Category: Regions

  • Chelsea Cutler Sells Out Terminal 5

    At just 23, singer, songwriter, and producer Chelsea Cutler has achieved more than most of us can dream of. Starting off by simply uploading covers from the comfort of her bedroom, Cutler has amassed over 750 million streams across platforms in just two years. Her relatable lyrics and catchy lo-fi beats have positioned her as a rising pop star. Her two sold-out gigs at Terminal 5 in New York City, however, have cemented her there. 

    Cutler is well-known for her dedicated fan base; her fans don’t just sing along. The crowd at Terminal 5 was no exception. They sang each word, to each song—so much so that Cutler held out her mic on numerous occasions to listen to her chorus. 

    Chelsea Cutler

    In a moment of vulnerability, Chelsea Cutler addressed her hometown crowd. “I told my team that maybe we could do Terminal 5, but I didn’t think it would sell out. I was scared…but New York City…you sold this sh*t out in like 10 minutes!”

    The audience erupted in cheers, and Cutler continued, “So we added a second show, and I was like we are definitely not selling this one out. And then you guys sold that one out even faster. I love you so much New York City!”

  • Kamasi Washington Blows Into Buffalo

    Kamasi Washington and his talented band came to Buffalo for a sold out show at Asbury Hall at Babeville. Judging by those in attendance, his fans are as diverse as his music. Young and old were treated to a mix of blues, funk, world beat and more, all firmly rooted under the umbrella of jazz. “Is Mr. Washington the savior of jazz?” is not a question I can tackle here but the genre is in good hands if he is indeed the current face of it.

  • Widespread Panic Marks Leap Day With Timely Beacon Run

    In the spirit of the Allman Brothers, fellow Georgia peaches Widespread Panic graced the Upper West Side with a multi-night run of shows at The Beacon Theatre as a prelude to spring. Southern accents and charm were prevalent throughout the crowd, as many fans made the trek for the noteworthy occasion. Included in the shows was a Leap Day show on February 29, which brought together a “time” theme in the second set of the show. 

    The music was complimented by a stunning light rig, with vertical rows of lights in the center and left, and a circle of lights on the right. A beacon of rainbow light was often radiating just above Duane Trucks and Domingo Ortiz on their raised drum stands behind the rest of the band. The stage floor contained powerful rotating lights that often embellished the iconic Egyptian-themed ceiling. 

    widespread panic beacon

    Bust-outs were found throughout the run, including “Vicious” by Lou Reed, which hadn’t been played in over 1000 shows, dating back to the band’s Halloween run at Madison Square Garden in 2003, and the rare “E on a G,” which had only been played eleven times prior. 

    On Friday, the band did not let up in set one, and came out firing as they had the night before. The show started out strong with early Panic classics “Wondering,” “C. Brown” and “Can’t Get High.” Jimmy Herring got loose on “All Time Low,” which followed for the first big jam of the night. Fans were treated to the rare “Dark Day Program,“ last played on in July 2011. To close out this high energy first set, Dave Schools asked the crowd if they wanted to dance and the band unleashed a monster cover of Robert Johnson’s “Stop Breakin’ Down Blues.”

    widespread panic beacon

    A heavy “Sleeping Man” opened the second set, followed by a pair of covers from The Band, “Ophelia” and “The Shape I’m In.” And while it felt like they were about to dive into Pink Floyd’s “Breathe” just out of “Driving Song,” the band treated the crowd to the twelfth ever version of the instrumental “E on a G.” Herring kept his foot on the gas during the set closer of “Chilly Water,” while the crowd sprayed their water and added a visceral soaking sensation. The night wrapped up with a delicious double encore of “Blue Indian” and “Climb to Safety.”

    But how would the band commemorate the quadrennial Leap Day that followed? There are few songs with ‘Leap’ in the title, so a reflection on time was in order, and found throughout much of the second set, in both obvious and subtle ways. Set 1 started with classic Panic numbers “Space Wrangler” and “Walkin’ (For Your Love),” and the newly minted jam-vehicle “Up All Night” which never fails to deliver. A rare “Tortured Artist” followed, along with the fresh “Sundown Betty.” The first set closed with a trio of high energy numbers in “Machine,” “Barstools and Dreamers” and the apropos for Saturday NRBQ cover “Flat Foot Flewzy.”

    widespread panic beacon

    The second set played off of a ‘time’ theme with references throughout, starting with “Blackout Blues” (in the middle of the night), a tease of the theme to Norman Lear’s All in the Family “Those were the days” (which is set in nearby Queens), “Airplane” (must have been a year ago), “Holden Oversoul” (one last time), “Henry Parsons Died” (6 o’clock on Saturday). A trio of ‘time’ songs followed – “Time Zones,” Los Lobos’ “Somewhere in Time” and The Dillards “There is a Time” – but the time references didn’t end there. J.J. Cale’s “Ride me High” (this mornin’) and the first half of the encore “This Part of Town” (the other day) tossed in some subtle but notable references to time on this extra day of 2020. 

    Also notable, there were numerous references to Southern USA, including “Up All Night” (Savannah), “Henry Parsons Died” (Georgia), “Blackout Blues” (Mississippi) and the show closing “Red Hot Mama” (Louisiana). For the second half of the encore, the timeless Neil Young classic “Mr. Soul” wrapped the night up with high energy, and the audience holding out for a rare second encore that did not come to pass. As fans made their way into the brisk night, Dr. John’s “Right Place, Wrong Time” serenaded an audience who caught a show of rarities on a rare day in a classic venue.

    widespread panic beacon

    With five sold out shows at The Beacon this year, and three sold out shows last year at The Capitol Theatre in Port Chester, one can only hope that Widespread Panic will follow in the tradition of another southern rock band, The Allman Brothers Band, and have an annual residency at The Beacon Theatre for years to come. 

    Setlists – Widespread Panic, The Beacon Theatre, NY, NY

    Thursday, February 27

    Set 1: Porch Song, Rebirtha > Greta > Jam > Stop/Go > Little Lilly, Proving Ground > Bust it Big > Proving Ground > Action Man

    Set 2: Steven’s Cat > Jam > Walk On > Blight > Help Me Somebody > Jam > Fishwater > Drums > Fishwater >Pilgrims, Pusherman > Conrad

    Encore: You Wreck Me > Tall Boy

    Friday, February 28

    Set 1: Wondering, C.Brown, Can’t Get High, All Time Low> Jam> Junior, 1 x 1, Dark Day Program, You Got Yours, Stop Breakin’ Down Blues

    Set 2: Sleeping Man, Ophelia > The Shape I’m In, Surprise Valley > Bear’s Gone Fishin’ > Surprise Valley > Driving Song > E on a G > Driving Song, Don’t Wanna Lose You, Chilly Water

    Encore: Blue Indian, Climb to Safety

    Saturday, February 29

    Set 1: Space Wrangler, Walkin’, Up All Night, Tortured Artist > Sundown Betty, I’m Not Alone, Machine > Barstools and Dreamers > Flat Foot Flewzy

    Set 2: Blackout Blues -> Jam in C* -> Airplane -> Holden Oversoul -> Henry Parsons Died > Time Zones, Somewhere in Time, There is a Time, Ride Me High -> Drums-> Ride me High, Red Hot Mama

    Encore: This Part of Town > Mr. Soul

    *All in the Family theme tease

    Sunday, March 1

    Set 1: From The Cradle > One-Arm Steve > Let’s Get The Show On The Road > Ribs And Whiskey, Bowlegged Woman, Honky Red, Trouble, Hope In A Hopeless World > Postcard

    Set 2: Let’s Get Down To Business, Little Kin, Disco, Diner > No Sugar Tonight > New Mother Nature, Papa’s Home > Drum Solo > Cease Fire > Protein Drink > Sewing Machine
    Encore: Vicious, Ain’t Life Grand

    Monday, March 2

    Set 1: I Wanna Be Sedated, Travelin’ Light, Old Neighborhood, Imitation Leather Shoes, The Last Straw > Pleas, Rock, Jack > Love Tractor

    Set 2: The Waker, Pigeons, Hatfield > Impossible^ > Saint Ex^^ > Tie Your Shoes > Jam, Nobody’s Loss, North

    Encore: City of Dreams, Life During Wartime

    ^The Other One tease
    ^^Won’t Get Fooled Again tease

  • Artist 2.0 Review: A Boogie Doubles Down, for Better or Worse

    When A Boogie With Da Hoodie announced that he was set to release his third studio album, his fans were jubilant. It had been just over a year since we last heard from the Bronx native and in the age of microwaveable music, there was a yearning to hear what new melodies the “Just Like Me” rapper had cooked up. While leaked records delayed the album towards its Valentine’s Day release, they also built anticipation for what was to come.

    At face value,  Artist 2.0 – the sequel to his 2016 breakout mixtape, Artist – gave his fans exactly what they asked for. The man known for his melodic chants and passionate crooning about his love life reverted back to what he knows best and then some. Although recognized as a rapper, that takes a backseat in this latest effort. A boogie never goes more than a few bars in any of the records before his singing takes precedence, exemplified in the emotional ballad “Good Girls Gone Bad,” where he wails about a woman who’s changed as a result of his inconsistencies. 

    What it lacks for in actual rapping, the album more than makes up for in its infectious choruses. “Right Back,” “Mood Swings,” “Me and My Guitar,” and “DTB 4 Life” are all records that have the propensity to become a mainstay in any playlist. While he doesn’t rap as much as some might have wanted on the album, his guest-features all brought their “A” game. Verses from Dababy, Young Thug, Gunna and Roddy Rich do a good job of balancing out the croon-heavy album, with A Boogie and Roddy Rich’s chemistry being one of the project’s highlights.

    Coming into the rap game, A Boogie presented himself as a rapper who would occasionally try his hand at singing. On Artist 2.0, he doubles down on the latter, pushing his own personal boundaries and blurring the lines on what his official title should really be. While the album is enjoyable, it doesn’t always feel like it’s A Boogie at his best and it seems like, to A Boogie, “artist” means less rapping, which inherently is not the case. 

    Rating: 3.5/5

  • Trey Anastasio announces additional Summer Symphony shows

    Trey Anastasio adds to an already busy summer of Oysterhead and Phish with three additional orchestra performances in June. In addition to the previously announced performance on June 20 at Tanglewood with the Boston Pops, Anastasio joins the National Symphony Orchestra on June 17 in Washington D.C., the Philadelphia Orchestra on June 23, and the North Carolina Symphony on June 26 in Raleigh.

    Tickets are now on sale at Trey.com

  • Laid Back Festival Returns in 2020

    Laid Back Festival will be making its return this summer after a two-year hiatus, highlighted by an all-star slate of performers. Named after Greg Allman’s 1973 solo debut album, it was first held in 2015 in Wantagh, NY’s Nikon at Jones Beach Theater. The event continued in 2016 — expanding to five cities — and in 2017 saw the likes of Steve Winwood and Sheryl Crow headline. The festivities will return to Wantagh this year on Saturday, August 8 at the Northwell Health at Jones Beach Theater and will be continuing the next day in Holmdel, NJ at the PNC Bank Arts Center.

     Presented in partnership by Gregg Allman’s longtime manager Michael Lehman and Live Nation, Laid Back will be headlined by Steve Miller Band and will feature the likes of Brian Wilson (with Al Jardine and Blonde Chaplin), Marty Stuart and His Fabulous Superlatives, Taj Mahal Quartet, Gary Mule Deer, and Karl Denson’s Tiny Universe. 

    A celebration of American music and food, the Laid Back Festival serves as a showcase for all of the great cuisine and music upstate New York has to offer. It will feature regional restaurants, food tricks, breweries and wineries. 

    Live Nation presales begin Thursday, February 20 at 10 am ET; all remaining tickets go on sale Friday, February 21 at 10 a.m. eastern time. For complete information and details please visit, www.laidbackfestival.com.

  • Landmark Theatre in Syracuse to close this summer for renovations

    With its 100th anniversary coming up later this decade, the iconic Landmark Theatre in downtown Syracuse will close this summer for renovations and upgrades. The marquee will be repaired and auditorium seating will be replaced, said executive director of the theater Mike Intaglietta. Events are still scheduled through mid-May, but for the following 15 weeks, the venue will be closed. 

    Landmark Theatre renovations

    The marquee as it is now is more than 30 years old and has been damaged in recent years. The new marquee will be a replica of the original with LED displays, era specific decor, and programmable lighting. The façade window will also be restored, including exterior lighting that will highlight the venue’s location on Salina Street.

    The original seats are still present from the 1928 opening of the Loew’s State Theater, and while they have been reupholstered over the years, the lack of legroom and accessibility for those with disabilities make the need for upgrades even more important. 

    “The new seats will feature contemporary, supportive materials, configured appropriately for our auditorium and with an ergonomic design to enhance patron comfort,” Intaglietta said.

    Intalgietta will continue fundraising for the theatre “to make all of these improvements as impactful and enduring as they can be” and encouraged supporters to become a member, dedicate one of the new seats, or donate.

    “Whether you’ve been a patron, a volunteer, a member, a donor, or all of the above, we would not be where we are without you,” he added. “Thank you for your support, and remember—it’s not just a Landmark, it’s your Landmark.”

  • Walkin’ in a Colorado WinterWonderGrass

    Music scenes are riddled with a lot of traditions, a lot of staples that go hand in hand with the community and culture that is created around every genre of music . The bluegrass/jamgrass scene has grown exponentially in the last few years and, with that, the traditions have grown as well. One of these is WinterWonderGrass, held this past weekend in Steamboat Springs, Colorado. In its eighth year, the tiny, homegrown festival boasted an amazing lineup for its 2020 edition and was a blessing for bluegrass & string music fans across the nation.

    This winter wonder festival takes place in the famous mountain town of Steamboat Springs. Nestled in the upper valley of the Yampa River, the picture-perfect, post card scenery overshadowed the fact that temperatures for the weekend didn’t surpass 30 degrees. Day one included intimate sets in each of the three tents from Buffalo Commons, John Stickley Trio, and an amazing new and rising artist, Molly Tuttle, with headlining sets from Grammy-nominated Nashville band Della Mae, the incomparable Keller and The Keels, and one of the hottest acts in music right now, Billy Strings. His first headlining set of the 2020 festival season included a fitting “Steamboat Whistle Blues,” “Highway Hypnosis,” and a “Train Train” encore that concluded an amazing first day of music, and reminded fans in attendance why Billy Strings is everything they love about this great event.

    The second day on the mountain started off with a new tradition, a set entitled WinterWonderWoman. A collaborative set of covers and some bluegrass and country classics was performed by a group of amazing female musicians who performed throughout the weekend. On the main stage Nikki Lane, the extremely gifted country rock songwriter, proved to a packed audience that her blues guitar and vintage ’60s country-pop swagger fit right in with the WinterWonderGrass family. Despite all the firsts on the second day of the festival, it was a headlining set by festival veterans Greensky Bluegrass that reminded fans what WinterWonderGrass is all about. With a chilling and emotional “Wish I Didn’t Know” to start it all off, Greensky filled the rest of their set with tracks like “Worried about the Weather” and “Old Barn” and, with Jennifer Hartswick as a special guest, they rocked the mountains with a debut cover of Pat Benatar’s smash hit “Heartbreaker”. There is a special bond between Greensky Bluegrass and WinterWonderGrass that proves year after year how special the bond is between their music and its fans.   

    As a festival in its eighth year, WinterWonderGrass is very in tune with how quickly things change in the music industry, and the only way to survive and attract new and old fans year after year is to adapt. Day 3 was a look into the future of the festival and how the recent rise of the proclaimed “Outlaw Country” genre has become a perfect companion to bluegrass, this blend of new blood, veterans, country, and bluegrass was the theme of the final day of the music event. With sets from bluegrass legends The Travelin’ McCourys, and another smoking hot set from Billy Strings, the strings element to this eclectic blend was complete. It was the Sunday headliner that added a new sound to this festival and a brand new flavor to this blend of great music. Margo Price has exploded into the country music scene since her debut in 2016 and she did nothing short of that to make her WinterWonderGrass debut. She debuted a new song “Twinkle Twinkle” and even welcomed Billy Strings for a special cover of Janis Joplin’s “Move Over.” She closed out her debut set by sparking a joint, sharing it with the crowd, and encoring with Dolly Parton’s “9 To 5,” a perfect way to close out an amazing weekend of music.

    The roving cold weather music festival will continue its 2020 run with stops in Squaw Valley, California from March 27-29 and Stratton, Vermont on April 10 and 11. It still remains one of the top festivals in the country after almost ten years, bringing together multiple genres of music, community, sustainability, and family in some of the most welcoming, majestic mountain communities in the country. 

  • Saratoga Springs Welcomes New Venue: Universal Preservation Hall

    Saratoga Springs’s new venue, Universal Preservation Hall, will have its first full month of shows in March, ranging from jazz to comedy to an evening with the celebrity housewives. The venue is a former 1871 Methodist church which has been renovated into a state-of-the-art performance facility.

    universal preservation hall
    Universal Preservation Hall Press Photo.

    The March lineup will start on the 4th with Sounds of the Hall  which will be an evening of jazz music from Chuck Lamb and Friends and the Dylan Perrillo Orchestra. The schedule will wrap up on the 27th with Joey Alexander who is the youngest musician to ever be nominated for a Grammy Award® in a jazz category. There will be performances from a family circus, the Capital Region Thomas Edison Music Hall of Fame Ceremony, an award winning Broadway actress, and many more acts. 

    universal preservation hall
    Universal Preservation Hall Press Photo.

    For more information or tickets visit the Universal Preservation Hall’s website. Tickets are also available by phone at 518- 881- 4500 or at the Box Office at 25 Washington Street, Saratoga Springs.

    Full venue lineup bellow: 

    Sounds of the Hall

    7:30 p.m. Wednesday, March 4. The Great Hall at UPH, $20.

    Sounds of the Hall opens the month with an evening of jazz music from Chuck Lamb and Friends and the Dylan Perrillo Orchestra.

    Louie Anderson Live!

    8 p.m. Thursday, March 5. The Great Hall at UPH, $29.50 – $69.50.

    Stand-up comedian and star of the show Baskets, Louie Anderson, will bring many laughs to The Great Hall at UPH.

    An Evening with Chris Botti

    7:30 p.m. Friday, March 6. The Great Hall at UPH, $79.50 – $179.50.

    Grammy Award® winner for Best Pop Instrumental Album, Chris Botti will enchant UPH patrons with his trumpet playing.

    An Evening with the Celebrity Housewives

    7:30 p.m. Saturday, March 7. The Great Hall at UPH, $30 – $109.50.

    Don’t miss Brandy Glanville, Carole Manzo and Caroline Radziwill as they discuss their sensational personal lives, cherished families, amazing businesses and how fame changed their lives forever.

    The Marvelous Marquise Family Circus

    2 p.m. Sunday, March 8. The Great Hall at UPH, $10.

    Think you know circus? Think Again! The Contemporary Circus & Immersive Arts Center presents a unique family unlike you’ve met before.

    Capital Region Thomas Edison Music Hall of Fame Ceremony

    6 p.m. Monday, March 9. The Great Hall at UPH, $50.

    A member of the Grand Ole Opry, a woman who founded an iconic American coffeehouse and two local connections to MTV are among the six 2020 inductees.

    Megan Hilty

    7:30 p.m. Friday, March 13. The Great Hall at UPH, $32.50 – $109.50.

    Known for her role as Ivy Lynn on NBC’s Smash, Megan Hilty brings her Tony-Award® nominated talent to the Saratoga.

    Howard Jones Acoustic Trio presented by Rivers Casino & Resort Schenectady

    7:30 p.m. Saturday, March 14. The Great Hall at UPH, $29.50 – $69.50.

    This show will provide the opportunity for the audience to hear first-hand about the inspiration behind Howard Jones’ beloved material as well as stories from his touring career.

    Irish Hooley with the Screaming Orphans

    7:30 p.m. Sunday, March 15. The Great Hall at UPH, $25.

    These four sisters from County Donegal, Ireland are bringing the party to Saratoga on St. Patrick’s Weekend with a good old-fashioned Irish Hooley.

    Rochmon Record Club presents: Paul Simon’s “Graceland”

    7 p.m. Tuesday, March 17. The Great Hall at UPH, $25.

    The Rochmon Record Club will converge to listen and learn about Paul Simon’s 7th solo album “Graceland” which feature some of Simon’s most beloved songs.

    One Night in Memphis

    7:30 p.m. Friday, March 20. The Great Hall at UPH, $30 – $65.

    This rocking concert tribute pays homage to legendary Sun Records recording artists Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley.

    Journeyman

    7:30 p.m. Saturday, March 21. The Great Hall at UPH, $19.50 – $39.50.

    Fronted by Shaun Hague, Journeyman is the only nationally touring tribute to Eric Clapton.

    Joey Alexander

    7:30 p.m. Friday, March 27. The Great Hall at UPH, $39.50 – $89.50.

    Don’t miss the youngest musician to ever be nominated for a Grammy Award® in a jazz category.

  • Primus Announces Rush Tribute Tour

    Primus is hitting the road this summer and will honor Rush with “A Tribute to Kings,” a full recreation of Rush’s 1977 album A Farewell To Kings, at each tour stop.

    The tour comes in the wake of the death of Rush drummer Neal Peart, although Primus’ Les Claypool noted that the tribute was originally scheduled to be performed in the fall of 2019, but plans were pushed into 2020 when Slayer invited Primus on the road last year. Now, the tour holds more meaning with a plan to honor Rush in more ways than one.

    Primus Rush

    The Tribute To Kings Tour will run for 40 shows, from late May until early August, with stops in New York at the Beacon Theatre in NYC on June 17, and on July 2 in Lafayette at Beak and Skiff Apple Orchards.

    Claypool says of Rush, “Geddy, Alex and Neil had been superheroes to Larry, Herb and I in our teens, so when we all became pals while touring together in the early ’90s, we were pretty delighted; partially because of the musical geek-out factor but mostly because the three guys whom we had admired so much from afar, turned out to be truly great, down-to-earth humans, and like us, a tad eccentric. The ‘Tribute to Kings’ tour will be just as it is implied, a respectful and loving tribute to three spectacular musicians, songwriters, legends and friends.”

    For more information visit Primus’ official website.

    Primus: A Tribute To Kings Tour Dates

    May 26: Irving, TX: The Pavilion at Toyota Music Factory *^

    May 27 Houston, TX: Revention Music Center *^

    May 29 Austin, TX: ACL Live at the Moody Theater *^

    May 30 New Orleans, LA: Saenger Theater *^

    June 1 Asheville, NC: ExploreAsheville.com Arena *^

    June 3 Orlando, FL: Hard Rock Live Orlando *^

    June 5 Atlanta, GA: Coca-Cola Roxy *^

    June 6 Charlotte, NC: Charlotte Metro Credit Union Amphitheatre *^

    June 7 Raleigh, NC: Red Hat Amphitheater *^

    June 9 Cincinnati, OH: PNC Pavilion *^

    June 10 Columbus, OH: Express Live! – Outdoor *^

    June 12 Manchester, TN: Bonnaroo Arts And Music Festival

    June 15 Richmond, VA: Virginia Credit Union LIVE! *^

    June 16 Baltimore, MD: MECU Pavilion *^

    June 17 New York, NY: Beacon Theatre *^

    June 19 Philadelphia, PA: The Met Philadelphia *^

    June 20 Asbury Park, NJ: The Stone Pony Summer Stage *^

    June 21 Essex Junction, VT: Midway Lawn at Champlain Valley Exposition ^

    June 23 Boston, MA: Rockland Trust Bank Pavilion *^

    June 24 Wallingford, CT: Toyota Oakdale Theatre *^

    June 26 Sterling Heights, MI: Michigan Lottery Amphitheatre at Freedom Hill *^

    June 27 Cleveland, OH: Jacobs Pavilion at Nautica *^

    June 28 Pittsburgh, PA: Stage AE – Outdoor *^

    June 30 Toronto, ON: RBC Echo Beach *^

    July 2 Lafayette, NY: Beak and Skiff Apple Orchards *

    July 3 Westbrook ME: Main Savings Pavilion at Rock Row *

    July 6 Indianapolis, IN: The Amphitheater at White River State Park *+

    July 7 Milwaukee, WI: BMO Harris Pavilion *+

    July 8 Minneapolis, MN: The Armory *+

    July 10 Chicago, IL: The Chicago Theatre *+

    July 11 St Louis, MO: Saint Louis Music Park *+

    July 12 Kansas City, MO: CrossroadsKC *+

    July 14 Denver, CO: The Mission Ballroom *+

    July 15 Salt Lake City, UT: The Complex *+

    July 17 Berkeley, CA: Greek Theater *+

    July 18 Los Angeles, CA: Greek Theatre *+

    July 19 Las Vegas, NV: Pearl Concert Theater at Palms Casino Resort *+

    July 21 Boise, ID: Outlaw Field at Idaho Botanical Garden *+

    July 23 Bonner, MT: KettleHouse Amphitheater *+

    July 24 Redmond, WA: Marymoor Park *+

    July 25 Troutdale, OR: Edgefield *+

    July 28 Spokane, WA: Riverfront Park Amphitheater *+

    July 29 Bend, OR: Les Schwab Amphitheater *+

    July 31 Paso Robles, CA: Vina Robles Amphitheatre *+

    Aug. 1 San Diego, CA: Cal Coast Credit Union Open Air Theatre at SDSU *+

    Aug. 2 Phoenix, AZ: Arizona Federal Theatre *+

    * w/ Wolfmother

    ^ w/ The Sword

    + w/ Battles