NYS Music 202​0

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  • Lorelle Meets the Obsolete at Rough Trade NYC

    Lorelle Meets the Obsolete hail from Guadalajara, Mexico and have been releasing psychedelic post-punk since their debut, On Welfare, back in 2011. The band consists of primary members Lorena Quintanilla and Alberto González who come together to create walls of dystopian noise they dub “pattern music.”

    Lorelle Meets The Obsolete at Rough Trade NYC – Photo: Joseph Buscarello

    The band came through Rough Trade NYC this past Monday for the first show of a tour supporting Berlin goth-rockers The Underground Youth. The tour was supposed to be centered around various appearances at the now cancelled SXSW festival in Austin, but will continue into April with stops all across North America.

    Lorelle Meets The Obsolete at Rough Trade NYC – Photo: Joseph Buscarello

    The show started with the opening track “Ana” from LMTO’s fantastic 2019 release De Facto. The song starts from nothing and slowly builds into haunting vocal mantras and waves of heavily distorted guitars. It’s a dark, brooding track the set an ominous mood for the rest of the show. The band would play about half of the new record and also included other tracks such as “Waves Over Shadows” and “Eco Echo” from 2016s Balance. The band delivered a dense 9-track set filled with extended psych jams and lengthy outros that the showed the group feeding off each other’s energy.

    Lorelle Meets The Obsolete at Rough Trade NYC – Photo: Joseph Buscarello

    Last October, LMTO released a remix of the De Facto track “Unificado” by Pye Corner Audio – check that out HERE. Catch them on tour throughout March and early April and be on the lookout for more remix singles.

  • B.A.D.A. releases new single “Exile”

    Brazil/NYC-based electro/indie-pop duo B.A.D.A. explore the inner workings of an artist’s journey in their new video for “Exile,” title track to their upcoming album. “Exile” is a dark pop thriller, held almost entirely on a minimal synth bass line, murmured vocals and melodic sorrow.

    Aiming for conceptual depth while standing out in the overpopulated electronic-indie-pop scene is B.A.D.A.‘s ambitious mission. Brazilian artist/producer Pedro Cesario and Brooklynite multi-instrumentalist/producer Carey Clayton devoted the whole of 2019 to this mission after the vision for Exile came to Cesario during Burning Man in 2018. The story that underlies the single is very personal to Cesario, who states, “I quit music after experiencing a traumatic experience recording a demo when I was ten years old. The lyrics and film represent the creative hiatus in my life and my search for that grit again as an adult.”

    The self-produced, trilingual album was recorded internationally throughout 2019, first in a cabin in Woodstock, NY, then at the Abbey Road Studios in London, and finally in Clayton’s bedroom in Greenpoint, Brooklyn. B.A.D.A. worked with the house engineer of Abbey Road, John Barret (George Ezra, James Bay), several guest musicians, and mastering engineers Luke Moellman (Great Good Fine OK) and Chris Gehringer (Janelle Monae, Harry Styles) along the way to create an auditory and visual experience through their music.

    While the album navigates the same sonic palettes as contemporaries Bon Iver, The Japanese House, and Muna, B.A.D.A.’s sound unashamedly flaunts its romance with the dance floor, and each song seems to be specifically designed to soundtrack a lysergic trip. The uniqueness of the concept lives in the fact that the album’s scores are a blueprint of the journey itself, as the artists use their own identity and experience as a white canvas to perform the transformation. 

    The duo originally started as a remote project between Brazil and New York City, before Cesario decided to join Clayton in the city so that they could materialize the project into the real world. “Exile” materializes an unobvious music journey that reflects the chaotic state of pop in the turn of the decade, where boundaries of language, genre or identity no longer apply.

  • Papadosio to Launch Microdosio Tour at Brooklyn Bowl on Wednesday

    North Carolina jam act Papadosio will be touring with their new Microdosio project this spring. The first night of tour is to be held at Brooklyn Bowl in Brooklyn, NY this Wednesday, March 11. They’ll head down the coast and then up through the Midwest, ending with doubleheaders in Grand Rapids, MI in April and Pittsburgh, PA in May.

    “Microdosio is a brand new show with a small stage plot and a huge sound. We are exploring new sonic territory by shrinking our gear to focus on synths, samplers, drum machines, and loopers, all played along with the live instruments you know and love. Expect new material and old favorites as we take this tiny universe on the road this spring! Thanks for letting us experiment.”

    – Papadosio

    The band tested the new material at a couple shows, and created a preview video which can be viewed HERE.  For more videos and tour news, connect with Papadosio on Facebook. Tickets are on sale now.

    microdosio

    Paradosio – The Microdosio Tour 2020

    March 11th, 2020 – Brooklyn Bowl – Brooklyn, NY

    March  13th, 2020 – XL Live – Harrisburg, PA 

    March 14th, 2020 – Ballhooter Festival

    March 15th, 2020 – The Broadberry – Richmond, VA 

    March 20th, 2020 – Pour House – Charleston, SC 

    March 21st, 2020 – Pour House – Charleston, SC 

    April 3rd, 2020 – Union Stage – Washington, DC

    April 4th, 2020 – Union Stage – Washington, DC 

    April 10th, 2020 – Lincoln Hall – Chicago, IL

    April 11th, 2020 – Lincoln Hall – Chicago, IL 

    April 17th, 2020 – Elevation Room – Grand Rapids, MI

    April 18th, 2020 – Elevation Room – Grand Rapids, MI

    May 1st, 2020 – The Rex Theater – Pittsburgh, PA

    May 2nd, 2020 – The Rex Theater – Pittsburgh, PA

  • Video Premiere: The Lost Messiahs “Didn’t Have To Be That Way”

    The Lost Messiahs hail from the Irish Midlands and are comprised of five of Ireland’s top musicians. The band was formed by lead guitarist Ollie Plunkett, with a concept of bringing some of Ireland’s leading musicians into one whole act. Having shared stages with the likes of Van Morrison, Damien Rice, The Waterboys, and Bob Geldof, The Lost Messiahs are able to hold their own with the best in the business. Formed in 2014 as an album project, the indie-rock band is now a full touring band, having released their second album in 2019, and they’re set to bring their style of music to the US in April this year.

    the lost messiahs

    Their latest music video for “Didn’t Have To Be That Way” premiered on February 14 and is gaining recognition nationwide quickly.  For this new single, they have collaborated with Steve Fallone of Sterling Sound in New Jersey. The track delivers a rich palette of atmospheric guitars, dark and brooding synths, and is driven by a relentless hypnotic rhythm. Meditations on love, loss and a search for life’s meaning permeate from the latest single. The video starts with a woman casually approaching a man from behind, and holds up a gun to the man’s back, then the screen shuts black.  The film cuts to the man lying on the ground after taking a bullet to the back and not really knowing what hit him.

    The upbeat music and soothing vocals are contrasting with the unforgiving visuals, yet smoothly blended with the pace of the video. In the following scene, the group walks out mafia-style with guns drawn and looking for some sort of fight, along with a group of women walking out looking for the same. Throughout the video there are constant exchanges of fire-fights from both sides, leading to most of each gang being taken out.  At the end, there is a reunification of a man and woman from both sides in an eerie graveyard setting and fades out as they meet. 

    In addition to their consistent music releases, The Lost Messiahs are proud to announce their month-long tour across the Northeast United States.  The tour kickoff is on April 12 at Bowery Electric, then comes back a week later at Mercury Lounge on April 20, and Rockwood Music Hall the following day on April 21.   

  • Camp Bisco Releases 2020 Lineup

    Returning for its 17th year in a row, the 2020 lineup has been released for Camp Bisco. Held once again July 9-11 at Montage Mountain in Scranton, PA, it will feature hosts The Disco Biscuits performing a total of six times, including backing up the psychedelic Shpongle.

    Also on the lineup are favorites Bassnectar, GRiZ, Lotus, STS9, Subtronics, G Jones and Troy Boi. In addition, British sensational producer Tipper will perform two sets. Mysterious producer Deathpact is also slated to make his/her/its East Coast debut.

    The announcement also notes that the event will feature an “immersive projection mapping experience” by Datagramma and Imaginex.

    Check out the complete lineup below. Early Bird Pass 2 tickets are on sale now. For more information, head to campbisco.com.

  • In Focus: Terrapin Family Band Shines at Brooklyn Bowl

    There’s something amazing about the music of the Grateful Dead; it is a catalog of songs that has spoken to music fans for generations. It’s a collection of music that, since the 2015 Fare Thee Well shows in Chicago, has exploded, ushering in a new generation of musicians that are carrying the torch of the Grateful Dead Family. These songs are the only collection of music in the world that has a whole scene based around it. One that is growing around the next generation of musicians covering, experimenting and paying tribute to this amazing catalog. Since its formation, The Terrapin Family Band is one of the top bands doing this and has brought a new and fun sound to this music that has new and old Deadheads alike excited for whats new and what’s next.

    Thursday night this remarkably talented group of musicians brought their take on The Dead catalog to the intimate Brooklyn Bowl. The band, led by Grahame Lesh, also includes Ross James, Alex Koford, Jason Crosby, Elliot Peck, and Nathan Grahame, treated Deadheads to two sets of classics like “Bertha,” “New Minglewood Blues,” “Sugar Magnolia,” and “The Other One.” But It was the addition of the TAB horns of James Casey and Natalie Cressman on songs like “Dancing in the Street” and “Brokedown Palace” that show why this music is thriving again – it’s moments like this when the next generation of musicians are taking these classic songs and throwing their vision and musical style into the mix. It’s moments like this that show the magic of the Grateful Dead and why the Terrapin Family Band is so much more than a cover band, they are the leaders in this movement that’s reminding all music fans that family is what the Grateful Dead community is all about.

    Keep an eye out for more upcoming dates, and hopefully some festival appearances from the band this summer. And don’t be surprised if most of this band will be at The Capitol Theatre next weekend joining in the celebration at Phil Lesh’s 80th Birthday Party.

  • In Focus: Sunsquabi lights up the crowd at Town Ballroom

    Town Ballroom may want to look into a new room after The Floozies, Sunsquabi and Late Night Radio blew the lid off the Buffalo venue on Sunday, March 1.

    Sunsquabi showed up with a production that would have made any fan assume they, not The Floozies, were the headliner. No punches were pulled as the 3-piece band created an experience greater than the sum of their individual tracks. A high energy and seemingly nonstop dancing frenzy was on tap all night, with each jam and each mind-melting riff flowing seamlessly into the next.

    The set included fan favorite bangers including “Just a Little” and “Deluxe.” However, one would not have needed to be familiar with the band’s discography to get down to their elaborate, funky blend of electronic and jam music. The Sunsquabi love at the Town Ballroom that evening was real, and contagious. Never miss a Sunday show.

    review by Philip B. Right

    Setlist: Just a Little, Bacon and Cheese, Torque, Chrysalis, Night Moth, Deluxe, Sticky, Wizard, Steamcat

  • Hearing Aide: Timothy Alice and the Dead Star Band ‘SpaceStation AM500’

    SpaceStation AM500 is the debut album from Timothy Alice & the Dead Star Band, a trio hailing from Buffalo, NY. Timothy Alice (stage name for Timothy Patrick Henderson) displays an astonishing number of influences in both his writing and singing styles throughout this record. With the help of Matt DiStasio on bass and Bub Crumlish on drums, Alice’s lyrics paint incredible pictures of an America we can all recognize today. You could be on the Great Lakes, in a sprawling metropolis, or the last bar on the highway between this state and that; each of these locations share a tale that Timothy Alice invokes with each track.

    The opening track, “2 Am,” paints a picture that many may find familiar. The promise and elation of this song invokes the feeling of many 2 am’s we’ve all felt while bar-hopping around New York State – still full of energy and grit, while openly wondering where the night is going to take you. “It’s 2 AM and this place is jumping. I’m just trying not to lose my head again.”  The song feels like a packed bar with 2 hours left before last call, full of vigor and hope.

    SpaceStation AM500 mixes soul, blues, R&B and folk roots into a delightful set of songs with so much heart and movement in them. The band excels at feeling like you’re on the road with signs flying by in the darkness during “Just Take My Hand.” “Shadow on My Tail,” the longest track on the album, really showcases the soul in Timothy’s voice and also features a ripping solo from guest guitarist Andrew Kothen. The album also features a love song to the Windy City. The soul in Timothy’s voice while singing “Oh, Chicago” makes me long for a city I’ve only ever been to twice.

    As the night grows longer and we get further into the album, “Honeypie” provides a tale of distorted love, building up to a cacophony that would be exception to see live. “4 Am,” the final track on the album, really highlights the difference two hours can make in a night. It tells a somber and sobering tale that we’ve all experienced in our lives, regardless of what time the clock is showing. With the help of an amazing band, Timothy Alice’s lyrics paint pictures of an America we can all recognize today. Whether he’s a in a league of his own or the product of a new generation of storyteller, he shows us all that we have a lot of great music and art coming our way in this next decade.

    Key Tracks: 2 Am, Just Take My Hand, Honeypie

    https://timothyalice.bandcamp.com/album/spacestation-am500

  • Premiere: Tiger Darrow releases plot twist single “Brother’s Girl”

    ​Brooklyn-based Pop Creative multi-hyphenate, Tiger Darrow, has released her new single, “Brother’s Girl.” The heavy synth dark pop song portrays a story of forbidden love for the unattainable. 

    The song begins with seductive and fantastical lyrics as the singer describes the feeling of falling in love with someone special, however, they’re unavailable. Darrow enjoys writing her lyrics in a colloquial way full of surprise to her listeners. The poetic storytelling of this stripped song introduces a plot twist to the story when the singer announces the love she has been describing is in fact for her “Brother’s Girl.” Her earthy and smokey vocals over the skittering trap beats create a roguish pop sound filled with infectious melodies.

    Darrow’s musical upbringing began at the age of two when she began learning how to play the violin. Her love for music led her to attend a Performing Arts High School in Dallas, Texas where she learned guitar and cello. Graduating with a degree in Songwriting from NYU, Darrow continued to pursue her passion and built her reputation as a young, multi-instrumentalist singer-songwriter and producer writing for other artists, as well as, pursuing a solo career. Opening for artists such as Edie Brickell and The New Bohemians, The Eagles, and Erykah Badu, Darrow also performed as a sideman for Durand Jones and The Indications, Zack Villere, Camille Trust and Wakey!Wakey!

    Darrow’s music has evolved tremendously since releasing her first album at the age of 16. The Dark-Alt Pop Singer is taking a new direction and creating new music with sounds inspired by Billie Eilish, Julia Michaels, FKA Twigs and St.Vincent. In support of the artist’s latest release, Darrow sets out to perform a multitude of shows around the NYC area at prominent music venues.  

  • Premiere: Tiger Darrow releases plot twist single “Brother’s Girl”

    ​Brooklyn-based Pop Creative multi-hyphenate, Tiger Darrow, has released her new single, “Brother’s Girl.” The heavy synth dark pop song portrays a story of forbidden love for the unattainable. 

    The song begins with seductive and fantastical lyrics as the singer describes the feeling of falling in love with someone special, however, they’re unavailable. Darrow enjoys writing her lyrics in a colloquial way full of surprise to her listeners. The poetic storytelling of this stripped song introduces a plot twist to the story when the singer announces the love she has been describing is in fact for her “Brother’s Girl.” Her earthy and smokey vocals over the skittering trap beats create a roguish pop sound filled with infectious melodies.

    Darrow’s musical upbringing began at the age of two when she began learning how to play the violin. Her love for music led her to attend a Performing Arts High School in Dallas, Texas where she learned guitar and cello. Graduating with a degree in Songwriting from NYU, Darrow continued to pursue her passion and built her reputation as a young, multi-instrumentalist singer-songwriter and producer writing for other artists, as well as, pursuing a solo career. Opening for artists such as Edie Brickell and The New Bohemians, The Eagles, and Erykah Badu, Darrow also performed as a sideman for Durand Jones and The Indications, Zack Villere, Camille Trust and Wakey!Wakey!

    Darrow’s music has evolved tremendously since releasing her first album at the age of 16. The Dark-Alt Pop Singer is taking a new direction and creating new music with sounds inspired by Billie Eilish, Julia Michaels, FKA Twigs and St.Vincent. In support of the artist’s latest release, Darrow sets out to perform a multitude of shows around the NYC area at prominent music venues.