NYS Music 202​0

Tag: rescue squad

  • Trey Anastasio and Rescue Squad Strings bring new life to fan favorites in Week 3 of Beacon Jams

    Trey Anastasio returned to New York City’s Beacon Theatre on October 23 for Week 3 of his Beacon Jams residency. This show came hot on the heels of Phish’s Halloween Dinner And A Movie announcement and excited fans got another incredible show highlighted by a silly version of “Windora Bug” in addition to jaw-dropping versions of “What’s The Use” and “The Lizards” featuring the Rescue Squad Strings.

    Trey Anastasio Beacon

    Over 30,000 viewers flocked to Twitch again for this free live-streamed performance, with donations encouraged to The Divided Sky Fund, which focuses on delivering quality care and compassionate treatment for those battling from addiction, through Phish’s WaterWheel Foundation.

    Trey Anastasio Beacon
    photo by Jake Silco

    Ten minutes before the start of the show, fans were treated to a special video message from Page McConnell, wishing he could be in NYC with Trey and congratulating him for his work so far on the Beacon Jams. Page stated that he and Trey got together a while back to play together and a minute later a video started with a masked Anastasio helping a masked Page carry his keyboard out onto the deck of the Barn, subtly recreating the album cover of their Colorado ’88 release. The duo shared a previously recorded version of “Evening Song” that was absolutely beautiful. Trey’s acoustic guitar and Page’s Wurlitzer meshed wonderfully as they both sang this duet. Before long, the video faded out to start Trey’s evening of live music.

    Trey Anastasio Beacon
    photo by Jake Silco

    The planned night of music started in usual form at 8:04pm EDT with members of the Trey Anastasio Band on the Beacon stage with our favorite Ginger, consisting of Ray Paczkowski on keys, Tony Markellis on bass, Russ Lawton on drums and Cyro Baptista on percussion. Cyro’s toying with “Zamfir and his Pandemic Flute” brought us into the stream as Trey started things off with “Stealing Time From The Faulty Plan” before diving into his usual crowd banter with a couple of birthday wishes to Tom and Uncle Kevin. He dedicated the next song, “Party Time,” to Kevin up in Burlington and it’s safe to say that Kevin got quite the birthday treat with this noodley, fun version of the tune.

    Trey Anastasio Beacon
    photo by Jake Silco

    Things got a bit funkier as Trey thanked the Poster Nutbags Art Group for their generous donation last week, dedicating “The Way I Feel” to them. The ensuing smooth, slow, funk jam from Trey’s 1998 One Man’s Trash had him smiling the whole time, grooving to the entire band. When asked online by DillyBean what his favorite snack was, he replied saying, “Anything you can spatchcock. You can spatchcock anything.” Trey continued diving into his solo work with “Sweet Dreams Melinda,” followed by his eighth quarantine song, “Shaking Someone’s Outstretched Hand.”

    trey beacon jams
    Official poster for The Beacon Jams, by Jim Pollock

    Cyro, the man who “wears a skunk on his head,” helped a speechless Trey thank everyone for their donations so far and gave us another taste of Zamfir’s (clang!) Pandemic Flute before the band dove into “Andre the Giant” and a jammed-out “Spin.”

    Trey Anastasio Beacon
    photo by Jake Silco

    Trey took out his acoustic to play “Turtle In The Clouds” before picking up Old Reliable/Mar Mar again to join the Rescue Squad Strings and Jeff Tanski on piano for a breathtaking version of “What’s The Use.” Trey continued on with the Rescue Squad Strings to share beautiful versions of “Brian and Robert” and “If I Could,” commenting between them that he likens the Beacon Jams to an extended band practice, something he has always enjoyed, and stating, “When life hands you a pandemic, make pandemic-ade.”

    The recent NYE song “Rescue Squad” was teased by Trey as the TAB members returned to join the string quartet for a gorgeous rendition of “Leaves” and a squirrelly, harmonic version of “The Lizards” that had Trey smiling the entire time and certainly putting a smile on the face of everyone watching. As the strings departed, the good times continued with a rousing “Mr. Completely” ending with Cyro playing a bug-sounding instrument. This led the band to dive into a rather goofy “Windora Bug,” featuring alternate lyrics about the “Corona Bug” and references to fans folding laundry while watching the show.

    Trey Anastasio Beacon
    photo by Jake Silco

    The show continued on with a bouncy, spatchcocked version of “Possum” followed by a soaring “A Case of Ice and Snow” into a killer “Last Tube.” Having raised over $92,000 tonight, Trey ended the night with a song he called “Folding The Laundry” and “When Your Dryers Broken,” but you might know it better as “Twist.”

    Trey Anastasio returns to the Beacon Theater again next Friday for another round in which he has promised to “rock out!”

    Trey Anastasio Beacon
    photo by Jake Silco

    Setlist via Phish.net

    Set 1: Stealing Time From the Faulty Plan, Party Time, The Way I Feel, Sweet Dreams Melinda > Shaking Someone’s Outstretched Hand [1], Andre the Giant, Spin, Turtle in the Clouds [2], What’s the Use? [3], Brian and Robert [4], If I Could[4], Rescue Squad [5], Leaves [6], The Lizards [7], Mr. Completely > Windora Bug [8], Possum, A Case of Ice and Snow > Last Tube, Twist

    [1] Debut.
    [2] Trey solo acoustic.
    [3] Just Trey with The Rescue Squad Strings and Jeff Tanski on piano.
    [4] Just Trey on acoustic guitar and The Rescue Squad Strings.
    [5] Trey solo acoustic; first acoustic performance by Trey.
    [6] TAB debut; Trey on acoustic guitar and The Rescue Squad Strings.
    [7] Full TAB debut; with The Rescue Squad Strings.
    [8] With Corona references.

    Trey Anastasio Beacon
    photo by Jake Silco

  • Phish rings in 2020 with Clones and the Rescue Squad at Madison Square Garden

    Jam rockers Phish executed their annual New Years Eve show and gag, albeit with unexpected turns and clones. The show took place at Madison Square Garden to a sold-out crowd. The gag is an annual tradition where the band attempts to fool the audience during the third set. Over the years, the gags have become more theatrical, but this one included an unplanned element of surprise.

    The first set included a notably-funky jam “Halley’s Comet,” and the setlist delight, “Fluffhead.” Additionally, after “Axilla,” the band continued a story that was started on 12/30, and eventually referenced a pan flute player named Zamfir. Fishman was able to conjure up Zamfir, played by Richard Glasgow their tour manager, by saying his name.

    The second set was a non-stop jam that prepared the fans for the gag to come. Notable songs included “Punch You In the Eye” and “Mercury.” As the set ended, the crew removed all instruments from the stage, and left eight large covered cubes.

    Set three began with the band talking behind stage without realizing the audience was listening. Guitarist Trey Anastasio mentions that the band will finally give the people what they want, and play an entire set of jazz ballads, a cappella, for new years eve. That is of course, until Zamfir made another appearance, unleashed his pan on the band, and effectively started the annual gag.

    The band appeared wearing wacky colorful jumpsuits during a piano solo for “Send in the Clowns.” Fishman wore a pink inverted version of his usual donut muumuu. The band then changed the lyrics from “Clowns” to “Clones,” and by the end of the song, Anastasio proclaimed “Send in the clones,” and with that, an entire dance troupe dressed in the same outfits as the band, complete with wigs, paraded onto the stage. The band members blended in and were soon cast into the air above the stage, with color-coded platforms suspended above the stage with their respective instruments.

    To end 2019, Phish launched into a rocking “First Tube” from the air, with their clones performing choreographed dance sequences on the ground and on color coordinated risers. At midnight, the band played the traditional “Auld Lang Syne,” followed by “Sand,” reminiscent of the incredible “Sand” played twenty years ago at Big Cypress Seminole Indian Reservation in Florida. The band members were toggled up and down in the air on their platforms, as the clones dance beneath them.

    At the end of “Sand,” Anastasio was noticeably still suspended in the air, while the other three band members were on the stage. Anastasio tried to ease the audience with quipps like “Well, I guess if I’m about to fall to my death, I might as well tell you guys all how much I love you.” A long pause followed, where he found out that the crew was unable to move his broken platform to the ground. The show must go on, and Anastasio played from his hobbled platform for the rest of the set. The audience stood in near silence watching Anastasio’s platform swaying ever so slightly, as the pops of thousands of balloons echoed in Madison Square Garden, with the clones laying down on the platforms, waiting patiently for the next song to begin.

    Trey Anastasio is lowered to safety via the Rescue Squad

    Despite being stuck, the show continued with Page, Jon and Mike moving up and down on their platforms, with Anastasio’s static, 30 feet above the stage. During the quintessential “You Enjoy Myself,” the clones participated in an exceptional vocal jam. At the end, Anastasio awkwardly declared that the encore was starting, because there was no way for him to exit his platform, and asked the audience to pretend that they had gone off stage and come back on. The band gave the fans one final song of the night, “Tweezer Reprise,” and all left the stage, except Anastasio, who remained on his hobbled platform, and sang an impromptu ode to the “Rescue Squad” of crew who safely brought the Bad Lieutenant down. Using Fishman’s platform to safely bridge Anastasio to safety, Anastasio continued the “Rescue Squad” jam on his way down, utilizing Fishman’s drumkit for a final thank you to the Rescue Squad.

    Trey Anastasio

    Was it all part of the gag? Was this part of the plan? Fans continue to debate this days later, all the while reveling in one of Phish’s most impressive New Year’s Eve stunts to date.

    Setlist courtesy of Phish.net

    Set One: Martian Monster, Buried Alive, AC/DC Bag, Halley’s Comet > Prince Caspian > Sparkle > Axilla, Maze, Fluffhead > Rise/Come Together

    Set Two: Punch You in the Eye, Wolfman’s Brother > Light > Twist > Soul Planet > Mercury > Possum

    Set Three: Send in the Clowns[1], First Tube, Auld Lang Syne, Sand, Drift While You’re Sleeping, What’s the Use?, You Enjoy Myself

    Encore: Tweezer Reprise, Rescue Squad[2]

    [1] Phish debut, with lyrics changed to Send in the Clones; a cappella
    [2] Debut; only Trey.

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