Category: Regions

  • Beastie Boys Campaign Ad for Joe Biden Gets Pulled Over Harassment to Featured Club Owner

    The Beastie Boys announced their decision to allow their song, “Sabotage” for a Biden and Harris Presidential Campaign ad. Unfortunately the ad was pulled due to the featured club owner receiving harassment from President Trump supporters just days after debuting on October 18, 2020 This is the first time the band has ever allowed one of their songs to be used for a presidential ad. The ad focuses on how COVID-19 is detrimentally affecting the live entertainment industry. 

    https://youtu.be/SW86jyTsYe4

    The Beastie Boys have sued Monster Energy and GoldieBox  in the past for using their songs without permission in their ads. The only things they have allowed is the use of “Sabotage” in trailers for “Star Trek” and the “Destiny 2” video game.

    The Beastie Boys are a hip hop and rap group from New York City that formed back in 1978 under the original name Young Aborigines before becoming the Beastie Boys in 1981. Some of their most well known songs include “Sabotage,” “No Sleep Till Brooklyn,” “Fight for Your Right” and many many more. Their debut album, Licensed to Ill, was the first rap record to top the Billboard 200 chart. They have eight studio albums and have become a household name throughout the years and recently released a documentary “Beastie Boys Story Out Now” on April 14, 2020.

    The Ad focuses on the venue the Blind Pig that is a club Ann Arbor, Michigan that has been extremely affected by the ongoing COVID-19 pandemic. The venue was shut down after its 50 years of existence where it was a substantiation part of its community. It’s owner in the ad speaks about how he considers Donald Trump’s shortsighted response to the coronavirus crisis is one of the main reasons his venue is in such poor shape. 

    A spokesperson from the Biden campaign according to the Variety article explained that, “the Beastie Boys, who had ‘never licensed music for an ad until now,’ agreed to the use of “Sabotage” in the spot ‘because of the importance of the election.’”

    The Ad was pulled on Wednesday October 21, 2020 after the owner of the Blind Pig received threats and was attacked by Trump supporters. Campaign spokesperson Bill Russo expanded on the situation saying, “The price for having a voice in our political process cannot be endless harassment. And yet, that is what Joe Malcoun and his family currently face as he was doxxed, harassed and threatened after the Trump campaign has sought to smear a community leader who dared to speak out against Trump’s failed response to the Covid crisis. It is shameful,” according to The New York Times article.

    For more information on the Beastie Boys visit their website and for more information on the The Biden and Harris Presidential Campaign visit their website

    *Article Updated on October 23, 2020*

  • Flashback: Chris Cornell Captivates Beacon Crowd on this day in 2015

    On October 18 and 19, 2015, Chris Cornell played two sold out acoustic shows at the historic Beacon Theatre in New York City. The shows were in support of what was to become his last solo album, Higher Truth. Playing for over two hours, the set incorporated songs by Soundgarden, Audioslave and Temple of the Dog.

    chris cornell

    There were also some songs from his solo career as well as some covers including Mad Season “River of Deceit” and U2’s “One” The biggest highlight of the night was when Chris brought out a very special guest, his eleven year old daughter Toni, for a cover of Bob Marley and the Wailers “Redemption Song.”

    During the show Chris noted “I think this is my new favorite place to perform.” He sounded absolutely amazing as his voice resonated throughout the 2,900 seat theatre. It was a very intimate show interlaced with insightful anecdotes about his life and career.

    Unfortunately, Chris Cornell struggled with depression most of his life. He was found dead in his Detroit hotel room on May 18, 2017. Within an hour of completing a performance at Detroit’s Fox Theatre, Soundgarden lead vocalist Chris Cornell was found unresponsive in his room at the MGM Grand Hotel after a concerned call to a friend from his wife, Vicky. His death was ruled a suicide by hanging.

    Setlist: Misery Chain, Before We Disappear, Can’t Change Me, Cleaning My Gun, Nearly Forgot My Broken Heart, Fell On Black Days, Redemption Song, Say Hello To Heaven, River of Deceit, Wide Awake, Doesn’t Remind Me, Sweet Euphoria, Blow Up The Outside World, Let Your Eyes Wonder, One, Seasons, The Day I Tried To Live, When I’m Down, Worried Moon, Rusty Cage, Black Hole Sun, Like A Stone, Hunger Strike, A Day In The Life

    Encore: Like Suicide, Higher Truth

  • Buffalo Musician Drea D’Nur Uses Her Voice to Spread Awareness About Police Brutality

    While the issue of police brutality prevails in the U.S., artists are speaking out through their music to raise awareness. For Drea D’Nur, her whole life revolves around it.

    I am not an entertainer. I am a master healer through music and sound. To be a vessel of healing sound is a great honor and responsibility. Moment by Moment, I seek and work to become a better vessel. Every show is an offering of my entire self. In a world, where many are living numb, my intention is that you would feel, heal, and be inspired at each Live Experience.

    Drea D’Nur
    Drea D'Nur
    Drea D’Nur

    Buffalo based activist and musician, Drea D’Nur, teamed up with American Muslim figure Rami Nashashibi to release her newest single, “Mama Please,” a tribute to Cariol’s Law.

    Cariol’s Law passed in early October on behalf of Cariol Horne. Horne gained national attention in 2008 when she was fired from the Buffalo Police Department because she stopped a fellow officer from choking out a black man, Neil Mack. Since then, she has continued to protest for the Black Lives Matter Movement and is still working towards getting her full pension. The law now requires officers in Buffalo to intervene if a coworker looks like they are using excessive force.

    Cariol’s Law is a  proposal  for legislation to have a mandatory stature on police bystander intervention, provide  protection   from retaliation, require external investigation with mandated reprimanding for abuse or misconduct, create a required reportable registry.

    According to the Cariol’s Law website

    Along with being a riveting performer, D’Nur is an activist who founded Feed Buffalo, the first Organic, Safe, and Halal Food Access Resource Center in western New York, but it doesn’t stop there. She’s also a volunteer for Project Mona’s House that provides resources and housing for human trafficking survivors.

    D’Nur’s purpose for “Mama Please,” is to push for Cariol’s Law to be passed nationwide. Her new single is one of the tunes from her upcoming album, ‘This LOVE Thing,’ expected to drop on Oct. 23. Meanwhile, watch and listen to this beautiful work activism to support the destruction of police brutality.

  • Don’t Miss Out on the Final Week of Silent Parties at the BYKlyn Yard

    NYC’s first outdoor cycling studio — BYKlyn Yard— has been partnering up with DJ mixing competition Vibes Music Game, to bring music lovers a fun and safe outdoor experience that many might have been craving, in light of the COVID-19 Pandemic. 

    Located at 421 Dean Street in downtown Brooklyn, the Yard began as an outdoor cycling studio that offered a safe way to stay fit during turbulent times, hosting 40 cycling classes per week. Yet, with normalcy disrupted for the foreseeable future, the Yard is host to another form of socializing that has gone awry as a result of the virus. “From the start, we wanted to host events beyond cycling that bring people together — something we all miss and crave right now,” explains1 BYKlyn CEO and founder Amy Glosser.”

    BYKlyn Yard

    In turn, they have partnered with Vibes Music Game. A competition that brings together up-and-coming DJ’s to showcase their music, mixing skills and entertainment potential. At the BYKlyn Yard, each of the three New York City DJs get one Saturday night to hype the crowd and show off their style and music. “The VIBES Music Game grew out of the concept of friends passing around the auxiliary cord,” says VIBES Creator Jamahn Warren-Bey. “These jam sessions brought people together to share culture, dance and new music. Now we’re bringing that same vibe to the public in a fun game show.” 

    BYKlyn Yard

    Events at BYKlyn Yard use the Sound Off Experience sound system, consisting of personal headsets instead of loud music, allowing participants to experience the atmosphere to the fullest, while not disrupting neighbors. And with a maximum capacity of 32, all events are COVID-19 friendly as everyone entering the BYKlyn Yard gets a temperature check, fills out a health questionnaire and wears a mask at all times. Groups can gather if they come together, otherwise, party-goers are encouraged to maintain distance. 

    BYKlyn Yard

    Scheduled for every Saturday in October, silent parties at the BYKlyn Yard has hosted gatherings on 10/03, 10/10 with two more events set for the 17thand 24th. Beginning at 8 p.m., the final event (October 24), is a live-streamed battle. Like an improv show, the audience names the genre and the DJs mix their music on the spot. The audience, both live and virtual, vote on the winner. 

    More information about BYKlyn Yard events can be found here and tickets to Saturday dance parties cost $20 a person and can be purchased here.

  • Museum of Jewish Heritage to Host Virtual Concert on October 25

    The Museum of Jewish Heritage-A Living Memorial to the Holocaust will host a virtual live concert from Edmond J. Safra Hall in New York City on October 25 at 7 p.m. The livestream is the Museum’s first event since the COVID-19 pandemic and will broadcast from their website.

    Museum of Jewish Heritage

    The livestream will include a performance from Klezmer Brass Allstars, Eleanor Reissa, and Deep Singh with songs about love, protest, political commentary, the Holocaust, and liberation, inspired by their previous collaborations “Vilde mekhaye-Wild Ecstacy” and “Mir geyen nisht tsurik/No Looking Back. Grammy award-winning trumpeter-composer, Sir Frank London will lead The Klezmer Brass Allstars along with trombonist Brian Drye, clarinetist Michael Winograd, tubist Ron Caswell, drummer Aaron Alexander, accordionist Ilya Shneyveys, and guitarist Brandon Seabrook. London’s work celebrates multi-cultural Jewish music and honors those killed in the Holocaust and Hungary. His work is a celebration of Jewish life and Yiddish culture through a multicultural lens. London’s latest poetry/music release is Salomé: Woman of Valor with Adeena Karasick.

    Frank London’s music and artistry, rooted in Jewish Heritage, provides an opportunity for us to come together in real-time to remember, celebrate, and heal during these difficult times. Although we must remain apart, we hope this event will bring people together, and are excited to launch our Live from Edmond J. Safra Hall concert series with such inspiring, talented presenters.

    Jack Kliger, President & CEO of the Museum of Jewish Heritage–A Living Memorial to the Holocaust

    The Museum is the third-largest Holocaust museum in the world and the second-largest in North America, with a commitment to educating diverse visitors about Jewish life, before, during, and after the Holocaust.

    Our Live from Edmond J. Safra Hall concert will be as close as we can safely come to performing for an audience in real time. Thanks to the visionary presenters at the Museum of Jewish Heritage for creating this groundbreaking event. It’s the first real concert we’ve played in months.

    Sir Frank London

    Click here to register for a ticket and make a donation

  • Watch Justin Bieber perform on SNL with Chance the Rapper and benny blanco

    Saturday Night Live’s third episode, hosted by Insecure‘s Issa Rae featured musical guest Justin Bieber, his fourth time performing on the show.

    Bieber brought out Chance the Rapper as a surprise special guest for the night’s first song “Holy.” With a church-in-the-woods stage design, the more mature Bieber gives a nod to his relationship with wife Hailey Baldwin, and making references to their shared Christian beliefs. The lyrics stand out as a departure from Bieber’s past songs.

    That the way you hold me, hold me, hold me, hold me, hold me.
    Feels so holy, holy, holy, holy, holy.
    On God, runnin’ to the altar like a track star.
    Can’t wait another second.

    https://www.youtube.com/watch?v=TlQY-MBWHik

    For the second performance of the night, Bieber was joined by benny blanco on piano for “Lonely,” a song referencing his early rise to fame in the past decade. This performance began from Bieber’s SNL dressing room, singing in the mirror, then walking towards the stage through the halls of Studio 8-H. This intro is similar to the music video for “Lonely” that was released this past week, starring Jacob Tremblay as a young Bieber.

    Maybe when I’m older it’ll all calm down, but it’s killing me now.
    What if you had it all but nobody to call, maybe then you’d know me.
    Cause I’ve had everything, but no one’s listening, and that’s just oh so lonely.
    Everybody knows my past now, like my house was always made of glass.
    Maybe that’s the price you pay for the money and fame at an early age.

    https://www.youtube.com/watch?v=rml0FwAL8H0

    Bieber does not hold back on “Lonely,” with a single spotlight on him for the song on a barren stage, save for Blanco. The two songs present Bieber in a different spotlight than the tabloid view of recent years. Justin Bieber appears focused and stepping into a new phase of his career with “Holy” and “Lonely.”

    Watch last week’s musical performance from Jack White, where he paid tribute to Eddie Van Halen, and Megan Thee Stallion from the season premiere.

  • Saratoga’s Caffe Lena Attracts Fundraising Challenge

    While Saratoga’s Caffè Lena has gone without customers since March, its livestream and music school have helped it stay afloat. That said, the 60-year-old cultural landmark still needs donations in order to survive the shutdown. If the cafe can raise $50,000 by Saturday, October 31, The Sarah B. Foulke Charitable Fund promises to match donations by 100%. Sarah Foulke was a Saratoga Springs attorney who died in 2016, and regularly volunteered at Caffè Lena.

    Caffe Lena Fundraising Challenge

    This is a double-your-gift challenge grant to help Caffè Lena survive the shutdown. Caffè Lena is a landmark venue. We want to help them evolve their online platform, and we’re rooting for them to raise the full $50,000 this month so that we can donate $50,000. Unique cultural institutions such as Caffè Lena make our region special and deserve our help. We hope others who love Caffè Lena and Saratoga Springs will join our effort.

    Suzan Nolan, advisor of the Sarah B. Foule Fund

    Caffè Lena’s event calendar shows new streams nearly nightly. Besides live concerts, streams include storytelling nights and poetry readings. Some streams celebrate a specific genre of music, such as jazz and bluegrass. All of these events are free, with only the music school requiring a fee. Caffè Lena also offers Community Classroom, a non-partisan platform to discuss civic issues, and a program called On the Road, which brings live music to senior citizens and community service organizations.

    “The community is getting so much out of our daily programming. We don’t want to have to pause,” said Caffè Lena Executive Director Sarah Craig. She continued:

    This fundraising challenge is a way we can stay active for our community while Congress decides what it’s going to do to save the live music and theater industries. If this pandemic has taught us anything, it’s that every expression of care, whether it’s a $5 tip, a $500 donation, or a special comment, adds up to helping live music survive and grow during this time of extreme challenge.

    For more information on the fundraising challenge, go to the Sarah B. Foulke Donation Challenge on Caffe Lena’s website.

  • Week 2 of Trey Anastasio’s Beacon Jams features String Quartet and “Divided Sky” Duet

    The second week of Trey Anastasio’s The Beacon Jams served to be even more jam packed with surprises than the first week, including a string quartet joining in, and one of the most beautiful versions of “Divided Sky” you’ll ever hear. 

    Trey Beacon Jams
    Trey Anastasio at the Beacon Theatre, Week 2. Photo by Jake Silco

    Once again, the live streamed performance from New York City’s Beacon Theatre we available free via Twitch, with donations encouraged to The Divided Sky Fund, which focuses on delivering quality care and compassionate treatment for those battling addiction, through Phish’s WaterWheel Foundation. On this night, the goal of $100,000 was surpassed roughly 100 minutes into the performance (9:41PM ET), with Anastasio sharing his experience on the road to sobriety, and the plans to open an addiction treatment center in Vermont.

    trey beacon jams
    Photo by Jake Silco

    The night began as it did last week with familiar faces from Trey Anastasio Band – Tony Markellis on bass, Russ Lawton on drums, Ray Paczkowski on keys and Cyro Baptista on percussion. Cyro dove into his cache of percussion to create bird call noises preceding the show opening “Gotta Jibboo.” 

    trey beacon jams
    Official poster for The Beacon Jams by Jim Pollock

    After “Undermind,” which Trey said held the secret of the universe, was the world premiere (and a college try) of “Evolve,” one of Trey’s quarantunes, which quickly showed huge potential for both Trey Anastasio Band and Phish versions in the future. Trey was then joined only by Jeff Tanski for “Divided Sky,” which stands as one of the all-time great versions. The pair together performed the entire composition flawlessly, with Tanski getting a round of applause from the band after, and likely from many at home. 

    The first ever live performance of “Sigma Oasis” since the release of Sigma Oasis followed, a rousing number despite containing the now errant ‘take off your mask’ lyric. Back on the Train” was nicely accented by Cyro’s train crossing sounds and shakers, and led into an enthusiastic “Ocelot.”

    trey beacon jams
    Photo by Jake Silco

    Prompted by a fan comment in the stream, Trey took a few moments to opine on what we are experiencing during this time, remarking that this was “Just another chapter, a big wave crashing in the ocean … and we’re gonna surf with it a little bit.” While he was talking, a string quartet took the stage, later dubbed “The Rescue Squad Strings,” Trey clearly having memories of being stuck 40 feet above the stage this past New Years Eve. String members tonight included Anja Wood on cello, Maxim Moston and Katie Kresek on violin, and Rachel Golub on viola.

    trey beacon jams
    Photo by Jake Silco

    Over the second hour of this week’s Beacon Jams, the quartet added depth and beauty to “Strange Design,” “Water in the Sky,” the quarantine track “Greater Good,” “Greyhound Rising,” and the first ever “Wolfman’s Brother” with string accompaniment plus Lawton and Baptista adding in subtle percussion, and Trey introducing the four classical musicians over the ending of “Wolfman’s.”

    “No Man in No Man’s Land” was arranged well for this TAB configuration, and had Trey remarking afterwards that Tony was an absolute beast on the Phish jam-vehicle, but jam of the night honors go to excellent “Plasma.” To close the set, Cyro added in some creepy ‘Poltergiest’ sounds at Trey’s request, which fit perfectly as they segued into “Ghost.”

    https://www.instagram.com/p/CGbBXvljwFb/

    Next week Anastasio returns to The Beacon Theatre with more surprises surely in store.

    trey beacon jams
    Photo by Jake Silco

    Setlist via Phish.net

    Setlist: Gotta Jibboo, Undermind, Evolve [1], Steam, Divided Sky [2], Sigma Oasis > Back on the Train, Ocelot, Strange Design [3], Water in the Sky[3], The Greater Good [4], Greyhound Rising [5], Wolfman’s Brother [6], No Men In No Man’s Land, Miss You, I Never Needed You Like This Before [7], Plasma > Waste, Ghost [8]

    [1] Debut.
    [2] Only Trey with Jeff Tanski on piano.
    [3] Only Trey acoustic with The Rescue Squad Strings.
    [4] Debut; only Trey on vocals (no guitar) with The Rescue Squad Strings.
    [5] With The Rescue Squad Strings.
    [6] Trey acoustic with The Rescue Squad Strings.
    [7] TAB debut.
    [8] With Trey quoting a line from Poltergeist in the intro.

  • El Modernist, ERIE and More Featured On This Week’s EQXposure

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from El Modernist, E.R.I.E.and many more!

    El Modernist

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    El Modernist “Evolution”

    El Modernist delivers a new take on the world of indie rock. With pulsating hooks and lush melodic waves of psychedelia, the band combines upbeat, catchy garage-rock with a modern alternative hip-hop sound.

    “Evolution” is an anthem for queer artists who have been contributing and pushing the boundaries of art since the beginning of time, while more often than not having to hide their true selves while doing so. Artists like Freddie Mercury and Elton John were often thought of as eccentric rather than LGTBQ+ (occasionally thought of as womanizers), but laid the groundwork for today’s LGBTQ+ artists and pioneers. “Evolution” is a fight song. A fight for equality. A fight against hatred. The future is gay as hell.

    When asked by WEQX’s Pearson on what they are currently working on and how they are coping during this time, they shared:

    What we’re working on/how we’re coping… Well, now that the bustle of the record release and the release party is over, we suspect performance opportunities will unfortunately be few and far between as the weather gets colder. We have a nice collection of songs just waiting to be properly demoed for what will eventually be LP2. So, the plan will be to hunker down and focus on that, which will be the first time the four of us write together. We’re definitely looking forward to letting some pent up creativity bounce off the walls, albeit mostly from separate houses/studios. The pandemic has certainly taken a toll on us all, personally speaking. The opportunities we get to play together in a room have been incredibly therapeutic, and we’re certainly grateful we can still do that responsibly. But ahead of the pandemic, we were all gearing up to play out a lot – it’s something all four of us really needed in our lives for a variety of reasons – so the fact that it all came screeching to a halt is tough to cope with, especially with no real end in sight. Like everyone else, I think we’re just pivoting the best we can and diving into the next record maybe a little sooner than we otherwise would have. I write a lot of songs, so I’m always ready and willing to jump behind the board and make some magic happen.

    All BandCamp proceeds for the track will be donated to The Trevor Project.

    E.R.I.E. – “Fire Away”

    Hailing from New York’s vibrant Capital Region, rock outfit E.R.I.E. debuted on Mint 400 Records with Don’t Wanna Live, Don’t Wanna Die in September. Combining addictive progressions with alternative undertones, the record boasts an anthemic pop-rock aesthetic, with the integrity of an early 2000’s basement or VFW hall.

    E.R.I.E. has brought me back to my roots, in a way. Growing up, I played in scrappy punk bands and as I got through college and beyond, my interests and writing style began broadening. I started taking myself more seriously, arguably to a fault. While creating this record, my main goal was to have a positive and fun studio experience. I paid a lot more attention to content rather than mechanics. Ultimately, creating Don’t Wanna Live, Don’t Wanna Die was a natural process, without most of the stresses recording can bring.

    TJ Foster, E.R.I.E.

    Upon listening, it’s not hard to hear that sense of lightness and clarity songwriter TJ Foster was striving for. The record exudes a sense of urgency that has drawn comparisons to the likes of Frank Turner and The Gaslight Anthem, while also embodying an intimacy one would expect from Death Cab For Cutie or Frightened Rabbit.

  • Flashback: Billy Joel Plays his first Long Island Show in 11 Years at the Paramount

    Just before Billy Joel started his Madison Square Garden residency in 2014, he played a “warm up” show at The Paramount in Huntington, Long Island on October 16, 2013, and I was one of the lucky 1500 people fortunate enough to be there. The concert benefitted Long Island Cares, a charity founded by singer/songwriter Harry Chapin.

    billy joel paramount

    This was Joel’s first Long Island concert since he played Nassau Coliseum with Elton John in 2002. Tickets to the show sold out in seconds and were listed on resale sites for ten times the face value. Many fans were frustrated to say the least as everyone wanted to be a part of this special occasion.

    Billy Joel Paramount

    Fans began lining up hours before the show in hopes of getting as close as possible to the Piano Man. Walking up to the venue, all you can hear was Billy Joel songs being sang and blasted out of every bar and restaurant on New York Ave. Billy’s presence was certainly felt throughout the town that night. The excitement kept growing as it got closer to showtime at the Paramount. Finally the doors opened and the crowd rushed in.

    Billy Joel Paramount

    When Billy Joel took the stage, the crowd roared just as load as it does for him at The Garden which is about ten times larger than The Paramount. After Joel opened the show with “Everybody Loves You Now” and “Movin Out”, he said “We’re not going to play all hits tonight, I’m tired of that”. He did sneak in a few deeper cuts like “A Room of Our Own”, “Great Wall of China” and even played “Blonde Over Blue”live for the first time ever, but there was also plenty of hits to go around. There is no way he is doing a show without playing his classics like “Scenes from an Italian Restaurant,” “New York State of Mind” and “Piano Man which the crowd sang along with to every word.

    Joel and the rest of the band sounded phenomenal that night. Billy is my favorite artist and I was very lucky to be a part of that night. He then went on to start his residency at The Garden on January 27, 2014. Since then he has broken many records including most consecutive sold out shows and the record for the most shows at The Garden by a single performer, a record once held by Elton John and The Grateful Dead. His 74th consecutive monthly (120th all time) MSG show that was scheduled for March of 2020 had to be postponed due to Covid 19.

    Setlist: Everybody Loves You Now, Movin Out, Vienna, The Entertainer, A Room of Our Own, She’s Right On Time, Allentown, The Great Wall of China, Miami 2017, New York State of Mind, This is the Time, Don’t Ask Me Why, Stop In Nevada, Downeaster Alexa, Blonde Over Blue, Scenes From an Italian Restaurant, The River of Dreams, Piano Man

    Encore: We Didn’t Start the Fire, It’s Still Rock and Roll To Me, You May Be Right, Only the Good Die Young