NYS Music 202​0

Tag: indie rock

  • Trampoline Jetstream’s “Jerry” was worth the wait

    Utica band Trampoline Jetstream just released their latest single, “Jerry,” which has been in the works since 2018.

    Trampoline Jetstream

    The four person indie rock band began to record “Jerry” in Utica two years ago. Before they could finish, vocalist Nick Vanderwood suffered an injury that left him unable to sing. The band put the project on hold until February 2020, just before the COVID epidemic put everything on pause. Trampoline Jetstream had finished recording, but had to delay production and gigs further.

    The band joked that the album was cursed. “At one point we almost abandoned the project completely to begin writing a new album,” said drummer Adam Manion. “In the end, we felt too strongly about these songs and decided to release them as an EP.”

    Trampoline Jetstream

    It’s no shock that Trampoline Jetstream couldn’t abandon the project – the songs are incredibly personal. “These songs really are about figuring out your place in the world and wishing you could rewind yourself,” said guitarist Alex Verbickas. This feeling is present in “Jerry,” which “was inspired by a feeling of nostalgia and longing for youthful memories that have passed while also growing older” noted on the band’s SoundCloud. The indie band draws inspiration from different genres but pulls it all together with solid guitar and lyrics. With their varied style, even their instrumentals have the same nostalgic quality that their lyrics speak about.

    Fans are glad the band didn’t abandon “Jerry,” too. Audiences loved it so much that the band changed their name to the track’s first title, “Trampoline Jetstream.” Now, years later, those audiences along with the rest of the world can listen to “Jerry” and the other tracks to come.

    The full EP, Jerry, will also feature “I Confide” and “Rewind/Barney’s Quadrant.” The band will follow it with a companion EP released early 2021. Stream “Jerry” and Trampoline Jetstream’s other music now on SoundCloud and Spotify. Follow the band on Instagram and Facebook so you don’t miss any updates on their new releases!

  • Ok Cowgirl descends into a fuzz-laden abyss with “Get Gone”

    Ok Cowgirl, the lofi indie rock project of Leah Lavigne, a Brooklyn-based multi-instrumentalist has released their debut single “Get Gone.” The song describes the desire to abandon younger insecurities with appearances, wealth, and beauty. It could also be described as an unimpressed response to a superficial culture.

    Ok Cowgirl

    They discussed the various topics associated with the track, speaking about radical-self acceptance, beauty standards, and capitalistic norms. Lavigne said, “At a certain point I knew I needed to let these emotions be what they were. I needed to stop filtering them and stop judging myself for feeling these things.”

    Look At My Record praised Lavigne’s “powerful and domineering vocals” of song, and mentioned her strong expression of the frustration with our current cultural values. They also described it as “descending into a fuzz-laden abyss” and finally being able to release the pent-up emotion. Ok Cowgirl has an artistry that goes into the idea of the musician and the role we provide to this world, especially with our modern challenges.

    Ok Cowgirl

    This project also represented a major change for Leah Lavigne. Her earlier solo career up consisted of a more softer energy. People would come up to her in shows and say that she was their favorite sad girl. The Detroit native realized there was so much more to her style and has expanded her lane. Lavigne used to play the piano and switched her focus towards the electric guitar.

    Since the summer of 2018, Lavigne performs alongside long-time collaborator and percussionist Matt Birkenholz, bassist Jase Hottenroth, and lead guitarist Jake Sabinsky. They have been noted for their lyrically-driven rock tinged sound, with a soft synth and melodic, angsty influence.

    Their new single will surely not disappoint fans of the Brookyln-based group. Their follow up single, “Don’t Go,” will also be out on November 20. “Get Gone” is out now on Spotify, Bandcamp, and Soundcloud.

  • New Single “Cry” from Indie Rocker Sam Himself Out Now

    Despite the chaos created by the pandemic so far, Swiss Brooklyn-based artist Sam Himself (aka Sam Koechlin) released his new single “Cry” from his debut album expected in 2021. “Cry” is the first long-distance collaboration with his longtime producer and creative partner, Daniel Schlett. Sam recorded “Cry” partly at a local Basel Studio and partly in his attic during the quarantine.

    Sam Himself

    Before the pandemic took a turn for the worst, Sam was on tour in Europe and only performed at one show before the remaining dates were canceled. With the travel restrictions immediately enforced, Sam was stranded between his native Switzerland and his chosen home in New York City. He decided to self-quarantine in his hometown of Basel, Switzerland, and released his long-awaited EP Slow Drugs.

    I was driving across Switzerland before dawn to shoot the final takes of the video for ‘Like a Friend’; I’d been up for a long time, the tour had just been canceled and, according to the news, I wouldn’t be able to fly back to New York anytime soon. Then my phone rang and at the end of that call, the relationship I was in had ended, too. In a matter of hours, my life as I’d known it was over. For all the dread and confusion of that moment, I also felt ridiculous for licking my own wounds while the world around me looked like it was ending. That’s the dissonant state I tried to capture with ‘Cry’: it’s a farewell letter to my old life in New York and a relationship ended by the pandemic, but also a caustic reminder to myself not to wallow in self- pity amid a global catastrophe.

    Sam Himself, about the inspiration for “Cry”

    Capitalizing on the extended time in quarantine, Sam created the soaring ballad “Cry” that showcases his baritone climbing to new heights as the song evolves into a weeping hymn with authentically vulnerable lyrics. Sam plays all the instruments on “Cry” except for the bass and one lead guitar, which was added by members of his European touring band.  “Cry” is produced by Daniel Schlett and mastered by engineering legend Greg Calbi, who mastered songs for David Bowie and Bruce Springsteen.

  • Indie Rocker Arsun Releases New Single “Southern Winds”

    “Southern Winds” the new standalone single from NYC indie rocker Arsun, showcases a mature songwriting approach with nostalgic vintage aesthetics and an original style. Glide Magazine praised “Southern Winds” for effectively incorporating the sound of previous decades. Indie88 acknowledged the catchy instrumental that highlights Arsun’s gritty vocals.

    Arsun
    Photo Cred: Tasmin Meyer Erashin

    Arsun’s musical influence for “Southern Winds” comes from a combination of Phil Spector, Nancy Sinatra’s “You Only Live Twice” and The Beach Boys. Arsun also used inspiration from Homer’s epic “The Odyssey” and popular music from the 1950s and 1960s. The influences help to highlight Arsun’s mature approach to songwriting at 21. Click here to listen to Southern Winds.

    The main melody kind of just came out of the blue when I was messing around with some chords one day. I really liked them and thought they had kind of a special surreal sound. I made the lyrics try to kind of reflect that vibe.

    Arsun

  • Practice Share New Video for Snappy Single “Sleep in My Clothes”

    NYC-based dance-pop artist Michael Tapper has released the video for his debut single “Sleep In My Clothes” from his new project Practice. The song and video were both made pre-2020 madness, and yet the themes of isolation and self-quarantine root it (maybe too much) into current reality. 

    Practice Michael Tapper

    As an accomplished drummer and indie rock lifer (Tapper was previously the drummer of We Are Scientists, BishopAllen, Fool’s Gold and Yellow Ostrich), Tapper’s point of self-discovery that led to the creation of his album Not a Game took place in 2013, when he headed out on a 28-day sailing trip from Mexico to Hawaii with his brother-in-law. The album Not a Game represents an exciting new chapter in his career as well as the beginning of something else entirely — a fresh start, sonically and perspective-wise.

    The moniker of Practice itself was borne out of this constant, self-exploratory toil, along with a connection to the practice of meditation itself. NBA legend Allen Iverson’s infamous “practice” speech was another inspiration for the project’s name, and the speech itself is showcased over the rippling synths and hissing snares of album centerpiece “Practice.”

    Speaking about “Sleep In My Clothes” Tapper explains the song’s message on the struggles he’s encountered during this global pandemic:

    Like everyone, coronavirus has upended my life and consumed probably the majority of my waking energy for the past month or so. My wife is a doctor in Manhattan, so we started quarantining before most people (when she’s not at work), concerned that she might bring it home from the hospital and not wanting to spread it to our friends or neighborhood. Our fears were founded because we did get it early, but thankfully our symptoms were mild. During this quarantine time, I was able to finish up preparing this music video for release. As I showed it to a few people, one friend mentioned that it embodies things we’re feeling during this isolation period. As one friend put it: “the vibe of the “Sleep In My Clothes” video is how I feel on a bad day during this quarantine — crying my mascara off (if I even had the will to put any on).”

    The video starts very literally with me waking up in all of my clothes and walking out the door, which is the first verse of the song, but then takes it a step further by diving into a pool fully clothed. Later, the character experiences a sort of baptismal rebirth transformation, ending up completely naked, which is a literal reference to the lyrics but also a metaphor for honesty and vulnerability, which is what’s happening lyrically at the same time.

  • Zach Koeing Talks Gawn’s Debut Album “Thee Essence Ov Everything”

    On August 14, Brooklyn-based band Gawn will release their debut album, Thee Essence Ov Everything. The band’s newest single, “Pushed Aside,” is available to stream now. 

    Gawn
    Photo from @g_a_w_n on Instagram

    Thee Essence Ov Everything is the perfect mix of soft, indie, and electric rock. Each song is individually interesting but maintains in harmony with the rest of the record. I had the opportunity to talk to Zach Koeing about Gawn, the band’s soul, about the new track and album. 

    Marilyn Feerick: How did you first get into music?

    Zach Koeing: I started playing music probably when I was 10 years old. I grew up in a house with musicians. My dad was a guitar player and songwriter and he taught me to play guitar. 

    MF: What does “Pushed Aside” mean to you?

    ZK: The meaning of the song and the lyrics is kinda just moving on from old friendships that have faded away, maybe because they’re toxic or people change.

    MF: I read that it was hard to get one solid group to consistently do shows, so you play with different people almost every night. 

    ZK: When the project first started, it was more of just a recording project. It was different friends coming to the studio, handing out, laying down some tracks, writing some songs together, and when it kinda came down to shows, it seemed like a lot of people’s schedules were clashing with each other and stuff like that. So, it just seemed to be a lot less stress ad a lot easier to get a group of guys together on the flay than try to rely on just one group of people. 

    MF: Is having a rotating band more confusing, or does it help you keep everything more fresh?

    ZK: I think it sounds like it would be more confusing, but it does feel like it is fresh because every single time that I sit down with a new group of people, it feels like I’m able to come up with something new and something original. With the same group of guys, it would seem like it would be harder to come up with new stuff. There’s definitely different feels. People play differently, and ideas some of the guys will bring to the table will just be kind of on a whim and it’s just like ‘that was it, let’s keep it,’ and if that guy wasn’t there that night, it wouldn’t have happened.

    MF: How has COVID-19 and the quarantine affected you creatively? Are you writing anything new?

    ZK: Before COVID, we were talking to our publicist about doing PR and all the promotions and everything for [the album], and out of nowhere, the country was shut down and we were kinda just like ‘oh no what are we gonna do? Are we gonna tour, should the record come out, should we go with it?’ And especially during the black lives matter protests, we didn’t want to be shining any light on us when there’s something more important going on. So we decided to basically just put it on the back burner until we started to find out what was going on in the world. During that time I had a little four track recorder at my house that I sat next to, like, every morning and every night just writing new ideas, because we weren’t working or anything so we were just kinda adjusting…to being home all the time. And I had my own little recording setup. So, I recorded about 30 new ideas on a four track during quarantine. 

    MF: And lastly, do you have any plans for projects once quarantine is over?

    ZK: Me and the guys recorded two new songs probably like a month ago, so we plan on releasing probably a seven inch after we do the record and then hopefully next year we’ll be able to tour.

    Stream “Pushed Aside” and other singles by Gawn in the meantime before Thee Essence Ov Everything comes out on August 14.

  • NYC Indie Outfit Longwave release video for “It’s Not Impossible,” share Bowery Ballroom concert footage

    Acclaimed NYC indie rock band Longwave have teamed up with filmmaker Bill Moldt to debut a music video for their song, “It’s Not Impossible,” from their latest album If We Ever Live Forever.

    The idea was to create a unique experience by presenting a choose-your-own-adventure style video for the song. “It’s Not Impossible” is the band’s first debut single off an album in 10 years making the release of If We Ever Live Forever a big deal.

    https://www.youtube.com/watch?v=AEvH1Y7Ybdg&feature=youtu.be

    The music video was constructed through a series of bi-weekly Instagram story posts, each depicting a possible scene painted in watercolor. Each post contained a video of the scene being created, a caption, and a question prompting the band’s Instagram followers to determine the direction of the next scene. The video used the “poll” feature on Instagram Stories to tally the audiences choices. The process left director Moldt with 10 scenes that were ultimately created and assembled into what become Longwave’s official music video for “It’s Not Impossible.”

    Additionally this week, Longwave have shared full concert video of their November 2018 performance at The Bowery Ballroom. The performance was filmed by Erik Braund at Braund Studios.

    Connect with Longwave on Facebook, Instagram, and stream their music on Spotify.

  • Miserable Chillers Release Newest Single “Saga’s Sword” from ‘Audience of Summer’

    Alternative rock band Miserable Chillers debuted their third single, “Saga’s Sword,” off their upcoming album, Audience of Summer, out Friday, August 7.

    “The song really captures the feel of a curious young child exploring and actively pursuing new experiences, as Gallego even adds some ribbiting frogs and glimmering forest sounds to complement the track’s shiny guitar riffs and marimba-sounding percussion.”

    Look At My Records

    Bandleader Miguel Gallego grew up in suburban New Jersey, where he found his passion for music. He now lives in Brooklyn. He recorded and produced his latest tracks with Baby Blue Records, in New York.

    Album art for Miserable Chillers’ Audience of Summer.

    Miguel’s creativity and intuition came from the world wide pandemic caused by COVID-19. “I think of myself as a late bloomer, a lot of things have only recently started to appear obvious to me,” said Gallego.

    As a result, Fifty percent of the proceeds from digital purchases on Bandcamp will be donated to Bed-Stuy Strong. This is a group of over 3,000 people helping in the aid of their community during the COVID-19 crisis.

    I believe that in times of economic and public health crisis, and amidst the violent failures of state policy to address the needs of vulnerable communities, the necessity of local, communal responses to communal needs is especially acute. I would like to support a local mutual aid group. Bed-Stuy Strong centers on solidarity, care, and an imaginative approach addressing the needs of the community and neighborhood that I live in.

    Miguel Gallego – Bandleader

    Along with Gallego, artists from other bands contributed to the making of this album. Megan Braaten from Your Sister and Kabir Kumar of Sun Kin both sang backing vocals. While others like Sarah Goldfarb (Red Widow and Ovaeasy) played the cello. Together, they created the baroque pop sounds of the new record, exactly how is described as.

    Audience of Summer is out Friday, August 7.

    Miserable Chiller’s newest single “Saga’s Sword”.

    Mutual aid provides an alternative model for addressing need; and we badly need to embrace and imagine alternatives to our preexisting methods—be it the police, punitive and carceral responses to harm, or how we as a society provide for the healthcare of our neighbors.

    Miguel Gallego – Bandleader

  • Indie-Rockers Gooseberry release catchy summer anthem “The Protagonist”

    Brooklyn-based indie rock band Gooseberry has released their new single “The Protagonist.” The four-piece band met through mutual friends in the Brooklyn music and comedy scenes. After months of intermittent jam sessions in a makeshift apartment studio the Gooseberry Band became official in Fall 2019. The band consists of Asa Daniels (guitar/vocals), Colin Ashen (drums), Sam Rappaport (keys, vocals), and Will Hammond (bass). 

    Their mix of indie rock, blues, and R&B captures each member’s interests. Sam Rappaport brings the R&B flavor, inspired by the greats like Donny Hathaway, Stevie Wonder, and D’Angelo. Will Hammond leans more towards the indie scene, rock and folk. Asa Daniels bridges the gap in-between, having grown up playing jazz and blues and learning licks from heroes like Thelonious Monk, Eric Krasno, and Stevie Ray Vaughan. He has been pursuing music for nearly a decade, having had some early success with his band, Baked Goods. 

    Their first single “Berkshires” (listen below) goes back to major influences like D’Angelo, Donny Hathaway, and Stevie Wonder, while their newest “The Protagonist” showcases a more alternative/indie sound in the styles of the Foo Fighters, Courtney Barnett, Arctic Monkeys, and Spoon. Before the pandemic, Gooseberry had a biweekly residency at Harefield Road in Brooklyn, where they were steadily growing a devoted audience around their live shows. They had been gigging fairly regularly in and around New York City, running the full gamut of venues from The Cobra Club to DROM to house shows across the boroughs. 

    Asa Daniels shares his story on how he came up with “The Protagonist”:

    This song started out as a little earworm that I couldn’t quite shake. I’d sit in my apartment in my little makeshift studio and play for hours and end up back on this tiny melody, and each time it would grow. A little more power here, a little distortion there. Before I knew it, there was this thing, this song, and the lyrics just fell into place. The Protagonist is a little about how we are all the lead actors of our own movies, and a lot about smiling as you lose control. The song’s title is tongue-in-cheek, but I’ve always been fascinated by points of view, the idea that we really are all the centers of our own universes, and so on. There’s a joke that those close to me know I always make. It usually comes after an impassioned speech from a friend, a major cultural event, or just a story told by someone else. It’s most effective after there’s a lull of awkward silence. I’ll usually think pensively for a moment, then look at someone and say, ‘Right, but how does this affect me, the protagonist?’ While I’m generally looking for laughs when I say that, underneath the statement is a question that I think a lot of folks are grappling with right now as the country is rife with pandemic, civil unrest, and political rancor. We may each be our own protagonist, but the story is empty if it involves no other characters. It’s important to care for one another, speak out for one another, help one another. Especially as things spiral, often beyond our control.

  • The Next Great American Novelist Release New Single “Drag”

    The Next Great American Novelist, an indie rock band from Brooklyn, released the new single “Drag” from their upcoming album Careless Moon. 

    “Drag” was written before the countless changes of the past few months. The song explores the pre-pandemic ‘normal,’ but doesn’t paint it as being perfect. It looks into the monotony of life.

    “I love New York City, though, some days it feels like a dysfunctional landscape of ill-routine. Living here, you realize you’re functionally necessary but of small significance or importance within the larger enterprise. I’m immersed in a series of habits: standing in line, getting on a train, heading to work, buying coffee, buying booze… Are these choices I want to make or am I just keeping the machine going?” 

    Sean Cahill, Songwriter.

    This will be the band’s second album after I’ll See You in the Art You Love, released three years ago. The Next Great American Novelist, or NGAN for short, wanted their music to be something that could be enjoyed best live, by all sorts of people. Art You Love delves into depression with an emo-folk sound. Careless Moon includes songs that will “make sense live.” Atwood Magazine, who debuted the album’s first song “Blackberry,” notes that that the band’s new songs have “a heavy alternative sound that simply wasn’t present in NGAN’s previous repertoire — and yet, this growth feels natural and exciting.” 

    The upcoming album comes from a place of joy rather than sadness and is marked by their new sound. Despite the band’s evolution, fans will still be able to recognize NGAN in Careless Moon from their three-part harmonies and meaningful, storytelling lyrics. It explores the relationship between romance and indifference. The two can coexist at the same time within one symbol.

    Watch The Music Video for “Drag” Below:

    Cahill has gone through ups and downs with his relationship with music. Yet he realized that it is his calling. “For a while I felt guilty about playing music, playing shows, as if it was a shameful or self-serving pursuit,” he tells Atwood. “After some reflection, I’m realizing that music is the best way I can spend my time, as it brings more light into the darkness and opens up an avenue for sharing joy.” Cahill eventually met Helm and Cummings through a “chance encounter,” and the three then formed NGAN through a shared music taste and interest in becoming creative collaborators. 

    Atwood reports that Careless Moon is “bigger, edgier, and more alternative; an unabashed outpouring of raw dynamism. The Next Great American Novelist are ready to be your Next Favorite American Band.” “Drag,” along with “Kubler,” “Baby Duck Song,” and “Blackberry,” are available for streaming now.