NYS Music 202​0

Category: Regions

  • James Casey launches Aux Chord, an online music venue

    Despite the pandemic, the show must go on for live musicians. James Casey, longtime touring member of the Trey Anastasio Band, is launching Aux Chord, an online music venue offering ticketed livestream events to soften the blow of canceled gigs for artists and fans alike.

    Aux Chord
    James Casey is performing at Aux Chord’s inaugural event on Thursday, June 11.

    Back in February, Casey foresaw the pandemic’s potential to erase an entire year’s worth of concert dates for himself and other artists. He began brainstorming with his partner Ayla Cobb while quarantined in New York City, and with the help of web developer Stephen Small, they created Aux Chord: A Live Streaming Venue.

    “The goal of Aux Chord is to supply a place for the music community to continue to grow and thrive, and supply a place for music fans to be able to see great live music with great picture and sound,” Casey explains. “I doubt we’re the first to do this, and we definitely won’t be the last, but hopefully this can be a positive thing for the artists at large.”

    Aux Chord’s first event, a live showcase starring Casey, is Thursday, June 11 at 9 p.m. ET. Upcoming performers on the service include Jennifer Hartswick and Nick Cassarino, Natalie Cressman and Ian Faquini, Louis Cato and Erin Boyd. Tickets are available now at auxchord.live.

    The site’s performances are behind a paywall, and musicians set their own prices and receive the majority of ticket revenues. The fees are nominal and transparent, allowing fans to support artists without fear of gouging or high overhead.

    “Hopefully this can be a resource for musicians, especially independent artists, in a time where we honestly aren’t able to perform and do what we’ve been working towards our whole lives. But what we can do is these live streams and create art for people to consume, especially considering that everyone is going through a whole lot right now,” Casey said. “This isn’t like going live on Facebook or Instagram and busking. The platform is about elevating that experience and really performing for the people. We’re putting on a show.”

  • ESYO Announces “Sounding Together” Digital Festival

    ESYO (The Empire State Youth Orchestra) announced their “Sounding Together” digital festival in celebration of the orchestra’s 40th birthday season.  The festival will last three days Thursday, June 11 through Saturday, June 13 and will stream across Facebook Watch and YouTube nightly at 7PM.

    “Sounding Together” festival will include thirteen ensembles and over 400 young musicians from around the region. The festival will feature student-produced videos as well as virtual performances of all 13 ESYO ensembles. There will also be a virtual premiere of an original composition by Carlos Ágreda who is the Music Director of ESYO. 

    Some of the highlights will include compositions of “Amazing Grace” by Jay Dawson and  “What a Wonderful World” by Concertino String. The festival will also include Senior Spotlights in honor of the ESYO Class of 2020. Students will reflect on playing through the pause caused by COVID-19. There will also be dedications to front line healthcare heroes, first responders, and Capital Region teachers.

    The “Sounding Together” digital festival was made possible by donations from University at Albany Foundation and the Metlife Charitable Foundation. ESYO is known regionally and nationally for challenging and inspiring young people to engage in a pursuit of musical excellence.

    For more information on ESYO and their “Sounding Together” festival please visit their website.

  • Video Premiere: Todd Alsup “Manhattan”

    Todd Alsup premieres his new music video “Manhattan” is an ode to his beloved city as it braves the challenges of the COVID-19 pandemic. Dedicated to the essential workers and everyday heroes of New York City, the video features its diverse population coming together as a community while remaining six feet apart. Essential workers such as firemen and first responders are given special focus, as well as the artists and musicians who continue to brighten up the city in dark and confusing times.

    Raised in Detroit, Alsup first became enamored with New York City on a high school trip. He fell further in love while attending New York University, where he earned a bachelor of music degree studying voice, theory, and songwriting. The singer, songwriter, and keyboardist says:

    “‘Manhattan’ is a love song I wrote for the city I’ve called home for over 20 years. New York was, of course, hit very hard at the onset of COVID-19 and is now a center of protest in the fight against systemic racism and police brutality.  I’ve seen my city rise up in the face of daunting challenges many times before and I’ve chosen to create a video that celebrates the spirit of strength and perseverance of New Yorkers.”

    Todd Alsup

    Todd Alsup criticizes many aspects of the city throughout the track, such as its noise, cold temperature, and “lunatics everywhere,” but ultimately couldn’t imagine living anywhere else.  “One million reasons to leave and a million more to stay / Oh Manhattan, I wouldn’t have you any other way,” he concedes. In addition to “Manhattan,” Alsup has also released a lyric video for his cover of The Spinners’ 1973 hit “Could It Be I’m Falling in Love,” adding a retro hip hop flair to the Motown classic.

  • A Step Towards Reform for Broadway

    With the recent murders of African-American men and women like George Floyd and Breonna Taylor, several BIPOC Broadway workers–actors and crew members alike–have begun to speak out against the racism which plagues Broadway and other theatre communities all across the country. Many, like writer and actor Griffin Matthews, have expressed that they are tired of the relentless racism which exists on Broadway, and reform is on the way.

    broadway reform

    Even in the time of this global halt, the Broadway Advocacy Coalition will hold a three-part forum for the African-American members of the Broadway community. The forum will be held over three days: June 10, 11, and 12. 

    Day one is dedicated to healing, where all will be welcome to share any experience in which they have been forced to deal with racism in the theatre industry. Day one is intended to be a safe space of only African-American people. Day two is for listening; African-American industry professionals will tell their experiences and look towards breaking the bias held in white allies and encouraging those allies to look inward and examine this bias. Day three, which is an extension of day two, is centered around accountability. Broadway’s inherently racist building blocks will be examined, and the group will discuss building a better Broadway which is truly more inclusive. 

    This forum is not only to be a means of support for countless African-American Broadway workers, but will hopefully force Broadway to begin to recognize its roots in racism and rebuild the system in a more honest way. Registration for each online event is available now.

  • “Singing OUT” in Celebration of Pride at Caffe Lena

    Caffe Lena is presenting a  live-stream performance out of Saratoga Springs featuring Heather Mae and Crys Matthews with their “Singing OUT” Pride Tour. The performance will take place on June 12 from 8:30 PM – 11:30 PM.

    Heather Mae who has been called “the queer Adele” while Crys Matthews has been called “the Woody Guthrie of our generation” and the two of them together make a unique and beautiful sound. They hope with this sound to make celebrating Pride during this difficult time of social distancing and fun and interactive environment. They create this interactive aspect of their show by having people come dressed in Pride gear and hosting sing alongs, games, and giveaways.

    Their motto is that Pride must go on. They hope that this celebration will mirror that with giving  LGBTQ+ people and their allies a way to gather to lift one another up despite COVID-19 and that people will be able to and bask in the power and beauty of their resilient community. 

    https://youtu.be/XFzgolN8nHE

    Tickets are $15 and are available on their side door website. For more information please visit their Facebook Event Page.

  • NYC Erupts in Music Led by Jon Batiste in Support of Black Lives Matter

    Jon Batiste, bandleader of “The Late Show with Stephen Colbert,” led a musical march through NYC in support of the Black Lives Matter protests. The musical march took place on June 6 at 1PM in Union Square. The protest was peaceful and musical in nature. 

    Batiste is a notable jazz musician on top of being the bandleader of The Late Show with Stephen Colbert. Batiste has his band Stay Human and also serves as the Music Director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem. He was nominated for “Saint James Infirmary Blues” in the Best American Roots Performance category in 2018 in the Grammy Awards.

    Jon Batiste advertised the event on his Twitter saying, “This is our response to the deep rooted systemic injustice we have yet to fix, a fact made abundantly clear by the public execution of another black person. This is a movement that exists because I believe the power of art & music is divine.”

    The musical march started at Union Square and went all the way to Washington Square Park. Batiste explained to CNN’s Bill Weir that this protest was bringing people together over a common outrage and that there are things people need to start doing. He said, “Look at what we are doing. We’re using music to bring people together of all races, of all genders, for Black lives. We have to get to protests and we have to get to voting. 100 million people did not vote in the last election. We’re battling three candidates Donald Trump, Joe Biden and apathy.”

    Watch the CNN videoclip bellow.

  • Movement to make The Apollo Theater an official Broadway House gains momentum

    There are 41 theaters on Broadway and they each have one thing in common: none are owned by African-Americans. The Apollo Theater, located on 125th street in Harlem, opened its doors to the public in 1914 and has been a vibrant piece of New York’s history and culture ever since. Many jazz, R&B, and soul legends began their paths to fame at the Apollo theater’s famous amateur nights. The theater has been both a state and city landmark since 1983 and still remains an important part of New York theater to this day. Despite this, it is not considered a Broadway theater.

    apollo theater broadway
    photo by Jamie Huenefeld

    The only thing which distinguishes Broadway from Off-Broadway is the number of a theater’s seats. All Broadway theaters must have 500 seats or more; theaters with 99-499 seats are deemed Off-Broadway. The Apollo Theater has 1,506 seats.

    A petition to make the Apollo Theater a Broadway theater has been attracting attention in the past few days. If it were a Broadway theater, yhe Apollo would be eligible for Tony Awards and become involved in Tony nominations. As the Apollo Theater works to represent the cultural diversity of New York City, many believe that more BIPOC actors and team members would be nominated for Tony awards were the theater given leeway in the nominations.

    The Apollo Theater is currently closed with no events scheduled through June 30.

  • Watch Branford Marsalis join the Grateful Dead for “Eyes of the World”

    It was March 29, 1990 when saxophonist Branford Marsalis joined the Grateful Dead at Nassau Coliseum for much of the show. Notably, the version of “Eyes of the World” stands out, as it was released on Without a Net in September 1990, and later rereleased on Spring 1990 (The Other One) box set in 2014.

    Branford Marsalis had not planned to sit in with the Grateful Dead for more than “Bird Song” that night, as he recalled in talking to Rolling Stone in 2014.

    “I came up for “Bird Song,” and after the set was over, I said, ‘Thanks for letting me play, guys.’ And they’re like, ‘No, no, stay! Play the second half of the show. We’ll do “Dark Star”.’ That had no significance to me. I’m like, ‘ “Dark Star”? Okay. What is it?’ ‘Oh, you’re gonna love it. It’s free, it’s out.’ ‘Great, I can play out.’ They start playing that lick, and the audience goes bananas. Later, I started getting these phone calls on my private number: ‘Man, you were great last night. Thanks for getting them to play “Dark Star”. They haven’t played it in six months.’ I’m like, ‘Who are these people?’… There was almost nothing [the Grateful Dead] couldn’t play—and make it sound authentic. When they played a song by The Band or Bob Dylan, they played it with the same spirit as The Band or Dylan. They didn’t feel the need to write their own arrangement of it. They were all listeners. There is a point where musicians who establish themselves stop listening to music and start listening to their own rhetoric. The Dead didn’t do that. It was obvious in the way they approached a song.” – Branford Marsalis, to Rolling Stone magazine

    Discover Grateful Dead shows from over the years across New York State with our interactive map below

    Anyone who experienced the Spring 1990 shows, or has listened to Without a Net can attest to the benefit Marsalis brings to this version of “Eyes of the World.” The extra element of saxophone layered within the Dead classic gives it a proper place on a pedastal as one of the best versions of the song.

    branford marsalis grateful dead

    Fred Thomas of AllMusic said of the evening,

    “After they whip through a bright first set featuring mostly live staples like ‘Bertha’ and ‘Ramble on Rose’, Marsalis joins in at the start of the second set for stellar, extended takes on the more exploratory side of the Dead catalog. His airy improvisations on classics like ‘Eyes of the World’ and ‘Dark Star’ sound brilliantly natural here, and what’s most palpable is the sense of exhilaration and mutual respect between these two forces of sonic trailblazing.”

    Fred Thomas, AllMusic.com

  • Young Singer/Songwriter Shawn Wodraska Uses His Voice to Call for Peace

    One of the greatest blessings we have in life is the ability to use our voice; Shawn Wodraska, a 21-year-old singer/songwriter from the small town of Wingdale, NY recently used his to represent his passion for the Black Lives Matter Movement and overall peace between those with different backgrounds and beliefs.

    Shawn Wodraska

    Shawn took to Facebook to portray a message of hope with a beautiful cover of “If I Can Dream” by Elvis Presley. “As I was scrolling through social media, I noticed that news coverage and posts were almost exclusively negative,” he said, “I decided that I had to do something; we all have to play our role to make a change, so I chose to sing, the only thing I know how to do.”

    Click here to view the original post.

    His video generated an exceptional amount of positive feedback with more than one thousand views. Prior to posting, Shawn said, “I was worried about negativity or that people would think I was using the Black Lives Matter Movement to further my career.” He continued, “I knew I had to do something to play my role in restoring peace, likes and views were the last thing on my mind.”

    Philosopher Aleksandr Solzhenitsyn and his belief that “the line between good and evil passes through every human heart” was one of the driving forces in Shawn’s decision to post on social media. “I want to do what I can to help bring peace to all corners of life by inspiring people to find the humanity in who they perceive to be their enemies,” he continued, “I am one voice of the many needed to bring about unity, but it’s important to remember that we are all human and we have to work together.”

    https://www.youtube.com/watch?v=9jntQW9XOxQ

    The passion inside of Shawn is evident in his original music as well. Although he doesn’t mind if he never makes it big, he said, “I want to use the platform I build to promote positivity. We can always do better. I want to highlight that in my music.”

    Typically accompanied by the piano, his content ranges from story-telling folk tunes that draw inspiration from Marty Robins to easy-listening ballads without lyrics. While some of his songs have a theme, many of them are left open to interpretation. “Mediums like music tend to reach people on a spiritual level – there’s a reason why they call it soul – the music we write should be inspirational and bring people together,” he continued, “We can all unite and enjoy a good song, regardless of the differences that polarize us.”

    To check out Shawn’s original music, visit his Youtube page.

  • Venues Open up Doors for Racial Justice Protesters

    Recently, music venues in New York City have been opening their doors, the first time for most, since the pandemic swept in. However, the doors are not opened up to ticket holders; instead, venues are opening their doors for racial justice protesters in need of break from their marches.

    Since the death of George Floyd, the music and arts communities have been brainstorming different ways to show solidarity. This past Tuesday, June 2, the music industry orchestrated a #BlackOutTuesday which led many to post black squares on their social medias as a way to show support to the black community.

    racial justice

    A resource platform taking a timely reaction to the venues in New York City, Open Your Lobby, has been gaining steam on social media. With posts urging theaters and venues to open their lobbies as a safe haven for protesters. The organization also shares information and the locations of venues who will be open on days of marches. With #OpenYourLobby challenging theaters to open their doors, many venues are taking action in solidarity with the Black Lives Matter movement. Venues so far who have taken part include Off Broadway venues such as The Public Theater and Playwrights Horizons.

    racial justice

    To find out more be sure to follow @openyourlobby on Twitter or search the hashtag #OpenYourLobby to find out more information.