Tag: Kamasi Washington

  • ‘Racism on Trial,’ featuring Denzel Curry and Kamasi Washington, meshes Rap, Jazz and BLM

    Jammcard — a social marketplace for music professionals — along with Black Lives Matter co-founder Patrisse Cullors, partnered up earlier this summer to present the Black Power Live virtual music festival. Musicians including Terrence Martin, Kamasi Washington and Denzel Curry took part in the event, which gathered 1.7 million viewers via live stream on Twitch. Now they are releasing the powerful three-movement “Racism on Trial.”

    Black Power Live was centered around the current social-political climate, with police brutality, systematic oppression and black empowerment being focus points. Each part of “Racism on Trial” begins with a slam poetry type of setting where Florida rapper Denzel Curry recites his work, accompanied by a jazz ensemble. 

    RACISM ON TRIAL

    “Racism on Trial” follows Martin’s recent album Gray Area – Live at the JammJam, featuring the song “For Free?,” which Terrance wrote with Kendrick Lamar. The album was released on Jammcard Music in partnership with Sounds of Crenshaw and Empire Distribution. Recorded at Studio A of United Recording, packed with 300 Jammcard members surrounding the performers, the album is filled with some of the most exciting and powerful jazz music created in years. The performance features Ronald Bruner Jr., Kamasi Washington, Maurice “Mobetta” Brown, Ben Wendel, Paul Cornish, and Joshua Crumbly. 

    All proceeds from “Racism on Trial” will go to Crenshaw Dairy Mart, Trap Heals, Transgender Law Center, Sankofa.org, and Black Men Build. 

    The first movement, titled “The Voice of King Nipsey,” begins as Curry walks up to the mic and performs his verse in silence. He starts by articulating all variety of horrid things that happen in the United States. After he is finished, a Terrence Martin saxophone solo follows with Kamasi Washington and the rest of the band later joining in. 

    For the second movement, “Any Day Could be Your Last,” we again see Denzel opening up with a poem without the aid of background music, as he descriptively lists things he wants out of life. He ends his poem with the title of the feature, with the band once again following up, only this time, on a more somber note, with added vocals from Los Angeles singer, Alex Isley. Her vocals meshing with the jazz music, as well as added visuals of scenes from the civil rights movement.

    The third movement, “Pig Feet,” being the last installment once again begins with Denzel Curry but without a poem, just an intro. The band immediately starts playing and more visuals of police brutality through the years get run throughout the concert. Denzel Curry does end up rapping with the band as his background beats and he is joined by battle rappers Daylyte and G Perico. 

    Written by the trio of Terrence Martin, Kamasi Washington and Denzel Curry, Racism on Trialwas directed by Devin DeHaven, mixed by Manny Marroquin and engineered by Ethan Mates. Denzel Curry, Daylyte, G Perico and Alex Isley served as vocalists, while Kamasi Washington played saxophone, Marlon Williams the guitar. Terrence Martin, Robert Glasper, Paul Cornish played the keys, Trevor Lawrence Jr. and Jonathan Pinson were on the drums, Allakoi Peete on percussion, Dominique Sanders on upper brass, Paul Cartwright and Yvette Devereaux played the violin, Molly Rogers on the viola and Peter Jacobson on the cello.

    All proceeds from the sale of “Racism on Trial” will go to Crenshaw Dairy Mart, Trap Heals, Transgender Law Center, Sankofa.org, and Black Men Build.

  • Kamasi Washington Blows Into Buffalo

    Kamasi Washington and his talented band came to Buffalo for a sold out show at Asbury Hall at Babeville. Judging by those in attendance, his fans are as diverse as his music. Young and old were treated to a mix of blues, funk, world beat and more, all firmly rooted under the umbrella of jazz. “Is Mr. Washington the savior of jazz?” is not a question I can tackle here but the genre is in good hands if he is indeed the current face of it.

  • Kamasi Washington Delivers Jazz Master Class at Kings Theatre

    Kamasi Washington and his band came through Brooklyn’s Kings Theatre this week as part of his latest round of winter tour dates. Although there has not been new music since 2018s critically acclaimed double LP, Heaven and Earth, Kamasi just released a film, Kamasi Washington Live at the Apollo Theater, on Amazon Prime Video. The live film was recorded at Kamasi’s show at the Harlem theater on February 23, 2019.

    Watch the excerpt for “Street Fighter Mas” HERE.
    Kamasi Washington Kings Theatre
    Kamasi Washington at Kings Theatre – Photo: Joseph Buscarello

    The show opened with a short R&B and Soul DJ set from Natasha Diggs. Natasha paid homage to many late artists with her set; music filled the room as fans filed into their seats. The setting was a perfect fit for Kamasi’s music, and the first thing he said when the band took the stage was in admiration the beautiful theater.

    Kamasi Washington Kings Theatre
    Kamasi Washington at Kings Theatre – Photo: Joseph Buscarello

    Flanked by two drum sets, Kamasi stood center stage and dove straight into “Street Fighter Mas” from Heaven and Earth. When the band plays live, they tend to only play five or six songs, but extend them with solos and improvs to fill a nearly two-hour set. Both drummers took their turn during the show, delivering very different drum solos, accompanied by two separate solos on upright bass.

    After the first song, Kamasi introduced his father, Rickey Washington, on stage who continued to play flute and soprano saxophone for the rest of the night. The father and son stood side by side. The chemistry between them could be felt across the theater.

    Kamasi Washington Kings Theatre
    Kamasi Washington at Kings Theatre – Photo: Joseph Buscarello

    The main set ended with a lengthy rendition of “Fists of Fury,” which featured soaring vocals from singer Patrice Quinn. There were several movements during the performance of this track, but the final solo of the night was reserved for Kamasi on tenor. The man is a master on the saxophone and his solo ended with a standing ovation from the audience, followed by a reprise of the epic conclusion. It was the most powerful moment, ending the show with a thunderous finish.

    Kamasi Washington Kings Theatre
    Kamasi Washington at Kings Theatre – Photo: Joseph Buscarello

    In addition to the live film, Kamasi released the stand alone track “The Bombshell’s Waltz,” earlier this month also on Amazon Music. The band is just beginning this stretch of live dates, which continue across North America until a final show on March 12 in San Antonio – see the full itinerary HERE.

  • Kamasi Washington Live at the Apollo Theater concert film to be released February 6

    Thursday, February 6 will see the release of Kamasi Washington Live at the Apollo Theater, streaming exclusively on Amazon Prime Video. Directed by Michael Garber, the film was recorded in February 2019 at Washington’s performance at the historic Harlem venue. Joining Washington in the film is his band, The Next Step, with special guests DJ Battlecat and vocalist Dwight Trible. 

    “Playing at the Apollo Theater is one of the greatest honors that a musician can have,” said Washington. “When I walked down 125th Street from my hotel in Harlem and saw my name on the marquee I almost couldn’t believe it. To be a part of that prestigious group of brilliant musical minds was truly humbling for me. To say that night was one of the most amazingly special nights of my life is a grave understatement. I’m so happy and thankful to be able to share this moment with people all over the world. I hope you all enjoy it as much as I did!”

    The film includes one previously unreleased track, “The Bombshell’s Waltz,” initially recorded for Washington’s 2007 album, The Proclamation, which can be streamed below. Watch Kamasi Washington Live At The Apollo Theater beginning February 6 via Amazon Music.