Tag: wu tang clan

  • Wu Tang Wednesday: GZA and Killah Priest teach about the B.I.B.L.E

    While recent racial tensions surrounding police-brutality have garnered the general public’s attention, another divisive issue has picked up steam as of late. Public figures such as, Ice Cube, former NBA player Stephen Jackson and Philadelphia Eagles wide receiver DeSean Jackson have posted social media doctrines acknowledging that the first of the Jewish people were indeed Black, and those we recognize as Hispanic and Native Americans, are actually decedents of the Black Hebrew Israelites. This sparked backlash with some labeling DeSean Jackson and Ice Cube as anti-Semitic and accusing them of spreading misinformation. While present-day celebrities take the brunt of the repercussions, these claims have been uttered by influential figures in the past. 

    liquid swords

    On November 7, 1995, GZA of the Wu Tang Clan released his second studio album, Liquid Swords. With no made-for-radio records, the project still debuted at number 9 on the Billboard charts and has since been certified platinum. A critically-acclaimed album, Liquid Swords is multi-faceted and backed by complex lyrics, it explores themes such as crime, philosophy and chess. And although GZA is recognized as the most lyrically potent of the Clan, the most compelling of the 13 tracks – and the album’s outro — came from protégé Killah Priest. Aptly titled “B.I.B.L.E” (Basic Instructions Before Leaving Earth), the 4th disciple produced record explores the religious fallacies that have been instilled within the Black community, as well as the hypocrisies within organized religion that many children are forced to accept.  

    In an interview with Righteous Disorder Tv, Killah Priest divulges how his record made the cut,  “it was a process, I just kicked a rhyme for GZA one day before it was even a song and GZA always loved that verse,” and soon after, it was turned into a full song. With the album’s producer — and Wu Tang Clan leader — RZA not sure of its placement within the project, it was turned into a bonus track.

    The song begins with Killah Priest repeating the acronym four times before transitioning into the hook 

    “Life is a test, many quest the Universe and through my research I felt joy and hurt, the first shall be last and the last shall be first. Basic instructions before leaving earth.” 

    With two lines, he sets the stage for the record’s theme. Acknowledging the joy in finding out the truth about his race and the feelings of sadness that come with the truth. The hook ends with “the first shall be last and the last will be first.” A reference to Genesis chapter 25, verse 23, “Two nations are in your womb, and two peoples from within you will be separated; one people will be stronger than the other, and the older will serve the younger.’”

    killah priest

    Priest begins the first verse discussing his interest in the bible and why it is so important to him,

    Explored my history that was untold and watched mysteries unfold and drop a jewel on them like Solomon, but never follow men cause if you do your brain hollower than space oblivia or the abyss.

    He is ignoring the teachings of the church and doing his own research on the bible and what it means, as well as, who it is meant for. As he learns more, he uncovers new mysteries that he was never taught, and he begins to teach others what he has learned. “Never follow men,” speaks to the ideology that God should be the only entity leading one to salvation. 

    He carries on,

    I speak on Jacob, it might take some time up, and too much knowledge, it might break up the rhyme. I did it anyway, just to wake up the mind of those who kiss stones or prays on carpet. Those who sit home or sell books by the market need to chill and give their mind revived for years religion has done nothing but divide.

    The first line serves as a double entendre, as “Jacob” is a known biblical reference, while Jacob Arabo is known popularly within hip hop circles as “Jacob the Jeweler,” for his unique designs of Jewelry — specifically watches — The last two lines throw stones at those who pray and profit off of selling the bible yet, know little of their true history. 

    On the second verse he advances with his earlier rhetoric on religion and how it has been used to confuse him and his people, while also speaking on the true origins of the White race.

    I even learnt that Caucasians were the tribe of Edom the white image of Christ is really Cesare Borgia. And uhh, the second son of Pope Alexander the sixth of Rome and once the picture was shown that’s how the devil tricked my dome.

    He alleges that Caucasian people are the decedents of Esau (the first son of Isaac and the first White person in history, according to The Old Testament) and his tribe Edom, a stance recently reiterated by Ice Cube and Desean Jackson. 

    On the last verse he says, 

    I prophesized to save man, but no one gives a damn for my nation, the seed of Abraham blessed with the tongue of Hebrew now we strung on needles and some plunging evils. So, study and be wise in these days of darkness, peace to my nephew Marcus.

    With a desolate first bar, Killah Priest gives insight into the thoughts of a man who is trying to warn yet, the more he tells people the true history the more they don’t care or take what he says seriously, leaving him frustrated. On the second line, he says that his people are descendants of the biblical figure —Abraham, ascribing to the chosen seed that God prophesized he would be blessed with. At one point his people were blessed in their history and knowledge of Hebrew. Now, they are strung on needles — referencing the many drugs that have been pipelined to Black inner cities — and committing other evil acts. Finishing off by encouraging them to take their knowledge into their own hands.

    While Black entertainers continue to receive backlash for their thoughts on Judaism, the authenticity of their claims must be acknowledged. With this record being a quarter-century old, how many more people have already accepted Killah Priest’s claims as their truth? It’s easy to accept the status quo as the truth, challenging accepted ideologies is the only way we can grow as people, and that begins with exploring the possibilities of different origins to every religion, as none belong to any one race.

    With contributions from Alain Clerine.

  • Wu Tang Wednesday: Nas, Raekwon and Ghostface deliver “Verbal Intercourse”

    Being part of a team is great; when you’re part of a successful one – like Wu Tang Clan – even better. Yet, there may always be that inkling of wonder of what could be accomplished by oneself. For musical acts whose contributions to the world are dissected and compared to one another, that one little thought may be enough to isolate said artist from the group, not to mention the monetary differences between a solo artist and being part of a group.

    Ego has played a part in the demise of many great factions — the likes of New Edition, NWA, The Fugees – they’ve all fallen victim to the individualistic desires of man. Yet, when tamed, this possibly destructive force can be channeled into producing some of the greatest albums in history. Bobby Brown’s Don’t Be Cruel fits in that mold, so does Ice Cube’s Amerikkas Most Wanted. This was also the case for one of the greatest Hip Hop albums ever. Raekwon’s Only Built 4 Cuban Lynx set the tone for a genre of mafioso themed albums that took the 90’s by storm.  

    Failing to distinguish himself from some of the other charismatic members of the Wu Tang Clan, the man known as “The Chef” was motivated to go out and make himself a classic body of work. And on August 1, 1995, Only Built 4 Cuban Lynx set a new standard for rap. The album received a 4.5 mic rating from The Source magazine (at the time, hip hop’s Bible). While the Method Man and Ghostface Killah assisted “Ice Cream,” was the LP’s most successful record, album cuts like “Verbal Intercourse” are what set the tone for the project. The twelfth track features a young Nas on the heels of his own soon-to-be classic, Illmatic, as well as Wu Tang mate Ghostface Killah – who plays a supporting role in the mafia movie themed album. Considered one of Nas’ best verses (which is saying something), it also stands as one of the greatest opening verses in history. 

    Wu Tang Wednesday: Nas, Raekwon
    Wu Tang Clan – a tough act to follow

    Nas sets the tone for the record early, rapping:

    Through the lights cameras and action, glamour glitters and gold I unfold the scroll, plant seeds to stampede the globe.

    When I’m deceased, by then the beast arise like yeast to conquer peace leaving savages to roam the streets.

    With his newfound fame and fortune from his individual success, his principles haven’t changed, as he still plans to take over the world. And after he has long passed, he hopes to have planted enough seeds in the minds of the youth to bring about a revolution. A Queensbridge legend long before platinum albums, Nas’ lyrical aptitude was as shocking as his youth, as he was barely 21 at the time of this recording.

    With ‘God’s Son’ written across his stomach, Nas looks to accomplish everything he prophesized.

    On the second verse, Raekwon deliver’s a high-quality opening bar of his own.

    Perhaps bullets bust, n**** discuss mad money true lies and white guys, we can see it through the eyes. Catch the most on tape, kilos disintegrate Pyrex pots, we break, fiends licking plates.

    While Nas’ verse pertained to his yearning for a mental uprising, Raekwon keeps with the album’s theme. Describing the dangers that come with operating on the wrong side of the law.

    On the song’s last verse, Ghostface Killah – maybe the most charismatic of the three – adds to the story, Further detailing the greed, jealousy, envy that comes with monetary success, with hopes of a light at the end of the tunnel.

    With the green leathers, hundred-pound snakes and cakes. Fiends found in lakes, jealously jakes we shake. What I strive for is what I live for. Infatuated by material things in this wild life of war like somewhere over the rainbow, I see a big pot of gold.

    “Verbal Intercourse” is defined as “conversation between more than one person.” But in this case, you could say they went a step further and f***ed the beat. The album featured every rapper in the Wu Tang Clan besides ODB, so Raekwon didn’t completely deviate from the already winning formula. Still, as the creative mastermind behind the LP, it helped Raekwon continue to establish himself as his own entity, outside of his groupmates. Debuting at number four on the Billboard charts, Only Built 4 Cuban Lynx sold 130,000 copies its first week, and while not a single, “Verbal Intercourse” saw each respective rapper plant seeds towards their now legendary status.

    with Maxwell Amankwah contributing

  • Wu-Tang Clan Wants You to ‘Protect Ya Hands’

    Iconic hip hop group, Wu-Tang Clan are no strangers to good marketing. The Grammy-nominated outfit is partially known for their extremely popular “Wu Wear” clothing brand — founded by Wu-Tang Clan affiliate Oliver “Power” Grant. The Wu has always been able to find the perfect middle ground between good marketing tactics and staying authentic to their brand. Like when the late Ol’ Dirty Bastard began ranting during the 1998 Grammy awards and proclaimed that “Wu-Tang is for the children.” He was upset that the group had been overlooked for best rap album and unintentionally came up with a popular catchphrase, one that the Wu has always stood by.

    In light of the current COVID-10 crisis, the hip hop veterans continue to stay ahead of the curve, as the group announced their “Protect Ya Hands” collaboration with the plant-based brand Jusu. The sanitizer is one item in a campaign launched by the group and Ottawa, Canada, Mayor Jim Watson. 

    https://www.instagram.com/p/CAaQf9BnFTM/

    In addition to the sanitizer, they have released the “A Better Tomorrow” collection (named after their 2014 studio album), which includes a T-shirt emblazoned with the famous logo of Wu-Tang Clan and a reusable food bowl. For every bottle purchased, another will be donated to The Ottawa Mission, a homeless shelter in Canada.

    Additionally, the collection benefits the Children’s Hospital of Eastern Ontario, with the group’s official website stating “CHEO combines excellence in clinical care, research and education with a commitment to working with our partners to advance seamless care that’s provided where, when and how it’s needed.”

    The sanitizer can be yours for $20. The T-shirt goes for $40, while the Pure Kitchen reusable bowl costs $21. “The purpose of 36 Chambers and Wu-Tang is to always see a better tomorrow,” says the official website. You can help Wu-Tang Clan on their mission by clicking here.

  • Happy Birthday Ghostface Killah

    Staten Island’s own, and at one point a member of the FBI’s most wanted list, Denis Coles aka Ghostface Killah was born in 1970 in one of New York City’s most often overlooked borough, Staten Island. Thus, May 9th marks the birthday of the one and only, Ghostface Killah

    Ghostface mighty healthy killah birthday

    He began his solo career in 1996 with the release of Ironman following Wu Tang’s breakout release, Enter The Wu Tang (36 Chambers). Renowned for his booming voice and fast-paced flow, Ghostface has remained to be one of the Clan’s most notorious members. As the roommate of Wu Tang founder RZA, Ghostface is credited with playing a role in bringing the original seven members of the group together.

    Ghostface was featured extensively on fellow Wu Tang member Raekwon’s, early mixtapes, making a name for himself before Wu Tang Clan essentially took over the world of hip-hop.

    What separates Ghostface from the rest of the gangsta rap group MCs is his often colorful and imaginative storytelling which has remained the highlight of his performances throughout the years.

    Recently, the works of Ghostface Killah and the rest of the Wu Tang Clan has been celebrated in the media with the short film For the Children: 25 Years of Enter the Wu-Tang (36 Chambers) which dives into the group’s early years on the come-up in the late ’80s and early ’90s hip-hop scene. Wu Tang and Ghostface Killah have transcended music and represented how their rough upbringing on the streets of New York has brought them to make incredibly moving art and music. The legacy of Wu Tang has been cemented into New York history with Staten Island declaring November 9th as Wu Tang Clan day, turning the classic phrase ” Wu Tang forever” into a reality.

  • Wu-Tang: An American Saga – Season 1 Overview

    The Wu-Tang Clan is one of the most celebrated and impactful musical groups in history. In our era of transparency, it is only fitting that a biopic of sorts would materialize itself. Telling the complete story of a group as large as the Clan isn’t feasible (not to mention any adjacent characters) in 90 minutes (the pre-requisite for big-screen biopics). Therefore, enter Wu-Tang: An American Saga.

    In 2019, the Emmy-nominated Hulu original series rehashed the rise of the legendary hip-hop group. Written by Alex Tse and RZA and executive produced by Tse, RZA, Method Man, Brian Grazer, Michael Rosenberg and Francie Calfo, the series debuted on Wednesday, September 4 with three episodes and followed with an ensuing episode each week, in honor of #WuTang Wednesday.

    https://youtu.be/kBy9umOnhZw

    Inspired by RZA’s guide to the clan, The Wu-Tang Manual and its follow-up, Toa of Wu, the series is set in the early in 1990s Staten Island, New York during the peak of the crack epidemic. It follows the formation of the clan through the lens of RZA. Bobby Diggs’ (RZA) love for music and producing gives him hope for making it out of the inner-cities of Staten Island. His ambitions also include formulating a super-group highlighting the borough’s talent, hoping to harness their untapped potential. What stands in their way are the allures of the street life, the drug trade and vices that have ruined many a dream for young minorities. 

    Wu-Tang An American Saga

    The series format resembles that of The Get Down— a Netflix original series that gave a fictionalized chronology of hip hop’s birth — yet, Wu-Tang: An American Saga has intensity and realism (felt from the opening scene and onward) that outpaces the former. While the screenplay is captivating on its own (who doesn’t want to have some semblance of an idea of how the most unique rap group ever was formed?), the acting makes it that much more enjoyable. Rappers Dave East and Joey Badass each embody their respective roles. Dave East, who had the challenge of portraying the Clan’s most mainstream member in Method Man and in his first real acting gig, does an honorable job of representing the hip hop legend. Moonlight actor Ashton Sanders’ portrayal of RZA is award-worthy, from his speech to his mannerisms; the production value is very high. 

    Although based in the 1990s, issues tackled are those that are still prevalent in present-day black inner-cities. Obstacles such as poverty, crime, the inner workings of the drug trade as well as the corruption that follows, are all issues the main characters have to bypass on their way to success.  

    Wu-Tang An American Saga

    In that same vein of realism, characters are also seen hitting rock-bottom and having to reinvent themselves to ascend to greater heights. Young black males are forced to be the man of the house at young ages (seen with RZA’s brother Divine, who was the family’s main provider through his drug dealings). With illegal affairs such a big part of the series, the consequences of the street life and the dangers that it invites are also highlighted. The inevitable run-ins with the law, prison sentences, prison life, the pain of a mother losing a son and the gut-wrenching feeling of wanting to change your environment and the helplessness one feels in those moments are all captivating themes that the series explores. The destitution of the “hood” leads many of the Clan members to follow the five percent teachings and philosophies they’ve gone on to (along with many other notable hip hop acts) popularize in their music.  

    Even though many of the accounts have been dramatized/fictionalized, it is still really fun to get insight on the influences that made the Clan unique. For example, RZA’s creativity and genius comes from his quick thinking and ability to solve problems and applying those abilities into his production. We also get an idea as to how he became the group’s de facto leader, as he was playing peacemaker between members long before platinum records. 

    Wu-Tang An American Saga

    Wu-Tang: An American Saga is must-watch television. Not only is it informative, the cast – which ranges from Shameik Moore, Ashton Sanders, to Dave East and Joey Badass. do an exemplary job of portraying each respective pioneer of the Clan. With no big-screen release date to rush storylines, writers can take ample time to figure out the best cross between dramatic/entertaining television and re-counting the tales of some of the most important figures in rap history.