On Saturday, September 12, Saratoga Performing Arts Center (SPAC) will begin their “SPAC @ Home: Concert Series” with world-renowned violinist and Grammy Award-winner Joshua Bell and classical pianist, Peter Dugan. The event will be held at the Arthur Zankel Music Center at Skidmore College.
The concert program includes the Beethoven Violin Sonata No. 5, the Kreisler/Dvorak “Slavonic Fantasy,” the Sarasate/Chopin Nocturne No. 20, and the Wieniawski “Polonaise de Concert.” After the concert, there will be a Q&A session with SPAC President Elizabeth Solo and Director of The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Ian Berry.
Tickets for the virtual event are $10 and can be purchased at spac.org. Ticket buyers will be directed to an exclusive stream.
Born in Bloomington, Indiana, Bell began the violin at age four, and at age twelve, began studies with his mentor, Josef Gingold. At age 14, Bell debuted with Riccardo Muti and the Philadelphia Orchestra, and made his Carnegie Hall debut at age 17 with the St. Louis Symphony.
Bell has performed for three American presidents and the sitting justices of the Supreme Court of the United States. He participated in former president Barack Obama’s Committee on the Arts and Humanities’ first cultural mission to Cuba, joining Cuban and American musicians on a 2017 Live from Lincoln Center PBS special, Joshua Bell: Seasons of Cuba, celebrating renewed cultural diplomacy between Cuba and the United States.
The show would serve as The Who’s only performance at SPAC, with a then-record attendance of 33,652 (reported as 27,800 by The Who), which shattered the previous record of 22,647 set by Chicago in 1970. Christian rock star and future Gospel Music Hall of Fame singer Mylon served as support for the show.
The crowd was everywhere, in the seats, on the lawn, on the stage, in the aisles and even on the steel girders on the side of the theater. The latter, fortunately, was only temporary until the police ordered the dozen young people down.
They were a noisy, restless audience to say the least, but seemed to lap up everything the four-man group offered. The Who gave them their money’s worth for an hour and a half, and do they work. As to the quality of their music, It was loud. I’ll leave further critique to those who favor this type of rock music. But the fact that they brought nearly 28,000 paying customers to SPAC is not to be denied.
They seemed to sing all the songs the crowd came for, as well as anumber of new ones, and had a difficult time convincing the crowd to go home.
Opening the show for the first have was Mylon, a long haired, grating singer-guitarist backed by five musicians and three girl singers. They did everything from rock to country-western, spirituals and even a standard, “Sixteen Ton.”
The Post-Star review goes on to detail the sound at the show as well as fans camping on the lawn:
The sound throughout the program was loud for those in the theater, and everywhere backstage theater walls and floor were actually vibrating. Out on the lawn, the sound was more moderated. Thanks to the closed circuit TV system used again last night, those on the lawn had a perfect viewing spot. Watching the TV cameramen in the aisles and one on stage on a ladder trying to cover the show for those on the lawn was almost a show initself.
There were the usual several minor cuts and abrasions, as well as several fainting incidents requiring backstage first aid, with some also going to the hospital.
Reportedly several on the lawn camped there from late Sunday night in order to be sure of a good place, so that should give some indication of the popularity of The Who. For anyone so inclined, a close examination of the group’s tons of sound equipment would be a short course in the electronic world of amplification at its fullest.
The intermission was especially long, as management pleaded for the young people to clear the aisles to comply with state fire laws. They never did get the aisles clear, but finally did get most of the kids to sit down so those in seats could see the stage.
A unique feature to evenings at SPAC – a program was distributed to attendees, as seen below.
Program coverProgram back
Among the small print, the program says of The Who:
Unlike so many groups in the fickle world of pop music, The Who have remained together as a band since their start in 1964. The creative sparkplug of the group is Pete Townsend, guitarist, songwriter and composer of Tommy. Bass player John Entwhistle is another fine songwriter. The two other members of the group are drummer Keith Moon and the explosive microphone-twirling singer Roger Daltry.
(Ed. Note: Townshend, Entwistle and Daltrey’s names were misspelled in the program)
Aside from the rock opera concept, The Who have been pioneers in many other areas of pop music. They were the first to refine guitar feedback to a high art, the first to use the previously sacred Union Jack as clothing and the first to wind up their performances by smashing their instruments.
The program goes on to note that The Who had just played two sold out shows at Forest Hills Tennis Stadium in Queens. They wrapped up their tour shortly after their Saratoga performance, with final tour stops at the Yale Bowl in New Haven, CT, Cobo Hall in Detroit and Chicago Auditorium.
Setlist: Love Ain’t For Keeping, Pure And Easy, My Wife, I Can’t Explain, Substitute, Bargain, Behind Blue Eyes, Won’t Get Fooled Again, I Don’t Know Myself, Baby Don’t You Do It (Marvin Gaye), Pinball Wizard, See Me Feel Me, Water
A Screening of ‘Mavis 80, A Newport Folk Revival’ was announced by “Caffè Lena @ SPAC.” The screening will take place on the SPAC (Saratoga Performing Arts Center) grounds on July 31, 2020 at 8PM EST in Saratoga Springs, NY.
The film was originally recorded live in Los Angeles at The Theatre At Ace Hotel on May 22, 2019 will be premiering as the only place where the concert will be streamed in person is on the SPAC grounds. The grounds will be open with a limited capacity of only 50 people, and with carefully mapped out, socially-distanced seating and rigorous COVID protocols for the screening.
The broadcast of ‘Mavis 80, A Newport Folk Revival,’ is the premiere of Mavis Staples’ 80th birthday celebration in Los Angeles, following shows in New York and Nashville. Staples was joined by big names like Jason Isbell, Phoebe Bridgers, Brandi Carlile, M. Ward, Talking Heads’ Jerry Harrison, Dawes’ Griffin and Taylor Goldsmith, Benjamin Booker, Ben Harper, Lucius, Trombone Shorty, Joe Henry, Son Little, the War & Treaty, and more. The show was produced by Newport Festivals Foundation, Inc. and proceeds from the “Caffè Lena @ SPAC” screening will support the Foundation’s music education programs.
The screening will take place rain or shine around SPAC’s new concession building. There are designated 10X10 lawn spaces will be allocated and reserved for ticket buyers. Tickets are available to purchase for $25 as a box, which can seat up to two people. All guests are required to purchase tickets in advance here; tickets will not be available for purchase at the door. Guests are permitted to bring chairs, blankets, factory sealed water bottles and essential personal items. Food and alcohol are not permitted on the grounds, however Mazzone Hospitality will be on site to provide food and beverage options
Everyone attending the event will need to enter through the Hall of Springs Gate and are required to complete a health screening questionnaire upon entry. Guests are required to wear a face mask at all times unless situated in their reserved box. Restrooms will be available with social distancing and enhanced cleaning and sanitation protocols in place in accordance with recommended guidelines.
For those unable to attend in person, the event will be streaming on Fans website at 8:30 PM EST. Tickets went on sale on Tuesday, July 14 for this viewing experience. The proceeds are going to support the Newport Festival Foundation’s educational initiatives that celebrate innovation while preserving the deep traditions inherent in Jazz and Folk music.
For more information please visit SPAC’s website and Fans’ website.
On July 10, 1994, Phish headlined for the first time at Saratoga Performing Arts Center. Two years prior, the Vermont group had opened for Santana at SPAC, one of the few opening slots Phish would perform in their career.
via Brendan McKenna, as published in PhanArt: The Art of the Fans of Phish
The summer of 1994 would feature The Eagles, Peter Gabriel, James Taylor, The Beastie Boys and the debut of Dave Matthews at the classic Upstate amphitheater, in addition to Phish, whose performance was at the tail end of their summer tour.
Of note from the first set is the “Stash,” which appears on Live Bait 10, and fun with the lyrics of “Julius,” adding “I haven’t decided, no no no’ during the chorus, and “Ya Mar” where the band gave shout-outs to Trey’s dog Marley, including “Who is she?” (also their record label’s name) and “Who’s the Mar Mar?”
Tickets were only $18.50 for reserved seats
The middle of the second set held the heat with a strong “Mike’s Groove”, adding in “Low Rider” to the typical three song sequence inside of “Mike’s Song.” At the end of the second set, The Dude of Life came to the stage and sang his composition “Crimes of the Mind” with the band.
Phish – SPAC, Saratoga Springs, NY – July 10, 1994
Soundcheck: Jive Talkin’, The Old Home Place, Nellie Kane, work on Jive Talkin’
Set 1: Chalkdust Torture, Horn > Peaches en Regalia > Rift, Stash, If I Could, My Friend, My Friend > Julius, Cavern
Set 2: Sample in a Jar, David Bowie, Glide, Ya Mar, Mike’s Song -> Low Rider -> Mike’s Song > I Am Hydrogen > Weekapaug Groove, Bouncing Around the Room, The Squirming Coil, Crimes of the Mind
Encore: Golgi Apparatus, Rocky Top
Notes: My Friend included a Purple Haze tease and Julius contained a Buried Alive tease from Trey. The Dude of Life sang vocals on Crimes of the Mind
It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.
While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.
From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.
Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.
Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.
After being banned from SPAC for three years, the Grateful Dead returned on Tuesday, June 28, 1988 for one final outing at the famed Saratoga Springs venue. This being their first show since the release of 1987’s In the Dark and the Top 10 single “Touch of Grey,” a new generation of Deadheads were seeing the group for the first time, who were disparagingly referred to as ‘Touchheads’ by some veteran fans.
While this was the final performance for the Grateful Dead’s at Saratoga Performing Arts Center, the band had a strong fanbase in the greater Capital District. Add in a new audience of younger fans and the band would find themselves heading half an hour south for future performances in the region, at the Knickerbocker Arena, starting in 1990.
Locally broadcast on WPYX, the Tuesday show was aired on the radio in an effort to dissaude fans from arriving at the show without a ticket. This did not prevent gatecrashing from occuring early in the night, and fans on the lawn were found heading into the pavilion balcony as they did in 1985.
Rain fell on the crowd as storms passed through, and lightning was seen during the rain-soaked “Candyman,” leading to a chill coming over the crowd as the show wore on. A solid variety in the straightforward first set seemed to swap Bobby and Jerry songs from the outset of “Hell in a Bucket,” and ending with “Victim or the Crime” and “Foolish Heart.”
More rain came down early in the second set, similar to the rain in 1985 that began during “Fire on the Mountain.” Listen to “Scarlet Begonias” > “Fire on the Mountain” > “Estimated Prophet” > “Crazy Fingers,” and you’d likely be enjoying dancing in the rain as the thousands of fans did that night.
Following a hypnotic “Drums” and “Space,” a beautiful version of “I Will Take You Home” by Brent Mydland appeared, and a late second set “Stella Blue” found Jerry stumbling just before pouring buckets of emotion into the ending jam. The Dead had left their mark on SPAC, one of the most beloved venues in the Northeast.
Grateful Dead, Saratoga Performing Arts Center (SPAC), June 28, 1988
Set 1: Hell In A Bucket-> Bertha, Walkin Blues, Candyman, When I Paint My Masterpiece, Row Jimmy, Victim Or The Crime, Foolish Heart
Set 2: Scarlet Begonias-> Fire On The Mountain, Estimated Prophet-> Crazy Fingers-> Drums-> I Will Take You Home-> Goin’ Down The Road Feelin’ Bad-> I Need A Miracle-> Stella Blue-> Not Fade Away
On June 26, 1995, Phish performed for the third time (and second as a headliner) at Saratoga Performing Arts Center. Phish’s 1995 Summer Tour was into full swing by this point with the final 11 shows in the Northeast, four of which were in New York.
Back in 1995, reserved tickets for this performance at SPAC cost only $20. An “Acoustic Army” soundcheck with teases of “Shine” (six months and a day before “Shine” would debut on New Years Eve during “Fly Famous Mockingbird”), and Little Feat’s “Time Loves a Hero” reappeared for the first time since soundcheck on April 15, 1989.
A little Led Zeppelin could be found in “Possum” with a “Heartbreaker” tease, and in “You Enjoy Myself” containing a hint of “Immigrant Song.” The highlight of the show is surely a spacey and unfinishes “Down with Disease” that led into a monster “Free,” seen below.
The penultimate performance of The Meditations “Don’t You Want to Go?” was found in the first set, alongside a unique trio of “It’s Ice” > “Dog Faced Boy” > “Tela,” and the aforementioned “Possum.” Set 2 is a fiery one from the start, with a “Down with Disease” > “Free” that Phish.net calls “a multi-movement masterpiece.” A huge “You Enjoy Myself” (seen below) and “Sleeping Monkey” > “Rocky Top” encore are among the many highlights of this stand out show. It would take 9 years before Phish returned to SPAC, shows that stack up well against June 26, 1995. This show was released by Live Phish in 2017.
Soundcheck: Time Loves A Hero > Dog Log/Time Loves A Hero mashup, Nellie Kane, Santana Instrumental, Rocky Mountain Way
Set 1: My Friend, My Friend, Don’t You Want To Go?, Bathtub Gin, NICU > The Sloth, My Mind’s Got a Mind of its Own, It’s Ice > Dog Faced Boy > Tela > Possum
Set 2: Down with Disease [1] -> Free > Poor Heart > You Enjoy Myself, Strange Design > Run Like an Antelope
Encore: Sleeping Monkey > Rocky Top
[1] Unfinished. My Friend started with a Pomp and Circumstance March No. 1 tease from Trey. Trey teased and quoted Long Tall Glasses in Bathtub Gin. Possum contained a Heartbreaker tease and YEM contained Immigrant Song teases from Trey. Down with Disease was unfinished.
Saratoga Performing Arts Center, Absolutely Live Entertainment and Caffè Lena have announced the first ever “Freihofer’s Jazz Fest Stay Home Sessions” to take place June 26 -28 at 8 p.m. est. The series will feature pre produced videos from national artists along with live performances on Caffè Lena‘s stage from local favorites. Each session will be hosted through Caffè Lena’s “Stay Home Sessions” Youtube channel. “Freihofer’s Jazz Fest Stay Home Sessions” have replaced the 2020 Freihofer’s Saratoga Jazz Festival usually hosted at Saratoga Performing Arts Center that was cancelled due to health and safety concerns as a result of the Coronavirus Pandemic.
Elizabeth Sobol, President and CEO of Saratoga Performing Arts Center gave this statement in a press release; “Freihofer’s has been a generous and steadfast supporter of Jazz Fest for the last 23 years. When presented with the possibility of creating a Virtual Jazz Fest, they didn’t miss a beat – pledging to support our efforts to bring great musicians and audience together despite the challenges of COVID-19. Being able to create connection for jazz lovers – and support both national and local musicians, the latter performing from Caffe Lena — is a privilege.”
The series is broken down into three themed nights. Kicking things off with a Cuban-themed evening will be previous headliner, Grammy nominated Pedrito Martinez with local artists Chuck Lamb and Jorge Gomez. Bringing the sounds of folk and jazz together will be husband and wife duo Bela Fleck (four time headliner and winner of 15 Grammy awards) & Abigail Washburn followed by Saratoga Spring’s own Skidmore Jazz Institute Alumni Trio. Closing out the weekend long event with some smooth sounds from Detroit will be Garland Nelson’s Reflections: A Motown Tribute Ensemble” opening for musician and television personality Jon Batiste.
Freihofer’s Jazz Fest Stay Home Sessions Lineup:
*all performances at 8 PM EST
June 26
Pedrito Martinez
Chuck Lamb & Jorge Gomez
June 27
Béla Fleck & Abigail Washburn
Skidmore Jazz Institute Alumni Trio
June 27
Jon Batiste
Garland Nelson’s “Reflections: A Motown Tribute Ensemble”
Opera Saratoga has launched a new series of online programming called OPERA SARATOGA: CONNECT!. This comes in response to the recent limitations placed on many in the music industry from the Coronavirus Pandemic. Moving away from the standard path of releasing archived material that many other organizations have taken, Opera Saratoga has developed six new programs including Daily, Kids, Symposia, Classes, Trivia and Mentorship.
Opera Saratoga’s Artistic and General Director Lawrence Edelson explained: “We have decided to launch programs for our audiences that have been created specifically for the way people engage online producing a combination of newly created video performances for social media, as well as new opportunities to enjoy and learn about opera that are more interactive. Opera Saratoga has always focused on building community. OPERA SARATOGA: CONNECT! was designed to allow us to do just that – connect digitally with our community. Each element of this initiative allows audiences to enjoy opera, classical vocal music, and musical theater in a different way, from short videos released every day throughout the summer featuring members of our Festival Artist program, to interactive trivia games, classes, and symposia, featuring guests from around the globe.”
Programming will be a combination of free and a few paid activities to which there are scholarships available for those experiencing financial hardships during the pandemic. This will provide a wide opportunity for many to experience opera classical vocal music, and musical theater in many different ways right from your home. Complete details about each of the six programs as part of OPERA SARATOGA: CONNECT! may be found online.
For over 50 years Opera Saratoga, formerly known as Lake George Opera, has been a pillar in the upstate community for world class opera. Not only do they perform for more than 25,000 people at the annual Summer Festival but also have become the launching point for emerging operatic artists. They utilize not only their own stage but also the cultural, historic and natural resources of the surrounding Saratoga Springs, the Lower Adirondack and New York State Capital areas to bring unique and innovative opportunities to the public.
Check out below their newest opera ‘The Selfish Giant’ based on the classic children’s story by Oscar Wilde. This was produced remotely after the start of COVID-19 in partnership with the New York City based company American Lyric Theater.
As we enter June, the fourth month where live music performances are postponed until it is deemed safe to have mass gatherings due to COVID-19, we take a look at the music venues across the state that are closed for now, but in the coming months will hopefully reopen.
Working with 13 photographers to document more than 60 venues in 20 cities across New York State, we present this monthly series that will look at the current conditions of these beloved venues. As they reopen, we will provide photo documentation recording the changes over time in all corners of the state.
Great thanks to all photographers and venues who take part in this series.
