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  • Bonnaroo Announces Virtual ROO-ALITY Livestream Event Sept. 24-26

    Bonnaroo releases details of Virtual ROO-ALITY, a three-night live broadcast, set for Sept.24-26 at 4:30 CT exclusively at the official Bonnaroo YouTube channel. The free virtual livestream will continue the celebration of the annual festival with a range of programming, new live performances, unique original content, and archival sets at Bonnaroo’s home at Great Stage Park in Manchester, Tennessee.

    ROO-ALITY

    The lineup of headliners for Virtual ROO-ALITY includes a diverse range of musical genres. A total of 13 performances including Dave Matthews and Friends, Metallica, The White Stripes, James Brown, My Morning Jacket, and more will headline Virtual ROO-AILITY.  Beastie Boys’ historic final concert is one highlight of the archive livestream performances. A diverse range of performances from over 35 artists will perform, including:

    • Nathaniel Rateliff
    • Chromeo
    • Big Gigantic
    • Bruce Hornsby Feat. James Mercer
    • Rob Moose & Polo G
    • Old Crow Medicine Show’s Bonnarootenanny
    • Denzel Curry
    • Lennon Stella
    • Billy Strings
    •  Action Bronson
    • CloZee
    • Moon Taxi
    • Pigeons Playing Ping Pong
    • Ingrid Andress
    • Devin Dawson and ERNEST

    and many more following the announcement of the complete schedule.

    In addition to music, Virtual ROO-ALITY will present viewers with an array of original programming, additional activities, and exclusive experiences throughout the three days. Sanctuary of Love, an event curated by Hayley Williams, will present engaging conversations about topics including digital space and mental health, diversity wellness, and the origins of gender. The panelists for these discussions include Charli XCX, Dr. Joy Harden Bradford, Laura Jane Grace, and more. Viewers can also look forward to other virtual events including the Dog Dance Party, Bonnaroo Campfire Tales, and Cheers to Live.

    Bonnaroo From Home merchandise is now available at the official Bonnaroo online store. The collection includes a “Virtual ROO-ALITY 2020” poster, a “Robe Rage” satin robe, a “Farm Fresh” 8 oz. Candle, a 1000-piece jigsaw puzzle, a tie-dye mask, and more. Virtual ROO-ALITY and the Bonnaroo Works Fund will look to raise awareness for the ALCU Foundation, an organization dedicated to protecting civil rights, and Headcount, an organization that promotes participation in democracy through music. Bonnaroo Works Fund looks to collect donations for both organizations.

  • Syracuse’s 443 Social Club writes an Open Letter to Governor Cuomo

    The COVID-19 pandemic has impacted the whole world, either directly, or indirectly. As a response to the pandemic, Governor Andrew Cuomo, has passed legislation that the states hope will help regulate COVID-19’s impact on the state. While guidelines for life during a pandemic are important, the broadness of certain rules has put many small businesses at risk of extinction. 443 social club

    443 Social Club

    One of those venues, The 443 Social Club & Lounge in Syracuse is a place where those fond of live music can appreciate the ambience of a nice night out. A hub of live entertainment in their town, this restaurant seats 88 people but, as a result of the pandemic, it has operated with only 36-person capacity to meet state guidelines.

    While the reduced customer base hurt business, it had allowed a mom-and-pop style business to stay afloat. That is until, a new wrinkle in New York state’s coronavirus guidelines for bars, restaurants and similar venues in New York state prohibits them from offering live music that customers pay for separately. The rule forced an immediate halt to The 443’s business. While they offer eatery, their main form of attraction is their live music. 

    Although we have all had to deal with the effects from COVID-19, actions like this towards small businesses still tug at the heart, knowing that hardworking individuals are in danger of losing their businesses, through no fault of their own. 

    The 443 Social Club & Lounge has chosen to take action, posting a letter to Governor Cuomo on their website that details, among other things, their compliance to COVID-19 rules, their determined attempts at keeping their business afloat, as well as the city’s mishandling of its small businesses. The letter is heartwarming and brings up questions, including ‘What was Governor Cuomo thinking with this new rule?’, and ‘How could they not have implemented any verbiage for small-capacity lounges?’ Let’s hope The 443 and other small businesses get an opportunity to get back on their feet, sooner rather than later.

    Read below for The 443 Social Club & Lounge letter to Governor Cuomo, as originally posted on their website and socials. 

    Dear Mr. Cuomo –

    I am a small business owner in Central New York. My husband and I operate an 88 seat cafe/bar that features listening room style acoustic performances. We had just celebrated our one year anniversary when COVID-19 hit.

    When we closed our doors on March 15, I understood we would likely be shuttered for at least a few months. I understood we would be among the very last businesses allowed to reopen. There was a certain relief in letting go and accepting it, in understanding it was completely beyond my control. I had faith we would receive some kind of aid to help get us through, and for while we did.

    I watched your daily press conferences religiously. With the vacuum in national leadership, I was grateful to be living in NY, grateful we had someone taking charge of the situation. Your no-nonsense, fact-based daily briefings were oddly comforting, even when NY’s numbers were high and the news you were sharing certainly wasn’t good.

    Spring turned into summer and New York began it’s cautious, phased reopen.

    We were busy reimagining our business so we’d be ready to go once CNY made it through the first few phases. We knew we would be facing an entirely new reality and there wasn’t a single aspect of our business that didn’t get retooled.

    You can find the complete outline of what we did HERE

    We are classified as a restaurant, so we planned to reopen when indoor dining resumed in Phase 4. I checked with Empire State Development at the end of June to clarify the rules on live music. While we are classified as a restaurant, music is definitely our main focus. I was told it was allowed as “small scale entertainment”.

    Well, it doesn’t get much smaller scale than our place, especially since we were going to be operating at about 40% capacity – just 36 people. We waited another month just to be sure numbers didn’t spike with everyone moving around again before we started planning a very limited schedule.

    And then things got weird.

    You declared food must be ordered by anyone who wanted an alcoholic beverage. The intention was to keep people seated, I get that, but keeping people seated was not an issue at our place to begin with. Our guests were anxious to comply with the rules, but not always hungry when they arrived. So, sometimes they placed to-go orders to eat later, which didn’t really accomplish anything. It disrupted the natural rhythm of service, where guests used to relax and enjoy their first drink before ordering, and worst of all, it meant the entire room ordered their food at exactly the same time. It was a logistical nightmare for our tiny food prep area and I had to schedule another person to help at a time when we could least afford it.

    But, we were settling into a groove and figuring it all out. We planned to take advantage of the last 6 weeks of good weather and outdoor shows when you dropped the hammer.

    On August 18 I learned about the new SLA rules prohibiting us from advertising or charging a fee for live music. I read it, then reread it, incredulous.

    Prior to COVID, almost all our shows had a fee associated with them. It’s the only way the business model works financially in a small room and it’s important to us that everyone is paid fairly. With drastically reduced capacity, cover charges and tickets are more important than ever. We thought more venues charging for live music was one of the few bright spots in this whole mess…it’s healthy for our music scene to put a financial value back into the experience. And obviously, tickets are the best way to control a crowd.

    The ban on advertising music is astonishingly cruel. We are all doing our level best to make our limited capacity work and now you’re telling us we cannot advertise to fill the few seats we do have? Are we are supposed to just open our doors and hope for the best?

    We closed our doors again, wasting thousands of dollars we spent to reopen.

    Governor Cuomo, we are DROWNING.

    We are frantically treading water to keep our noses above the surface until (hopefully) some federal aid comes through. You looked at us, and instead of throwing us a life preserver you handed us a cinder block and told us to keep treading water.

    The last 6 weeks of warm weather might have sustained our businesses for a bit longer, but the new guidelines have taken away even that flimsy lifeline.

    In your August 9 press conference, the very last question was about bringing back live entertainment and Broadway. You said there were no plans to reopen “Broadway and other indoor, high-density arenas”.

    And this is the main point of my letter.

    “Live Entertainment” is far more than Broadway and far more than “high-density arenas”…and literally nobody is suggesting we open those things right now.

    It is small rooms like mine that don’t even come near the 50 person gathering limit.

    It is wineries and breweries who have acres of wide-open space to spread out their guests.

    It is the venues who cut their capacity down to almost nothing and are doing a hybrid of a small live performance + paid live stream.

    It is the rooms that moved all their events to their parking lot or back yard.

    It’s different for everyone, but tickets and advertising are fundamentally necessary whether we are trying to fill 20 seats, 200 seats, or 2000.

    And yes, live entertainment is also crowded rooms and mosh pits and huge amphitheaters packed full of people. We aren’t asking for that. Nobody is asking for that. We are asking you to allow hundreds of small businesses across New York State to be allowed to reopen and run their venues with all reasonable precautions in place. We have spent thousands of dollars to adapt to do it as safely as possible because we understand and respect how serious COVID-19 is.

    But you know what else is serious?

    Losing a business we’ve invested our life savings into. Putting our staff out of work. Our city losing one of its few dedicated music venues. Musicians losing a place to ply their craft. Our community of music lovers losing their gathering place.

    You have told us we have 99.2% compliance with bars and restaurants right now. Why are the 99.2% paying such a steep price for the non-compliant .8%?

    We have waited patiently throughout this whole saga and watched every other industry open up without any corresponding spikes in cases. For the most part, we haven’t even been part of the conversation. But time is running out. Many of us will be closing our doors for good in the next few weeks.

    We are about to become collateral damage in the war on COVID-19, and Governor Cuomo – I know this is not your intention.

    I know you have a lot going on and “live music” probably sounds like a hobby people are supposed to give up once they get out of college. WE ARE MORE THAN THAT. We are musicians, venue owners, sound and light techs, production, security, hospitality. We are savvy, smart, creative, and ridiculously hardworking. We feed other businesses like hotels, restaurants, and shops, plus our everyday vendors – trash, payroll, insurance, linen service, food, and liquor. We are the first ones to donate and support fundraisers for our neighbors in need. We are a port in the storm where you can forget about all that’s wrong in the world, if only for a few hours.

    We are respectfully asking for the chance to try and salvage our businesses before it’s too late.

    Sincerely,

  • Facebook Shares Confusing Guidelines for Live Streaming Performances

    The pandemic brought a powerhouse of talented artists, sharing their music and performances through live streaming and virtual concerts. Last week, confusing new guidelines regarding Facebook live streaming performances, effective Oct. 1, have the potential to limit streaming of concerts.

    facebook live streaming
    Owner of Facebook, Mark Zuckerberg

    Facebook’s new guidelines say:

    You may not use videos on our Products to create a music listening experience. We want you to be able to enjoy videos posted by family and friends. However, if you use videos on our Products to create a music listening experience for yourself or for others, your videos will be blocked and your page, profile or group may be deleted. This includes Live.

    Representatives for Facebook

    They have since clarified their rules by saying that they want to continue letting artists express their talent, but still protect them through agreements by rights holders.

    We want to encourage musical expression on our platforms while also ensuring that we uphold our agreements with rights holders. These agreements help protect the artists, songwriters, and partners who are the cornerstone of the music community — and we’re grateful for how they’ve enabled the amazing creativity we’ve seen in this time.

    Our partnerships with rights holders have brought people together around music on our platforms. As part of our licensing agreements, there are limitations around the amount of recorded music that can be included in Live broadcasts or videos. While the specifics of our licensing agreements are confidential, today we’re sharing some general guidelines to help you plan your videos better:

    Music in stories and traditional live music performances (e.g., filming an artist or band performing live) are permitted.

    The greater the number of full-length recorded tracks in a video, the more likely it may be limited (more below on what we mean by “limited”).

    Shorter clips of music are recommended.

    There should always be a visual component to your video; recorded audio should not be the primary purpose of the video.

    These guidelines are consistent across live and recorded video on both Facebook and Instagram, and for all types of accounts — i.e. pages, profiles, verified and unverified accounts. And although music is launched on our platforms in more than 90 countries, there are places where it is not yet available. So if your video includes recorded music, it may not be available for use in those locations.

    Facebook

    Over the course of this year, live streaming concerts have been popular to say the least, it has and still is a necessity for most parts of the world. Popular musicians like Miley Cyrus and Katy Perry have used this platform, but most importantly, new upcoming artists used this method to promote their music.

    What’s interesting is that although they claim they want to “encourage musical performances on [their] platform,” they still shut down live streaming accounts.

    Facebook owns Instagram, as well, but no new rules have been added to their live streaming.

    For right now, don’t fret about Facebook not sharing your favorite live performances. LAUNCH is a website independent from social networks that is here to provide support for the live music community. The team offers anyone to join in on Sept. 17 for an introduction meeting to the new platform. Together, they hope to promote and encourage the struggling scene of live music.

  • Calle Ocho Virtual Music Festival Announces Initial Lineup

    The nation’s largest and best-known Hispanic pop culture and music festival has announced the initial lineup of performers. Dubbed “Calle Ocho Live“, the Hispanic Heritage Month-themed event will take place October 4th via live stream and broadcast TV.

    Among the stars joining the growing roster are Gloria Estefan, Camilo, Jessi Uribe, Jorge Celedón, and Bobby Pulido. These artists join previously announced Mau y Ricky, Ivy Queen, who is performing an epic virtual duet with the late Celia Cruz, and Tito Puente, Jr., who is performing a virtual duet with his late all-star father Tito Puente and many more.

    Calle Ocho

    The Calle Ocho Festival was originally slated for March before cancellation due to the COVID-19 pandemic. That is when the organizers of Carnaval Miami, Kiwanis Club of Little Havana, collaborated with Manny Ruiz, the creator of Altisimo Live and Hispanicize and Ralph Paniagua, creator of Atlantino, to bring the festival back to life.

    The three-hour live stream will include interactive experiences to win prizes as well as pre-recorded performances from music artists, entertainers, comedians, and social media influencers. 

    “We said we would create a strong, inclusive, and powerful line-up that captured the diversity of Latino tastes, genres, and cultures, and that’s what we’ve done here. Through Calle Ocho Live, we’re not only stretching to do well for the families we serve through the Kiwanis of Little Havana Foundation but also through the way we reflect the evolution of Latinos in America.”

    Jorge Fernandez, president of the Kiwanis of Little Havana/Carnaval Miami

    Featuring live and pre-recorded performances from top Latin music artists, celebrities, and social media personalities, Calle Ocho Live will also highlight stories from the families served by the Kiwanis of Little Havana Foundation.

    Funds raised from the event will be used by the Kiwanis Club of Little Havana to assist South Florida families who are in need of things like college scholarships, emergency financial assistance, holiday gifts, and any other support during the COVID-19 pandemic. 

    Viewers will be able to watch the festival for free on over a dozen broadcasting stations and their respective socials, along with Calle Ocho Live’s YouTube, Facebook Live and Twitter. Attendees are being encouraged to donate $8 or more prior to or during the festival to the Kiwanis Foundation.

    For more information, visit the Calle Ocho Live Instagram page. 

  • Ruby Mack: The Feminist Folk Band’s Unique Debut

    Ruby Mack, a new all-female folk band, already makes waves and questions society as we know it with their debut album Devil Told Me, out on October 23.

    Photo credit Gianna Colson

    In their new album, feminist folk ensemble Ruby Mack turns a traditional bible story completely on its head. What if Eve had eaten the Garden of Eden’s forbidden fruit without shame and then shared her knowledge with the world? In Devil Told Me, Ruby Mack tell their story as direct descendants from that Eve.

    Named after Massachuttes’ Pioneer Valley’s Ruby McIntosh Apple, Ruby Mack is made up of Emma Ayres (Vocals/guitar), Abbie Duquette (bass uke), Zoe Young (guitar/vocals), and Abs Kahler (fiddle). In their upcoming album, these strong musicians dig deeper into what it really means to be a woman, or even to reject this label. Devil Told Me closely examines several stories, mythologies, and societal norms that we have been taught to accept without question. These feminists will push social boundaries aside with the release of their album on October 23.

    Ruby Mack

    Ruby Mack’s music explores topics left unsaid in traditional folk music. The group tells in “Breadwinner” that they want to be the relationship’s provider as women. The softer “Milktooth” encourages listeners to become fully themselves despite rigid societal rules. The song expresses developing and growing up. “It’s about rejecting the ways in which we are initially told who we are and what we are” notes guitar-vocalist Ayres with the lyrics “Always fighting in this civil war/ Since the devil told me I was born a girl.”

    Ruby Mack has come into their own in Massachusetts. “I definitely found my identity as a musician in this place,” Duquette expresses. “The support encouragement I found in the area made me feel like I too could be an artist.” The group has felt united with the music culture of the area. “There’s such an amazing culture of folk music in the valley”, says Kahler, “and we’ve been inspired by so many queer folk artists here.” The band claims their corner of Pioneer Valley, MA area as one of the strongest inspirations for Devil Told Me.

    Ruby Mack
    Photo credit Gianna Colson

    Listeners can appreciate this album even more today while missing concerts due to COVID-19. The tracks were recorded in an old church, and each song has a strong live feel to it, demanding attention with its energy. Young explains that it was important for the album “to have that special magic of a collaborative performance,” and the result does not disappoint.

    The four friends have passionately worked together to create something both beautiful and impactful, starring memorable harmonies and strings as well as poignant lyrics. Farce The Music released a single from the album, “Machine Man,” which is available now. Kahler calls it “an ode to the blue-collar workers, the skilled laborers, without whom the fabric of the lives we live would surely unravel.”

    Preorder Devil Told Me now, and listen when it releases on October 23.

  • Martin Sexton To Play Auburn’s Fingerlakes Drive-In

    Syracuse native Martin Sexton is set to play a live concert at New York’s oldest operating drive-in, Fingerlakes Drive-In in Auburn. Announced earlier this week by Creative Concerts and Fingerlakes Drive-In, the concert will take place September 19 at 6PM.

    Martin Sexton

    With social distancing guidelines in place, each car pass sold will be for standard passenger vehicles only. There has been a limit of four concertgoers per vehicle allowed.

    Martin Sexton got his start serenading the streets and subways of Boston during the early 90’s. Not only have fans heard his explosive voice in famous venues across the world but also many of his songs have been featured in spotlight TV shows such as Scrubs and Parenthood to name a few.

    The American Singer-Songwriter has produced nine studio albums including his most current release “Mixtape of the Open Road.” After a successful tour, a decision was made to keep going with more performances beginning with the Fingerlakes Drive-In.

    His authentic style of artistry has Billboard magazine calling him “The real thing, people.” Furthermore Rollingstone noted Sexton has “Outstanding taste in songwriting as well as a soul-marinated voice.”

    Tickets to the live event are on sale now here. NYS Music is running a contest for one car pass to Martin Sexton on the 19th, and Allman Betts Band on Friday the 18th. For more info, enter on Facebook, Twitter and Instagram!

  • In Focus: Warren Haynes and Danny Louis kick off five-show run at South Farms

    Live music is back in Connecticut thanks to South Farms – the venue has figured out the formula for a socially distanced Drive-In shows. Billy Strings made a stop on his abbreviated tour, and Warren Haynes planned five shows, kicking off this past weekend on September 12.

    warren haynes

    The Sunday show found Warren Haynes and Gov’t Mule’s Danny Louis performing two stripped down sets of classic rock covers and Mule tunes, amid a gorgeous backdrop in the Western Connecticut.

    Haynes will return to South Farms for three more shows on October 1, 8 and 15. Tickets are still available and can be purchased here.

    Setlist: Warren Haynes with Danny Louis, South Farms, Morris, CT, September 13, 2020

    Set 1: Don’t Know Where We’re Going (But We’ll Get There), Glory Road, Blue Maiden’s Tale, Love’s Open Door, Working Class Hero, Traveling Tune, Forsaken Savior, It Hurts Me Too

    Set 2: Southern Accents, Melissa, Child of the Earth, Two of a Kind, Workin’ on a Full House, Beautifully Broken, Captured, Turn On Your Love Light, Smokestack Lightning

    Encore: Fallen Down*

    * w/ Danny Louis

  • New Drive-In Music Set to Roll On In to Lee, MA

    These days, large outdoor spaces are pretty much the only way to get your live music fix. Well there soon will be one more venue option available for bands and concert goers like. Local business Canna Provisions Presents, based in Lee, MA, will be sponsoring Roll On In – a pop-up venue that now inhabits a meadow located in town.

    Roll On In is committed to providing socially distanced entertainment, in a world where live music and music culture came to a complete stand still back in March. It boasts festival-level production on stage and large LED screens and line arrays in an effort to deliver the visuals and harmonics that are both so missed in these socially distant days.

    Roll On In

    This weekend will mark the opening weekend with three nights of live music currently scheduled. Friday, September 18, will feature Rice: An American Band and Rev Tour’s Steal Your Peach Band – an all-star collective of Northeast musicians playing Allman Brothers and Grateful Dead tunes.

    Saturday night sees two Massachusetts-based bands take the stage in Trailer Trash and Whiskey City. And Sunday, Beau Sasser’s Escape Plan will headline and be accompanied by Uppercut – another ensemble of musicians collected from bands like RAQ (Todd Stoops), Turkuaz (Mikey Carrubba) and Star Kitchen (Danny Meyer).

    Patrons can arrive each night at 5 pm and enjoy a full night of music with great food options also on site. Music begins at 6 pm and runs until approximately 10 pm each night. Cars with anywhere from two to six people will be allowed entrance with a cost of $25 per head. For more information and tickets, please visit rolloninshows.com.

    Roll On In

    Canna Provisions is responsible for the one recreational marijuana shop that has been nothing short of a cash cow for the town of Lee, MA. They are a committed community oriented company that clearly recognizes the importance and vitality of the live music industry. More concerts are expected to take place at this new pop-up venue until November.

  • Donny Frauenhofer releases melodic jazz single “A Spirit”

    “A Spirit,” a melodic jazz single by Buffalo’s Donny Frauenhofer is the latest quarantine composition from the Intrepid Travelers frontman.

    Frauenhofer plays piano on “A Spirit,” and also handled production, mixing and mastering. Colin Brydalski plays bass and behind the drum kit is Isaiah Griffin. Support these musicians through Patreon, and read below for Frauenhofer’s take on “A Spirit.”

    This composition is one that I’m most proud of. I wrote it in one night during the quarantine, and the name comes from the sensation of being alone, but not feeling alone. Whether you call it a muse, a ghost, a spirit, a god, a manifestation of your own subconscious – sometimes things that seem separate from ourselves visit us to deliver a message. I’m not interested in the explanation of why or what this sensation is, but rather communicating the sensation itself. This song is both the product of that, and expresses that feeling.

    Donny Frauenhofer
  • U.S. Homeland Security Increases Foreign Artist Touring Visa Fees by 50%

    This past week, the U.S. Department of Homeland Security announced a considerable fee increase to the touring visa for artists by the end of 2020.

    touring visa

    DHS proposed the fee increase last November and it takes effect in October. There are two types of visas involved in this increase. According to NME, O visas are for “individuals with extraordinary ability or achievement,” while P visas can be used by family of those individuals.

    The O visa rate will increase by 53%, going from $460 to $705. On the other hand, the P visa will decrease by 51%, making it $695.

    To Matthew Covey, an immigration attorney for the nonprofit Tamizat, this fee increase is extremely damaging for most arts institutions.

    “The bigger problem is that [Immigration and Naturalization] and later USCIS adjudication of the O and P regulations has become so arbitrary and onerous, that most arts institutions have been forced to hire attorneys to manage the process for them. As such, presenting performing artists in the U.S. now comes with massive legal costs which are — in our opinion — a catastrophic financial impediment to cultural exchange.”

    Matthew Covey to NPR

    The U.S. Citizenship and Immigration service said that “the current fees do not recover the full cost of providing adjudication and naturalization services.”

    Because of all regulations on a foreign artist touring visa, many music groups have been deported or denied. This, in turn, can be very problematic for future groups abroad that hope to tour the U.S.