For years, the Lake George Jazz Festival has hosted some of the world’s most prominent jazz talent in a fun-filled weekend. Unfortunately, because of COVID-19, the weekend of in-person jazz has been cancelled. Luckily, fans can watch live streams of jazz every Thursday night in September.
Poster design by the Gruskin Group
While the live concert will definitely be missed, the Jazz Weekend Virtual Series allows for even more to be showcased as music will be streamed every week. The Lake George Arts Project has planned a series of 4 impressive shows that will combine live performances as well as time for audience questions and discussions Each concert will be curated and hosted by LGAP’s Jazz Curator, Daniel Kelly. The renowned jazz musicians will not disappoint fans who miss the in-person festival. The shows will stream on Facebook, YouTube, and the Lake George Arts Project’s streaming page.
Even while the LGAP has great virtual events planned, they are still suffering financially from COVID-19. The organization is a non-profit and makes their revenue through ticket sales. While all concerts are on hold, the LGAP has lost $40,000 which might nearly double to $70,000. The Lake George Arts Project is asking for donations to help with their current struggle.
To encourage more to donate, so-called LGAP’s “angels” Susan and Kenneth Gruskin will match each donation up to $2,500. The LGAP insists that “anything and everything makes a difference whether it is $5 or $500!”
The Jazz Weekend Virtual Series will stream on September 3, 10, 17, and 24 at 7pm.
Each Sunday evening from 7-9pm on 102.7 FM, you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear music from Fab the Duo, CANVAS and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to a ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Boyfriends Greg Driscoll and Brendan Eprile bring a unique blend of energy and open-mindedness to pop-rock. Add some blues and elements of Broadway and you’re in for a sound that is both fun and meaningful. The duo come from New York City and are building quite the following in the surrounding areas having even played a planned parenthood benefit in my hometown of Bennington, VT. Having pumped up audiences with their powerful and well-crafted tunes, they continue to challenge the status quo of today’s cultural scene.
Here is a band that likes to explore new territory, drawing influences from bluegrass, folk, punk, metal, and hip-hop. That said, experimentation is their mission and they don’t associate themselves with any particular sound or genre. They go boldly into uncharted territory and take a new approach with every song. Triumphant anthems, soulful ballads, and edgy fusions of alt pop, rock, and funk… it’s all there. Just dare them not to try it. Double. Dog. Dare them. CANVAS believes nothing is certain and all you have to do is take a listen to their ever-evolving hybrid sound to see what they mean.
An Albany passion project amongst friends has evolved into a molecular musical composition, otherwise known as Bendt. The four-piece rock group strands undoubted rock heritage with a meticulous nuance of modern yet technical tangents. In their most recent, and debut full length, Bendt tells a story that clearly roots deeper than their sonic surface.
Bendt’s nine track album, Brightness in the Barrens, is sequenced in such a way that provokes the ear. With each track comes a new tone, walking you up a spiral staircase. It’s that moment where you inch closer, adjust your ear and grow more curious with each step. “Encumbered,” marks that sonic threshold where you’ve now entered Bent’s world – The Rock n’ Roll egg has been cracked and mutates before your own eyes.
A Lonely shadow wearing down
The flooding ends but the flames abound
With knowledge worth its weight in gold
Encumbered minds best left unsold
“Encumbered” – Bendt
Notably, Bendt has made an effort with the albums opening track “Symptoms.” It debuted as a single in January and paired with a play-along music video. You can’t knock a band that leads with their musical foot forward. The opening hook is gritty with drum licks that make the listener jump more than once. Lead guitarist, Carl Blackwood, is impressive as he takes the bridge to atmospherical heights. Each instrument colors the piece in their own right, but Bendt is just getting warmed up.
Bendt has that iconic rock sound, but thrives in their subtle textures. Tracks like “Dire Elevation,” “13th” and “Don’t” start at utter ends of the spectrum and contrast each other brilliantly. It’s a physical fitness test of the musical minds. Nothing yields way. Everything is continually changing.
Bendt @ Sonelab Recording Studio 12/16/18 – Bryan Lasky
Without ample background, Bendt punningly plays on the notes between the notes. Highlighting on a personal favorite, “Knife” cuts right through the bullshit. Downright gritty rock that highlights the strength of each player. Continually throughout the album Blackwood and bassist, John Longo push and pull against Matt Plummer’s lead vocals. Drummer Cody Bingham doesn’t play like an outright rock drummer. His nuance captures the intricate textures that non-chromatic instruments often miss – taking what’s his and bolstering the energy in the room. Then roaring on the floor tom, sharpening the band back into the hook.
Album outliers “Open Spaces” and “Something” round out this debut and make way for a suspenseful setlist if weaved carefully as interludes, or stacked as dreamy encore.
Bendt is a hip rock band that plays outiside the box. My guess: their live performances will keep the eyes and ears on edge, trying to absorb what’s actually going on. Gridlocked by the pandemic “Brightness in the Barrens” has not had its chance to bloom.
Be sure to check out Bendt’s 2017 self titled EP that holds its own against Brightness in the Barrens eye for eye – or mixed on shuffle. “Odyssey” is a mysterious harmonic that lurks in the musical mastermind of Bendt – giving way with long-winding strums – so you can take it all in once again. It grows.
Frank Palangi, the homegrown Queensbury, NY indie rock singer, guitarist and musician who has shown he can do anything and everything he sets his mind to, has released his latest video for “Gone Mad.”
Filmed at Sweet Basil’s, as well as his home studio, Palangi coordinated for the video in recent months with Director Cameron Gallagher and Producer Frank Palangi.
The video is composed as an otherworldly talent competition at a mysterious location, which leaves Palangi walking into a rigged scenario and leaving him with no control. “Gone Mad” serves as the third chapter of of recent videos, including “Break These Chains” and “Set Me Free.”
Frank’s music is an evolution of the rock and metal sounds of the 80’s and 90’s with a dose of post-grunge mixed in. Despite the title, “Gone Mad” offers a refreshing and positive outlook that serves up a feeding frenzy of heavy guitar work and deep, gritty vocals.
The Palace Theatre along with the City of Albany and Mirth Films have announced that Saratoga Springs natives Wild Adriatic will be featured on the next edition of “The Palace Sessions”. Taking place on August 19 at 7p.m. in a undisclosed unique location within the historic theatre, the performance will stream live on the Palace Theatre’s Youtube page.
Executive Director of the Palace Billy Piskutz notes:
“We are thrilled to be able to welcome live music back to the hallowed halls of the Palace Theatre. This historic building exists to entertain and create memories and after a nearly four-month absence due to COVID-19, it is a thrill to know that it will again. We hope that our patrons will enjoy these performances as much as we do!”
The series kicked off on July 15 with a special performance by Albany locals Wurliday. Additional shows are slated for September 16 and October 21. Those performers have yet to be announced at this time.
Wurliday Performing at Palace Theatre
“Summer in Albany is synonymous with music and entertainment and it is wonderful to have the Palace Theater hosting local musicians albeit in a different way this year. I applaud the ingenuity of the Palace Theater, the Office of Cultural Affairs, and Mirth Films in bringing entertainment to people during COVID-19. I continue to be impressed with how our community has risen to the challenge of keeping the arts alive during this time and look forward to tuning in to the Palace Sessions.”
Albany Mayor Kathy Sheehan
During the performances donations are being accepted which will assist the Palace Theatre in continuing its mission to bring world-class arts and entertainment to New York’s Capital Region. Donations can be made HERE or directly through the Palace Theatre’s Text To Give program, by texting Palace2020 to 44321.
The show would serve as The Who’s only performance at SPAC, with a then-record attendance of 33,652 (reported as 27,800 by The Who), which shattered the previous record of 22,647 set by Chicago in 1970. Christian rock star and future Gospel Music Hall of Fame singer Mylon served as support for the show.
The crowd was everywhere, in the seats, on the lawn, on the stage, in the aisles and even on the steel girders on the side of the theater. The latter, fortunately, was only temporary until the police ordered the dozen young people down.
They were a noisy, restless audience to say the least, but seemed to lap up everything the four-man group offered. The Who gave them their money’s worth for an hour and a half, and do they work. As to the quality of their music, It was loud. I’ll leave further critique to those who favor this type of rock music. But the fact that they brought nearly 28,000 paying customers to SPAC is not to be denied.
They seemed to sing all the songs the crowd came for, as well as anumber of new ones, and had a difficult time convincing the crowd to go home.
Opening the show for the first have was Mylon, a long haired, grating singer-guitarist backed by five musicians and three girl singers. They did everything from rock to country-western, spirituals and even a standard, “Sixteen Ton.”
The Post-Star review goes on to detail the sound at the show as well as fans camping on the lawn:
The sound throughout the program was loud for those in the theater, and everywhere backstage theater walls and floor were actually vibrating. Out on the lawn, the sound was more moderated. Thanks to the closed circuit TV system used again last night, those on the lawn had a perfect viewing spot. Watching the TV cameramen in the aisles and one on stage on a ladder trying to cover the show for those on the lawn was almost a show initself.
There were the usual several minor cuts and abrasions, as well as several fainting incidents requiring backstage first aid, with some also going to the hospital.
Reportedly several on the lawn camped there from late Sunday night in order to be sure of a good place, so that should give some indication of the popularity of The Who. For anyone so inclined, a close examination of the group’s tons of sound equipment would be a short course in the electronic world of amplification at its fullest.
The intermission was especially long, as management pleaded for the young people to clear the aisles to comply with state fire laws. They never did get the aisles clear, but finally did get most of the kids to sit down so those in seats could see the stage.
A unique feature to evenings at SPAC – a program was distributed to attendees, as seen below.
Program coverProgram back
Among the small print, the program says of The Who:
Unlike so many groups in the fickle world of pop music, The Who have remained together as a band since their start in 1964. The creative sparkplug of the group is Pete Townsend, guitarist, songwriter and composer of Tommy. Bass player John Entwhistle is another fine songwriter. The two other members of the group are drummer Keith Moon and the explosive microphone-twirling singer Roger Daltry.
(Ed. Note: Townshend, Entwistle and Daltrey’s names were misspelled in the program)
Aside from the rock opera concept, The Who have been pioneers in many other areas of pop music. They were the first to refine guitar feedback to a high art, the first to use the previously sacred Union Jack as clothing and the first to wind up their performances by smashing their instruments.
The program goes on to note that The Who had just played two sold out shows at Forest Hills Tennis Stadium in Queens. They wrapped up their tour shortly after their Saratoga performance, with final tour stops at the Yale Bowl in New Haven, CT, Cobo Hall in Detroit and Chicago Auditorium.
Setlist: Love Ain’t For Keeping, Pure And Easy, My Wife, I Can’t Explain, Substitute, Bargain, Behind Blue Eyes, Won’t Get Fooled Again, I Don’t Know Myself, Baby Don’t You Do It (Marvin Gaye), Pinball Wizard, See Me Feel Me, Water
If you’re in the Saratoga Springs region this August and September and need a safe activity for the whole family, where everyone can feel like a kid again, you’re in luck. Saratoga Springs’ Universal Preservation Hall has the perfect afternoon activity for you.
“Part of the Machine: Rock and Pinball” is one of the most fun and unique experiences you’ll have this summer in Saratoga Springs. Designed for music lovers of all ages, you’ll find 16 different pinball machines, all inspired by Rock ‘n’ Roll bands including The Rolling Stones, KISS, AC/DC, The Beatles and Alice Cooper, among others.
There is of course one of the greatest pinball machines of all time, the detailed “Tommy” celebrating The Who’s “Pinball Wizard” himself. Alongside each machine, you’ll find artist memorabilia and information on each pinball machine, as curated by the Rock & Roll Hall of Fame, who brought the exhibit to UPH.
UPH is also taking all precautions during the exhibit. There is a limit of 20 patrons per 90 minute block, during which time a facemask and gloves are required. Upon entry they’ll check your temperature and guide you in a socially distanced way to the exhibit.
Following each block, all machines and surfaces are sanitized and cleaned over 30 minutes, before the next group comes in. Tickets are $20 for adults and $10 for children, giving access to all pinball machines, with no need to dig into your pockets for quarters.
The Saratoga region is fortunate to have such an exhibit open to the public during a time when group activities seem a relic of the past. Given the UPH staff’s propensity for professionalism and creating an environment that is welcoming to all, you’ll find this exhibit welcoming and return for future performances and exhibits. Playing pinball for 90 minutes is a great way to get lost in the music and feel like a kid again, if only for a short time.
https://www.instagram.com/p/CDPST-FJtAH/
“Part of the Machine: Rock and Pinball,” is now open and runs through September 26. Tickets are available for admission during the following time frames: Sunday â Wednesday: 10 a.m., noon, 2 p.m. and 4 p.m. and Thursday â Saturday: 10 a.m., noon, 2 p.m., 4 p.m. 6 p.m. and 8 p.m. Tickets can be purchased in advance or at the door. For more about the exhibit, visit UPH’s website.
The guitar Pete Townshend used to write “Pinball Wizard” is an added bonus to the Rock and Pinball exhibit at Universal Preservation Hall.
Albany Symphony subgroup Dogs of Desire announces their “Hot, w/Mustard,” 10 week series featuring 10 emerging composers. The series will start on August 2 and run through October 4 and the series will be available on the Albany Symphony’s website.
Albany Symphony’s Dogs of Desire Photo Provided by Albany Symphony.
The Dogs of Desire are made up of 18-members of Albany Symphony and will feature genre-bending new music. The emerging composers highlighted are: Alexis Lamb, Carlos Bandera, Annika Socolofsky, Andre Myers, Nina Shekhar, Jack Frerer, Clarice Assad, Gala Flagello, Paul Mortilla, and Derrick Spiva. The works of “Hot, w/Mustard” will cover a wide range of subjects, including an anthem paying tribute to nurses on the front-lines, Thoreau’s thoughts about the miracle of seeing the world through another person’s eyes;,the hope embodied in Dolly Parton’s music, bedtime stories, and a feminist look at Dear Abby.
Artistic Director David Alan Miller explained the reasoning behind the creation of the “Hot, w/Mustard,” series saying, “During difficult times, music is a source of inspiration, hope and comfort. We asked some of our favorite composers to create works to showcase the uniqueness of Dogs of Desire during a summer in which it is much more difficult than usual for listeners to experience exciting new art. We hope this new series will provide both our ardent fans and those who have never heard the Dogs [of Desire] the chance to enjoy our brilliant ensemble in all its glory through the rest of the summer. So, we hope you’ll kick back, relax and enjoy this one-of-a-kind experience each Sunday.”
https://youtu.be/bRr6EIxu9os
The series will start up on August second featuring Alexis Lamb on “Look Through” inspired by a quote from Henry David Thoreau’s Walden. On August 9th the series will host Carlos Bandera with The Vast Hour. On August 16 will host Annika Socolofsky with an arrangement of Dolly Parton’s “Light of a Clear Blue Morning.” On August 23 Andre Myers will step up to the plate with “Pulp Anthem: Reflected Glory” which is an anthem for nurses. On August 30 Nina Shekhar will present “Dear Abby” focusing on the 1956, Dear Abby is a newspaper column in which readers ask for advice on a variety of topics, including etiquette, relationships, sex, health, and career guidance. On September 6 Jack Frerer will be featured with “Getting Better.” On September 13 Clarice Assad will feature “Treta.” On September 20 Gala Flagello will present “Persist” after a poem Flagello wrote earlier this year. On September 27 Mortilla will present “Transmuting Ether // Quarantine-Dreams.” And on October 4 Derrick Spiva will wrap up the series with “From Embers” mimicus ideas of meditation, beginning small, then growing and unfolding with compound meters, mimicking the uneven beats of a pumping heart.
The series will be available on Albany Symphony’s website and on Albany Symphony social media channels. Each new work will be unveiled on Sunday. There will also be features, including interviews with the performers and composers and festive menu ideas, accompanying each release.
For more information visit Albany Symphony’s website.
Watch the first performance in the series by composer Alexis Lamb below.
First opened in 1874, Cohoes Music Hall is the fourth oldest operational music venue in the country.
An independent review committee was presented with proposals from six companies including the Music Hall’s former management company, Music Hall Arts Alliance before Park Playhouse’s bid was accepted last week by Cohoes Mayor Bill Keeler. The other four proposals included Guthrie/Bell Productions from Albany; the Hall, from Niskayuna; Lopolito, from Monroe; and Just Imagine, from Rensselaer.
“It is our goal to bring a variety of entertainment to the stage, while making the theater accessible for everyone in the community” said Park Playhouse Producing Artistic Director Owen Smith.
Management change became necessary as the City of Cohoes was forced to slash funding in the budget as the city still reels from the COVID-19 pandemic. The new contract will save taxpayers between $200,000 and $300,000 annually.
“Through this agreement we are able to save Cohoes taxpayers around a quarter of a million dollars annually while sustaining the arts and the vibrancy of our business district” said Mayor Bill Keeler. “This implements a business model that is fiscally prudent for the City of Cohoes for years to come, thus assuring the viability of the Music Hall over the long term.”
According to a press release from the city, Cohoes paid out more than $285,000 in Music Hall management costs and show support in 2019, receiving back just $90,326 in ticket and other revenue. Under the new agreement, the City will pay out nothing for management or show support, and receive $2 per ticket sold.
For the past four years The Playhouse has brought plays and musicals to the Music Hall stage. While maintaining the same caliber of showmanship, plans are in the works to incorporate other standards to the Music Hall including stand-up comedy, musicians, and variety acts.
A Screening of ‘Mavis 80, A Newport Folk Revival’ was announced by “Caffè Lena @ SPAC.” The screening will take place on the SPAC (Saratoga Performing Arts Center) grounds on July 31, 2020 at 8PM EST in Saratoga Springs, NY.
The film was originally recorded live in Los Angeles at The Theatre At Ace Hotel on May 22, 2019 will be premiering as the only place where the concert will be streamed in person is on the SPAC grounds. The grounds will be open with a limited capacity of only 50 people, and with carefully mapped out, socially-distanced seating and rigorous COVID protocols for the screening.
The broadcast of ‘Mavis 80, A Newport Folk Revival,’ is the premiere of Mavis Staples’ 80th birthday celebration in Los Angeles, following shows in New York and Nashville. Staples was joined by big names like Jason Isbell, Phoebe Bridgers, Brandi Carlile, M. Ward, Talking Heads’ Jerry Harrison, Dawes’ Griffin and Taylor Goldsmith, Benjamin Booker, Ben Harper, Lucius, Trombone Shorty, Joe Henry, Son Little, the War & Treaty, and more. The show was produced by Newport Festivals Foundation, Inc. and proceeds from the “Caffè Lena @ SPAC” screening will support the Foundation’s music education programs.
The screening will take place rain or shine around SPAC’s new concession building. There are designated 10X10 lawn spaces will be allocated and reserved for ticket buyers. Tickets are available to purchase for $25 as a box, which can seat up to two people. All guests are required to purchase tickets in advance here; tickets will not be available for purchase at the door. Guests are permitted to bring chairs, blankets, factory sealed water bottles and essential personal items. Food and alcohol are not permitted on the grounds, however Mazzone Hospitality will be on site to provide food and beverage options
Everyone attending the event will need to enter through the Hall of Springs Gate and are required to complete a health screening questionnaire upon entry. Guests are required to wear a face mask at all times unless situated in their reserved box. Restrooms will be available with social distancing and enhanced cleaning and sanitation protocols in place in accordance with recommended guidelines.
For those unable to attend in person, the event will be streaming on Fans website at 8:30 PM EST. Tickets went on sale on Tuesday, July 14 for this viewing experience. The proceeds are going to support the Newport Festival Foundation’s educational initiatives that celebrate innovation while preserving the deep traditions inherent in Jazz and Folk music.
For more information please visit SPAC’s website and Fans’ website.
