Author: Ana Medvedeva

  • Ricky Montgomery Sells out Gramercy Theatre

    Ricky Montgomery performed to a sold-out crowd at Gramercy Theatre in NYC on Thursday, December 2. The rising indie-pop star put on an incredibly dynamic and entertaining performance for the passionate audience. 

    From the moment that Montgomery ran on stage up until the end of his three-song encore, the crowd at Gramercy Theatre matched his exuberant energy. The young crowd proudly held up homemade signs and loudly sang along to every song through their masks. When Montgomery instructed them to jump during a song, the floor shook under the force of the audience.

    Montgomery hasn’t always had such a positive experience with his music. Taking a year off of music in 2018, the artist nearly called it quits entirely in 2020 after struggling to gain traction with his 2016 debut album. Luckily, TikTok worked its magic for the artist! His 2016 tracks, “Mr Loverman” and “Line Without a Hook” went viral on the platform and catapulted his career overnight. He quickly signed to Warner Records and has been garnering over 10M streams per week across his catalog ever since. 

    It’s clear that Montgomery is thankful for his career and the opportunity to perform for a dedicated fanbase. The artist met every shout of “I love you” with an acknowledgment and a thanks, even smiling for an extended period of time when a fan asked him to pose for a photo while on stage. 

    Montgomery has begun releasing new music under Warner Records, with his latest single “Sorry For Me” going viral, yet again. We look forward to watching Montgomery grow his career and release more incredible music. 

  • Alexander 23 Sells Out Webster Hall

    Alexander 23 played a sold-out show at Webster Hall in New York City on Friday, November 19. Signing to Interscope records in 2019, the artist has quickly garnered a massive audience with his soft pop masterpieces. His debut single, “dirtyaf1s” instantly went viral and catapulted the artist to the top of streaming charts.

    His knack for delicately layering airy vocals with unexpected instrumentals has not gone unnoticed. The artist has written and produced for fellow musicians, such as Role Model and mxmtoon. He also co-produced one of 2021’s biggest pop songs, “good 4 u”, performed by Olivia Rodrigo. 

    Alexander holding a rose to the crowd

    Despite the “Oh No, Not A Tour!” tour being his first-ever North American headline run, Alexander 23 commanded the stage with ease. Opening the show with “Cry Over Boys” off of his latest EP, Oh No, Not Again!, he instantly energized his young audience. As the night progressed, he played hits such as “girl”, “IDK You Yet”, and “Come Here and Leave Me Alone”. 

    Towards the end of his setlist, the artist took a moment to stray away from his releases and played a cover of Katy Perry’s hit single, “Teenage Dream”. The audience roared with approval and sang along so loudly that it became hard to hear Alexander 23’s vocals. 

    In between songs, the artist profusely expressed his gratitude for being able to make music and tour for a living. The crowd danced and sang along to each and every song, filling the room with the hallmark of a good concert — a light scent of sweat.

  • Miles Francis Set To Perform at Brooklyn Bowl This Saturday

    New York City native Miles Francis will be playing a hometown show at Brooklyn Bowl this Saturday, November 13. 

    The artist, who identifies as non-binary and uses they/them pronouns, recently announced the release of their new album, Good Man on November 10. Francis shared the title track, “Good Man”, as a teaser for the album, which comes out March 4, 2022. 

    Think the track sounds like it was inspired by 80s music with a hint of turn-of-the-century pop? You’d be spot on — Francis’ musical inspirations are Prince, David Bowie, and early 2000’s boy bands.

    Francis explained the track, saying,

    “‘Good Man’” is sung by a man who preaches progressive values, who identifies as ‘one of the good ones’ – yet he fails to recognize his perpetuation of patriarchal behavior in his own life. There are lots of outwardly ‘bad’ men out there – but it’s the ones who claim their ‘good’-ness that can be particularly troublesome and capable of causing real harm.”

    Still not sure if you’d like to attend? Read our review of their show at Baby’s All Right in October.

    Miles Francis will be opening the show for Antibalas this Saturday at Brooklyn Bowl. Purchase tickets for the show online

    Miles Francis
  • Frazey Ford Soothes The Soul at Baby’s All Right

    Canadian singer-songwriter Frazey Ford brought her calming presence to a sold-out crowd at Baby’s All Right in Brooklyn on Oct. 28, 2021.

    The folk-soul artist beautifully belted hits such as “One More Cup of Coffee” and “Blue Streak Mama” to the gleeful audience. While most of her setlist was relaxing and down-tempo, Ford made sure to intersperse some higher-tempo songs such as “Done” and “September Fields” to get the audience dancing.

    In between songs, the mother of two shared stories, engaging with the crowd and making the performance even more intimate. Sharing her experiences from performing in L.A. the day prior and speaking on the cultural differences between Los Angeles and New York City. Most notably, she went on to divulge some information about her “hippie” parents, who named her Frazey Ford and allowed her brothers to choose her middle name. As she laughed off the memories, she continued, revealing that her brothers decided on the name Obadiah, who was their pet cat that had recently run away.

    You can listen to Frazey Ford’s music on Spotify, Apple Music, or YouTube. Check out Ana Medvedeva’s photo recap below.

  • In Focus: Miles Francis at Baby’s All Right

    Miles Francis captivated their late-night audience on Wednesday, October 6, at Baby’s All Right. Originally set to perform at 10 p.m., scheduling delays led to a slightly later start to the already late-night show. Despite the wait, the audience at Baby’s All Right was buzzing. 

    The New York City native lived up to their reputation as one of the best-kept secrets of the local music scene. The show began with Francis walking through the crowd and jumping on stage enveloped in a silver morph suit. An intrigued audience watched as Francis acted out hurriedly ending a phone call.  

    After quickly unzipping their morph suit, Francis and their supporting band jumped into an energetic opening number. Francis performed a carefully curated mix of their discography, making sure to perform their two latest releases, “Service” and “Popular.” With their effortless dancing and humorous stories rounding out the set, it’s clear that the stage is a second home for Francis.

    Miles Francis is currently working on their debut album, set to release in late 2021. Listen to his latest single, “Popular” here.

  • Dead Sara Electrifies Bowery Ballroom

    After a three-year touring hiatus, LA-based rock band Dead Sara finally returned to NYC on Friday, October 1st.

    The excitement for Dead Sara’s return was palpable at Bowery Ballroom. As the stage got set up, fans watched the process attentively. Their eyes stayed glued to the stage even as the crew performed mundane tasks like taping the setlist down. The moment they saw the crew give a thumbs-up signal to the sound staff, cheers erupted.

    Frontwoman Emily Armstrong captivated her audience with her powerful vocals and hypnotizing stage presence. The audience reacted positively, shouting out their approval after each song.

    The band performed “Heroes,” “Hypnotic,” and “Good Times” amongst other tracks off of their first full-length album since 2015, Ain’t It Tragic.

    What truly made the night memorable was when Armstrong spotted an American flag in the crowd. She began singing the National Anthem as a joke — much to her surprise, the crowd immediately joined in and belted the entirety of the anthem back to Armstrong. She flipped the bird and nailed a massive stage jump as she transitioned back into Dead Sara discography, cementing her as a modern rockstar.

  • Mild High Club Returns to NYC for the First Time Since 2019

    Cheers filled the room as the lights dimmed at Webster Hall on Friday, September 24th as Mild High Club sauntered onto the stage to greet their fans for the first time since late 2019.

    Formed in 2012, Mild High Club is the solo project of Alex Brettin. Influenced by jazz and AOR, Brettin tours with a talented supporting band to bring his music to life.

    mild high club

    With roughly half of the crowd covering their faces in masks, the room felt friendly but tense as everyone eased back into being shoulder-to-shoulder with strangers. Once the band played a few tracks off of their first album in four years, Going Going Gone, the tension eased as the crowd sang along. 

    Brettin mixed in crowd favorites such as “Windowpane” and “Skiptracing” which got the crowd waving their hands in the air and dancing. The pure joy of being back at a concert was palpable as one front-row attendee gushed to his friend, “Dude, I am so happy we made it out to this show…it’s been so long since I’ve seen live music.”