{"id":707,"date":"2020-09-06T18:41:19","date_gmt":"2020-09-06T18:41:19","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2020\/2020\/09\/06\/dead-history-jerry-garcia-debuts-wolf-aboard-a-hells-angels-cruise-with-merl-saunders\/"},"modified":"2020-09-06T18:41:19","modified_gmt":"2020-09-06T18:41:19","slug":"dead-history-jerry-garcia-debuts-wolf-aboard-a-hells-angels-cruise-with-merl-saunders","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2020\/2020\/09\/06\/dead-history-jerry-garcia-debuts-wolf-aboard-a-hells-angels-cruise-with-merl-saunders\/","title":{"rendered":"On this day in Grateful Dead history, Jerry Garcia debuts ‘Wolf’ aboard a Hell’s Angels cruise with Merl Saunders"},"content":{"rendered":"\n

Among the many guitars in the cache of Jerry Garcia, “Wolf<\/a>” stands as the most legendary of them all. “Wolf” was customized by luthier <\/a>Doug Irwin, and was delivered to Jerry ahead of his appearance at a private show for the Hell’s Angels on September 5, 1973 in NYC.<\/p>\n\n\n\n

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Late in 1972, Garcia came across the first guitar Doug Irwin made for Alembic, which he bought on the spot for $850. He then asked Irwin to customize a guitar for him, and “Wolf” was born. Made from amaranth\/purpleheart and curly maple with an ebony fingerboard and twenty-four frets, which were inlaid with African ivory (the first fret is mother-of-pearl). <\/p>\n\n\n\n

The original version had a peacock inlay, later followed by Irwin\u2019s eagle logo in its place. Later, a cartoon wolf licking his chops was placed by Jerry Garcia just below the tailpiece, which gave the name to the guitar. Irwin would later inlay the sticker into the guitar, which was labeled as \u201cD. Irwin 001.\u201d The guitar would cost Garcia $1,500, or around $8,700 in 2020 dollars.<\/p>\n\n\n\n

“Wolf” would be played for two decades, becoming his most well known guitar and played across countless recordings, concerts and even in “The Grateful Dead movie.” Here, Irwin discusses <\/a>the intricate detail of “Wolf.”<\/p>\n\n\n\n

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A few years after I delivered Wolf to Jerry, the guitar took several tumbles during Grateful Dead’s European tour. The first, a fall of about fifteen feet off the stage onto cement, had no effect on the guitar at all, but the second incident caused a crack to appear in the peghead. When Jerry finally brought me the Wolf for repair, the crack was actually very minor, but a stitch in time, saves nine. Repairing the crack wasn’t much of a problem, but having the guitar again made me reassess my early inlay work, and prompted me to reface the peghead with ebony and replace what I determined to be a poor excuse for a peacock with my signature eagle inlay cut from mother-of-pearl.<\/p>\nDoug Irwin, on “Wolf”<\/a><\/cite><\/blockquote>\n\n\n\n

“Wolf” was played throughout the ’70s and ’80s, alongside “Tiger” and “Rosebud,” also designed by Irwin. “Wolf” was brought out of retirement in 1989 when Jerry explored using a MIDI synthesizer, and was played for the last time with the Grateful Dead at Oakland Coliseum Arena on 2\/23\/93<\/a>.<\/p>\n\n\n\n

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Photos by Roberto Rabanne<\/a><\/figcaption><\/figure>\n\n\n\n

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In 2002, “Wolf” was purchased by a Deadhead, who later auctioned the guitar off for a great cause. The anonymous fans said:<\/p>\n\n\n\n

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I\u2019ve been a fan of The Dead since I was a kid, and playing this iconic guitar over the past 15 years has been a privilege. But the time is right for Wolf to do some good. My wife and I have long supported the efforts of the Southern Poverty Law Center, and if ever we needed the SPLC, we sure do need them now.<\/p>\nAnonymous owner of “Wolf”<\/cite><\/blockquote>\n\n\n\n

“Wolf” would be auctioned off at a price of more than $1.6 million, a bid that was matched by an anonymous donor, raising a total of $3.2 million for the SPLC.<\/p>\n\n\n\n

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The first show that Jerry Garcia would play “Wolf” at was a private show dubbed “Pirates Ball” on September 5, 1973, a private Hell’s Angels party aboard the S.S. Bay Belle. Performing with Merl Saunders in New York Harbor, the ship was known as the “largest marine ballroom afloat,” and was renamed to the Sound Line later after the show. The show also featured Bo Diddley, Elephant’s Memory and Mission Mountain Wood Band.<\/p>\n\n\n\n

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The S.S. Bay Belle, later named Sound Line<\/figcaption><\/figure>\n\n\n\n

The guitar can be see in the movie\/documentary Hell’s Angels Forever<\/a><\/em>, directed by Richard Chase, Leon Gast, Kevin Keating, and Lee Maden.<\/p>\n\n\n\n

Setlist<\/strong>: It Ain’t No Use, Favela, You Can Leave Your Hat On, Mystery Train, Harder They Come, Think, Finders Keepers<\/p>\n\n\n\n

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