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  • Baked Shrimp Announces Winter 2020 Tour

    Baked Shrimp hit the road for their 2020 Northeast tour. This will be their longest tour yet in the band’s three-year history as they play 19 shows in the Upstate NY and New England region, including six shows in New York.

    The Long Island trio opens the tour on January 16 in Syracuse, NY at Funk ‘n Waffles where they will be joined by Bead N Bone. On January 19, they will perform at The Low Beat in Albany with the “high energy psychedelic groove circus” Glass Pony. Ithaca’s Dapper Dan will perform them in their hometown on January 31 at The Range before Baked Shrimp moves onto New Paltz where they will play on February 1 at Snug’s Harbor with Toaster Basket. They will then hit Oneonta with Some.Of.Us ft/Lace on February 6 at The Black Oak Tavern. The band closes out the tour in Greenlawn at Beau’s Bar on February 22.

    Tickets are on sale now and can be purchased here. See a full list of tour dates below.

    Baked Shrimp Winter Tour 2020:
    Jan.16 – Funk ‘n Waffles Syracuse – Syracuse, NY w/ Bead N Bone
    Jan.17 – Windsor Station Restaurant & Barroom – Windsor, VT
    Jan.18 – Orlando’s Bar And Lounge – Burlington, VT
    Jan.19 – The Low Beat – Albany, NY w/ Glass Pony
    Jan.21 – Tavern at the End of the World – Boston, MA
    Jan.22 – News Cafe – Providence, RI w/ Northeast Traffic
    Jan.23 – Bleachers Bar – Bristol, CT w/ Moon Matrix of the Lizard People
    Jan.24 – Soundcheck Studios Pembroke – Pembroke, MA w/ MacGuffin
    Jan.25 – Jewel Music Venue Manchester NH – Manchester, NH w/ Sophistafunk, DELA and Stead Rock Easy, and Lee Ross
    Jan.31 – The Range – Ithaca, NY w/ Dapper Dan
    Feb.01 – Snug’s Harbor – New Paltz, NY w/ ToasterBasket
    Feb.06 – Black Oak Tavern – Oneonta, NY w/ Some.Of.Us ft. Lace
    Feb.07 – Bar None – Uniontown, PA
    Feb.13 – Zeno’s Pub – State College, PA w/ West Beaver Arts Collective
    Feb.14 – DIVE Bar – Washington D.C.
    Feb.15 – Stage on Herr at Harrisburg Midtown Arts Center – Harrisburg, PA
    Feb.16 – Sprout Music Collective – West Chester, PA w/ Euphonious
    Feb.22 – Beau’s Bar – Greenlawn, NY

  • In Focus: TAB End a Weekend at The Cap

    Trey Anastasio Band )TAB) closed a sold out, two-night run at the historic Capitol Theatre in Port Chester, on Saturday. Fresh off ringing in a new decade, up in the rafters of Madison Square Garden, Trey and his amazing band warmed up the theatre with energy and ease. The original rock palace served as a perfect setting, allowing for a more intimate and special-filled night of fan favorites, and debuts.

    The weekend was a springboard for a short winter tour to begin mid-January.

    The night kicked off with a mellow “Everything’s Right.” The highlight of the first set came with the debut of “Silver Light,” only to kick back with “Ocelot,” and round out with “Rise/Come Together.” After a short break, the second set ensued: “46 Days,” a bass heavy “Sand,” an eight-minute “Mr. Completely,” and a classic “First Tube,” to close out a great night. The octet returned to the stage for a 12-minute encore (of a not-so) “Brief Time” and “Push on Till the Day”

    Set One: Everything’s Right, Cayman Review, Acting The Devil, Alive Again, Sometime After the Sunset, Silver Light, Mozzambique, Ocelot, Curlew’s Call, Rise/Come Together.

    Set Two: Burlap Sack and Pumps, 46 Days, Magilla, Sand, A life Beyond The Dream, Liquid Time, Heavy Things, Traveler, Mr. Completely, Dark and Down, First Tube.

    Encore: Brief Time, Push On Til The Day.

  • Don’t Call It A Comeback: Motion City Soundtrack Return to Webster Hall

    Motion City Soundtrack have been on indefinite hiatus since 2016, but last summer the Minneapolis band began teasing something for New Years Eve. The surprise came in the form of a NYE show in Chicago at House of Blues followed by a month-long “Don’t Call It A Comeback” tour of the US. New York area shows included Webster Hall in NYC, where we caught the tour, Starland Ballroom in NJ and The Paramount on Long Island.

    Justin Pierre of Motion City Soundtrack – Photo: Joseph Buscarello

    The newly renovated Webster Hall is still very much a work in progress, but that did not take away from the delight and anticipation of the fans. By the time the opening bands were set to play, the room was already mostly full and buzzing. Support for the night came from Gregory Stovetop followed by The Sidekicks who both played very upbeat pop-rock sets.

    The Sidekicks at Webster Hall 1/8/2020 – Photo: Joseph Buscarello
    The Sidekicks at Webster Hall 1/8/2020 – Photo: Joseph Buscarello

    Motion City Soundtrack put out one of the most iconic mid-2000s anthem in “Everything is Alright,” and the crowd was treated to it early as the second song. The entire room jumped along to the guitar riff, stressing the ancient Webster Hall floor, while shouting the chorus in full-throat. Another fan favorite, and pop-rock hit “The Future Freaks Me Out” served as the final song of the night.

    Motion City Soundtrack at Webster Hall 1/8/2020 – Photo: Joseph Buscarello

    The band had terrific chemistry throughout the night, Justin’s vocals sounded crisp and the band delivered a tight 20 song, career-spanning set, meant to please. The hiatus is certainly over and MCS are back at it.

    Motion City Soundtrack at Webster Hall 1/8/2020 – Photo: Joseph Buscarello

    The rest of the tour runs through mid February, with stops coast to coast, concluding with three sold-out home town shows at The Fillmore in Minneapolis. Support for those last shows comes from White Reaper, Why Not, Lydia Lizer and Author.

  • Waterhole Gears Up For Saranac Lake’s 2020 Winter Carnival

    The Waterhole Upstairs Music Lounge in Saranac Lake is once again home for live music performances for the 123rd Saranac Lake Winter Carnival taking place January 31 to February 9, 2020. Spanning over a period of nine nights, the venue will host 17 nationally touring and on the rise bands . The live performances are brought to you by Vermont’s Zero Gravity Craft Brewery and Stowe Cider from Vermont.

    Kicking off the events are folk group Carrie Nation and The Speakeasy with Massachusetts rockers Tigerman Woah on January 31 at 8 PM. Reuniting for the carnival is Adirondack Mountain rockers Lucid, joined by the alternative country group The Mallett Brothers Band on February 1. Hudson Valley’s own reggae rooted The Big Takeover will lead the Post Parade Party on Saturday February 8. The festivities will come to a close on February 9 for Bloody Mary Sunday with a performance by Saints & Liars. A full list of all scheduled performances are below.  

    Located in the Adirondack Mountains, The Saranac Lake Winter Carnival is a 10-day festival that has encompassed a variety of events and traditions over the years. Attendees will get to enjoy sporting competitions, torchlight skiing, fireworks displays, an Ice Palace in addition to the live performances.

    For more information on how to RSVP to the shows click HERE. Available now for purchase are are full week VIP passes for Winter Carnival at the Waterhole for $64 – which gives  you access to every show for the entirety of the Winter Carnival.  

    Winter Carnival 2020 Lineup

    Jan. 31 – Carrie Nation & The Speakeasy w/ Tigerman WOAH

    Feb. 1 – Lucid w/ The Mallett Brothers Band

    Feb. 2 – Pat McAvoy Experiment

    Feb. 4 – Balkun Brothers

    Feb. 5 – Annie in the Water & Haley Jane Present’s Hayley in the Water Play Fleetwood Mac’s Rumors

    Feb. 6 – Pappy Presents: A Night of Appreciation of JJ Cale with Soule Monde

    Feb. 7 – Bella’s Bartok with Mal Maiz and Folkfaces

    Feb. 8 – The Big Takeover at Post

    Feb. 8 – West End Blend with Joe Hertler & The Rainbow Seekers

    Feb. 9 – Saints and Liars

  • RIP Neil Peart, a Drummer’s Drummer

    Neil Peart, the pioneering drummer and primary lyricist for Canadian progressive rock icons Rush died Tuesday, January 7 following a nearly three-year-long battle with brain cancer. He was 67 years old.

    The influential drummer joined Rush, replacing John Rutsy, in 1974 for the band’s second album Fly By Night and immediately changed the musical direction of the band with his Ayn Rand and SciFi-inspired lyrics and technical drumming skills.

    Neil Peart

    Peart was an unassuming and deeply private man with an extraordinary talent for drumming, the man who inspired legions of air-drummers throughout the world. He rarely did interviews, leaving those duties for bandmates Geddy Lee and Alex Lifeson, where he spoke most directly was through his lyrics.

    Drawing from science fiction, fantasy and the works of Ayn Rand (which he would later renounce), Peart wrote lyrics that could be fantastical, could be direct but they made the listener think.

    The 1982 single “Subdivisions” spoke directly to a generation of young disaffected high schoolers, addressing the loneliness and separation of one trying to fit in.

    Subdivisions

    In the high school halls

    In the shopping malls

    Conform or be cast out

    Subdivisions

    In the basement bars

    In the backs of cars

    Be cool or be cast out

    Rush – “Subdivisions” (1982)

    Those lyrics spoke directly to this writer trying to find his way around the halls of Staley Junior High School. It let the disaffected know they weren’t alone in their feelings. And it struck home.

    A truly lasting memory associated with Rush is from the winter following the release of the band’s breakthrough 1981 album Moving Pictures. This album was inescapable that year but nowhere more than at the outdoor hockey rink at Franklyn’s Field in my hometown.

    My friends and I made the short trek to the park every day, sticks over tiny shoulders, skates dangling behind us. We knew we were in the right place once we heard the lone tinny speaker attached to a light pole overlooking the rink cranking “Limelight,” “Tom Sawyer,” “YYZ.” This was my first real exposure to Rush and the most lasting memory I have of the band. The songs were technical, yet accessible. And the drums. I’d never paid much attention to individual instrumentation as a 12-year-old finding his way in the music world. Peart demanded your attention. And he did just that, for 40 years. A virtuoso in a band of virtuosos.

    Neil Peart

    Peart retired completely from drumming following Rush’s final tour in 2015. The demand put on his body over years of constant performing left Peart unsure of his ability to maintain his precision. The demands of the profession lost out over the desire to spend more time with his family and with his other writing and producing projects.

    He leaves behind his wife Carrie Nuttal and a daughter, Olivia along with a legacy few humans can claim.

  • Brooklyn Comes Alive Announces March Festival and Lineup

    Brooklyn Comes Alive announced it will be back for the fifth time on Saturday, March 21, 2020.

    The festival will take place at Avant Gardner, a multistage complex located at 140 Stewart Ave, Brooklyn, NY 11237. The location is an 80,000 square foot facility that takes up an entire city block in Brooklyn’s Bushwick neighborhood. The location includes two indoor stages, Great Hall and Kings Hall.

    The festival will include many acts including Oteil & Friends, Turkuaz, Birds of a Feather (feat. Members of Pigeons Playing Ping Pong & Goose), The Motet, Dr. Klaw, Robert Randolph & Friends, Anomalie / Deitch / MonoNeon, Here Come The Mummies, SPAGA Plays The Dead and Karina Rykman. Brooklyn Comes Alive will also include late-night sets by electronic music producer Jade Cicada, and a rare Beats Antique DJ set featuring founding members and longtime collaborators David Satori and “Sidecar” Tommy Cappel at the Great Hall Starting at midnight and running until 4am. 

    Tickets are on sale now including a festival pass to the entire event. There is also late-night only passes available which grants attendees access to The Great Hall only from 12:00 am – 4:00 am. Tickets can be purchased HERE.

    For more information and full line up visit Brooklyn Comes Alive.

  • In Focus: Del McCoury’s Magical, Guest-Filled Night at The Capitol Theatre

    The Capitol Theatre has had a lot of impressive shows in recent times: a Neil Young pop up show, multi-night runs with legendary rockers Ween, the opening night of a three-night-only touring run for the vintage jam project Vida Blue, and lots of others. On December 21, 2019, the Port Chester, NY music venue hosted a concert as special or even more so, the “80th Birthday Celebration” of Del McCoury.

    For fans of bluegrass, it doesn’t get much more important than Del, at least in terms of still living musicians. Across his more than sixty-year career, Del shaped the way modern bluegrass guitarist approached their instruments, as well as the way they sing a ballad or write an instrumental tune. He has performed with nearly everyone that made a mark upon the genre, which is perhaps fitting that this eightieth celebration show was billed as an evening with special guests. Players both classically recognized and recently popular were invited to be a part of this one of a kind, free-for-all style celebration of one of the guys who helped to start it all.

    Del and his family group, The Del McCoury Band, tore open the evening with the invigorating, breakdown-style tune “Traveling Tear Drop Blues.” What was cool about this – it is a song that many bluegrass bands coming up in the past decade or so, from Yonder Mountain String Band to The Infamous Stringdusters, have covered regularly. Pretty much all of the songs being performed this evening at The Cap were now historically famous numbers that Del had either written himself or put his spin on decades ago. It links a sense of timelessness to the man himself.

    At 80 years old, not only does Del pick a guitar as well as ever, but he’s spry in both mind and spirit. The entire night saw him bantering back and forth with an incredibly enthusiastic crowd. People screamed covers endlessly, which made him chuckle every time. Calls for perhaps what is his most famous cover, Richard Thompson’s Del joked to the crowd: “Yes, we’ll get that Vincent, for ya, we will! Maybe right after the show’s over!”

    But it’s not just a Del show. The Del McCoury Band, who have toured in recent years without their founding father — that there’s three generations of McCoury ripping it up on stage right now. There’s Del, his sons Ronnie McCoury on mandolin and Rob McCoury on banjo, who have been in the band since the 1980s. As of late there is also Heaven McCoury, who takes after his grandfather and picks a mean guitar. Heaven might have hung in the back quietly most of the night, but whenever it was his turn to step up to the mic, he impressed.  

    Soon enough, after the core band had whipped the audience around for a bit, they brought out the night’s first special guest. “He’s one of the best in the entire world on his instrument,” introduced Ronnie McCoury, “please welcome, Jerry Douglas.” Yes, he is even objectively speaking probably the single greatest dobro player of all time, but in addition, he matches Del’s smile and charm. He instantly helped pick one of Del’s most famous tracks, “Nashville Cats.” The first set ended on a fantastic, strong note. Douglas lead the way on a quick but searing instrumental breakdown tune. 

    Set breaks aren’t usually magical, yet The Capitol Theatre always surprises its audiences with tricks. As The Del McCoury Band watched backstage, The Cap played a montage clip of musicians giving sentiments about the eighty-year-old legend on the venues wall. Giants from Paul Simon and Robert Plant, to jam scene heroes Trey Anastasio, Mike Gordon, and bluegrass newcomers Trampled By Turtles and Chris Thile, all spoke words of thanks and admiration towards Del. His limitless influence upon them, and American music in general, was clear.  

    Post montage, Del ushered the second half of the night with a duo, alongside noteworthy David Grisman. Grisman, just a few years younger than Del (as he made sure to point out humorously this evening), also earned his place in the Bluegrass Hall of Fame, across countless records and collaborations with others of the genre. Del and Dawg, as they have billed themselves over the past few years, have an old folkster sort of camaraderie. Corny jokes were as present as the solos traded off back and forth.

    The rest of the evening absolutely shined, getting better with each song and new guest called up. The last two guests, Leftover Salmon’s guitarist Vince Herman and mandolinist Drew Emmitt, ensued a full bluegrass ensemble – it was a magnificent sight and sound to behold. The entry of Andy Falco, guitarist for the Grammy-winning jamgrass outfit The Infamous Stringdusters, was especially touching as it was his first time getting to sing on stage with Del.

    With all centered around Del, musicians picked in glorious, uniform and flawless fashion. All the songs “Midnight Blues” again a classic number but once that saw a resurgence of popularity with Leftover Salmon’s cover in the early 2000s, was a highlight of the night. It brought that great, country-rock kind of groove, but amplified with the intensity of a lot more players, and of course brought sharp solo after solo, after solo.

    After a double encore of one of the most famous bluegrass songs of all time, “Rollin’ In My Sweet Baby’s Arms,” Del’s 80th Birthday Celebration clocked close to three hours, with the main McCoury strumming and singing as effortlessly as he did around its opening. If that doesn’t speak to the fascinating amount of vitality this man commands as a performer, nothing will.

  • Delfeayo Marsalis and his Uptown Jazz Orchestra to Preview New Songs at Rockwood Music Hall

    Legendary trombonist Delfeayo Marsalis and his Uptown Jazz Orchestra will be playing songs off their upcoming album, Jazz Party tonight, Friday Jan. 10, in NYC. The album promises to deliver modernized twists on New Orleans traditions as well as homages to modern jazz musicians. Tickets are still available.

    “Jazz, the indigenous American music, is a music of celebration and optimism. The Uptown Jazz Orchestra is such a fun band that I wanted to capture its uniqueness. The idea was to keep the wide variety of styles that we play but to really capture the joy that is a central trademark of the band.”

    Delfeayo Marsalis

    Jazz Party is set to release on February 7, 2020 via Troubadour Jass Records. It’s Marsalis‘ seventh album as a band leader, and the second major recording with Uptown Jazz Orchestra. It’s a follow-up to 2017’s Kalamazoo.

  • Gov’t Mule rocks into 2020 at historic Beacon Theatre with The Record Company

    Gov’t Mule wrapped up 2019 with two shows at the Beacon Theatre in New York City, with a fair amount of Beatles covers in the process. The band teased the possibility of some Beatles songs on their social media ahead of the run, with pictures of mules walking across Abbey Road as well as playing on the rooftop of Apple headquarters. 

    gov't mule beacon

    Night one included covers of “She Said She Said,” “Tomorrow Never Knows,” “And Your Bird Can Sing,” and “Revolution.” Night two’s crowd was treated to an entire eleven-song post-midnight Beatles set with songs including “Get Back,” “Come Together,” “Oh Darling” and “Something.”

    Prior to the December 30th show, The Madison Square Garden Company (owners of the Beacon) presented the band with a commemorative plaque honoring their 40 shows at the venue (as of New Year’s Eve). The plaque will be on display backstage at The Beacon.

    Gov’t Mule next performs in Jamaica on January 17 for their Island Exodus shows. Warren Haynes will also be part of The Allman Brothers’ 50th Anniversary show at Madison Square Garden on March 10. 

    https://www.youtube.com/watch?v=Ot5XpIcRBWk

    Setlist: December 30, 2019

    Set 1: Railroad Boy, Larger Than Life, Fool’s Moon, Painted Silver Light, Effigy > Folsom Prison Blues Jam, Effigy, Which Way Do We Run, She Said, She Said, Tomorrow Never Knows, And Your Bird Can Sing#, Revolution*^ Revolution Come, Revolution Go

    Set 2: Dark Was The Night, Cold Was The Ground, So Weak, So Strong, Doing It To Death, Fallen Down, The Other One Jam@, Play With Fire#@, Birth Of The Mule&

    Encore: Live With Me*+

    # with The Better Half Singers
    @ with Aaron Heick
    * Debut
    ^ with Connor Kennedy
    & with Oz Noy Mule
    + with Carmine Appice & Jimmy Vivino

    Setlist: December 31, 2019

    Set 1: Mr. Man, Lola, Leave Your Light On, Unring The Bell, Endless Parade, Whisper In Your Soul, Thorns Of Life, Game Face > Mountain Jam > Game Face, Don’t Step On The Grass, Sam, Eternity’s Breath Jam, Tastes Like Wine

    Set 2: (full set with Connor Kennedy) Get Back*, Don’t Let Me Down, I’ve Got A Feeling*, One After 909*, Dig A Pony*, Dig A Pony (Reprise)* > Auld Lang Syne, Come Together*, Oh! Darling*, Something*, I Want You (She’s So Heavy), The End

    Encore: Brighter Days, Silent Scream Pt. 2 > Scenes From A Troubled Mind > Starship Trooper Jam > The Gates of Delirium Jam > Starship Trooper Jam > Scenes From A Troubled Mind > Silent Scream Pt. 2, Sco-Mule^, Lay Your Burden Down >, Smokestack Lightning^ > Lay Your Burden Down, Catfish Blues^, Bad Little Doggie

    * debut
    ^ with Jimmy Vivino

    Opening for Gov’t Mule on Monday, December 30 was The Record Company. The Los Angeles-based band consists of Chris Vos (guitar, lead vocals), Alex Stiff (bass, backing vocals), and Marc Cazorla (drums, backing vocal). The trio was influenced by blues singers as well as early punk and rock bands like The Stooges and The Rolling Stones. 

    The Record Company began their set with the second single “Make it Happen” from their most recent album All of This Life.  As soon as they started playing, the crowd was immediately engaged. They followed that with two cuts from the first album, “On the Move” and “Rita Mae,” plus their 2017 single “Baby I’m Broken.” Only a few songs in and the Beacon was nearly filled to capacity as people finished filing in. Many people were dancing in the aisles and singing along as the band did a few more songs from the first album Give it Back to You. The set ended with a tremendous version of  “I’m Getting Better” that left the crowd wanting more. 

    The band will be playing The Summer Camp Music Festival in Chillicothe,IL, as well as The Riverbend Festival in Chattanooga, TN this summer. 

    Setlist: Make it Happen, On The Move, Rita Mae Young, Baby I’m Broken, Turn Me Loose, Off The Ground, Life to Fix, I’m Getting Better

  • Carnegie Hall to host ‘The Music of Carly Simon’ featuring Cyndi Lauper, Michael McDonald and more

    The work of iconic singer-songwriter and musician Carly Simon will be honored on a special night at NYC’s Carnegie Hall with “The Music of Carly Simon,” hosted by Cyndi Lauper. The event takes place on March 19, and all the proceeds will be donated to music education for underprivileged youth. It will feature more than 20 artists who will be paying their tributes.

    The star-studded lineup includes Lauper, Livingston Taylor, Indigo Girls and Michael McDonald. Also slated to appear is Rachel Price of Lake Street Dive. More artists will be announced.

    “I’m so proud to be involved with bringing music into the lives of underprivileged children. It’s a tribute to them. I will be singing along with all of the exceptional performers who have given their time. If it’s only in the rehearsals, I’m going to be footloose in the aisles.”

    Carly Simon

    Tickets are on sale now. For more information and updates, visit musicof.org.