Category: Western NY

  • Ban on Advertising Live Music Ruled Unconstitutional in State Supreme Court

    New York State Supreme Court Justice Frank Sedita has ruled unconstitutional the State Liquor Authority to ban on advertising live music at venues and bars, and from promoting live ticketed events, after a Buffalo business challenged the new guidelines.

    Ban on Advertising live music
    Sportsmens Tavern live music venue, pre-COVID.

    Sportsmens Tavern, a music venue and bar in Buffalo’s Black Rock neighborhood, filed the lawsuit after Gov. Andrew Cuomo, along with the SLA, announced that advertising any live show is to be prohibited.

    “I was surprised when the judge announced the ban as unconstitutional because we filed the lawsuit five weeks ago,” said Jason Hall, the owners of Sportsmens’ son.

    According to Hall, the SLA informed them it was okay to continue advertising and promoting even though the new guidelines said the exact opposite.

    In this case, they filed an ’emergency hearing,’ because the ban immediately affected their business. Attorney Paul Cambria, a well-known western New York attorney, advised them to stay off of social media and continue their business as usual while they awaited the ruling.

    This does not mean every venue in New York State should be relieved. While it was a NYS Supreme Court judge that decided to throw away the rules, his district in in Erie County, meaning the SLA can make an appeal at any time. They indicated that they are considering it.

    “Only incidental music is permissible at this time. This means that advertised and/or ticketed shows are not permissible. Music should be incidental to the dining experience and not the draw itself. All other forms of live entertainment, such as exotic dancing, comedy shows, karaoke etc., are not permissible currently regardless of phase.”

    SLA website previously stated.

    In the meantime, live music at Sportsmens Tavern is thriving with a whole lineup featuring local artists this month.

    https://www.facebook.com/sportsmens.t.avern/posts/3524892137569052

    The Buffalo News reports that the lawyer for Sportsmens Tavern asked the court, “What’s the difference on how you fill your place, whether a blue plate special or that the Nerds Gone Wild are going to play there? You still have to follow the safety regulations.

    Justice Frank Sedita III agreed, saying the regulations seemed “not only excessive but also irrational” given the Covid-19 safety precautions that Sportsmen’s Tavern and other establishments must follow.

    “Whether a Sportsmen’s patron is principally motivated by listening to ‘Cheeseburger in Paradise’ or eating a cheeseburger in Black Rock is a distinction without a difference if the (establishment) is enforcing occupancy limits, cleaning, disinfecting, mask wearing and social distancing,” Sedita said at Wednesday’s court hearing.

    Joel Terragnoli, counsel for the State Liquor Authority, contended Sportsmen’s Tavern could advertise that it remains open to serve its customers food and beverages, and even that it generally offers live or recorded music as entertainment for its patrons.

    But since Sportsmen’s Tavern “is not free to hold special musical events, it should not be free to advertise and sell tickets to do the same, and operate a live show/entertainment venue under the guise of running a bar and restaurant, particularly when all other such show and entertainment venues across the state remain closed for public health reasons,” Terragnoli said.

    And even if able to offer live music at its establishment while enforcing social distancing measures, he said, Sportsmen’s Tavern “cannot make an end run around the current prohibition on the operation of show and other entertainment venues by operating its bar and restaurant as a concert hall.”

    “This case is not so much about ensuring public safety as it is about the permissible limits of state power to regulate the speech and the conduct of its citizens,” Sedita said.

  • Long Live Rock the Casbah: The Who, The Clash Rock Rich Stadium

    London punks, both young and old, invaded Orchard Park, NY on September 26, 1982. The Who and The Clash, as well as New York Dolls frontman David Johansen, performed before a sold out crowd at Rich Stadium, home of the Buffalo Bills.

    the who the clash
    photo by Michael Mack

    This concert is seen as an historical moment, where one older punk band, The Who, passed the torch to a new, younger one, The Clash.

    the who the clash

    An expectadly rowdy crowd of more than 80,000 packed The Rich. David Johansen warmed up the crowd with a half-hour set, including “Stranded in the Jungle” and a medley of the Animals “We Gotta Get Out of This Place”, “Don’t Bring Me Down” and “It’s My Life.”

    The Clash were just coming off the release of Combat Rock, recorded at Electric Lady Studios on West 8th Street in New York City. Hits including “Rock The Casbah,” which reached the Top 10 in America, and “Should I Stay Or Should I Go” gave The Clash a worldwide smash hit in 1982. Less than a year after this performance in Buffalo, guitarist Mick Jones would leave the band. Watch a slideshow of photos by Michael Mack of The Clash from the performance below.

    For The Who, this was the first of many farewell tours, having lost drummer Keith Moon just 4 years prior. Kenney Jones (Small Faces, Faces) took over behind the kit, with Tim Gorman on keys, Roger Daltrey on harmonica, guitar, and vocals, John Entwistle on bass and Pete Townshend on guitar and vocals.

    Given the packed stadium – with entrances only on the floor at the time – the temperature inside the stadium was warm to say the least, with fans drenched in sweat, and some passing even out. As if Keith were looking down from heaven, the skies that were overcast all day opened up during the emotionally charged “Love Reign O’er Me,” the only time of the evening it would rain. As the song ended, Daltrey remarked “How’d you like that one?,” with Townshend saying “Even the Rolling Bones couldn’t have done that one.”

    via Matthew Heimberg

    While no video or audio exists from this show of The Who, you can view a slideshow of photos by Michael Mack here, and watch below for The Who from December 17, 1982, closing our their North American tour in Toronto, Ontario, Canada.

    The Clash setlist: London Calling, Career Opportunities, The Guns of Brixton, Police On My Back, Rock the Casbah, Magnificent 7, Train in Vain, Brand New Cadillac, Armagideon Time, Should I Stay or Should I Go?

    Encore: Clampdown, I Fought the Law

    The Who setlist: Substitute, I Can’t Explain, Dangerous, Sister Disco, The Quiet One, It’s Hard, Eminence Front, Behind Blue Eyes, Baba O’Riley, I’m One, The Punk And The Godfather, Drowned, A Man Is A Man, Cry If You Want, Who Are You, Pinball Wizard, See Me Feel Me, 5.15, Love Reign O’er Me, Long Live Rock, Won’t Get Fooled Again

    Encore: Naked Eye, Summertime Blues, Twist And Shout

    photos by Marc Starcke

  • Fairy-Folk Artist Shira Releases Birds of a Feather EP

    Shira, a fairy-folk singer-songwriter from Rochester, has released the first part of her new EP Birds of a Feather on Sept. 18. The four-song EP is the first part of a two-part release with the rest of her project, called Birds of a Feather Flock Together, coming in 2021. Shira’s radiant personality provides listeners with an infectious amount of hope on her latest project.

    Shira
    Courtesy of One in a Million Media

    Shira released the music video for the song “Wait For Me” on Sept. 18 alongside her EP. The ukulele arrangement perfectly complements her journey from the US to reunite with her fiancé in Barcelona in the video. Shira’s nervousness for her international journey is also accompanied by a sense of hope as she sings, “One more breath before I go, there’s nothing left to hide.” While the lyrics reveal a level of vulnerability her graceful singing reveals optimism towards taking a risk as she did when she embarked on her journey.

    “Usually” positively embraces anyone who is going through adversity, especially fitting during the COVID-19 pandemic. Her lyrics: “Don’t let fear kick in, it’s just trying to make your bright light disappear” encourages listeners to hold to hope even during times of uncertainty. Shira’s self-described “fairy folk” sound resonates through the lively orchestral arrangement on this track.

    Shira
    By Iraia Olivas Etxaniz

    On her title track “Birds of a Feather,” Shira successfully blends her voice with the ensemble of drums, piano, and guitar as she sings about the value of strength and unity in partnership. Even through life’s adversity, Shira’s reassuring lyrics: “We’ll brave this storm, birds of a feather” emphasize the strong partnership displayed in her video when she traveled to her fiancé across the world. Shira’s violin filled arrangement on “Go Uncharted” captures the decision to take a leap of faith into the uncharted unknown. In a mission to bring healing to the world through music, Shira’s Birds of a Feather delivers a needed sense of unity to listeners.

    Birds of a Feather is about finding yourself first, exploring, not being afraid to ask for what you want, struggling with the fear of never being seen, listening to your inner voice over outside noise, letting go and trusting.

    Shira
  • Jimkata Announce first new Album in four years, “Bonfires”

    Jimkata announces new album titled Bonfires which is anticipated to be released in Spring of 2021. The new album announcement comes on the coattails of the band dropping multiple singles this summer after their indefinite hiatus back in 2017. Bonfires is Jimkata’s first studio album since 2016’s In Motion.

    Jimkata Bonfires
    Jimkata. Photo provided by press release.

    The new album will include 10 tracks according to their press release. The album will be released as a series of singles every month with an accompanying visuals and merch line for each song.  Jimkaka hopes the album Bonfires highlight themes of uncertainty, being in limbo, and looking for an anchor of hope in these trying times. 

    Three singles have been released so far off the anticipated album. The three singles, “Wanna Go,” “Wait for You,” and the title-track “Bonfires” already nod to the themes Jimkata is trying to capture within the album. “Wanna Go” focuses on perception versus reality particularly in the times of social media. “Wait for You” touches on the feelings of being dejected and the unknown of what the future holds. “Bonfires” is all about the vulnerability people feel when they are facing uncertain times and the reflexive tendency to seek out the comfort of nostalgia that happens as a result. 

    Jimkata is a three-piece anthemic, synth-washed, electro-rock band based out of both Ithaca and Los Angeles. They had grown a large grassroots following before taking a two and a half year hiatus. They have released six studio albums all with their signature swirling synths, infectious pop hooks and candid lyrics. 

    For more information on Bonfires and Jimkata, and to pre-order limited edition vinyl of the new album and other merchandise, visit Jimkata’s website and stay tuned for updates. Enjoy Jimkata from their final perfomance in Albany in May of 2016 below.

  • Borderland Festival Announces The Borderland Broadcast

    Borderland Music & Arts Festival announces their The Borderland Broadcast event. The broadcast will stream audio from former Borderland Festivals and will take place for two days in September on the 19 and 20 on Buffalo.FM. 

    The Borderland Broadcast will be taking place on the same weekend the Borderland Festival was originally supposed to take place this year. The festival itself had to be postponed to 2021 due to COVID-19 restrictions taking place across the country. The festival generally takes place at Knox Farm State Park just outside of Buffalo, New York. 

    Since the festival can’t take place this year it’s organizers along with their friends at Buffalo.FM created The Borderland Broadcast. They curated a weekend of music with streaming audio from previous festivals, featuring live sets from Gov’t Mule, Keller WIlliams Grateful Grass, The Infamous Stringdusters, Oteil & Friends, Sam Roberts Band, The Sheepdogs and many more.

    Jennifer Brazill who is the owner of Borderland Festival elaborates on the reasonings behind The Borderland Broadcast saying,  “We wanted to be able to give our fans a way to connect to Borderland this weekend, to take us back to the feeling you have when you’re watching live music. Myself and my team feel a huge void in our lives and in our hearts without the festival happening this weekend, and we know that music is a great healer. We hope that fans of Borderland tune in with us for some very special live sets from the last two years.” 

    On Saturday the day will kick off with Sister Sparrow and The Dirty Birds from 2PM-3PM, The Sheepdogs from 3PM-4PM, The Infamous Stringdusters from 4PM-5PM, Sam Roberts Band from 5PM-6PM, Gov’t Mule from 6PM- 7:30PM, and Oteil + Friends wrapping the day up from 7:30PM – 9PM.

    On Sunday the day will kick off with Fruition from 2PM -3PM, Ghost Light from 3PM -4PM, Sam Bush Band from 4PM-5PM, The Wood Brothers from 5PM-6PM, Keller William’s Grateful Grass featuring The Infamous Stringdusters and Oteil Burbridge from 6PM-7PM, and Greensky Bluegrass wrapping things up from 7PM-9:30PM.

    People interested in tuning in can go to Buffalo.FM on September 19 and 20 at 2PM EST each day when the music starts or can catch the replay of the day at 10PM EST. 

    People interested in attending the 2021 Borderland Festival on September 18 and 19 can visit the festivals website: www.borderlandfestival.com for information on  2-day GA and VIP Tickets which are currently on sale. 

    For more information visit the Borderland Festival’s website and Buffalo.FM’s website

  • Martin Sexton To Play Auburn’s Fingerlakes Drive-In

    Syracuse native Martin Sexton is set to play a live concert at New York’s oldest operating drive-in, Fingerlakes Drive-In in Auburn. Announced earlier this week by Creative Concerts and Fingerlakes Drive-In, the concert will take place September 19 at 6PM.

    Martin Sexton

    With social distancing guidelines in place, each car pass sold will be for standard passenger vehicles only. There has been a limit of four concertgoers per vehicle allowed.

    Martin Sexton got his start serenading the streets and subways of Boston during the early 90’s. Not only have fans heard his explosive voice in famous venues across the world but also many of his songs have been featured in spotlight TV shows such as Scrubs and Parenthood to name a few.

    The American Singer-Songwriter has produced nine studio albums including his most current release “Mixtape of the Open Road.” After a successful tour, a decision was made to keep going with more performances beginning with the Fingerlakes Drive-In.

    His authentic style of artistry has Billboard magazine calling him “The real thing, people.” Furthermore Rollingstone noted Sexton has “Outstanding taste in songwriting as well as a soul-marinated voice.”

    Tickets to the live event are on sale now here. NYS Music is running a contest for one car pass to Martin Sexton on the 19th, and Allman Betts Band on Friday the 18th. For more info, enter on Facebook, Twitter and Instagram!

  • Donny Frauenhofer releases melodic jazz single “A Spirit”

    “A Spirit,” a melodic jazz single by Buffalo’s Donny Frauenhofer is the latest quarantine composition from the Intrepid Travelers frontman.

    Frauenhofer plays piano on “A Spirit,” and also handled production, mixing and mastering. Colin Brydalski plays bass and behind the drum kit is Isaiah Griffin. Support these musicians through Patreon, and read below for Frauenhofer’s take on “A Spirit.”

    This composition is one that I’m most proud of. I wrote it in one night during the quarantine, and the name comes from the sensation of being alone, but not feeling alone. Whether you call it a muse, a ghost, a spirit, a god, a manifestation of your own subconscious – sometimes things that seem separate from ourselves visit us to deliver a message. I’m not interested in the explanation of why or what this sensation is, but rather communicating the sensation itself. This song is both the product of that, and expresses that feeling.

    Donny Frauenhofer
  • 20 Years Later: Phish jams “Drowned” for soaked fans at Darien Lake

    Twenty years ago, on September 14, 2000, Phish performed to a rain-soaked crowd at Darien Lake Performing Arts Center. The last stop in New York on their Fall 2000 tour, this show would later be released as Live Phish, Vol. 3 in Septmeber, 2001.

    Phish Darien
    Art by Drew Suto

    This was also Phish’s last show in New York until December 31, 2002 at Madison Square Garden, which ended the band’s hiatus that began on October 7, 2000. The band played six shows in the Northeast on their Fall 2000 tour, as they headed to the Midwest and, eventually, the West Coast to cap off their first 17 years as a band and take a much needed break from the road. The Darien Lake show was the fifth of these shows, and major storm be damned, fans flocked to Western New York in search of one final taste of Phish for the foreseeable future.

    In releasing this show just a year later, as part of their then-new Live Phish series, it certified the excellence in playing throughout the show. Trey Anastasio spoke to Relix Magazine in the August 2001 issue and referenced the show’s inclusion in Live Phish.

    There are also three shows from 2000 in the series. Page and I picked one of them because it has this version of ‘Carini’ that I’m convinced is the greatest version of all time. I’m not convinced that it’s the whole greatest show of all time, but I love this version of ‘Carini.’ I also like the song list, because if you didn’t like Phish and you heard this set, it would be very interesting. There’s ‘Punch You In the Eye,’ ‘Reba,’ [Neil Young’s] ‘Albuquerque’ and ‘Carini.’ I think it sounds like such a weird band.” Trey cracks up. “Those four songs in a row? You can’t make any sense of it. The ‘Carini’ is like 15 or 20 minutes long or something. It’s a complete metal meltdown. It’s the bass and drumming in the background that I really liked. It’s really strange. Nobody’s playing the beat at all. Those guys are playing in quarter time and the guitar and keyboards are just creating this wash of color on top of this heavy booming. It’s right after ‘Albuquerque,’ which has harmonies and then this heavy metal thing. If you kind of step away from it, they’re both really odd.”

    Trey Anastasio, Relix Magazine, August 2001

    It had rained all day at Darien Center, and would downpour more during the show, a seemingly never-ending torrent of water from the sky. Anastasio summed up the first set well, noting a band and fan favorite version of “Carini” amid a six-song set that was capped by “The Oh Kee Pah Ceremony” > “Suzy Greenberg,” with the latter being jammed well beyond the normal confines of the set closer.

    phish darien

    Set 2 opened with “Drowned,” apropos for the downpour that drenched the crowd on the lawn throughout the evening. Dave Calarco, aka Mr. Miner, shared his take on this hallmark version of The Who classic.

    “Delving into abstract psychedelia and ambient madness, this was arguably the craziest and most “out-there,” terrorizing, and successful jams of the fall- all wrapped into one. Accessing alien atmospheres during this mind-bending excursion, this jam illustrated the ’99-’00 millennial exploration of abstract soundscapes, an element of the band’s creative direction during these years.”

    Mr. Miner

    After 30 minutes of “Drowned,” Phish moved onto another song originating from their Halloween musical costumes of the past, with Talking Heads’ “Crosseyed and Painless.” 11 minutes later, the mellow and rare “Dog Faced Boy” shone some light after more than 40 minutes of dark jams, followed by “Prince Caspian” and Rolling Stones’ “Loving Cup to close the set.

    A unique encore followed, featuring three songs, two of which were still relatively new to the Phish repertoire – “Driver,” “The Inlaw Josie Wales” – and one of their most well known tunes, “Sample in a Jar.” The rain let up in the last half hour of the show, but spirits were far from dampened on this night. Some fans in attendance bid farewell to Phish, not knowing when the band’s self-imposed hiatus would bring them back.

    Setlist via Phish.net

    Soundcheck: Birds of a Feather

    Set 1: Punch You in the Eye > Reba[1], Albuquerque, Carini, The Oh Kee Pa Ceremony > Suzy Greenberg > Jam

    Set 2: Drowned > Crosseyed and Painless > Dog Faced Boy, Prince Caspian > Loving Cup

    Encore: Driver, The Inlaw Josie Wales, Sample in a Jar

    [1] No whistling.

  • Venues Across New York File Federal Lawsuit Against State Restrictions on Live Music

    New York music venues decided to file a Federal lawsuit against State restrictions on live music on September 6, 2020 in the U.S. District Court in Manhattan. The lawsuit involves ten establishments across New York who believe the live music restrictions are unworkable and unconstitutional.

    The Federal lawsuit challenges both the ad ban and the rule against charging for shows as being arbitrary since there is no evidence those actions have any effect on the slowing coronavirus spread.

    Lark Hall lit up in red demanding the passage of The Restart Act.
    Photo by Zach Culver.

    Last week New York state announced rules that aimed to contain the spread of the coronavirus according to state officials but many venues feel they have been disproportionately singled out in this new ruling. The rules allow only what the state calls “incidental” music to be performed at venues making it impossible to promote performances and therefore making it difficult for venues, bars, and restaurants to intrigue an audience to attend their establishment. 

    The ten establishments involved in the lawsuit are establishments that serve liquor and host or promote live music or entertainment. These venues come from all across New York state including four in New York City. The others are located throughout upstate New York in Buffalo, Niagara Falls and Clifton Park. The plaintiffs in the case are Turks Group, LLC, operating as The Sultan Room & The Turk’s Inn in Brooklyn, 49 Illinois Restaurant, LLC, operating as Buffalo Iron Works in Buffalo, The New York Independent Venue Association, a trade association, Columbus Ale House, Inc., operating as The Graham, in Brooklyn, Upstate Shows, Inc., operating as Upstate Concert Hall in Clifton Park, Jayarvee, Inc., operating as Birdland Jazz Club in Manhattan, Capitol Enterprises, Inc., operating as The Capitol Theatre in Port Chester, Jukimoo, LLC, operating as Littlefield in Brooklyn, nfinity on Main, Inc., operating as Tralf Music Hall in Buffalo, and Rapid Theater Niagara Falls USA, Inc., operating as The Rapids Theater in Niagara Falls.

    Times Union Center lit up in red demanding the passage of The Restart Act.
    Photo by Zach Culver.

    The defendant named in the lawsuit is the State Liquor Authority Chairman Vincent Bradley. The State Liquor Authority has been the leading charge in enforcing Governor Andrew Cuomo’s coronavirus orders. They do this by having the ability to suspend liquor licenses and impose fines on establishments not following the rules.

    According to syracuse.com, “The lawsuit asks the court to halt the state’s enforcement of the orders. It also seeks payment for the cost of the lawsuit and lawyer’s fees, but does not specify monetary damages.” The state’s coronavirus rules are simple and easy to follow for most of these establishments. People being required to wear a mask, social distance, use hand sanitizer, having employee health checks, and ect would be very doable for establishments who host live music and yet they are being singled out from being able to promote their businesses. 

    The Federal lawsuit says, “The advertising and ticketing of shows would allow establishments to maintain better control over their limited capacity, allowing them to tell patrons in advance that an evening is sold out and thus avoiding the gathering of crowds trying to gain admission (and the increased risk of transmission that comes along with such gatherings).”

    For more information on the New York’s new guidelines for establishments and how they effect the establishments and musicians read NYS Music’s article on the guidelines.

  • Sydney Worthley, The Sweats, and more to be featured on this week’s EQXposure

    Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from Sydney Worthley, The Sweats, and many more!

    EQXposure Sydney Worthley

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    The Sweats – “Caught In A Wave”

    From the Finger Lakes who just released their full-length debut album Caught in a Wave recorded at Pyramid Sound Recording Studios in Ithaca. You can pick up the album for contributions on BandCamp. Singer Travis Durfee says they hope to sell a few digital copies to make up what they’ve lost this year in live shows and that they are already working on material for a new album. Check out their quaratine videos on Facebook.

    Sydney Worthley – “4:15

    In February, Worthley went to Nada Recording Studio in Montgomery, NY to record five new songs in five days and you can hear them all on the new album Rose Colored Glasses. Worthley is a notable advocate for mental health awareness, having performed in Saugerties at the annual Hope Rocks Festival.