Category: Poughkeepsie

  • Flashback: November 28, 1986 – Metallica and Metal Church at the Mid-Hudson Civic Center

    Metallica and Metal Church played the night after Thanksgiving in 1986, and the Mid-Hudson Civic Center was sold out.  In years following the Mid-Hudson was usually open floor but this show was seated, which killed the vibe a bit, but did not prevent a massive crush and mayhem in front of the stage.

    Late 1986 was a strange and sad time for Metallica.  At the beginning of the year, they’d released their monumental third album ‘Master of Puppets’, and capitalized on 3 years of touring and huge underground acclaim by becoming THE band of 1986.  They opened a nationwide tour for Ozzy Osbourne (which included several New York State gigs in Rochester, Syracuse, Binghamton, Glens Falls and Nassau Coliseum in Long Island) earlier that year, and the ex-Black Sabbath singer was routinely faced with the prospect of following their fireball performances, daunting even for a titan such as he. 

    metallica metal church

    Summer 1986 headline gigs – including a scheduled August ‘86 gig at this same venue – were postponed when frontman James Hetfield busted his arm skateboarding, but were rescheduled for October 1986, when the band were scheduled to return from a European tour and headline across the States.  Sadly, these too were postponed, for much worse reasons, when iconic bass player Cliff Burton was killed in a bus accident in Sweden in late September 1986.

    Astoundingly, the band bounced back almost immediately, recruiting Flotsam & Jetsam bass player Jason Newsted, played their first gig in early November, and the band did a Japanese tour just over a month following Cliff’s death.  This Poughkeepsie gig, rescheduled for the third time for November 28, happened just 2 months to the day after Burton’s death.

    The opening band for Metallica: mighty Seattle metallers Metal Church, who had just released ‘The Dark,’ their second album, a great record.  They opened with “Ton Of Bricks,” and played a solid set with songs from both records, to a decent reception, although the crowd was there for one band.

    metallica metal church

    Metallica were crushing, of course. This was Newsted’s 3rd ever U.S. gig with Metallica, and to this writer, it was weird not seeing Cliff up there. In retrospect, Jason did a fine job as Cliff’s replacement – he could never really replace the man, but he was a good bass player, great background vocalist, and did as solid a job as one could do replacing such a major figure. That night he looked uncomfortable and out of place, and for some reason the band stuck to the same routine they’d had previous to Burton’s death – a bass solo before “Whiplash” – and made Newsted do a bass solo, which was utterly unnecessary and really made you miss Cliff.  The biggest cheer came at the end of the solo when he did a quick riff from Cliff’s trademark bass solo “Anesthesia”. Beyond that, no mention was made of Cliff Burton.

    Anyway, even with a major absence, a great show – pretty much the same headline set they’d been doing all year, all those immortally mighty songs from the first three albums: opening with “Battery” and “Master of Puppets”, a few more newer ‘MOP’ songs like “Sanitarium” and “The Thing That Should Not Be”, and more vintage classics like “For Whom The Bell Tolls”, a thrashing “Whiplash”, singalong bruiser “Seek & Destroy” and a set-ending, world-destroying “Creeping Death”.

    The encores were bulletproof pure metal: first-album standard “Four Horsemen,” a quick Kirk Hammet solo, and then their much-loved cover of Diamond Head’s “Am I Evil?,” coupled with a neck-snapping “Damage, Inc.,” and a raging, apocalyptic “Fight Fire With Fire.”  A final, extra encore was another cover, this time of Blitzkrieg’s face-removing “Blitzkrieg.”  Again, there was an air of strange sadness about the entire thing, without the man in bell-bottoms usually on the left side of the stage, hair flailing, roaring on his bass, something was missing.  But it did not stop the raw power of this band – at this point, they were still the greatest band on Earth. All hail Metallica.

    Metallica Setlist: The Ecstasy of Gold – intro, Battery, Master of Puppets, For Whom the Bell Tolls, Welcome Home (Sanitarium), Ride the Lightning, Bass Solo, Whiplash, The Thing That Should Not Be, Fade to Black, Seek & Destroy, Creeping Death, The Four Horsemen, Am I Evil?, Damage, Inc., Fight Fire With Fire, Blitzkrieg

    https://www.youtube.com/watch?v=uZDlcuoGGkw
  • Flashback to November 2, 1988: Slayer, Motörhead and Overkill at Mid-Hudson Civic Center in Poughkeepsie

    These were days when metal giants still walked the Earth, and on this day on 1988 a bulletproof triple-bill played at a packed Mid-Hudson Civic Center in Poughkeepsie: California thrashers Slayer, legendary British underground gods Motörhead, and NJ heavies Overkill, who opened.

    motorhead
    photo by Mark Kurtzner

    At the time, Overkill were supporting their then-new third album, ‘Under The Influence’, and played a short set featuring new bruisers such as “Shred” and “Welcome to the Gutter,” along with a few classics like “Rotten to the Core.”  Said frontman Bobby Blitz a few years later about opening for Motörhead – Overkill, were, after all, named after a Motörhead song – “touring with Lemmy was like touring with GOD!  I’d be sitting next to him, taking pictures, asking ‘Can you sign another album, Lem? It was great.”

    lemmy
    photo by Mark Kurtzner

    Motörhead played second – odd to see them open for Slayer, a band who’d been wearing Motörhead shirts on the inside sleeve of their first album five years earlier, and a band about 10 years behind of Motörhead in terms of when their first albums came out – but Slayer had hit big with their third record ‘Reign In Blood’ a couple years earlier, while Motörhead were still – and always would be, In America – beloved underground veterans.  This did not stop Lemmy and his bands of rogues from stealing the show.  They were then promoting their second live record, ‘No Sleep At All’, and Lemmy strode out on stage and barked “We are Motörhead, and we play rock’n’roll”, before the band blasted into “Dr. Rock”, the ’Orgasmatron’-era pounder which also started the new live record. 

    overkill
    photo by Mark Kurtzner

    The band were still playing many songs from the most recent studio record, ‘Rock’n’Roll’ (4 songs, plus ‘Rock’n’Roll’-era b-side “Just Cos You Got The Power”), and “Eat The Rich” from that record got a big reaction, even from the younger Slayer-heads who knew it from MTV.  Unlike their later years, where the majority of the set was from the ‘classic’ pre-1983 Fast Eddie years, this night most of the songs played were from the then-recent records by the newer 4-piece Motörhead with guitarists Wurzel and Phil Campbell, including “Dr Rock”, “Built for Speed”, a grinding “Orgasmatron”, the minor hit “Killed by Death”, and the aforementioned slew of ‘Rock’n’Roll’-era songs.  The band did play a few vintage songs though, including “Stay Clean”, “Metropolis”, eternal favorite “Ace of Spades” and the world-flattening and opening-band-inspiring “Overkill”.  A ear-destroyingly killer show, and with 3 of these 4 men now in Valhalla – Lemmy, guitarist Wurzel and drummer ‘Philthy’ Phil Taylor – a lineup that will never be seen again.

    slayer
    photo by Mark Kurtzner

    Slayer, of course, were also mighty and unstoppable.  The pit was huge, sweeping away any who wanted to merely stand and watch, and the west coast thrashers opened with “South of Heaven”, title track from the then-new record, before mayhem erupted with song #2, “Raining Blood”.  This was the ‘classic lineup’ – Tom Araya, Kerry King, drummer Dave Lombardo, and the late, great Jeff Hanneman.  There was no rest thereafter, and the band leaned on the new record heavily – 8 of 15 songs played were from ‘South of Heaven’, with more vintage neck-snapppers like “Black Magic”, “Chemical Warfare”, “Necrophiliac”, “Postmortem” and “Kill Again” also played, before the show wrapped up – as would usually be the case, until Slayer’s 2019 conclusion as a touring band – with ‘Reign In Blood’-era skull-smasher “Angel of Death.”

    lemmy
    photo by Mark Kurtzner

    Motörhead setlist: Doctor Rock, Stay Clean, Traitor, Metropolis, Dogs, Eat the Rich, Built for Speed, Just ‘Cos You Got the Power, Orgasmatron, Stone Deaf in the U.S.A., Killed by Death, Ace of Spades, Overkill

    Slayer setlist: South of Heaven, Raining Blood, Silent Scream, Read Between the Lies, Black Magic, Postmortem, Necrophiliac, Behind the Crooked Cross, Kill Again, Mandatory Suicide, Chemical Warfare, Ghosts of War, Spill the Blood, Live Undead, Angel of Death

    slayer
    photo by Mark Kurtzner
  • Flashback: Grim Reaper, Armored Saint and Helloween perform at the Mid-Hudson Civic Center, October 1, 1987

    The Mid-Hudson Civic Center is not a particularly huge arena by normal standards, but the fact that it was less than half-full on this night made it seem that much bigger.  This was a solid triple-bill of 1987 real metal – dubbed the ‘Hell on Wheels’ tour – featuring Helloween and Armored Saint, but headliners from the U.K., heavies Grim Reaper, had one hit single to their credit (“See You In Hell”), and that single success had not translated to arena-filling status for the Brits. 

    So the hall was not packed (a fact not helped by the fact that the much bigger British hard rockers Def Leppard was playing a gig a few hours north at the Glens Falls Civic Center that night), and frankly the audience that was there seemed to be present more for German newcomers/openers Helloween, there on their first US tour, and L.A. metal gods Armored Saint, who played the middle slot.  This was a show that could have – and perhaps should have – been booked into The Chance around the corner.

    photo by Marc Kurtzner

    Helloween had a big buzz at the time with their ‘Keeper of the Seven Keys Pt. I’ album, were already pulling big crowds in the UK and Europe, and years later are considered to be trailblazers for the epic, Power Metal sound which still packs halls in Europe.  This night they were a new young metal band with something to prove, and hit the stage fast and heavy, and got the less-than-capacity crowd going immediately, despite the fact that the house lights didn’t go down until halfway through the second song. 

    helloween
    photo by Marc Kurtzner

    The band played a set full of songs from the then-current Keeper album, including “Future World” and the 13-minute epic “Helloween”, and were given a  third-on-the-bill encore by the enthusiastic crowd, and played older song “How Many Tears” to wrap things up.  The band seemed primed for much bigger things in 1987, and returned a year or two later to play packed halls with Anthrax in ’89, but mass success did not ensue, in the U.S. anyway.

    helloween
    photo by Marc Kurtzner

    As tight and entertaining as Helloween were, this writer was there for band #2, west coast heavies Armored Saint.  “March of the Saint” kicked their set off, and from there the Saint (singer John Bush, bassist Joey Vera, drummer Gonzo Sandoval and the late, great guitarist Dave Prichard) attacked the stage with enough energy to melt icebergs. 

    armored saint john bush
    photo by Marc Kurtzner

    At the time AS were promoting their third Chrysalis Records LP, ‘Raising Fear’, and played several tracks from that release, like “Human Vulture”, “Book of Blood”, and the killer “Chemical Euphoria”, but didn’t ignore older songs like “Long Before I Die” and “Can U Deliver”, all served up with sweaty, infectious energy. 

    photo by Marc Kurtzner

    The set finished with the then-new record’s high-velocity, headbanging title track, “Raising Fear”, before the band were summoned for an encore, the even faster, heavier “Madhouse” from their debut record.

    grim reaper
    photo by Marc Kurtzner

    Headliners Grim Reaper finished the night, and seemed to get less front-of-the-stage energy from the crowd than the first two bands had.  GR were solid metal, singer Steve Grimmett had (and has) a mighty howl, and guitarist Nick Bowcott is no slouch, but the band seemed superlative after the more exciting first two bands, and they played an hour of shrieking metal, culminating in the inevitable “See You In Hell” before a dwindling crowd.  That said, a fine night of pure metal, perhaps in a hall bigger than was warranted by the headline act.

    grim reaper
    photo by Marc Kurtzner
  • Bardavon Pays Tribute To Bob Dylan’s ‘Highway 61 Revisited’

    The Bardavon Opera House in Poughkeepsie has temporarily closed its doors, but the music is still coming. Their “Albums Revisited” streaming series will resume on Sunday, August 30 at 8:00 p.m., with a tribute to Bob Dylan’s Highway 61 Revisited. Known as Dylan’s first true rock album, the tribute falls on Highway 61’s 55th anniversary. To celebrate the occasion, Bardavon’s Production Manager Stephen LaMarca has curated a setlist of artists to perform each of its nine songs. While the event will be broadcast on Bardavon Presents’ YouTube for free, they’re accepting donations for People’s Place in Kingston and Dutchess Outreach in Poughkeepsie.

    Dylan Highway 61

    The full list of performances includes:

    • “Like a Rolling Stone” – Jack DeJohnette & John Medeski
    • “Tombstone Blues” – The Weight Band
    • “It Takes a Lot to Laugh, It Takes a Train to Cry” – Jimmy Vivino, Rich Pagano & John Sebastian
    • “From a Buick 6” – Guy Davis
    • “Ballad of a Thin Man” – Steve Earle
    • “Queen Jane Approximately” – Lucinda Williams
    • “Highway 61 Revisited” – Kate Pierson w/ The Restless Age
    • “Just Like Tom Thumb’s Blues” – Happy Traum w/ special guests
    • “Desolation Row” – Simone Felice
    • “Can You Please Crawl Out Your Window” – Laura Stevenson

    The event will also feature commentary from Bardavon’s Executive Director Chris Silva, as well as others. 

    Bardavon Presents’ next “Albums Revisited” installment is at 8:00 p.m. on Sunday, November 1, where they’ll celebrate the 50th anniversary of the Grateful Dead’s American Beauty. They’ll also be streaming a Hudson Valley Philharmonic virtual concert hall at 8:00 p.m. on Saturday, September 26, as well as a live DJ set at 8:00 p.m. on Friday, October 8.

    For more information regarding this stream and future shows, go to Bardavon’s website.

  • Hudson Valley Philharmonic to Stream Virtual Concert

    On Saturday, July 18, Bardavon Presents will stream the first Hudson Valley Philharmonic Virtual Concert Hall for free. The performance is curated by HVP Maestro Randall Craig Fleischer and will showcase favorite pieces performed by the talented HVP musicians. 

    hudson valley philharmonic

    As Bardavon is not sure when audiences will be able to gather together once again due to the Coronavirus pandemic, they are streaming virtual performances on YouTube for fans to enjoy from home. The HVP Virtual Concert Hall #1 will stream on July 18 at 8PM and will feature the following pieces along with commentary from Fleischer:

    Reinhold Glière, 8 Pieces, Op.39, Scherzo, Performed by Madeline Fayette, Cello, and Abi Fayette, Violin

    Reinhold Glière, 8 Pieces, Op.39, Berceuse, Performed by Madeline Fayette, Cello, and Abi Fayette, Violin

    Gioachino Rossini, The Barber of Seville Overture, arr. for two flutes, Performed by Marcia Gates, Flute, and Jill Sokol, Flute

    J.S. Bach, French Suite No. 2, Allemande, Performed by Elizabeth Handman, Viola

    J.S. Bach, French Suite No. 2, Courande, Performed by Elizabeth Handman, Viola

    Jay Ungar, Ashokan Farewell, Performed by Frances Duffy, Harp

    Bela Bartok, Romanian Folk Dances, Allegro Moderato, Performed by Rachel Handman, Violin

    Donna Doyle, “Cave of the Heart”, Performed by Gregory K. Williams, Viola

    Gioachino Rossini, William Tell Overture, English Horn solo, Performed by Joel Evans, English Horn

    Hatikva (trad.), Performed by Harvey Feldman, Bassoon

    Subscribe to Bardavon Presents on YouTube so you don’t miss this or their upcoming shows planned for July through November. Bardavon is still selling tickets online for future events and updates their ticket holders on the status of the scheduled events.

  • This Darkness has got to give: Music Venues in July across New York State

    It is now July 2020, the fifth month with minimal, if any, live music performances throughout New York State, let alone the country. Our venues are not yet open, but as the threat of COVID-19 decreases, parts of New York will enter Phase 4 and beyond, with the hope that live music will return, even if gradually.

    While we may be stream weary, the prospect of live music is a motivator for many, and staying safe is the key given that New York and much of the Northeast are faring better than other areas of the country.

    Photo by Buscar Photo

    From viewing these photos taken during mid-late June, we can see the presence of the Black Lives Matter protests that spanned all 50 states. In all corners of New York there were protests, particularly in New York, protests that continue to push for defunding of the NYPD.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, NYS Music presents the second edition of our monthly series that looks at the current state of our beloved venues. When the venues reopen, we will share photo documentation recording the changes over time in all corners of the state.

    Immense thanks goes out to all photographers and venues who are taking part in this monthly series. We’ll start this month in the Capital District, with a drone montage from Zach Culver, covering the venues we long to return to, sooner, rather than later.

    Manhattan and Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Saranac Lake – photos by Pete Mason

    Long Island – photos by Andrew Camera

    Rochester – photos by Brian Ferguson

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Utica – photos courtesy of The Stanley Theatre

    Port Chester – photos by Chad Anderson

    Ithaca – photo by Casey Martin

    Lake Placid – photos by Pete Mason

    Long Island – photos by Rob Tellerman

    Tarrytown and Peekskill – photos by Steve Malinski

    Buffalo – photos by Zachary Todtenhagen

  • Young Singer/Songwriter Shawn Wodraska Uses His Voice to Call for Peace

    One of the greatest blessings we have in life is the ability to use our voice; Shawn Wodraska, a 21-year-old singer/songwriter from the small town of Wingdale, NY recently used his to represent his passion for the Black Lives Matter Movement and overall peace between those with different backgrounds and beliefs.

    Shawn Wodraska

    Shawn took to Facebook to portray a message of hope with a beautiful cover of “If I Can Dream” by Elvis Presley. “As I was scrolling through social media, I noticed that news coverage and posts were almost exclusively negative,” he said, “I decided that I had to do something; we all have to play our role to make a change, so I chose to sing, the only thing I know how to do.”

    Click here to view the original post.

    His video generated an exceptional amount of positive feedback with more than one thousand views. Prior to posting, Shawn said, “I was worried about negativity or that people would think I was using the Black Lives Matter Movement to further my career.” He continued, “I knew I had to do something to play my role in restoring peace, likes and views were the last thing on my mind.”

    Philosopher Aleksandr Solzhenitsyn and his belief that “the line between good and evil passes through every human heart” was one of the driving forces in Shawn’s decision to post on social media. “I want to do what I can to help bring peace to all corners of life by inspiring people to find the humanity in who they perceive to be their enemies,” he continued, “I am one voice of the many needed to bring about unity, but it’s important to remember that we are all human and we have to work together.”

    https://www.youtube.com/watch?v=9jntQW9XOxQ

    The passion inside of Shawn is evident in his original music as well. Although he doesn’t mind if he never makes it big, he said, “I want to use the platform I build to promote positivity. We can always do better. I want to highlight that in my music.”

    Typically accompanied by the piano, his content ranges from story-telling folk tunes that draw inspiration from Marty Robins to easy-listening ballads without lyrics. While some of his songs have a theme, many of them are left open to interpretation. “Mediums like music tend to reach people on a spiritual level – there’s a reason why they call it soul – the music we write should be inspirational and bring people together,” he continued, “We can all unite and enjoy a good song, regardless of the differences that polarize us.”

    To check out Shawn’s original music, visit his Youtube page.

  • This darkness has got to give: Music venues during COVID-19 across New York State

    As we enter June, the fourth month where live music performances are postponed until it is deemed safe to have mass gatherings due to COVID-19, we take a look at the music venues across the state that are closed for now, but in the coming months will hopefully reopen.

    Working with 13 photographers to document more than 60 venues in 20 cities across New York State, we present this monthly series that will look at the current conditions of these beloved venues. As they reopen, we will provide photo documentation recording the changes over time in all corners of the state.

    Great thanks to all photographers and venues who take part in this series.

    Buffalo – photos by Zachary Todtenhagen

    Capital District – photos by Zach Culver

    Brooklyn – photos by Joseph Buscarello

    Hudson Valley – photos by Mickey Deneher

    Long Island – photos by Andrew Camera

    Plattsburgh – photos by Jerry Cadieux

    Manhattan – photos by Jamie Huenefeld

    Syracuse – photos by Josh Davis

    Utica – photos courtesy of The Stanley Theatre

    Ithaca – photos by Casey Martin

    Long Island – photos by Rob Tellerman

    Brooklyn and Manhattan – photos by Steve Malinski

    Port Chester – photo by Chad Anderson