Tag: Le Poisson Rouge

  • In Focus: Tom Morello Release Party for ‘The Atlas Underground’ at LPR

    In preparation for the release of his album The Atlas Underground, Tom Morello played 2 sold out shows at New York’s Le Poisson Rouge on October, 2, 2018.

    Tom Morello

    For the first part of the show, Tom Morello was interviewed for almost an hour where he told stories about playing with Bruce Springsteen, meeting Chris Cornell for the first time, and shooting the music video for Rage Against the Machine’s “Sleep Now in the Fire,” where filmmaker and director Michael Moore was arrested. During the interview he also played his guitar solo from Audioslave’s “Like A Stone,” a song he wrote for Chris Cornell called “The Garden of Gethsemane,” and jammed along with Ozzy Osbourne’s “Mr. Crowley.”

    Morello recently spoke to Rolling Stone about what it was like to play with Springsteen, in celebration of The Boss’ 71st birthday. 

    For the next part of the show, Tom let the audience hear The Atlas Underground in its entirety and gave a quick synopsis before every song about the featured guest and how the songs came to be. 

    The show concluded with Tom playing “The Ghost of Tom Joad” and inviting audience members on stage for a cover of “This Land is Your Land,” and concluded the show by playing “Killing in the Name” while the audience sang vocals.

    Setlist: The Garden of Gethsemane Like a Stone Guitar Solo (Audioslave song) Mr. Crowley Jam (Ozzy Osbourne cover)

    The Atlas Underground: Battle Sirens, Rabbit’s Revenge, Every Step I Take, We Don’t Need You, Find Another Way, How Long, Lucky One, One Nation, Vigilante Nocturno, Where It’s At Ain’t What It Is, Roadrunner, Lead Poisoning, The Ghost of Tom Joad (Bruce Springsteen cover), This Land Is Your Land (Woody Guthrie cover) (Fans brought on stage), Killing in the Name (Rage Against the Machine song)

  • (Le) Poisson Rouge Launches LPR.TV Livestreaming Platform

    (Le) Poisson Rouge (LPR), a New York City venue and downtown cultural institution, has announced the release of its subscription-based concert livestream platform called LPR.TV. For $19.99 per month, LPR.TV subscribers will receive access to all the venue’s live-streamed concerts, on-demand access to their archive of livestreams, lessons, and much more. LPR. TV was co-founded by composer David Handler and senior music director and partner Brett Tabisel.

    LPR.TV

    With all the uncertainty surrounding the music industry, LPR.TV provides work for artists and agents as well as keeping fans engaged. Le Poisson Rouge has booked artists including !!! (Chk Chk Chk), Cults, San Fermin, Kimbra, Sunflower Bean, Kevin Devine, Son Little, Laraaji, and Too Many Zooz as the lineup for LPR.TV’s inaugural stream. LPR.TV also confirmed nearly two dozen shows through the end of 2020.

    The LPR.tv format has given us the opportunity to do what we do best: curate eclectic, exciting, and adventurous programming once again. The subscription model allows us to take the risks we are known for, while giving artists a platform to perform safely, with the production quality they deserve. Our independent spirit and determination to innovate will not be silenced. The support for LPR.tv from our community and peers has been inspiring and motivating. Honored to feed your eyes and ears with what we have in store. – Brett Tabisel (Senior Music Director / Partner)

    LPR is an independent venue in Greenwich Village, focused on reflecting the rich music culture of New York City. The underground music sanctuary puts on late night shows of all genres of music including indie rock, contemporary classical, electronica, metal jazz, world music, and more. LPR also hosts art exhibitions, stand-up comedy, and drag queen bingo at their cutting-edge nightlife destination. Click here to read more of NYS Music’s coverage from (Le) Poisson Rouge over the years.

    LPR
  • Flashback: MC5 celebrate 50 years of punk rock greatness at Le Poisson Rouge

    On August 29, 2019, MC5 founding guitarist Wayne Kramer brought his supergroup MC50 to Le Poisson Rouge in New York City to celebrate 50 years of punk rock greatness. The group consisted of guitarist Kim Thayil (Soundgarden), drummer Brendan Canty (Fugazi), bassist Billy Gould (Faith No More) and singer Marcus Durant (Zen Gorilla).

    MC5 is considered one of the most important American hard rock groups of their era. The band performed as part of the protests of the Vietnam War at the 1968 Democratic National Convention in Chicago that were broken up by a police riot. According to Kramer in an interview featured in the documentary “Get up, Stand Up,” the band played for over eight hours straight when the other bands scheduled to perform didn’t show because of the chaos.

    “Kick Out the Jams” was released as a single in March 1969 by Elektra Records. It has been covered by numerous bands including Bad Brains and Rage Against the Machine. The band’s debut album of the same name was released a month earlier and was recorded at Detroit’s Grande Ballroom over two nights, Devil’s Night and Halloween, 1968.

    The band played the entire “Kick Out the Jams” debut album. They also played songs from MC5’s other two albums including “Tonight,” “Everything” and “Let Me Try.” They sounded great as they ripped through their 80 minute set at the very intimate but temporarily closed Greenwich Village venue LPR. The show was one of the only three shows the band played in the United States in 2019 before going to the United Kingdom to open for Alice Cooper for another seven shows.

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • This darkness has got to give: Music venues during COVID-19 across New York State

    As we enter June, the fourth month where live music performances are postponed until it is deemed safe to have mass gatherings due to COVID-19, we take a look at the music venues across the state that are closed for now, but in the coming months will hopefully reopen.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, we present this monthly series that will look at the current conditions of these beloved venues. As they reopen, we will provide photo documentation recording the changes over time in all corners of the state.

    Great thanks to all photographers and venues who take part in this series.

    Buffalo – photos by Zachary Todtenhagen

    Capital District – photos by Zach Culver

    Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Long Island – photos by Andrew Camera

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Syracuse – photos by Josh Davis

    Utica – photos courtesy of The Stanley Theatre

    Ithaca – photos by Casey Martin

    Long Island – photos by Rob Tellerman

    Brooklyn and Manhattan – photos by Steve Malinski

    Port Chester – photo by Chad Anderson

  • Thin Lear Releases Single ‘Maniacs’ and Announces New Album

    Indie singer-songwriter Matt Longo, known as Thin Lear, has announced a new album queued for release on April 24. The full-length album Wooden Cave will be released under Egghunt Records and is primed to be a wonderful addition to Thin Lear’s already stellar collection of songs. He has yet to release a full-length album, but has been releasing singles and an EP that solidify the singer as a whimsical and thoughtful songwriter as well. Prior to the album release, Thin Lear put out a new single, “Maniacs.” Drawing from influences that range from Leonard Cohen, Gram Parsons and Emmylou Harris, to Harry Nilsson, Randy Newman and Sam Cooke, to the leaders of the ’70s like John Lennon, Paul McCartney and Bob Dylan, Longo creates a vibrant and exciting track that sits perfectly in the pocket and allows the melody to develop.

    Regarding the album as a whole, Longo says, “Disillusioned people getting lost in self-destructive or just generally dangerous thinking is a major theme of this album…the narrator in ‘Maniacs’ is pitching a cult-like community to an alienated, uncherished internet dweller. And you just know it’s going to be a rapid descent for this person, that they’ll soon be indoctrinated. That relentlessly chugging beat and the quick, dynamic changes in the song reflect a desperation and rapidly changing attitude. I wanted the song to feel like one breathless, spiraling fall from the very start, with that mellotron-laden opening. And I knew I needed a wild, unhinged sax solo at the end. It was really the only choice for the conclusion of the track.” And a wild sax solo indeed takes the song out on a more manic note, capping off a great first peek into what’s to come this April.

    Listeners can find the new single on streaming platforms, and can pre-order the upcoming album on the Egghunt Records Bandcamp page. Thin Lear will also be playing at Le Poisson Rouge in NYC on April 16, just prior to the album’s release. Until then, explore and enjoy delving into the deft songwriting Thin Lear is certain to become known for.