allerton

    September 2: TBD 

    September 16: TBD 

    September 30th: TBD 

    October 14th: TBD

    Collins performing her song “Since You’ve Asked”