Tag: New York City

  • The Music Industry is in Dire Need of Economic Help

    Remember the days of dancing shoulder to shoulder in a crowded room, only being able to hear the performer on stage. Alcohol spews throughout the audience. People are creating a mosh-pit with their sweaty bodies, but for some reason, you’re excited about it. Tickets range from $10 to more than $300. As for right now, that all seems like a thing of the past.

    twiddle frendsgiving Music industry help
    The audience of a Twiddle Thanksgiving

    Since March, the majority of music industry workers have lost around 75 percent of their income. Over the course of the pandemic, other industries have been able to re-open with help, only to shut down again during the second wave of a rise in Covid cases. Unfortunately for music venues and artists, there wasn’t much of a re-open, if any, before the second wave.

    The Music Industry Alliance surveyed around 300 musicians and DJs and confirmed that over four months without federal aid has created a financial catastrophe for most. According to the survey, respondents lost a combined estimated total of $8.5 million since March.

    “The first round of pandemic relief helped us stay afloat but those resources have been depleted and we’re digging ourselves in a hole,” said one respondent.

    “The W2 income overrode the private contractor information so I’ve been getting the equivalent of 15 percent of my income from unemployment. That’s not close to enough to live on,” explained another interviewee.

    Music industry help

    It’s hard to imagine a concert where no one has to wear a mask and everyone is standing less than six feet apart with a highly contagious virus in our midst. For many performers and venue owners/workers, those concerts were their only source of income.

    There have been many attempts over the months to get better economic relief, but they have yet to see some real impacts. The National Independent Venue Association created the Save Our Stages Act. So far, they have made little progress, with only some additional packages of relief to the industry.

    In April, the Artist Relief Survey was conducted and estimated that artists had already lost a cumulative total of around $30,000. On Dec. 26, many benefits are being cut, including extensions to Covid relief unemployment.

    The MWA hosted a Town Hall Meeting via Zoom Dec. 17 for New York City and state officials to express the need to be on the table for the 2021 re-opening planning.

    We lost a big opportunity last Summer and early Fall. We can’t let this happen next time. Music performance continued unabated in parks and on street corners. But the City and State policies killed music workers’ ability to earn a living, and the opportunity to create a SAFE, well regulated re-opening when and where it was medically possible to do so. Independent music workers need a voice in designing a safe re-opening plan when that becomes possible.

    MWA Spokesperson Marc Ribot

  • Isaac Mizrahi to host Virtual shows from Café Carlyle

    Isaac Mizrahi will host four virtual shows from his special concert series, Isaac@CafeCarlyle. BroadwayWorld Events streaming platform will present each show performance full of stories and songs.

    The first show of Isaac@CafeCarlyle will be released December 4, at 8 p.m. BroadwayWorld Events will share the next three shows on January 8, February 12, and March 19. Each show will feature a special chat with Mizrahi and will be available on-demand for 30 days.

    Isaac Mizrahi
    By Gregg Richards

    Ben Waltzer will accompany Mizrahi along with his six-piece with each show filmed at Café Carlyle in New York City. Before the pandemic, Café Carlyle delivered classic cabaret entertainment with New York elegance and style.

    On March 19 at 8pm EST, Isaac will be joined by special guest Justin Vivian Bond, without an audience.

    About performing with Bond, Mizrahi said, “Vivian is a talent who has directly inspired me. They embody the words ‘night club entertainer.’ I was lucky enough to see them perform numerous times and then luckier to meet them and work together. Now I feel like the luckiest person alive to be their friend.”

    Café Carlyle has headlined many talents including Woody Allen, Eartha Kitt, Elaine Stritch, Rita Wilson, and Debbie Harry. With the increased restrictions caused by the pandemic, Café Carlyle is closed to guests. Since 2017 Isaac Mizrahi has been a frequent guest and received praise from the New York Times as “a founding father of a genre that fuses performance art, music, and stand-up comedy.”

    I’ve been performing at Café Carlyle for the past four years, It feels like my home. This is my chance to continue the tradition and bring my show to even more people.

    Isaac Mizrahi

    In addition to making a name for himself with his performances at Café Carlyle, Mizrahi has over 30 years of experience in the entertainment industry. He has numerous directorial credits for his productions, including A Little Night Music and The Magic Flute for the Opera theatre of St. Louis. Mizrahi has starred in his own productions, including his documentary Unzipped, which received an award from the Sundance Film Festival and hosting seven seasons of The Isaac Mizrahi Show. Several television, theatre, and literature projects are in development with his production company, Isaac Mizrahi Entertainment.

    Click here to purchase tickets for the Isaac@CafeCarlyle concerts.

  • New Single “Cry” from Indie Rocker Sam Himself Out Now

    Despite the chaos created by the pandemic so far, Swiss Brooklyn-based artist Sam Himself (aka Sam Koechlin) released his new single “Cry” from his debut album expected in 2021. “Cry” is the first long-distance collaboration with his longtime producer and creative partner, Daniel Schlett. Sam recorded “Cry” partly at a local Basel Studio and partly in his attic during the quarantine.

    Sam Himself

    Before the pandemic took a turn for the worst, Sam was on tour in Europe and only performed at one show before the remaining dates were canceled. With the travel restrictions immediately enforced, Sam was stranded between his native Switzerland and his chosen home in New York City. He decided to self-quarantine in his hometown of Basel, Switzerland, and released his long-awaited EP Slow Drugs.

    I was driving across Switzerland before dawn to shoot the final takes of the video for ‘Like a Friend’; I’d been up for a long time, the tour had just been canceled and, according to the news, I wouldn’t be able to fly back to New York anytime soon. Then my phone rang and at the end of that call, the relationship I was in had ended, too. In a matter of hours, my life as I’d known it was over. For all the dread and confusion of that moment, I also felt ridiculous for licking my own wounds while the world around me looked like it was ending. That’s the dissonant state I tried to capture with ‘Cry’: it’s a farewell letter to my old life in New York and a relationship ended by the pandemic, but also a caustic reminder to myself not to wallow in self- pity amid a global catastrophe.

    Sam Himself, about the inspiration for “Cry”

    Capitalizing on the extended time in quarantine, Sam created the soaring ballad “Cry” that showcases his baritone climbing to new heights as the song evolves into a weeping hymn with authentically vulnerable lyrics. Sam plays all the instruments on “Cry” except for the bass and one lead guitar, which was added by members of his European touring band.  “Cry” is produced by Daniel Schlett and mastered by engineering legend Greg Calbi, who mastered songs for David Bowie and Bruce Springsteen.

  • Museum of Jewish Heritage to Host Virtual Concert on October 25

    The Museum of Jewish Heritage-A Living Memorial to the Holocaust will host a virtual live concert from Edmond J. Safra Hall in New York City on October 25 at 7 p.m. The livestream is the Museum’s first event since the COVID-19 pandemic and will broadcast from their website.

    Museum of Jewish Heritage

    The livestream will include a performance from Klezmer Brass Allstars, Eleanor Reissa, and Deep Singh with songs about love, protest, political commentary, the Holocaust, and liberation, inspired by their previous collaborations “Vilde mekhaye-Wild Ecstacy” and “Mir geyen nisht tsurik/No Looking Back. Grammy award-winning trumpeter-composer, Sir Frank London will lead The Klezmer Brass Allstars along with trombonist Brian Drye, clarinetist Michael Winograd, tubist Ron Caswell, drummer Aaron Alexander, accordionist Ilya Shneyveys, and guitarist Brandon Seabrook. London’s work celebrates multi-cultural Jewish music and honors those killed in the Holocaust and Hungary. His work is a celebration of Jewish life and Yiddish culture through a multicultural lens. London’s latest poetry/music release is Salomé: Woman of Valor with Adeena Karasick.

    Frank London’s music and artistry, rooted in Jewish Heritage, provides an opportunity for us to come together in real-time to remember, celebrate, and heal during these difficult times. Although we must remain apart, we hope this event will bring people together, and are excited to launch our Live from Edmond J. Safra Hall concert series with such inspiring, talented presenters.

    Jack Kliger, President & CEO of the Museum of Jewish Heritage–A Living Memorial to the Holocaust

    The Museum is the third-largest Holocaust museum in the world and the second-largest in North America, with a commitment to educating diverse visitors about Jewish life, before, during, and after the Holocaust.

    Our Live from Edmond J. Safra Hall concert will be as close as we can safely come to performing for an audience in real time. Thanks to the visionary presenters at the Museum of Jewish Heritage for creating this groundbreaking event. It’s the first real concert we’ve played in months.

    Sir Frank London

    Click here to register for a ticket and make a donation

  • Melanie Penn Shares New Single, Video: “Avenue of The Americas”

    NYC singer-songwriter, Melanie Penn, has released an inspiring New-York centric pop anthem paired with a stunning music video for her new single, “Avenue of The Americas”.

    Avenue of The Americas

    As a native of the big city, Melanie celebrates her ties to New York in the cinematically beautiful “Avenue of The Americas” music video. Melanie’s love for the city becomes more apparent with each elapsing second of the video.

    The song itself outlines Melanie’s climb to success, with lines referencing dreams of one day finding the spotlight in the Big Apple. Crescendoing synths pulsate in the background as “Avenue of The Americas” gives us an intimate understanding of Melanie’s hopes and aspirations.

    Melanie believes now is the perfect time to debut a song that honors both beautiful and humble New York City. At a time where the country is under massive racial and political tension, the uplifting video released along with the single inspires hope and reminds us of our commonalities as New Yorkers.

    The music video and single are a part of a promotional roll out in preparation for Melanie Penn’s upcoming, More Alive Vol. 1, full-length album which is set to release September 25. The album is centered around faith, modern upheaval and, overcoming common struggles. The album, which features 10 songs, has been described by Melanie as a tracklist full of “hopeful pop anthems” that will hopefully inspire a sense of community amongst listeners.

    To stay up to date with future news regarding Melanie Penn and her music, visit her website.

  • GarciaLive Volume 14 features Jerry Garcia & John Kahn at The Ritz in 1986

    The latest release from the GarciaLive series brings bassist John Kahn together with Jerry Garcia on the duo’s winter tour stop at The Ritz in New York City on January 27, 1986. The collection includes a liner note essay by bluegrass virtuoso Billy Strings.

    This performance at The Ritz was during the midpoint of their East Coast run, with Garcia and Kahn delighting the audience with a mix of Grateful Dead favorites, folk standards, and other staples from Garcia’s songbook. A laid-back yet passionate performance, Garcia’s mastery as a storyteller is on full display. As Billy Strings describes in the liner notes, Garcia “sings through the verses and picks through the melodies as if he is the man in the story. Delicate and deliberate.”

    Art by Suburban Avenger

    A sultry version of “Friend of the Devil” showcases Garcia’s soulful singing and his deep musical connection with Kahn. A pair of nods to Dylan are included in the show — “When I Paint My Masterpiece” and “Simple Twist of Fate.” Additional highlights include an upbeat “Bird Song” which Garcia & Kahn stretch out for the longest jam of the evening and a joyous “Ripple,” heard below.

    Pre-order Vol.14 of GarciaLive here, and while supplies last, every CD pre-order via Garcia Family Provisions will receive a bonus CD featuring the duo’s show the next night, January 28, 1986 at The Ritz.

    Set One: Deep Elem Blues, Little Sadie, Friend of the Devil, Oh Babe, It Ain’t No Lie, When I Paint My Masterpiece, Run for the Roses

    Set Two: Dire Wolf, Simple Twist of Fate, Spike Driver Blues, Bird Song, Ripple

    Encore: Goodnight Irene

  • Venues Open up Doors for Racial Justice Protesters

    Recently, music venues in New York City have been opening their doors, the first time for most, since the pandemic swept in. However, the doors are not opened up to ticket holders; instead, venues are opening their doors for racial justice protesters in need of break from their marches.

    Since the death of George Floyd, the music and arts communities have been brainstorming different ways to show solidarity. This past Tuesday, June 2, the music industry orchestrated a #BlackOutTuesday which led many to post black squares on their social medias as a way to show support to the black community.

    racial justice

    A resource platform taking a timely reaction to the venues in New York City, Open Your Lobby, has been gaining steam on social media. With posts urging theaters and venues to open their lobbies as a safe haven for protesters. The organization also shares information and the locations of venues who will be open on days of marches. With #OpenYourLobby challenging theaters to open their doors, many venues are taking action in solidarity with the Black Lives Matter movement. Venues so far who have taken part include Off Broadway venues such as The Public Theater and Playwrights Horizons.

    racial justice

    To find out more be sure to follow @openyourlobby on Twitter or search the hashtag #OpenYourLobby to find out more information.

  • Hearing Aide: Palm Suede’s latest single “Fight or Flight” remains relevant amidst global crisis

    New York-based electro-pop duo, Palm Suede, is delighted to share their new single ​ Fight or Flight​” that premiered May 15. The song continues the two’s exploration of battling anxiety while dealing with everyday situations

    Palm Suede renders the duos new single “Fight or Flight” balanced in vibrational techno-pop frequency lining a rapture of uptempo synth-balladry. The anthem unclenches the tightly knitted anxieties of windswept dispatches to find symphonic solace in the eye of the storm. The duo dares the frame that social distancing entails disconnection. In primal chemistry of intimacy, mindfulness, and allure the cadence breaks from expectation to fight gravity in every breath of Ellen Hodges’ aerial vocal register.

    In the trial between two poles stretched across oceans, the sound transcends the current with an international claim. Crossing over Palm Suede splices lyrical expressions from geometric cadence to take flight in the indulgence of the song’s entrancing backbeat. The duo specially produced Fight or Flight to be able to seductively lure escapism in being centered in one’s own energy. 

    https://www.instagram.com/p/B99lS75Fyon/

  • Helena Halberg releases pick-me-up single “Last Love”

    Helena Hallberg drops “Last Love” to pick us up from where we left off in NYC coffee shops crooning breakups in back alley poetics over bouquets of taunting stanzas. Somewhere between sober and sauced, the disobedient tempo paces folk to a spirited jazz gig in a backroom; challenging the distance between breakups and landslides.

    If contemporary feminist acuity impaled the deck to lull and roar all together “I am not here to be your mother, I am not your teacher,”  Hallberg’s “Last Love” is an ode to one’s own time. This time she cuts a mischievous long finger to self-realization in the full glory of independence.

    Social distancing suddenly doesn’t feel so lonely but instead a sigh of relief for a party of one. If you’re looking for a tack you can play over and over to a thousand different mood sets, Hallberg will cover you in a blanket with the thought of wherever you are is exactly where you’re meant to be if you just own it. If only transistor radios weren’t extinct but mercifully Hallberg’s uptempo asserts itself with the same temporal defiance on Spotify as it might on vinyl. 

    In the meantime of Hallberg’s next music release, check out her weekly live streams and stay updated with her latest content via Facebook and Instagram.

  • Sony Hall Becomes Doomed

    Last Friday, at midnight, Umphrey’s McGee fans raced over from Hell’s Kitchen after the band’s first night at the Beacon theater ended. As they descended into the underground club-room of Sony Hall, they waited for the bassist, Ryan Stasik, to make his way down to Times Square and bring out his late night masterpiece of a band, Doom Flamingo

    This band has really been making a splash in the last year, charging headfirst into late night rallying fans’ hearts with a heavy 80’s-synth powerhouse of fury that keeps everyone coming back for more. They began the night with an original fan favorite “F-16” and quickly went into one of their incredible covers, David Bowie’s “Afraid of Americans.” This group really creates their own versions of the covers they choose, always picking an unexpected song.

    Singer, and general badass, Kanika Moore sported what can only be described as a Doom Ballerina outfit. She also carries an incredible set of pipes and was really belting out her lyrics into the crowd. Their single set ran on deep into the morning until their triumphant finish, another single>cover showdown of their own “Runaway” and their amazing cover of Chris Isaak’s “Wicked Game.”

    You can catch Doom Flamingo a few times this winter down in their home area of the Carolinas before they head to Sweetwater 420 fest, and to New Orleans for a post-Jazz Fest late night set. You’ll also be able to see them at a few festivals this summer like Summer Camp and Floydfest. And don’t be surprised to find that a few other festivals are “Doomed” before long. If you have any chance to see them this year, or ever, you are strongly suggested to do so.

    Set: Replicant, F-16, Afraid of Americans, Somebody, Telepathy w/ Jam, Delorean, Blade Theme, Harvest Moon, Need To Feed, Love on Hold,

    Encore: Wicked Game, Runaway

    Photos by Zatchmo Lives Media, Follow on Facebook and Instagram