NYS Music 202​0

Category: Regions

  • Truckin’ off to Buffalo: The Grateful Dead open for Bob Dylan and Tom Petty at Rich Stadium on July 4, 1986

    It’s not too often you see the Grateful Dead opening for another band, especially not in the 1980s. But on July 4, 1986, the Grateful Dead linked up with Bob Dylan and Tom Petty and the Heartbreakers for one of only four shows together that summer, performing at Rich Stadium in Orchard Park, NY, home of the Buffalo Bills.

    The Pittsburgh Post-Gazette characterized the show on the 4th of July perfect for “The Dead’s vagabond odes and Dylan’s outspoken songs of freedom.” Sweltering heat during the day led to a first set that was cut short, but rain during “Cold Rain and Snow” to start the second set provided respite for the crowd. Perhaps out of exhaustion, fans were reported to have left after the Dead encored with “U.S Blues.”

    While the Dead opened, a trio of songs were featured in a satellite broadcast live to Farm Aid 3. Prior to “The Wheel,” Bob Weir said to the crowd “America is an example of an agrarian nation, let’s keep it turning.”

    Six days and two shows later, Jerry Garcia slipped into a diabetic coma and was unconscious for a week, but would recover and be back on stage later that year. This show at Rich Stadium would be one of the last times the Dead would perform in New York for nearly a year, before returning to Rochester on July 2, 1987.

    Setlist, Grateful Dead, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set 1: Jack Straw, Dupree’s Diamond Blues, CC Rider, Tennessee Jed, My Brother Esau, Touch Of Gray

    Set 2: Cold Rain & Snow-> Fire On The Mountain-> Samson & Delilah*-> The Wheel*-> I Need A Miracle*-> Uncle John’s Band-> Drums-> Gimme Some Lovin’-> Goin’ Down The Road Feelin’ Bad-> Turn On Your Love Light

    Encore: U.S. Blues

    *broadcast as part of Farm Aid 3

    Dylan and fellow Traveling Wilbury Petty joined up for a tour featuring the Heartbreakers backing Dylan. Dylan played a few solo acoustic songs, while the Heartbreakers played their hits that are still classics today, and all joined together for “Rainy Day Woman # 12 & 35.”

    Bob Dylan with Tom Petty and the Heartbreakers, July 4, 1986, Rich Stadium, Orchard Park, NY

    Set: So Long, Good Luck And Goodbye, Positively 4th Street, Clean Cut Kid, Emotionally Yours, Trust Yourself, We Had It All, Masters Of War, Straight Into Darkness (Petty & The Heartbreakers), Think About Me (Petty & The Heartbreakers), The Waiting (Petty & The Heartbreakers), Breakdown (Petty & The Heartbreakers), To Ramona (Solo acoustic), One Too Many Mornings, (Solo acoustic), A Hard Rain’s A-Gonna Fall (Solo acoustic), I Forgot More Than You’ll Ever Know, Band Of The Hand, When The Night Comes Falling From The Sky, Lonesome Town, Ballad Of A Thin Man, Bye Bye Johnny (Petty & The Heartbreakers), Make It Better (Forget About Me) (Petty & The Heartbreakers), Spike (Petty & The Heartbreakers), Refugee (Petty & The Heartbreakers), Rainy Day Women # 12 & 35, Seeing The Real You At Last, Across The Borderline

  • Capital Repertory Theatre Will Hold Virtual New Play Festival

    Capital Repertory Theatre is making the 9th annual Next Act! New Play Summit produced virtually and available for anyone to view. 

    The new play contest is produced by the Capital Repertory Theatre and features new works written by artists in the Capital Region and around the country. TheREP is the only professional theatre in the Capital Region, and has been creating, “meaningful theatre with an authentic connection to the community” since 1981. The theatre donates more than 83% of their profits back to their local community and tries to ensure that all young people are able to experience live theatre before they graduate high school. 

    TheREP also hosts an annual weekend-long summit to produce new plays. The New Play Summit “seeks to highlight new works that use theatre to address injustices, inequities, and cultural collisions, providing a voice for the unheard and unrepresented.” The Summit has drawn more than 4,000 audience members to date, but will take place online this year due to COVID-19.

    The Summit will be held from July 13-16, and will kick off on July 13 at 7PM with the New Voices: Young Playwright Contest with readings from the winning six short plays written by young people ages 13-18 in the Capital Region. The top plays selected are: An Artist’s Hand (Grace Bombard), Just a Normal Friday (Jeremiah Choudhury), Almost a Fairytale (Megan Dellenbaugh), The Deadly Dinner Party (Clare Reilly & Regan Roberts), Our New Colossus (Maya TerryStein), and A Series of Unfortunate Ideas (Jasmine VanDyke & Jonathan Jordan). The plays include the poetic, the hilarious, the profane, and the poignant. 

    Pictured: AEA Actor, Joshua Redfield and local actress Emily Curro

    On Tuesday, July 14 at 7PM, SLAM!, the winner of the NextGen contest, will be read. NextGen is a collaboration between theREP and SUNY Albany’s Fresh Acts festival, which puts on new plays written by students. SLAM!, a comedy written by junior Billy Feerick, was chosen among the plays written and submitted to UAlbany’s Fresh Acts. The play is about students in a college poetry club vying for the coveted title of “Best Poet.” SLAM! was written entirely in iambic pentameter verse with rhyming and hip hop rhythms. 

    The play chosen to headline this year’s festival is A Distinct Society, written by director and playwright Kareem Fahmy. It was selected from more than 350 across the country and is inspired by the true stories of Iranian families reunited at the Haskell Free Library & Opera House at the border between Quebec and Vermont. Fahmy was raised in Canada by his Egyptian parents, but now lives in NYC.

    The play is directed by theREP’s Megan Sandberg-Zakian, who directed Lobby Hero and The Royale during past seasons. Sandberg-Zakian and Fahmy are the founders of Maia Directors, a group which supports artists from the MENASA (Middle East, North Africa, South Asia) region. Fahmy is also a founder and chair of the Middle Eastern American Writers Lab at The Lark. The reading of A Distinct Society will be at 7PM on Wednesday, July 15. 

    Photo by Albany Business Review

    The Summit will end on July 16 at 7PM with The First 15: You Be the Judge!, a reading of the first 15 pages of 4 plays submitted to Next Act. After 15 pages, the audience will be asked whether or not they would like to read the rest of the script. The show will be interactive and include a discussion. 

    Although all events will be available for free, theREP is accepting donations to help fund their new work development. The donations will allow theREP to continue to develop scripts and produce world premieres of new works every year. You can donate by going to www.capitalrep.org or by texting NEXTACT to 41444.

    You can watch the performances from July 13-16 on theREP’s Facebook page, the Proctors Collaborative Youtube channel, or the Open Stage Media’s .

  • Paul Loren Releases New Single “We’ll Be Together Again”

    New York singer-songwriter Paul Loren has released his new single “We’ll Be Together Again.” Loren was raised on the rich legacy of soul, classic pop, and the Great American Songbook and in those musical idioms he feels most at home. 

    Loren has been keeping himself busy writing new music and entertaining fans via his weekly live stream, “The Leisure Lounge featuring Paul Loren” which can be found on his Facebook and Instagram pages. He is thrilled to share one of his ‘quarantunes’ written with his dearest family, friends and fans in mind. “We’ll Be Together Again” offers hope and solace in the difficult times that we are now living in.

    The Huffington Post described him as: “The dashing and retro-chic crooner whose songs bring a modern edge to lounge-era pop.” 

    The song was written during the first week of the New York City COVID-19 lockdown, unsure of when I’d get to see my loved ones again. I love those old WWII-era songs like “We’ll Meet Again” and “I’ll Be Seeing You,” and thought the referential nod to another difficult time in our history felt right. It’s a mission statement of sorts. We WILL be together again, even though circumstances are unpredictable—it’s about creating something sure in a very unstable climate. Amid times of uncertainty and separation, it is a song of hope and optimism.

    Paul Loren

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!

  • Holly Bowling to release new album of Grateful Dead covers “Seeking All That’s Still Unsung” this fall

    Holly Bowling will releasing a new Grateful Dead album full of solo piano renditions this fall. The new album, Seeking All That’s Still Unsung, is made of music recorded at 25th Street Recording in Oakland, CA. 

    Holly Bowling Photo Provided by Press Release.

    Holly Bowling is a classical pianist who is based in San Francisco. Bowling uses the influence of jam band music to create an unique style. Her sound is emotionally rich and highly technical. She has already created albums focusing on Phish in the 2013’s Distillation Of A Dream album and the Grateful Dead focused Better Left Unsung (released December 9, 2016 through The Royal Potato Family). She known for her new band Ghost Light with Tom Hamilton, Raina Mullen and Scotty Zwang.

    In this new album Bowling is attempting to create a record that feels similar to her live performances. Bowling is also using this album to create unique sounds that can only be done in a studio. The album will have the feel of a live album while accomplishing things that are impossible from a musical standpoint to create live on the road. 

    How Holly Bowling is Making the Album Possible

    The album has been in the works for the last year and a half and has been recorded and mastered. But Bowling has a Kickstarter to get the album out to fans. The freedom that’s given her using a Kickstarter makes it so she can be an independent artist. The contributions to it will help to cover mechanical license fees, vinyl creation, and expenses associated with the release of the album. Some of these expenses include distribution, marketing, publicity. The mechanical licensing allows her to release covers of Grateful Dead songs and makes sure the original creators are fairly compensated

    For more information on Seeking All That’s Still Unsung and Holly Bowling visit her website and her Kickstarter.

  • Acoustic punk duo Rust Belt Brigade share “Roll Call” and “Love Is A House” off upcoming album

    The Rust Belt Brigade began as an acoustic punk duo from Buffalo that has since become a 4 piece Alt-Country/Americana outfit carving out their own niche in and around the Buffalo area. Coming Sept. 18th, the album, Howdy Hallelujah, Here’s the Thing, is a timestamp from the last two years as a 4-piece band composed of songwriters Victor Castilo, Jeremiah Franco, and Brandon Mueckle with Trevor Jennings on cajon/percussion. The album also differs from the normative live experience through full band-electric recordings composing roughly half the record and guest Sally Schaefer on Violin for the more traditional high energy bluegrass tracks. 

    The first single off of Howdy Hallelujah, Here’s the Thing, “Roll Call” is a fast-paced piece that instills a feeling of paranoia and urgency. From the get-go, the instrumental portion builds into an attention-grabbing and heart-pounding pace. The story told within “Roll Call” is one that encourages you to try anyway, even if you’ve hit rock bottom. This lesson is communicated after the ballad describes a life of someone who is truly desperate, with the final few lyrics informing the listener to “Roll the dice man, see if your lucks ran, lucks ran dry.”

    “Love Is A House” slows the pace down from “Roll Call” and describes love through a series of touching metaphors. The lyrics “tell me what’s wrong, so I can fix it, fore winter comes, won’t let the cold get the best of us” exemplifies the importance of communication in relationships and serves as just one of the wholesome lessons that can be drawn from the track.

    These two tracks serve as just a taste of Howdy Hallelujah, Here’s the Thing. Two more tracks from the album will be released on The Rust Belt Brigade’s Bandcamp titled “Kentucky Rain Dance” and “Buried in the Ground.” on July 24 with the full album releasing Sept. 18.

    Unfortunately, this will be the last album produced by the band with songwriter Victor Castillo for the foreseeable future, as the band revealed through a Facebook post that Victor would be pursuing his career in Colorado without the group.

    While the group will be decreasing their level of actively greatly the brigade isn’t disbanding, stating that “We still plan to release new music down the road and play shows in Buffalo when we can all get together but this is indeed an end to era.”

  • Jeremy Beck & The Heavy Duty Horns Release New EP Take Me By The Hand

    NYC Based Band Jeremy Beck & The Heavy Duty Horns dropped their Take Me By The Hand EP on June 26th. The four song EP has a soulful, gospel, jazzy sound. Band leader Jeremy Beck has roots in rural Alabama and New Orleans. These roots influenced his music and sound greatly which can be heard throughout the EP.

    The Eight piece band decided to release their EP amidst COVID-19 and the fight for racial justice and equality in the United States. They understood the implications of releasing this EP during a pivotal moment for civil rights in America with it’s soulful, gospelly, and jazzy roots. “In a musical context, Black music has created what we know as American music. Without the great Black musicians, artists and writers, plain and simple, American music would not exist.” Beck explains, “So much of the music I’ve played and produced throughout my career has been directly inspired by Black musicians and I will be forever grateful. Growing up in Alabama and during my time in New Orleans, Black music and culture molded me into the musician and person I am today.”

    Jeremy Beck & The Heavy Duty Horns. Photo provided by Jeremy Beck & The Heavy Duty Horns press release.

    The EP includes the title track, “Take me by the hand” and then the love  song “Oh Baby!.” The EP wraps up with the upbeat, high tempo, song “Somebody Call Frank,” and ends with “Sing Hallelujah,”about a perfectly imperfect love. This Ep marks the first compilation of songs credited to a band composed of sidemen who have cut their teeth playing with big names like Bonnie Raitt, Sharon Jones & The Dap Kings and Missy Elliot.


    Take Me By The Hand is out and available everywhere now. For more information on Jeremy Beck & The Heavy Duty Horns visit their website or their official Facebook page.

  • Maggie Miles Releases EP with New Single “Hillary Duff”

    Maggie Miles, an alternative pop artist based in Nashville, recently released her newest EP Swing Your Concerns featuring her latest single “Hillary Duff.”

    Swing Your Concerns features two new tracks along with three of her singles “Swim,” “WHATISTODAY?,” and “Deserve This.” “I believe that as humans we see the option of distracting ourselves from our current reality as a better route than to truly work on bettering who we are. Why feel and work through what’s wrong when you can be numb instead. With the combination of expectations and eyeballs tracking your every move, that’s what ‘Hilary Duff’ is about,” Maggie comments on “Hillary Duff.” This song, along with “Deserve This” and “Swim,” seem to come at a perfect time in this global pandemic when emotions are high.

    Maggie grew up surrounded by music as her father was in a Celtic rock band. She did not perform solo in front of an audience until she was 18, but has quickly gained popularity after being discovered by Bruce Gates at Pearl Street Warehouse in Washington, D.C. Since then, she has gained over 60K monthly listeners on Spotify, and her song “WHATISTODAY?” has been featured on several of the app’s playlists, such as Indie Pop and Fresh Finds. She has gained attention from Billboard, Variance, and American Songwriter.

    This new single and EP follow an endorsement deal with Yamaha Music along with the emerging artist program WAY Up. Maggie spoke at a panel at the Yamaha Ginza Hall in Tokyo along with several other acclaimed up and coming artists. They spoke about their experiences creating music and conveying their inner emotions through it.

    Photo by Jimmy Fisco

    Maggie Miles, much like other alt pop artists, shows authenticity in her music by showcasing her wit and personality. At only 21 years old, Maggie likes to use comic relief as a means to poke fun at the hilarity that is the coming-of-age time in life. She draws inspiration from 90s grunge artists but still produces a unique sound that’s personal to her. Maggie says: “I make music for the utter reason alone that I need to create something for myself that makes sense, when nothing else around me does.” She has notable vocal talent, but can also play the piano, drums, guitar, ukulele, mandolin, banjo, bass, and keytar.

    Maggie’s first full-length album will be out later this Summer.

  • Jazz at Lincoln Center Streams Ellington’s “Black, Brown, and Beige”

    Blue Engine Records, Jazz at Lincoln Center’s music label, has released Black, Brown, and Beige, their first release dedicated entirely to famous jazz composer Duke Ellington.

    Photo from Wikimedia Commons Public Domain

    Jazz at Lincoln Center’s in-house recording label, Blue Engine records’ Black Brown and Beige is a recording of a live Rose Theater performance in 2018 by the Jazz at Lincoln Center Orchestra. Wynton Marsalis, the center’s managing and artistic director, says: “Black, Brown and Beige sits alone in the history of jazz. It covers a mosaic of not just Afro-American but of American styles of music.” 

    Born in 1899, Duke Ellington was a master jazz composer and musician for several decades and was an important figure during the Harlem Renaissance. He thought of his music not only as jazz but also “beyond category,” and he wrote pieces that influenced American music for the greater part of a century. He led the best-known orchestral jazz group of all time. Composer Percy Grainger even wrote that “The three greatest composers who ever lived are Bach, Delius and Duke Ellington.” 

    Black, Brown, and Beige, which includes nine tracks in total, originally debuted at Carnegie Hall in 1943 while Ellington was still alive. Elliot called it  “a parallel to the history of the Negro in America.” It is a notable work in both African-American history as well as that of all American orchestral compositions.

    Jazz at Lincoln Center is happy to release a present-day recording of the piece that does Elliot’s greatest work justice and makes it digitally available to countless people today. Blue Engine Records’ mission is to feature both past and present works that make up an entire canon of music to bring old and new fans of jazz together.

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)
    • Photo by: Buscar Photo (www.buscarphoto.com)

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    • Paul White Memorial Band Shell
    • Palace Theatre

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • The Canadian National Anthem gets a Daniel Hersog Jazz Orchestra makeover in new video

    The Daniel Hersog O Canada Jazz Orchestra has released their first digital music video, featuring the Canadian National Anthem “O Canada.” The video’s release comes just in time for Canada‘s July 1 Independence Day.

    Daniel Hersog‘s 17-piece ensemble formed in response to the Coronavirus Pandemic. The group is comprised of Juno Award winners, Canadian jazz stars and a recipient of the Order of Canada. All 10 Canadian Providences are represented among these musicians that have come together to support each other during trying times.

    Daniel Hersog, hailing from Vancouver, British Columbia, has quickly become a vital Jazz player as a trumpeter, composer and arranger. Hersog is currently receiving significant airplay, and international media attention for his newly released album Night Devoid of Stars released through Cellar Music Label.