Category: Buffalo

  • Jazz At Chandlerville Series Announces Summer Line-up

    Jazz at Chandlerville Series announced their July and August line-up. The series will take place at the Thin Man Brewery and Tappo Pizza in Buffalo, NY. The event will take place in the outdoor seating and happen every Thursday this summer from 6PM to 8:30PM.

    The outside seating at Thin Man Brewery and Tappo Pizza. Photo provided by Jazz At Chandlerville Series announcement.

    One of the main concerns for people with an event like this is how social distancing can happen while the coronavirus pandemic rages on? During the series’s opening performance they had tables spread out six feet apart with a good amount of seating available. There was a location for the band across the street – more than the twelve feet requirement. People must also wear a mask when not seated. With these measures implemented the hope is to keep a safe environment for everyone involved. 

    The opening performance was by the Ed Croft Trio featuring Ed Croft on bass, Nelson Rivera on saxophone, and Joe Goretti on drums. This season of performers include DeeAnn Dimeo, Alex McArthur, Paradigm Shift from Rochester, Phil DiRe and Speedy Parker, Will Holton, The TRUTH, and Carina and the Six String Preacher. DeeAnn Dimeo, will start off on July 16 and Carina and the Six String Preacher will wrap up the series on August 27.

    The series is being hosted by JazzBuffalo and is sponsored by Thin Man Brewery and Tappo Pizza. The event is located at 166 Chandler Street Buffalo, NY. The performances are free but JazzBuffalo is accepting donations for their Keep Local Jazz Alive Fund. The fund will help cover the costs of the free summer outdoor live jazz presented during the COVID-19 pandemic. JazzBuffalo asks that people please donate a suggested amount of $3-$5 per person, if they can, to help us make local live jazz possible. Donations can be made via  PayPal: paypal.me/jazzbuffalo or Venmo: @Jazz249.

    Form more information on the Jazz At Chandlerville Series and more information on their performers visit their website.

    Full Line-up listed bellow: 

    July 16 – DeeAnn Dimeo

    July 23 – Alex McArthur

    July 30 – Paradigm Shift from Rochester

    August 6 – Phil DiRe and Speedy Parker

    August 13 – Will Holton

    August 20 – The TRUTH

    August 27 – Carina and the Six String Preacher

  • Beau Fleuve Music & Arts Festival Announces ‘Save The Date’ for “Ultimate Sunday Funday”

    Beau Fleuve Music & Arts Festival will be continuing its celebration of local art and culture with a 4th annual festival. Titled “Ultimate Sunday Funday,” it will take place on Sunday, Aug. 30, 2020 at Silo City.

    The Beau Fleuve Music & Arts Festival will have art installations, culture exhibitions, a silent disco, vendors, food trucks, and a diverse musical lineup for all ages. Additionally, there will be an indoor and outdoor event space provided for festival guests. A virtual experience curated by “The Fleuve,” Beau Fleuve’s multi-media brand, sets this even up for all.


    More event details about the festival will be announced in the coming weeks, you can follow these updates on Beau Fleuve’s Instagram @beaufleuvemusicarts and website.


    In the meantime, be sure to look at some of the other events that Beau Fleuve has hosted both pre and post COVID-19. Notably the ARTSxBeats: Women’s Worth Art Exhibit” and “Thank You Murals: COVID-19”:


  • Truckin’ off to Buffalo: The Grateful Dead open for Bob Dylan and Tom Petty at Rich Stadium on July 4, 1986

    It’s not too often you see the Grateful Dead opening for another band, especially not in the 1980s. But on July 4, 1986, the Grateful Dead linked up with Bob Dylan and Tom Petty and the Heartbreakers for one of only four shows together that summer, performing at Rich Stadium in Orchard Park, NY, home of the Buffalo Bills.

    The Pittsburgh Post-Gazette characterized the show on the 4th of July perfect for “The Dead’s vagabond odes and Dylan’s outspoken songs of freedom.” Sweltering heat during the day led to a first set that was cut short, but rain during “Cold Rain and Snow” to start the second set provided respite for the crowd. Perhaps out of exhaustion, fans were reported to have left after the Dead encored with “U.S Blues.”

    While the Dead opened, a trio of songs were featured in a satellite broadcast live to Farm Aid 3. Prior to “The Wheel,” Bob Weir said to the crowd “America is an example of an agrarian nation, let’s keep it turning.”

    Six days and two shows later, Jerry Garcia slipped into a diabetic coma and was unconscious for a week, but would recover and be back on stage later that year. This show at Rich Stadium would be one of the last times the Dead would perform in New York for nearly a year, before returning to Rochester on July 2, 1987.

    Setlist, Grateful Dead, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set 1: Jack Straw, Dupree’s Diamond Blues, CC Rider, Tennessee Jed, My Brother Esau, Touch Of Gray

    Set 2: Cold Rain & Snow-> Fire On The Mountain-> Samson & Delilah*-> The Wheel*-> I Need A Miracle*-> Uncle John’s Band-> Drums-> Gimme Some Lovin’-> Goin’ Down The Road Feelin’ Bad-> Turn On Your Love Light

    Encore: U.S. Blues

    *broadcast as part of Farm Aid 3

    Dylan and fellow Traveling Wilbury Petty joined up for a tour featuring the Heartbreakers backing Dylan. Dylan played a few solo acoustic songs, while the Heartbreakers played their hits that are still classics today, and all joined together for “Rainy Day Woman # 12 & 35.”

    Bob Dylan with Tom Petty and the Heartbreakers, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set: So Long, Good Luck And Goodbye, Positively 4th Street, Clean Cut Kid, Emotionally Yours, Trust Yourself, We Had It All, Masters Of War, Straight Into Darkness (Petty & The Heartbreakers), Think About Me (Petty & The Heartbreakers), The Waiting (Petty & The Heartbreakers), Breakdown (Petty & The Heartbreakers), To Ramona (Solo acoustic), One Too Many Mornings, (Solo acoustic), A Hard Rain’s A-Gonna Fall (Solo acoustic), I Forgot More Than You’ll Ever Know, Band Of The Hand, When The Night Comes Falling From The Sky, Lonesome Town, Ballad Of A Thin Man, Bye Bye Johnny (Petty & The Heartbreakers), Make It Better (Forget About Me) (Petty & The Heartbreakers), Spike (Petty & The Heartbreakers), Refugee (Petty & The Heartbreakers), Rainy Day Women # 12 & 35, Seeing The Real You At Last, Across The Borderline

  • Acoustic punk duo Rust Belt Brigade share “Roll Call” and “Love Is A House” off upcoming album

    The Rust Belt Brigade began as an acoustic punk duo from Buffalo that has since become a 4 piece Alt-Country/Americana outfit carving out their own niche in and around the Buffalo area. Coming Sept. 18th, the album, Howdy Hallelujah, Here’s the Thing, is a timestamp from the last two years as a 4-piece band composed of songwriters Victor Castilo, Jeremiah Franco, and Brandon Mueckle with Trevor Jennings on cajon/percussion. The album also differs from the normative live experience through full band-electric recordings composing roughly half the record and guest Sally Schaefer on Violin for the more traditional high energy bluegrass tracks. 

    The first single off of Howdy Hallelujah, Here’s the Thing, “Roll Call” is a fast-paced piece that instills a feeling of paranoia and urgency. From the get-go, the instrumental portion builds into an attention-grabbing and heart-pounding pace. The story told within “Roll Call” is one that encourages you to try anyway, even if you’ve hit rock bottom. This lesson is communicated after the ballad describes a life of someone who is truly desperate, with the final few lyrics informing the listener to “Roll the dice man, see if your lucks ran, lucks ran dry.”

    “Love Is A House” slows the pace down from “Roll Call” and describes love through a series of touching metaphors. The lyrics “tell me what’s wrong, so I can fix it, fore winter comes, won’t let the cold get the best of us” exemplifies the importance of communication in relationships and serves as just one of the wholesome lessons that can be drawn from the track.

    These two tracks serve as just a taste of Howdy Hallelujah, Here’s the Thing. Two more tracks from the album will be released on The Rust Belt Brigade’s Bandcamp titled “Kentucky Rain Dance” and “Buried in the Ground.” on July 24 with the full album releasing Sept. 18.

    Unfortunately, this will be the last album produced by the band with songwriter Victor Castillo for the foreseeable future, as the band revealed through a Facebook post that Victor would be pursuing his career in Colorado without the group.

    While the group will be decreasing their level of actively greatly the brigade isn’t disbanding, stating that “We still plan to release new music down the road and play shows in Buffalo when we can all get together but this is indeed an end to era.”

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • Aqueous Ushers in a New Era of Live Music

    At Transit Drive In in Lockport, NY, live music returned for the first time in over three months. The drought was lifted with three shows from Aqueous, who performed with a limited crowd that was safely distanced throughout the grounds.

    As Sunday attendee Pete Connors of Utica attested, “For a post-apocalytpic world, they put together as close to a first class event as you’re gonna see this year.” From the looks of the recap video by Jim Houle and just shared by Aqueous, the joy on the faces of the fans, even spread out among the Drive-In grounds agrees with this sentiment.

    Aqueous live music

    With a line forming at noon for the matinee concert, doors opened at 1pm for two sets starting at 2pm. From most points around the state, you’d be home in bed before it was dark. The sound was reported as fantastic from all fronts, even if the sound had to be adjusted to appease neighbors.

    Each dad had its own unique highlight from the band. Friday opened up with local legend Rick James’ “Below the Funk,” and Saturday featured a single song second set of “Half In Half Out,” with teases throughout. On Sunday, the band left the stage before “Kitty Chaser” with a looped beat playing, as they staged a runaway golfcart marathon around the ground, saying hi to fans (from a safe distance).

    In time, we’ll remember the shows and the return to live music, even if the details get foggy. Fans are grateful for music more than ever thanks to intimate experiences like Live at the Drive In, and the easing back into live music will present us all with a new appreciation for the blessings of music around us.

    Aqueous live music

    Setlists via Darren Kemp

    Friday, June 19th, 2020

    Set 1: Below the Funk¹ > They’re Calling For Ya > Numbers and Facts, Little Something to Me, Strange Times² > Burn it Down³ > Below the Funk

    Set 2: Mind Games, Say it Again > Complex Pt. II, Realize Your Light

    Encore: What’s The Connection?⁴

    Notes: ¹ BUSTOUT LTP 12/7/2018 (100 shows)² Unfinished³ G’z and Hustlaz (Snoop Dogg) tease⁴ Birds of a Feather (Phish) tease

    Aqueous live music

    Saturday, June 20th, 2020

    Set 1: Staring into the Sun¹, Good Days, Split the Difference² ³ > Underlyer, Bring Me Down⁴

    Set 2: Half In Half Out⁵

    Encore: Freedom⁶

    Notes: ¹ w/ ending² Wedge tease (Phish) between songs³ So Fresh So Clean (Outkast) tease⁴ Original – Debut�5⁵ Teases galore, including 20/20, Below the Funk (Rick James), Sample in a Jar (Phish), YYZ (Rush), Echoes (Pink Floyd), Californication (Red Hot Chili Peppers)⁶ Jimi Hendrix Cover, BUSTOUT – LTP 2011/6/11 (858 shows)

    Sunday June 21st, 2020

    Set 1: Dig It Good, Josie > Second Sight¹ > Good Enough, The Median

    Set 2: Can You Get Me There?, Willy is 40 > Loop Jam² > Kitty Chaser (Explosions)

    Encore: Freebird³, Complex Pt. I > Second Sight⁴

    Notes: ¹ Unfinished² Band set loops on their instruments and proceeded to drive through the audience on golf carts thanking fans³ Lynyrd Skynyrd cover, Partially played as a joke, mostly acapella from Rob⁴ Ending

    Photos by Zachary Todtenhagen

  • Aqueous to Perform at “LIVE AT THE DRIVE” Concert Series in Buffalo

    Buffalo Iron Works, in partnership with The Transit Drive-In in Lockport are bringing the “LIVE AT THE DRIVE” concert series to life. The concert series will be featuring many artists starting with Aqueous on Friday and Saturday, June 19 & 20. 

    The socially distanced concert series will be held at The Transit Drive-In and will feature two concerts a week through August. Future artists performing will be announced in the weeks to come. The concert series aims to have 16 shows in total. Thursday nights will feature a concert and movie combo night while Saturdays will host concerts in the afternoons between 2PM-5PM. 

    Aqueous will be starting off the concert series on June 19 & 20. They are a groove rock band that hails from Buffalo, NY. Aqueous is a locally famous band to the Buffalo area and have been involved in many live-stream shows since the halt on live shows due to COVID-19. 

    Tickets will be available for purchase though the Transit Drive-In website. Gates for the concert series will open at 1pm both days with the show starting at 2pm. GA tickets are $40 per person and VIP are $80 per person. VIP tickets will include a ticket to the show, a vehicle spot in the front two rows, and a limited edition poster. All ticketing will be through internet pre-sale only, and tickets need to be purchased for all occupants of each vehicle under one transaction. A minimum of two people per vehicle must be purchased, with a maximum of six people. 

    For more information visit Buffalo Iron Works website and The Transit Drive-In website.

  • This darkness has got to give: Music venues during COVID-19 across New York State

    As we enter June, the fourth month where live music performances are postponed until it is deemed safe to have mass gatherings due to COVID-19, we take a look at the music venues across the state that are closed for now, but in the coming months will hopefully reopen.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, we present this monthly series that will look at the current conditions of these beloved venues. As they reopen, we will provide photo documentation recording the changes over time in all corners of the state.

    Great thanks to all photographers and venues who take part in this series.

    Buffalo – photos by Zachary Todtenhagen

    Capital District – photos by Zach Culver

    Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Long Island – photos by Andrew Camera

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Syracuse – photos by Josh Davis

    Utica – photos courtesy of The Stanley Theatre

    Ithaca – photos by Casey Martin

    Long Island – photos by Rob Tellerman

    Brooklyn and Manhattan – photos by Steve Malinski

    Port Chester – photo by Chad Anderson

  • Once Upon A Flatline Releases “Hang Hymn High”

    Buffalo post-hardcore rockers Once Upon A Flatline has released a new song and lyric video for “Hang Hymn High,” the third single off of the bands debut EP The Theatre Lucy. Engineered by Nate White, the track is inspired by the jazzy musical “Chicago,” with a serious message about getting help against domestic violence especially while so many are trapped at home during the pandemic. 

    Consisting of six members with a strong female front, Once Upon A Flatline attempts to combine the madness of Sweeney Todd with the post-metal of My Chemical Romance with each of their larger than life productions. Their other two singles “For The Wretched of The Earth” and “Those Last, Fatal Days” teased parts of “Les Miserables” and “Moulin Rouge,” respectively. 

    With a music video already released the band is currently in the studio finishing the last of seven songs according to the press release. Each song will keep with the band’s motif of storytelling and all be inspired by a different, famous Broadway musical with a metal twist told by ghosts that haunt The Theatre Lucy.

  • Hearing Aide: Birkby ‘Another Planet’

    As the year slowly moves on, more and more musicians are postponing their tours out of respect for public safety. One of those artists is Gabriel Birkby from Buffalo, who goes by the moniker ‘Birkby.’ After cancelling a number of shows around Western NY, Birkby decided to release his first EP, Another Planet, which he had teased to his fans earlier this year. This splendid debut combines uplifting and positive music with vivid lyrics that paint a story line of a society in reform after leaving their homeland. The contrast between the emotional lyrics and the musical style of each song results in a release that is both majestic and captivating.

    The album starts with “Change in the Weather,” a song about growth and new beginnings that is brimming with hope and promise. This upbeat track offers a glimpse at some elements that we’ll see through this EP: the pure emotion in Birkby’s voice, the interplay of dreamy synths and joyous guitar, and a chorus that feels like the clouds are parting and the sun is shining down on you. Also featured is Mike Gantzer of Aqueous, who provided additional percussion and a guitar solo on this opening track.

    Next up is “Underground Republic,” another song with a cheery sound that really benefits from the impressive way Birkby’s voice dances around his guitar work. The lyrics continue to paint a picture of new growth and uncertainty, but the chorus will certainly speak to a lot of listeners in this sheltered time of our lives when he exclaims “How about a little privacy Cause I know how I get And I’m sure I’ll regret.”

    Halfway through the release, we come across “Awake,” which stands apart from the rest of the album. This track is a soulful and synth-heavy jam that features a slower tempo and laid-back vibe, thanks in part to some 808s and beautiful layered vocals in the chorus. Despite the change in style, “Awake” still shares the elements that Birkby excels at throughout this release. His ability to blend multiple elements on his track with mastery is apparent in the way the keys and drums play so beautifully together underneath an emotional chorus pleading, “Can I get a hand over here?”

    Shifting musical gears again, “Inconsistent” is one of my favorite numbers on the EP. Each verse has a wonderful bounce to it and with lyrics that praise the search for clarity, salvation and a trust in what you can see for yourself while being skeptical of what the written word holds. But it’s the emotion and funky feeling of the chorus that won me over and this whole track has a flow to it that’s sure to make you smile, as I found myself humming it for days.

    Birkby saved the title track for the end of this release and it’s a great send-off that once again showcases both his incredible vocal talent and his guitar mastery as he has the two dance together throughout the chorus. “Another Planet” paints a picture of promise, improvement and encouragement, all while reminding you to “Wake and meet the burning day” because there is “Another future on the horizon.”

    Birkby’s first EP release is a must-listen, especially during these days of self-isolation. Another Planet may only 5 tracks long, but it’s a welcomed release in these strange times that only gets better with each listen. You can purchase the digital album or stream it from Bandcamp and the EP will be available to stream on Spotify starting April 20.

    Key Tracks: Inconsistent, Another Planet