Category: Long Island

  • Hearing Aide: Cousin Fungus ‘22, Vol. 1′ and ’22, Vol. 2′

    Long Island jam band veterans, Cousin Fungus, have a long history of strong live performances. Some even credit them with contributing strongly to the establishment of a much more vibrant jam band scene today. With the release of 22, Vol.1, the band has released its best recorded material to date. With Volumes 2 and 3 promised to be right behind, veteran as well as new fans are in for quite a sonic treat.

    cousin fungus

    The band is made up of three brothers: Thomas (bass guitar, vocals), Christian (drums, percussion) and Henry (guitar, vocals) Stanziale. Good friend, Dennis Belline, Jr. (lead vocals, keyboards), rounds out this group of stand-out musicians.  The tight knit bonds between the members are on display on here in the cohesiveness of their sound. The collaboration just feels natural and easy.  

    From the opening keyboard notes on 22, Vol.1 evoking the Who, the songs sound both nostalgic and yet contemporary. This volume clocks in at just over forty minutes and the seven songs included are positive, almost celebratory. As bands and fans gear up for the return to live music shows, keep an eye out for Cousin Fugus. They are at the top of their game and ready to get back to the jam!

    Key Tracks:  Embrace, Black Cat Black Dog, Caravan

    With the release of 22, Vol.II, the Cousin Fungus crew unleashes their first album of live tracks. These seven songs have been honed and developed over the years, crafted with audiences watching. The guitar work is as steady and solid as you’d expect from these jam band veterans. And the keyboard contributions really stand out, sometimes as featured solos, but also as a connective agent between all of the pieces assembled here.

    cousin fungus

    Cousin Fungus doesn’t shy away from exploring different styles of music either. There are bluesy elements, funky stylings and straight ahead roaring guitar riffs.

    The final installment of the “22” trilogy will be released in the coming months.

    Key Tracks: Bridges, Ignis Fatuus, The Taunting

  • Video Footage of Chainsmokers Concert Leads to NYSDOH Investigation

    The Hamptons in Long Island hosted a charity “drive-in,” concert that proved to be a public health threat after video footage revealed a mass crowd of people.

    To the left, the Chainsmokers perform in front of a large crowd. On the right, they rep the tequila brand Ja Ja Tequila, which presented the concert.

    The concert, Safe and Sound, went under investigation after the footage was posted. As a result, it created an uproar on social media.

    Safe and Sound featured DJ performances from the Chainsmokers and Goldman Sachs‘ CEO, David M. Solomon. The tickets ranged from $1250 to $25,000 which went to charities including, No Kid Hungry and Children’s Medical Fund of NY.

    A spokesperson for Goldman Sachs told CBS MoneyWatch that Solomon hadn’t witnessed any violations.

    “David agreed to participate in an event for charity in which the organizers worked closely with the local government and put strict health protocols in place. He performed early and left before the show ended. The vast majority of the audience appeared to follow the rules, but he’s troubled that some violated them and put themselves and others at risk.”

    – Goldman Sachs’ Spokesperson

    Alongside the DJ’s, Southampton Town Supervisor Jay Schneiderman played with his band, but never witnessed any violations. He stated in a news conference in Southampton that guests gathered later. Because of this, the town cited the Chainsmokers concert.

    The event organizers, In The Know Experiences and Invisible Noise, made a statement to Billboard. They insisted they always enforced social distancing regulations and instead, blamed the angle of the video for not portraying how well they followed CDC guidelines.

    According to the CDC website, everyone should stand at least 6 ft. apart in crowds and wear face coverings. The footage showed a cluster of guests less than 6 ft. apart. It is unclear whether any of them were wearing face-coverings.

    Not only were civilians all over the U.S. angered by the concert, but also Governor Andrew Cuomo. Cuomo took to Twitter with his rage about the footage.

    “Videos from a concert held in Southampton on Saturday show egregious social distancing violations. I am appalled. The Department of Health will conduct an investigation. We have no tolerance for the illegal and reckless endangerment of public health.”

    -Governor Andrew Cuomo
    Governor Andrew Cuomo tweets about his dissatisfaction towards the video footage of the charity concert, Safe and Sound.

    At this time, the concert is still under investigation but not coincidentally has led to the cancellation of moe.’s Miracle Mile in Vernon and Twiddle’s Drive-In, Jam Out trio of shows in Lake George, all slated for the weekend of July 31-August 2.

  • Falling Water Wonders “When Will We Be Saved”

    Falling Water have release “When Will We Be Saved,” their first single since 2014. Led by Long Islander Mark Rechler, the rock band wrote and recorded the song from a distance while in quarantine. The lyrics are about navigating chaos, specifically through the current pandemic, and dealing with feelings of anxiety and loneliness.

    Clocking in at nearly four and a half minutes, “When Will We Be Saved” is an anthemic power ballad. Despite its conception in quarantine, it sounds engineered for lighter-waving at a physical concert. Its backup singers, busy instrumentation, and dramatic lyrics also evoke a number from a rock opera. While the song has a lot going on, its standout is the piano, which has a solo at the halfway point.  The song’s lyrics begin rather pessimistic, but the band ultimately comes to terms with the new circumstances. “Now the angel of death, well she’s having a feast / changes are forced by this ominous beast” becomes “I’m gonna kick back and let it all go” in the outro.

    “‘When Will We Be Saved’ is a true quarantine song,” said singer-songwriter and pianist Mark Rechler in a press release. “My whole life is trying to keep up with my to-do list, get stuff done, complete tasks. I have often said out loud, ‘If we could only get a time out for a month to catch up on all these projects, everything would be fine.’ Well, like a bad Twilight Zone, that gift was granted. During the first two months of quarantine, I found myself riddled with anxiety, exhaustion, and much fear […] ‘When Will We Be Saved’ is more about isolation and finding your best self in that quiet, lonely world.”

    50% of the song’s profits will go to the PLUS1 COVID-19 Relief Fund. PLUS1 works with nonprofits such as Sweet Relief, Center for Disaster Philanthropy, World Central Kitchen, Partners In Health, and Trans Lifeline to support vulnerable communities. So far, the band has achieved over $8,500 of their $10,000 goal. Other artists who have partnered with PLUS1 include Arcade Fire, The National, St. Vincent, and CHVRCHES.

    Falling Water plans to release their next full-length album in 2020. Stream “When Will We Be Saved” here:

  • Interview: Singer Songwriter duo Kelly and Kat talk new single and getting started in the Music Industry

    Sisters Kelly and Kat were in high school when they found a Facebook post that encouraged them to participate in the Disney and Kohl’s National Sing Your Frozen Heart Out Contest. To their success, the sisters won the contest and made an appearance during the American Music Awards. Life took them on a different direction, deciding from that day forward they would pursue a musical career as a singer songwriter duo. 

    kelly and kat

    The singer-songwriter duo perform at local bars in Long Island and continue to write songs on a daily basis. Their music comprises elements of rock, pop, and jazz accompanied with their soft vocals and smooth harmonies.

    Kelly and Kat’s new single “We Were” is a piano ballad that shows the discomfort in remembering the good times of a past relationship. Their previous singles like “One Day” describes the confidence in moving forward from a relationship while “Nobody Knows” explains the significance of learning to accept yourself. 

    Music has allowed the sisters to form a strong bond. Kelly and Kat share their thoughts on the impact it has had on their lives:

    I’m happy with our path and the way that everything turned out. We both knew we wanted to do music and we really love what we do. I love waking up every day and seeing this as a part of my life.

    -Kelly

    I’ve always wanted to make music that can be a support system for others. There is nothing more intimate than helping someone through music. 

    -Kat

    Check out NYSMusic’s coverage of Kelly and Kat’s release of their debut single “One Day” from 2019

  • Card Reader releases emotional single about life and death

    Long Island based pop-punk band, Card Reader, released their newest single, “Sore Eyes,” in honor of the loss of a close friend to lead vocalist Tom Petito.

    (From left to right) Guitarist Marc Lambert. guitarist/vocalist Tom Petito and drummer Rob Cigliano.

    “I wrote this song after I lost a close friend. The message is resounding: life is short, any day could be your last so don’t settle for less. Go after your dreams unapologetically,” said Petito.

    Card Reader made their first appearance to the music scene earlier this year with their debut single and music video, “Familiar Voices.”

    Petito, drummer Rob Cigliano and guitarist Marc Lambert worked with other bands for 10 years until Petito wanted to start his own project and formed the trio. Petito said the creation of the band was to put passion at the forefront.

    Card Reader has struggled since live music has been put on halt, but are determined to get their EP released by fall.

    The band’s motto states, “believe in yourself unapologetically. Don’t settle for anything less than what makes you happy in life and in music. Surround yourself with people who believe in you and put your own stamp on what being in a band means.”

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • 27 Years Later: Phish rocks Jones Beach for two nights

    After performing at SPAC and taking a day off to celebrate the release of A Live One, Phish headed to Jones Beach for their first two-night run at the Long Island amphitheater. Growing their following, especially from New York metro area high school and college students with a summer off, was part of Phish’s broadening appeal as they performed in bigger and bigger theaters.

    Ticket stubs via Shapsio

    The first show on the 28th featured the retired “Axilla (Part II)” and an 11-minute “Foam” demonstrating the patience of the foursome from Vermont. The rest of the set after “Fast Enough For You” reads like a fantasy setlist, and it was only the first set, including one of two “Fluffhead”‘s from that tour.

    Set 2 unleashes a 30+ minute “Tweezer” that is one for the books, so much that it was added to Live Bait 10 (scroll down for video). This experimental version of the jam vehicle included the ever rare “Dave’s Energy Guide” and a jam on The Breeder’s “Cannonball.” If you were still clamoring for more, the “Harry Hood” and “Tweezer Reprise” to close the set are likely to seal the deal.

    Setlist: June 28, 1995 via Phish.net

    Soundcheck: Sweet Home Alabama, Jam, Ginseng Sullivan, Red River Valley Jam, Dog Log (slow)

    Set 1: Axilla (Part II) > Foam, Fast Enough for You, Reba[1], Punch You in the Eye, Stash, Fluffhead > Chalk Dust Torture

    Set 2: Sample in a Jar, Poor Heart > Tweezer -> Dave’s Energy Guide -> Tweezer > Gumbo > Sparkle > Suzy Greenberg, Harry Hood, Tweezer Reprise

    Encore: Sweet Adeline, While My Guitar Gently Weeps

    [1] No whistling.

    Ha Ha Ha was teased before the start of the first set. Reba did not have the whistling ending. Dave’s Energy Guide was played for the first time since March 8, 1991 (479 shows). The secondTweezer included a Cannonball jam with quotes from Trey.

    The next day the fans returned to Jones Beach for another round of Phish, and were greeted with “Runaway Jim” -> “Taste.” The straightforward first set was enthusiastic and energetic, and ended with an acapella “Carolina.”

    If you were getting your first taste of Phish over these two nights, you might think that nearly half hour versions of songs were the norm, and for a time, they were. Both “David Bowie” and “You Enjoy Myself” topped over the 25 minute mark, with “Bowie” taking chances getting spacey, and “You Enjoy Myself” including a bass and drums section.

    From here, Phish would have two more two-night runs, at Great Woods in Mansfield, MA and two-nights in at Sugarbush in North Fayston, VT

    Setlist: June 29, 1995 via Phish.net

    Set 1: Runaway Jim > Taste, The Horse > Silent in the Morning, Divided Sky, Cavern > Rift > Simple > Split Open and Melt, Carolina

    Set 2: Free -> David Bowie, Strange Design, You Enjoy Myself, Acoustic Army, A Day in the Life

    Encore: Theme From the Bottom

    Runaway Jim contained a Cannonball tease.

  • Hearing Aide: Baked Shrimp ‘Bubble Suit’

    With the times changing week by week, it’s been pretty hard for bands to get together and practice safely like they used to. However, Baked Shrimp had a different idea all together. This progressive-funk trio from Long Island just released their second full album, Bubble Suit, and their approach towards recording this new LP is ingenious.

    Jared Cowen, Scott Reill and Jager Soss recorded their parts virtually and used cloud-based systems to send the tracks back and forth to create the final product. These 12 tracks have never been performed live or even played at practice and the band is quick to point out that this is not a studio album… it’s a quarantine album!

    baked shrimp bubble suit

    Regardless of how you classify it, this album is an impressive musical and technical feat from start to finish. The opening track, “The Vision That I Can See,” is a jaw-dropping epic that really showcases the prowess of this band and make you scratch your head as you ponder how they were able to put this album together. “Conduit” fits this same description too and will undoubtedly become a staple at their live shows. The band also shows off their light-hearted side with humorous tracks like “I Wanna Do Nothing” and “Drinking on the Beach”, but they really flex their skills on more upbeat songs like “Koko” and “Rock Bottom.”

    Bubble Suit is a response to Baked Shrimp’s 30-date Summer Tour being cancelled. The band plans to resume touring as soon as safely possible and will stay true to release new music frequently in the future. For now, this album is a milestone achievement for Baked Shrimp and the music scene as a whole. They’ve taken our current uncomfortable situation and truly made the most of the situation. Bubble Suit was released on June 18 on Bandcamp.

    Key Tracks: Conduit, The Vision That I Can See, Koko

    Bubble Suit by Baked Shrimp
  • Nassau Veterans Memorial Coliseum Plans to Shut Down

    Long Island’s Nassau Veterans Memorial Coliseum is shutting down according to a Bloomberg report and will be shut down indefinitely until new investors can be found. Nassau Coliseum is just one of the many venues suffering due to the COVID-19 pandemic. 

    Phish Performing December 1, 2019 at Nassau Veterans Memorial Coliseum. Photo taken by Thom McKenna.

    The Nassau Veterans Memorial Coliseum opened in 1972 and is used for all sorts of events including sporting events, large exhibitions, shows as well as trade shows, and of course concerts. The coliseum hosted big names like Elvis Presley, The Grateful Dead, Phish, The Beach Boys, Queen, and many, many others.  The coliseum went through renovations back in 2015- 2017 and currently has a seating capacity of 14,500.

    According to posts on Bitcoin Prime, billionaire Mikhail Prokhorov’s Onexim Sports and Entertainment who operates the venue decided to shutdown the coliseum indefinitely while they seek investors to take over operations. Once they have found a new investor they will have the lease turned over to the new investor and have them pick up the remaining debt on the building which is roughly $100 million in loans on it in return.

    According to the Bloomberg report, Onexim Sports and Entertainment’s explained that, “The unforeseeable and unprecedented Covid-19 crisis has had a devastating effect on the operations of the Coliseum and its finances. While we still believe in the enormous long term economic value of the Coliseum and the development of the surrounding land, we recognize that such value will be best realized by other parties.”

    The Nassau Veterans Memorial Coliseum has been an essential part of the entertainment scene on Long Island for many years and hopefully will be able to continue to do so once they find a new investor. For more information read the Bloomberg report or visit The Nassau Veterans Memorial Coliseum’s website.

  • Celebrating 30 Years of Mariah Carey

    As of Friday, June 12, the self-titled debut album from Mariah Carey is 30 years old. With four consecutive #1 singles on the Billboard Hot 100 including “Vision of Love” and “Someday,” it instantly shot the Long Island-born diva into superstardom and an elite class of vocal legends including Whitney Houston. While Mariah’s legacy has been watered down to that of a washed-up Christmas singer in recent years, this unfair revisionist history ignores the impact she’s had on virtually every pop and R&B act after her.

    mariah carey

    When Mariah Carey released “Vision of Love” in 1990, the French-German duo Milli Vanilli had just been busted for lip-syncing and artists like Madonna made up for subpar vocal talent with shock value and spectacle. On the contrary, Carey demonstrated she was capable of belting, runs, melisma, and whistle tones in less than four minutes, swinging the pop pendulum the other way and reintroducing the concept of pop stars as vocalists with few gimmicks besides their own voices. More of these rose to fame throughout the 90s, from Brandy to Usher to Destiny’s Child, and the explosion of reality talent shows in the 2000s only intensified the phenomenon. Mariah’s power ballads like “Vision of Love” and “Hero” have been American Idol since its inception, a show she eventually judged.

    Throughout the 90s and 2000s, Carey achieved 18 #1 hit singles on the Billboard Hot 100. She wrote and produced 17 of them, the sole exception being a cover of the Jackson 5’s “I’ll Be There” for her MTV Unplugged EP. She also shared the record for the chart’s longest-running #1 with Boyz II Men for their 1995 single “One Sweet Day,” which spent 16 weeks at the top and had yet to be surpassed until Lil Nas X’s 2019 hit “Old Town Road” beat it with 19 weeks atop. Late last year, “All I Want For Christmas Is You” finally hit #1 on its 25th anniversary, giving Carey her 19th #1 overall and the first in 12 years.

    Despite her immense success, Mariah’s career hasn’t been without its setbacks. She made bizarre guest appearances on MTV’s TRL and Cribs in the early 2000s that she later attributed to bipolar disorder, and she was the subject of public ridicule when critics panned her 2001 film and album Glitter. However, she returned to form with her 2005 comeback single “We Belong Together” and its accompanying album The Emancipation of Mimi, winning three Grammy Awards. And although her 2016 New Year’s Eve fiasco temporarily made her the butt of the joke again, she set it right with a pitch-perfect performance the following year.

    mariah carey
    Mariah Carey with her three wins for The Emancipation of Mimi at the 2006 Grammy Awards.

    Carey is also no stranger to engaging in public feuds with other singers. Interestingly, a short glance at the long list of artists Carey has feuded with shows that they’ve all been influenced by her in one way or another: Christina Aguilera, Jennifer Lopez, Demi Lovato, Ariana Grande, and Nicki Minaj, to name just a few. They might not like her, but they still respect her achievements and emulate her in their music, style, and personas. With the Ol’ Dirty Bastard remix of “Fantasy” in 1995, Mariah became one of the first mainstream pop singers to feature a rapper on a song’s verses while singing the hook—now a common crossover recipe for top 40 artists.

    Even Canadian electropop artist Grimes defended her love of Mariah Carey to Pitchfork, saying, “I know very few adult males who consider themselves serious ‘music guys’ who don’t laugh when I say I like Mariah Carey. Why? Because she’s beautiful and people like her. Therefore she must be selling sex, right? So obviously her music is terrible, right? Ugh. The first time I heard Mariah Carey, it shattered the fabric of my existence.”

    Celebrate the album’s 30th anniversary below: