First reported by the New York Times on Wednesday, the Metropolitan Opera announced that the COVID-19 pandemic has forced them to cancel their entire 2020-2021 season. They will reopen September 2021, at the earliest.
This decision will likely affect organizations across New York State, but around the country as well. Many arts organizations are attempting to slowly reopen in accordance with social distancing guidelines, but this decision may put an end to that.
The pandemic closed the Met in mid-March, costing the Met $150 million in revenue and leaving about 1000 employees, including its orchestra and chorus, furloughed without pay for almost six months now.
Peter Gelb, the general manager for the Met, has announced an ambitious 2021-22 lineup to reassure its donors and patrons that they will remain strong. In addition, Gelb said he will ask the company’s unions to agree to cost-cutting concessions that will be necessary post-pandemic.
The Met plans to open with Terence Blanchard’s “Fire Shut Up in My Bones,” the first opera that they will perform by a Black composer. This is in part due to the rise in racial awareness that is occurring around the country, but also an effort of the Met to find more of a balance between contemporary works and the staples that made them famous in the first place.
Two lives at the Metropolitan Opera have already been lost to the virus: Vincent J. Lionti, a violist, and Joel Revzen, an assistant director. The scheduled star of Puccini’s Turandot next season, Anna Netrebko, announced that she had been hospitalized due to the virus.
Having already sold $20 million in revenue for 2021-22, the concern now is less about the Met Opera, and more about the other organizations that may look at the Met and their cancellation as a precedent.
As part of its SPAC Reimagined Series, Saratoga Performing Arts Center is hosting a free, audio-immersive event, the Ellen Reid Soundwalk, allowing people to walk and listen to music as they wander around the area.
The GPS-enabled installation opened on September 21 and runs until November 1 which leaves a month to visit the hiking trails, geysers, and the natural springs of the Saratoga State Park. The audio experience is tailor-made and meant to illuminate the natural environment. The event requires hikers to download the free application and grab some headphones before going on the route.
The Soundwalk was crafted and created by Pulitzer prize-winning composer Ellen Reid. Her Soundwalk features a newly written score, performed by the SOUNDWALK Ensemble. Ellen Reid understood the anxiety around current events and explained the helpful purpose of the Soundwalk.
We’re all experiencing the anxieties of living in an uncertain world. We miss our communities, and we miss the very thing that makes our cities special: the people.
Ellen Reid
Reid’s Soundwalk was co-commissioned by Saratoga Performing Arts Center, the New York Philharmonic, Wolf Trap Foundation for the Performing Arts, Mann Center for the Performing Arts in association with The Fairmount Park Conservancy, and Britt Festival Orchestra.
Movement around the park triggers the soundscape and the musical cells were carefully crafted to harmonize with the park’s landscape and attractions. The person walking will get to choose their path, which dictates the music the listener will hear. Participants can also dictate the music, ensuring that each experience will not be the same when roaming the State Park.
As a bonus, special musical “easter eggs” have been hidden around the park for people to navigate and discover. The Soundwalk is open until November 1, which leaves many opportunities for people to have a customizable, immersive, musical experience.
On your way to SPAC, don’t forget that Stewart’s Shops is your ice cream shop! With over 345 shops in 31 counties across New York and southern Vermont, the convenience store chain is known for their fresh &local dairy products. With dozens of choices at the cone counter, you’re bound to find something you love! Try a shake, sundae, or cone today, What’s Your Flavor?
Apple butter toast is nice, but how about apples and Biscuits this Halloween? Lafayette Apple Festival Grounds, in conjunction with Creative Concerts, are bringing the Disco Biscuits to Syracuse for a 3-night Drive-In run over Halloween weekend, October 29-31.
The Disco Biscuits 3-Night Halloween run will offer fans the opportunity to safely enjoy live music while following social distancing guidelines. A car pass provides a designated space for a standard passenger vehicle and entry for a maximum of four people per vehicle.
Concertgoers will be able to enjoy the full Disco Biscuits concert production within their designated space for the duration of the event. Fans may bring their own prepared food and beverages to enjoy during the show.
Tickets go on sale to the general public on Friday, September 25 at 10AM ET. For more information visit CCTix.com.
The LaFayette area of New York produces a great deal of apples amid a rural atmosphere, rolling hills, and beautiful fall foliage. Lafayette Apple Festival is one of the Northeast’s premier arts and crafts shows, and is within walking distance of the site where the Cardiff Giant was discovered in 1869.
The Disco Biscuits played a very memorable Halloween in Syracuse in 2015 at Crouse-Hinds Theatre when they put the disco in Disco Biscuits. The show featured the Philly Stray Horns in the second set, along with vocalist Alita Moses who sang on covers of “Get Down On It,” “Funky Town,” “You Should be Dancing,” “Born to be Alive” and “Give it to me Baby.” Listen to the full show here and watch the first set below.
Brooklyn nine-piece funk lords Turkuaz explore the space between beauty and poison with their new single “Ophidiophobia,” featuring Jerry Harrison and Adrian Belew of the Talking Heads. They’ll debut the tune live this weekend during VIRTUAL ROO-ALITY, Bonnaroo’s Virtual music event.
Within this age of social distancing, Harrison and Belew added in their parts remotely, and the collaboration between Turkuaz, Harrison and Belew will appear on VIRTUAL ROO-ALITY as Remain in Light, an ensemble that was slated to tour the festival circuit throughout the 2020 summer.
We had always planned on doing a little bit of Turkuaz material in the upcoming ‘Remain in Light’ tour with Adrian Belew and Jerry Harrison. Once the pandemic hit and the tour was postponed, I started to think this would be a really nice track to have those guys on.
Dave Brandwein
Pronounced oh•fid•e•oh•fo•bia, what began as an instrumental groove originally titled “Dr. Jones” with a sinister, dark tinge turned into an Indiana Jones-inspired track, as recalled by Turkuaz bari-saxophonist and vocalist, Josh Schwartz. Another working title that Dave added was “Akar Saga,” but upon looking up the phrase and discovering it was a beautiful, tropical vine, Schwartz knew he was onto something special.
“A poisonous but beautiful tropical vine with red and black features reminded me of snakes, of which Indiana Jones is famously afraid, so I realized I could combine imagery and words from both placeholder titles to write a song involving snakes. When I found out that the fear of snakes is a word as beautiful and strange as ophidiophobia, I knew this song had to be written.
This was yet another great collaboration experience with Josh building on a groove/bassline that Taylor [Shell] brought in to some writing sessions we had here at my studio. I think most of us took a small amount of these mushroom capsules I had. Turns out they weren’t so ‘micro’ and some of us had a bit more of an experience than we’d planned for. But we carried on and tried to let the grooves take over! Once Taylor started on this bassline I think we may have just jammed on it for about 40 minutes straight.
Dave Brandwein
Tune into Virtual ROO-ALITY this weekend to catch “Ophidophobia” performed live.
The ‘Harry Chapin: When In Doubt, Do Something’ documentary following the life of the legendary songwriter Harry Chapin has been announced for October 16, 2020. The film will premiere in theaters across the United States as well as on a virtual cinema platform.
The documentary is a Greenwich Entertainment film and is being directed by Rick Korn. The film was produced by Korn, S.A. Baron, and Chapin’s son, Jason Chapin. It follows the GRAMMY-nominated folk singer starting in his childhood which he spent under the shadow of his father Jim Chapin who was known for his jazz drumming and as an author of books about jazz drumming. It then moves on through his unfortunately short life and highlights all the ups and downs he experienced throughout his life.
Harry Chapin tragically died on July 16, 1981 in a car crash on interstate 495 in New York. Some of his most well known work includes “The Cat’s in the Cradle”, “Taxi,” and “A Better Place to Be.” The film focuses on his humanitarian efforts as well which is why the film is being released on World Food Day which fits perfectly as Jim Chapin was the co-founded of the influential hunger non-profit WhyHunger. A portion of the proceeds from the film will go to both WhyHunger and The Harry Chapin Foundation.
The documentary uses archival footage and new interviews to give the viewer a glimpse into Harry Chapin’s life. It focuses on how the singer-songwriter used his fame as a launching point to help others and influence politics. It features testimonials from Chapin’s family (including Tom Chapin and Steve Chapin), as well as peers including Billy Joel, Bruce Springsteen, Pete Seeger, Kenny Rogers, Robert Lamm (Chicago), Darryl “DMC” McDaniels, Pat Benatar, Bob Geldof, Ken Kragen, longtime bassist John Wallace, and WhyHunger co-founder Bill Ayres.
Harry Chapin sold over 16 million records during his short but unforgettable life. He also had 14 hit singles and two GRAMMY nominations. In 1977 he was a key participant in the creation of the Presidential Commission on World Hunger. In 1986, he was posthumously awarded the GRAMMY President’s Merit Award. He was inducted into the GRAMMY Hall of Fame in 2011.
For more information on the documentary read the full press release here.
On September 22, 2018, at Flushing Meadows Corona Park in Queens, Paul Simon said goodbye.
Paul was introduced by Queens Borough President Melinda Katz and NYC Mayor Bill de Blasio. He started the 2 and 1/2 hour show with Simon & Garfunkel classic “America.” His setlist pretty much remained the same as it was the rest of the tour.
“This is like, two miles from where I used to play high school baseball,” he said after the first song. He then took out a baseball and glove and started playing catch with the massive audience. You can hear the sound of passing planes from above. “I was worried about that” he said. “Well, Welcome to New York” he joked as the plane can be seen landing in nearby LaGuardia Airport.
The show continued with more classics like “50 Ways To Leave Your Lover” “Boy in the Bubble” and “Mother and Child Reunion.” During the Goodbye Rosie part in “Me and Julio,” the crowd went crazy when he said “Queen of Corona” Paul’s wife Edie Brickell joined him on stage for the whistling solo. After the song, he said to the crowd “How much fun is it to sing a song about Corona, in Corona?!” Looking back, that was pretty cool moment.
Even though this was his farewell concert, Paul still sprinkled in some songs from his new album “In the Blue Light.” Although this is his fourteenth solo studio album, the album consists of re-recordings of lesser known Simon songs like “Can’t Run But” And “Rene and Georgette Magritte with Their Dog after the War,” which were both performed.
Paul then started talking about a song he had an “interesting relationship” with. He talked about writing this song and “giving it away” to someone, but being able to reclaim it for his final tour. The song he was referring to was “Bridge Over Troubled Water.” After performing it with a slightly different arrangement with YMusic, who Paul worked with on his new album, he thanked Aretha Franklin who covered the song in 1971.
The show ended with two encores. The first encore started with “Late in the Evening” but the highlight was “Still Crazy After All These Years.” The second encore started with “Homeward Bound” followed by “Kodachrome,” “The Boxer” and “American Tune.” The show ended with Simon & Garfunkel’s “The Sounds of Silence” performed by Paul with just an acoustic guitar. He then thanked the crowd and walked off stage and just like that, the last show of the final tour ended, and Paul Simon said goodbye.
Out of the 26 song set, only five were Simon & Garfunkel songs. Not one mention of Garfunkel was made during the entire show other than a picture of the duo that flashed briefly during a video montage during “Homeward Bound.”
Although this was his final “tour,” Paul has stated that he may still do an occasional performance.
Setlist: America, 50 Ways To Leave Your Lover, The Boy in the Bubble, Dazzling Blue, That Was Your Mother, Rewrite, Mother and Child Reunion, Me and Julio Down by the Schoolyard, Rene and Georgette Magritte With Their Dog After the War, Can’t Run But, Bridge Over Troubled Water, Wristband, Spirit Voices, The Obvious Child, Questions for the Angels, The Cool, Cool River, Diamonds on the Soles of Her Shoes, You Can Call Me Al
Encore: Late in the Evening, Still Crazy After All These Years, Graceland
Encore 2: Homeward Bound, Kodachrome, The Boxer, American Tune, The Sound of Silence
On a chilly September night, the first where autumn made its presence known, Jericho Drive-In in Glenmont, NY hosted a socially distant crowd of a few hundred for a double feature – Pink Talking Fish and Richard Linklater’s Dazed and Confused.
With cars lined up 10 rows deep, Pink Talking Fish gave the Capital District‘s jam scene something they had long been waiting for – a chance to get down and dance with close friends in a safe environment. Fans were smart and followed the rules we’ve all been aware of for six months – wearing masks when leaving your car area, and small clusters of live music fans staying within their bubbles. After 6 months of little to no live music, it’s fair to say that fans weren’t screwing this up (heads up here Gov. Cuomo).
The performance from Pink Talking Fish was as invigorating as it was cathartic. Their blend of Phish, Talking Heads and Pink Floyd was overdue for many in the crowd, with a show opening “Simple” with a “Third Stone from the Sun” tease on the 50th anniversary of Jimi Hendrix’s death.
One of many highlights of the evening, “Theme From The Bottom” > “Us And Them” > “Any Colour You Like” > “Theme From The Bottom,” featured a subtle tease of “Waste” and jumped feet first into show-stopper “Crosseyed and Painless.” To close out the night and give a nod to the second feature, Led Zeppelin’s “Dazed and Confused” was deftly intertwined within Phish’s “David Bowie,” bringing back the feel of exploratory “Bowie”‘s from the mid-90s.
Next up for Pink Talking Fish, they’ll play two shows in Burlington, VT at The Backyard at Nectar’s on Friday, October 16! More info and tickets here.
Jericho Drive-In, Glenmont, NY, Friday, September 18, 2020
Setlist: Simple* > Happiest Days Of Our Lives > Another Brick In The Wall Part 2 > This Must Be The Place (Naive Melody), Rift, Have A Cigar > And She Was, Reba, Wish You Were Here > Moon Rocks, Theme From The Bottom > Us And Them** > Any Colour You Like > Theme From The Bottom > Crosseyed And Painless > David Bowie% > Dazed And Confused > David Bowie%%
*w/ Third Stone From The Sun tease **w/ Waste tease % w/ Purple Haze tease %% w/ Dazed And Confused teases Pink Talking Fish Drive-In
Indie Jazz label 577 records has just released the new TEST and Roy Campbell Jr. album, recorded live at the Hinton House. The live recording of the performance took place in April, 1999.
According to Jazz Times, Roy Campbell Jr. was considered a favored player among the free jazz aficionados. He was praised for his adventurous approach and mixing of genres including world music, hip-hop, and reggae. Unfortunately, Roy Campbell Jr had passed away on January 9th, 2014, at 61 years old.
Campbell was joined by bassist Matt Heyner, drummer Tom Bruno, and saxophonist Daniel Carter, with Sabir Mateen also playing saxophone alongside the group. According the album notes, this performance was a benefit gig to repair the No Neck Blues Band’s van. John Fahey, Lee Ranaldo, and No Neck Blues Band joined the stacked lineup at their loft, The Hinton House, and raised the ‘bread’ to fix the van. Spirits were lit with a listening and enthusiastic audience. The cathartic energy rising.
The performance and energy were frantic and steadily increasing as the show went on. Listeners tuned in to the live performance clearly enjoyed the free-jazz and the atmosphere Roy Campbell Jr. and company provided.
TEST occupied the public space of New York City. TEST’s typical audience was a passerby on a subway platform, a curious security guard on a smoke break in midtown, or the most ‘in the know’ subset of gig-goers. TEST, distinctly honed their working band approach, by actively gigging multiple times a week across the NYC subway map.
When TEST performed at a venue, listeners would witness the bullseye acumen of a working band. This ethos of the band choosing to ‘play anywhere/all the time’ separated TEST from other groups.
One of the hardest working musicians in the scene, Campbell lived at the north end of the Bronx, but nightly could be found downtown, uptown, or somewhere in the middle playing weekly at venues such as Lenox Lounge, The Pink Pony, Brecht Forum, Tonic, Knitting Factory and CBGB’s Gallery.
The free-jazz album has left listeners feeling nostalgic for the time. The Test and Roy Campbell album has given jazz aficionados the opportunity to live in that moment of free-jazz history. The album is now on Bandcamp.
Jimmy Carter Rock & Roll President documentary hit theaters across the United States and the virtual cinema stage on September 9, 2020. The documentary covers how Jimmy Carter relied on musicians’ support during the Democratic primaries to build up his name recognition and support from the general public.
The documentary focuses on how youth culture and politics join forces in Jimmy Carter being elected as the 39th President of the United States. Jimmy Carter’s love of music was crucial to who he was and he made that known throughout his presidency and his campaign. His love of music affected who he was as a father, a citizen, a man of the South, and as a leader and he made that known to everyone and anyone he could.
The documentary includes interviews with big names like Bob Dylan, Bono, Willie Nelson, Paul Simon, Gregg Allman, Garth Brooks, and many others. There will also be interviews included with former President and Nobel Peace Prize winner Jimmy Carter.
The film is directed by Mary Wharton and written by Bill Flanagan. It is produced by Chris Farrell and Dave Kirkpatrick. The executive producers include Dan Braun, Mary Wharton, Peter David Conlon, David Crawford. Peter Afterman and Tracy Falco are the consulting producers on the film. The film is edited by Mari Keiko Gonzalez and has Tom Beard, Jim Free, Frank Moore as consultants on it. The production coordinator is Linzy Hayes. The drone photography is done by Brad McColl and James Fideler worked as the director of photography on the documentary. All the original music is composed by Bradley Cole Smith and Bill Wharton (The Sauce Boss).
People interested in seeing the film have two options for viewing it. They can see it in select theaters across the United States or on the virtual cinema stage. All the theatrical listings and locations can be found on here. The virtual cinema tickets can be bought here for $9.99 and will be available for 14 days once the viewer unlocks the film. Once the viewer begins the film, they will have 72 hours to finish watching it.
For more information on Jimmy Carter Rock & Roll President documentary visit the films’ website.
Ten days after the 9/11 terrorist attacks, living legends and new artists came together for a primetime benefit concert, “America: A Tribute to Heroes.” The star-studded lineup included Bruce Springsteen, Stevie Wonder, U2, Billy Joel, Céline Dion, and Willie Nelson.
Executive produced by Tenth Planet Productions’ Joel Gallen, “A Tribute to Heroes” was simulcast across all major networks commercial-free. The September 21 concert won the 2002 Primetime Emmy Award for an Outstanding Variety Special, with many artists channeling the somber energy into the best performances of their careers. The telethon portion of “A Tribute to Heroes” raised over $150 million for 9/11 victims and their families, specifically police officers and firefighters. Years later, networks repeated the concert-telethon model for Hurricanes Katrina and Sandy and the 2010 Haiti Earthquake.
The concert was filmed live in New York, Los Angeles, and London, with British and Canadian artists supporting their American peers. At each venue, the stage was decorated with hundreds of candles. Bruce Springsteen opened the show with the then-unreleased song “My City of Ruins,” playing guitar and harmonica. With the E Street Band, he introduced it as “a prayer for our fallen brothers and sisters.” The following year, the five-minute track closed out Springsteen’s 9/11-inspired album The Rising.
Stevie Wonder then performed “Love’s in Need of Love Today,” the opening track of Songs in the Key of Life, with gospel sextet Take 6.
U2 performed “Peace on Earth” and “Walk On” from London with Natalie Imbruglia and Dave Stewart. “Peace on Earth” was inspired by the 1998 Omagh car bombing, but took on new meaning after 9/11. For the performance, Bono changed the original lyrics from “I’m sick of hearing again and again that there’s gonna be peace on Earth” to “I’m sick of hearing again and again that there’s never gonna be peace on Earth.”
Billy Joel had the most hopeful performance of the night, singing and playing “New York State of Mind.” Rather than dwelling on tragedy, he expressed New Yorker pride and even smiled throughout his performance. Joel never officially released “New York State of Mind” as a single, but due to its popularity with fans it’s often mistaken as one.
In addition to the night’s abundance of established acts, then-new artists Alicia Keys and Enrique Iglesias took the stage. Keys performed a cover of “Someday We’ll All Be Free” by Donny Hathaway, beginning with a piano riff reminiscent of her future 2003 song “Diary.”
Enrique Iglesias had just broken out two years earlier in 1999 with “Bailamos,” but his signature hit would go on to become “Hero,” which he publicly performed for the first time that night. Radio DJs later mixed the song with audio from police, firefighters, and civilians, adding to the song’s popularity.
Iglesias wasn’t the only artist to sing a song called “Hero.” A few numbers later, Mariah Carey sang the just-as-famous song of the same name off her 1993 album Music Box. A New Yorker herself, Carey’s performance was more subdued than past renditions but characteristic of the night’s solemn energy.
The event also included some country artists. Faith Hill performed “There Will Come a Day” from her 2001 album Breathe with a backing gospel choir, and the Dixie Chicks (now The Chicks) performed the poignant “I Believe In Love.”
“America A Tribute to Heroes” ended on a patriotic note, with Céline Dion singing “God Bless America” and Willie Nelson leading the Los Angeles performers and speakers in a grand finale of “America the Beautiful.” Dion later released her cover as a single, and performed it again at the Super Bowl XXXVII in 2003. Céline Dion and Neil Young were the night’s only Canadian performers.
Other performers included Neil Young, Tom Petty, Sheryl Crow, Bon Jovi, Sting, Dave Matthews, and Paul Simon. Most major genres were well-represented: multiple pop, rock, country, folk, and soul artists were on the setlist, and despite their thematic similarities for the occasion, they were diverse in sound.
The success of “America: A Tribute to Heroes” prompted two more 9/11 tribute concerts a month later: the similarly diverse “Concert For New York City” in Madison Square Garden, and the pop-focused Michael Jackson-led “United We Stand.” In 2004, Rolling Stone named the 9/11 concerts “one of the 50 moments that changed rock,” and it’s easy to see why—despite the tragic circumstances that brought the artists together, many were on top of their game.
