Live music fans can now take an online adventure in music with the Vermont Department of Tourism and Marketing’s new free virtual event series, “Forevergreen: A Vermont Adventure In Music.” The newly established virtual concert series presents music fans with Vermont’s endless capacity for adventure and a roster of artists who have an affinity for the Green Mountain State.
Produced by Higher Ground Presents, Forevergreen’s five-part virtual concert series will feature local Vermont musicians as well as regional and national acts live from quintessentially “Vermont” stages like South Burlington’s Higher Ground as well as a some of the state’s most iconic ski resorts. The event series will see performances from Taj Mahal, Twiddle, Lucius, Susan Tedeschi and Derek Trucks, Grace Potter, Chris Thile and Aoife O’Donovan, and more. For the full event schedule, head here.
All episodes of Forevergreen will stream live for free on the Vermont Tourism YouTube and Facebook channels at 7 p.m. ET. Watch the official teaser trailer of the event series below. More info can be found here.
December 26 – Taj Mahal, Twiddle, Kat Wright
December 30 – Lucius, Ryan Miller, Will Keeper
January 2 – Susan Tedeschi and Derek Trucks, Grace Potter, Dwight and Nicole
January 9 – Chris Thile and Aoife O’Donovan, Neko Case, Mikahely
January 16 – The Avett Brothers, Noah Kahan, The High Breaks
Marble Eyes announces their new weekly livestream series, ‘Marble Eyes Mondays.’ The streaming series will start on January 4, 2021 at 8 PM EST on Nugs.tv as well as the Nugs.net Facebook and YouTube pages.
A newly formed band during the pandemic era of music, Marble Eyes is a collection of national artists Eric Gould (bass, Pink Talking Fish), Adrian Tramontano (drums, Kung Fu), Mike Carter (guitar, The Indobox), and Max Chase (keys, Amulus). The band is based in Portsmouth, NH and has a soulful sound, hoping to bring joy to people across the country by creating brand new inspirational music and want to share this new music with people in this weekly series.
The band is teaming up with Nugs.net to present a livestream series which will take place every monday ergo the serieses name, “Marble Eyes Mondays,” Marble Eyes will perform a brand new concert every other Monday at 8PM ET. The performances will be hosted at The Press Room in Portsmouth NH. The concerts will be aired on Nugs.tv as well as the Nugs.net Facebook and YouTube pages. The series will be taking place every week through April of 2021.
With the pandemic looming over the music industry still, this will be a very different kind of winter for live entertainment. Just like most of 2020, most live performances are seeming unlikely for 2021. Because of this, Marble Eyes is giving music lovers an opportunity to get to know a new band during this time of livesteams via this series. There will be unique production added to the shows each month and, along with the existing collection of fresh material, the band will be introducing at least one song debut during each show.
For more information on the the series and the band visit their Facebook page.
Christmas came early for Phish fans on December 24, with a 2pm premiere of December, an album from guitarist Trey Anastasio and Chairman of the Boards™, Page McConnell.
The sessions from the band’s recording studio, The Barn, in Vermont, were recorded over the summer, of which two songs were shared during The Beacon Jams series this fall.
The album features six tracks, all arranged for Page and Trey, offering a more melodic treatment of a few Phish ballads. The album leads off with Hoist track “If I Could” followed by “Mountains in the Mist,” and “Wingsuit,” “Joy” and “Miss You.” A 16-minute version of “The Squirming Coil” rounds out December, making it one of the longest versions of the song to date.
December was produced and mixed by Bryce Goggin, engineered by Ben Collette and mastered by Pete Lyman at Infrasonic Mastering, Nashville, TN.
Because of the pandemic, it seemed impossible for Rob Mathes to hold his annual holiday this year. The concert also took a hiatus in 2019 so that Mathes could work with Sting on his musical The Last Ship. Mathes and a generous team have worked to make sure that the 26th concert will take place this December.
“The thought of yet another gap year for our annual Holiday concert in 2020 was depressing, but seemingly unavoidable,” said Mathes in a recent press release. “Then a few angels in the form of Deborah and Chuck Royce and Jane and Mike Peak arrived just in time. They agreed to put up some small honorariums for the musicians and crew so we could perform and film a concert with no audience and then stream it for free.” Everyone involved will practice social distancing to ensure safety.
The concert will be taped at the First Congressional Church of Old Greenwich in Connecticut and hosted by Reverend Patrick Collins and Minister of Music Craig Scott Symons. Accompanied by a choir of Saints & Friends, Mathes and his band will play an hour of free music available for anyone.
The band will have Shawn Pelton on Percussion, Zev Katz on Acoustic Bass, Andy Snitzer on Tenor Sax, and Vaneese Thomas and James “D-Train” Williams on vocals. The hour-long show of audience favorites will hopefully bring Christmas cheer to everyone in this pandemic. Emmy winner Bob Conover will film and Grammy winner Rory Young will record and mix the concert.
Photo by Lisa Meloni.
With great political unrest and a national health crisis, with it being very difficult, if not downright dangerous, to get in a room with family and friends this season, a love offering of music is being made possible!
Rob Mathes
The concert will air at 8PM on Wednesday, December 23 on Mathes’ YouTube channel. If you can’t make it then, the concert will be up online until New Year’s Day. It is free, but Mathes encourages audiences to donate to one of his favorite charities: Through the Eyes of Children.
The charity, which Mathes has been supporting since 2003, is a nonprofit that teaches photography to vulnerable children. It allows these children not only to learn about art and photography, but to document their own lives and share their voices.
Despite the pandemic’s difficulty, his Holiday Concert is not Mathes’ first project of this year. He produced and arranged five songs for the David Lynch Foundation’s Meditate America benefit which feature Graham Nash, Sting, Jim James, Kesha, Angelique Kidjo, Larkin Poe, and Elvis Costello. The socially-distant recorded tracks include a Gospel Choir, String and Horn sections and Rhythm Section featuring Steve Jordan on Drums, (Keith Richards, John Mayer, Sheryl Crow, Neville Brothers) and Larry Campbell on Guitars (Bob Dylan, Levon Helm).
Rob Mathes also directed the first live streamed show at the Kennedy Center post pandemic with Renee Fleming and Vanessa Williams. He has collaborated with producer Jake Sinclair on a Weezer record, and Sting and Italian pop star Zucchero on Sting’s 2021 song “September.” He also orchestrated and conducted the music for the upcoming movie musical In the Heights by Lin-Manuel Miranda, and is currently in pre-production on a record with singer-songwriter Pete Muller.
Additionally, Mathes played a role in Robert Plant and Jimmy Page getting full copyright over “Stairway to Heaven.” Led Zepplin and its lawyers asked Mathes to join the team as a music expert because of his arrangement of the song in 2012.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Being Both, Girl Blue and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
When EQXposure kicks off on Sunday evening, host Pearson will feature an hour of two in a row from a select group pf local artists. These two songs in a row will give a glimpse into an artist or band that reveals who they are and what they are all about, no matter how different or similar the songs are.
Next, Pearson, features the new project from Christopher Brown of Troy’s Super Dark Collective, called Being Both. The debut track “Picturing Picturing,” from the album Her Words, My Mouth, is a beautiful tune of longing, with a subtle mellotron background set next to an arpeggiated electric piano.
Also featured is a brand new song from Girl Blue, “Just a Dream”
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from NXNES, Sarah King and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you..
This week’s featured artist is NXNES (pronounced ‘Nuns’), from whom you’ll find brilliant song crafting, with each piece of music is clever and well thought out, as it intricatley weaves heavy emotional content across an addictive and appealing set of sounds.
NXNES’ music resonates deep, and is sonically wide, using rumbling low end frequencies and steady beats to leave sonic space for the listener to acclimate to balance of message and entertainment.
The brainchild of Jo-Jo Rose originally from New Bedford, MA who now calls Albany, New York home. Striving to corral the culture’s hearts and minds into logical, self affirming, wellness by way of truth; holding a mirror to society and himself in order to gain a sober perspective of all things. His goal is to magnify and celebrate the greatness of blackness and black culture in an honestly unapologetic way.
For WEQX’s Pearson, “every once in a while an artist comes across that is does something different enough to turn us on our ears, NXNES is that artist. While straddling pop, ambient, and free form, the music is so appealing and then there is the rich story telling, each piece of music tells a clear and concise story, which is exactly what songwriting is all about.”
On this classic Black Sabbath tune. Sarah King adds to the field of great artists who have brought a twist on this brilliant anti-war song. Gov’t Mule, Cake, Ween, and Faith No More come to mind, but none of those bands stripped it down and gave us such a haunting glimpse into exactly what disgust was buried in the fury of the lyrics and harmony.
Sarah King’s acoustic rendition is chilling, and cuts to core of the song, a treatment so honest and pure that it is as powerful as the original.
Named for Chilean street dogs, the music of Quiltro is a tribute to the street dogs living in the Andes village of Farellones. Hearing howls during nights spent in those high Chilean mountains is birthplace of Quiltro’s music.
The trio collaborated with Eric Segalstad at Sabi Sound in Colchester, VT to record their debut, which has the feel of a soundtrack for a dystopian sci-fi film that has yet to be made.
The emotional journey found through the album will set you at ease, wake you up, drive you into a groove and leave you looking to replay the debut immediately after. Peaks and valleys are found throughout the nine-track album, fitting perfectly into the ups and downs of the real world.
Quiltro brings together a range of sounds, influences, and emotions through band members Mark Taylor (guitar, keyboard), Mike McKinley (bass) and JD Hoffmann (drums), creating a psychedelic wall of sound that brings to mind Neal Casal’s Circles Around the Sun. Quiltro is quite simply excellent modern psych rock.
The tracks flow into one another, with an overall ambient, lo-fi feel – with a touch of Reznor & Ross sprinkled in. “Knight Riding” channels Pink Floyd’s “Astronomy Domine,” while “Apollo” has a haunting presence in the vein of Lespecial.
Bassist McKinley, a native of Albany, sets the tone on “Dark Matter” with a driving bass intro, then shifts into a melodic groove on “In Reverse” with Mark Taylor’s ambient guitar shining. The two final tracks, “Antilla” and “Field of Cities,” build up slowly from their valleys to peaks. You don’t realize you were climbing until you summit. The journey that Quiltro’s debut takes you on is one that Circles Around the Sun fans will find easily accessible and keep you coming back another round.
Connecticut-based Goose have announced plans for their seventh annual Goosemas holiday celebration, this time with a live stream concert from Rockefeller Center in New York City. On Friday December 11 at 7pm ET, Goose will offer an exclusive Twitch stream on the new Relix Channel, with proceeds benefiting Save Our Stages and Conscious Alliance.
A first of its kind livestream, Goose will perform more than seven stories high in the Manhattan skyline. Goosemas is an annual year end celebration, having grown from small clubs to the Wall Street Theater in Norwalk, CT over the past six years. Peter Anspatch recalls his first show with the band:
Goosemas 4 was my first gig playing with Goose so the annual show has a big place in my heart. I’m bummed we can’t be with our family and friends in person for this one, but the location is going to make it that much more exciting to stream. I’m beyond stoked we were able to pull that together in such a chaotic year. Big shout out to our whole team for always crushing it, Peter Shapiro, and thanks to Rockefeller Center for hosting what will be a very special night.
As with annual tradition, Goosemas will also include a charitable aspect during 2020’s most important giving month. Proceeds from the benefit will go to two separate organizations; NIVA’s Save our Stages — a national charity that provides support to independent live event venues and promoters throughout the United States in these trying times; and Conscious Alliance — a nonprofit that connects a network of creatives to collect large-scale donations in order to combat hunger in historically underserved communities.
photo by Scott Harris
Donations from Goosemas at Rockefeller Center will help keep Conscious Alliance on the road this winter delivering 200,000 meals to kids and families in need. Every $1 donation = 2 meals to someone going without food this holiday season.
Goose has amazing momentum right now and we are so excited to be working with them on this incredibly special performance at Rockefeller Center– one of the most iconic locations in the world. There isn’t a more epic way to ring in the holidays than with a rock show in the sky.
Peter Shapiro, Publisher of Relix Magazine and Twitch Relix Channel.
Donations are now being accepted at GOOSEMAS.com. Those who make donations through the Goosemas website will receive early access to the Goosemas Merch Store on Wednesday, December 9th at 10 am ET, and opening to the general public at 1pm ET. For more information, visit GOOSEMAS.com.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Elder Orange, Fine Grain and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Vermont’s Elder Orange has released a new recording titled, “Brick’s in the Bathwater.” This release is a fascinating sonic journey, evocative and head bobbing, full of emotional voices, brilliant guitar playing, melody weaving, and genre bending. The album is a series of connected tunes that all work as one piece of music, one that is very inventive and unique in a world of singles that occupy the popular music format. This bold step of creativity is worthy of far more attention. Available for streaming on Bandcamp.
Kicking off the show will be two new songs from Fine Grain. The first is a world premiere release of “Calculate,” available on Thursday, December 10, followed up by “Strings Attached.” Fine Grain is a weird punk/post-punk outfit out of the Capital District that doesn’t quite stick to genres. Their live shows feature antics, copious beer consumption and a lot of hair with a lot energy put into the music that even on record, they sound as though they’re playing in your living room.
EQXposure will also be featuring more music from Upstate Mixtape, Vol 1., a compilations of 518 artists, committed to amplifying Black voices and suppressing racism. One hundred percent of the sales of the release, will be distributed to black artists. Pick up a copy here.
Upstate Mixtape Vol 1. is part of antiracist grassroots fundraising efforts, spearheaded by Jammella Anderson. Among songs contributed to Vol 1. include demos, B-sides, album loose ends and more from a group that showcases the multifaceted nature of musicians in the 518. This week you’ll hear JB and Victory Soul Orchestra‘s “God Self Icon,” NXNS “Motherbrain,” The Age “Take a Dive,” and Wurliday “Clyde.”
As Lespecial points out regarding their third full-length album, Ancient Homies, the number three figures prominently into the band’s ethos – for instance, as a power trio and with their tri-face logo.
The new album also features three “Homie Improvs” (incidentally, tracks 3, 6 and 9) whose musical scale “is based around an unstable tonic, containing small chromatic groupings of three notes and has a cryptic, ambiguous and almost mystical quality.” These tracks feature all three members flexing their chops and stretching in new ways: Luke Bemand (bass, synth, samples), Rory Dolan (drums, sampler) and Jonny Grusauskas (guitar, keys, sampler, vocals).
Interspersing the Homie interludes as they do throughout Ancient Homies also has the effect of pairing the remaining eight songs with each other. The track list born from that decision just flows excellently.
The first couplet pairs the album’s first single “Snell’s Fleet” with a new remix of the long standing fan favorite “The Vessel.” At Lespecial’s October 9, 2020 drive-in show in Falmouth, MA, they opened the second set with this one-two punch and it was breathtaking. “Snell’s Fleet” evokes that timeless, mystical quality the band is known for. Up tempo with heavy, scuzzy guitar riffs, driving bass line and bombastic drum play, “Snell’s Fleet” crashes right into track two. “The Vessel” then shifts gears into a much more futuristic vibe. The combination of synth bounce, driving drums and funky bass can move an entire room, pulsing and pumping in a great wave. “The Vessel” debuted live onstage in 2012 and has finally found its way to vinyl.
The second grouping of songs, at first glance, appear to be the most curious on the album in that the songs are quite dissimilar. “Repeater” slows down the tempo and features lilting, ethereal vocals. The synth work drives the song forward, but has an altogether different feel to it than most of Lespecial’s music to date. And Rory’s fast, frenetic drumming in latter portion of the song is pure magic. Bringing us right into “Tonberry,” which made its live debut at Lespectacle IX in November 2019. Starting with a slow building eeriness that explodes into thunder around the one minute mark, then into the scale bending this album explores in the following passage. Around the halfway point of the song, Lespecial brings us into a funky, groovy movement and then circles right back to bombastic fury that bring the song home.
The next pairing is a synth heavy, fun filled duo. “Machine Elf” bounces back to futuristic sound that grooves with Luke’s bass tones anchoring things. Released as a single in January 2019, it slides perfectly right into this slot on the album. The latter half of this pairing is “Egg Time” and it wastes little time grinding into the funkiest, filthiest groove. Impossible to sit still to, this one is going to be a staple of Lespecial set lists for years to come. An instant classic.
The final pairing of songs on the album are quite engrossing, and will be unexpected to many fans. “Boundary Dissolution” slows things down again. With a more stripped down arrangement and hauntingly introspective vocals from Jonny, this one stays with the listener long after it ends. And “Tritome” (yet another “three”) features beautiful piano work from Jonny that reprises “Snell’s Fleet,” ending this amazing album with a wow.
Lespecial really delivers on the promise of adventure and exploration here. It feels like the band is still growing and defining who they are. It is a pleasure to witness their evolution. Ancient Homies is hands down my favorite release of 2020. Give it a listen and see what you think.
Key Tracks: Snell’s Fleet, Tonberry, Egg Time
Ancient Homies is available for purchase on Bandcamp and for streaming on all platforms.
