Category: News

  • Sevendust Releases Cover of Soundgarden “The Day I Tried to Live”

    Sevendust announced new music for the first time since 2018 critically acclaimed album All I See Is War. The heavy metal legends released a new lyric video for their Soundgarden cover of “The Day I Tried to Live” on June 26 and is available on all streaming platforms.

    sevendust soundgarden
    Sevendust photo credit to Travis Shinn.

    Sevendust decided it was time to release new music and return to the airwaves after seeing the societal changes happening around the globe. “The Day I Tried to Live” was relevant back in 1994 when it was first released by Soundgarden and is just as relevant today. The message behind the song is all about trying to learn to live a better life which is only possible for everyone if everyone is given equal opportunities to do so.

    The new track was produced by Michael “Elvis” Baskette who worked on the bands latest album. The new lyric video for the song was created by Wayne Joyner  who is known for his work with Dream Theater. The video features a lone figure walking down a road thinking about his life. The video also includes clips of the band throughout it.

    “Soundgarden is such an important band to all of us in Sevendust and this love for them goes all the way back to when we were starting,” explains lead vocalist Lajon Witherspoon. “We discussed trying to do one of their songs and our producer Elvis suggested ‘The Day I Tried To Live.’ I would have been fine with any of those songs personally. When I first heard it, I thought the lyrics were timeless. The lyrics are about trying to experience new things and change the way you live, and we see examples of that every day with what is happening around the world. To have the chance to cover this song and release it is so special to all of us. Thank you, Chris Cornell and Soundgarden.” 

    The song is available for purchase here. For more information on Sevendust please visit their website.

  • The Next Great American Novelist Releases Single and Music Video to “Drag” from upcoming album

    Brooklyn-based indie rock band, The Next Great American Novelist (aka NGAN), share their new single, “Drag,” from their upcoming sophomore record, Careless Moon. Written before the pandemic and a better-late-than never Civil Rights revolution took the main stage of society. The new single, “Drag,” works to show that there was never a comfortable or correct “normal” in life when times were “precedented,” fully working for everyone.

    Songwriter Sean Cahill explains the new single, saying:

    I love New York City, though, some days it feels like a dysfunctional landscape of ill-routine. Living here, you realize you’re functionally necessary but of small significance or importance within the larger enterprise. I’m immersed in a series of habits: standing in line, getting on a train, heading to work, buying coffee, buying booze… Are these choices I want to make or am I just keeping the machine going.

    Cahill was on the verge of ending his The Next Great American Novelist project before it really even got off the ground. He recalls his experience saying:

    I was working in life insurance, and I had a gig at some small venue in Bushwick. I almost didn’t do it because I was so depressed from my living situation and work. I knew nobody, and my girlfriend didn’t show up. I played the show solo, and I was so over everything. I just didn’t give a shit, so I was very open and honest on stage. And this guy who was super shy came up to me afterwards and was like, ‘Hey, I really like your music. I’m a sound engineer, you should come by my studio,’ and gave me his card.

    That shy fan was Justin Helm, an engineer at New York’s The Cutting Room. Cahill later stopped by the studio and met the in-house producer, who happened to be Cummings. The two quickly hit it off, connecting over a love of The Beatles and Dirty Projectors. With Helm co-producing and engineering, Cummings would go on to co-produce and play on I’ll See You in the Art You Love, Cahill’s partially crowd-funded debut as The Next Great American Novelist. 

    It wasn’t long before the pair went from friends to true creative collaborators. As soon as Art You Love was completed, they started approaching a few dozen bedroom demos Cahill had written. Eventually, Cummings expressed a not-so-secret desire to join NGAN, and Cahill was happy to welcome him to the foil. From that moment, the band’s trajectory dramatically changed.

    Cahill had never fostered a strong ambition to take his music beyond a personal escape. He’d studied classical guitar in college, but left the program when the criticism and perfection of academia began to suck the fun out of the art. Now with Cummings to play off of, Cahill was rediscovering the joys that attracted him to writing and performing in the first place. The duo have applied creative efforts outside the band as well, writing jingles for everything from Swedish Fish to dog medication.

    More than ever, Cahill wanted NGAN to become a band people brought their friends to come see live. United, Cahill and Cummings set to work creating new songs that would “make sense live.” It all came together in the studio with drummer Danny Sher of Horse Torso (his outfit with Baroness bassist Nick Jost) laying down the rhythm live to tape as they built towards their new record, Careless Moon.  

    Careless Moon is about the relationship between romance and indifference. How it’s possible to see different concepts in the same symbol. One night, you could look at the moon and see an illuminating presence, brimming with light, offering clarity to a sky that is otherwise shrouded in darkness. The ridges of its surface appear as something familiar, a face, looking down and bringing you comfort. Other nights the moon can seem callous: an indifferent rock suspended unwillingly by gravity. You remember that the moon drifts from the earth by 3.8 cm each year, orbiting away from you as it barrels out into space. Your life changes but the moon doesn’t, each night you can find it waiting for you. When you realize that it has no attachment to you, it is frightening.

    Sean Cahill – The Next Great American Novelist
  • Disney+ Releases Trailer for Hamilton

    Disney + has just released their trailer for Hamilton: An American Musical which will be available for streaming on July 3.

    hamilton trailer

    First produced Off-Broadway at the Public Theater in 2015, Hamilton then moved to the Richard Rogers Theater on Broadway later that year. The show’s music, lyrics, and book were written by the musical’s star, Lin Manuel-Miranda based off of Ron Chernow’s biography of Alexander Hamilton. Hamilton is most famous for presenting America as it was in the 1700s, but in today’s light. Every character save King George is played by a BIPOC to highlight the diversity of America today.

    Hamilton took Broadway by storm and the hype has not yet let down. Due to the show’s popularity, tickets continue to be expensive: at one point, a premium seat went for $1,150. However, the show is famous for their memorable lottery, the #Ham4Ham, when lucky winners are given front row tickets for only $10, or one Hamilton. Fans have been anticipating the release of this recording for years, as Lin Manuel-Miranda confirmed that the show would be recorded in a tweet in 2016. The release of this high-quality recording makes Broadway more accessible to people who cannot experience it live for themselves.

    Hamilton was nominated for a record-breaking 16 Tony awards, and won 11 in total, including best musical, best book, and best score, as well as Leslie Odom Jr. (Aaron Burr) winning best actor, Daveed Diggs (Lafayette/Thomas Jefferson) awarded best featured actor, and Renée Elise Goldsberry (Angelica Schuyler) receiving the Tony for best featured actress. Many other members of the cast were nominated for Tonys, and they can all be seen in the original Broadway cast recording on July 3. 

    This is Lin Manuel-Miranda’s second Broadway show. In The Heights, a story about a predominately Hispanic neighborhood community living in Washington Heights, had its Broadway debut in 2008 also at the Richard Rogers Theater and was nominated for 13 Tonys and won 4, including best musical. In the Heights has just been adapted into a feature film as well, with Anthony Ramos (who plays John Laurens/Philip Hamilton in Hamilton), playing the lead role of Usnavi. In the Height, previously scheduled for release June 2020, will now be released on June 18, 2021.

    Hamilton will be available to stream on Disney+ on July 3.

  • Danish Punks Twin Dive Deliver New Track “Say His Name” in Honor of George Floyd

    Danish punk band Twin Dive have released a new track in remembrance of George Floyd, a recent victim of police brutality whos death has sparked protest and outrage worldwide. The energy and pure anger that shine through on this track perfectly captivate the strong emotions behind the Black Lives Matter movement.

    “Say His Name” is riddled with lyrics that target the systematic racism and oppression perpetuated by the American upper class. Much like the protests themselves, this song is a screaming demand for justice. In further support of the Black Lives Matter movement, Twin Dives will be donating 100% of the proceeds and royalties made from this release to the cause.

    Twin Dive is a duo from Denmark who, although formed only in 2018, have been grabbing attention in their respective music scenes. Blending the braggadocious nature of front men from the 70s punk scene with all the contained noise and distortion of the low-fi grunge era, Twin Dive are no stranger to taking political stances in their music.

    To find out more on the band make sure to follow them on Facebook and Instagram to keep updated with their shenanigans.

  • Woodstock 50 Takes Previous Investor to Court Again

    In August of 2019, a huge festival celebrating the 50th anniversary of the original Woodstock was supposed to be held. The event’s lineup included artists such as Jay-Z, Miley Cyrus, The Killers, Imagine Dragons, and more. Although it was extremely hyped, the festival was cancelled less than a month before its scheduled date due to multiple issues which were prompted after Dentsu, one of the festival’s investors, pulled out of the event. Now, Woodstock is taking Dentsu back to court and demanding that they be refunded for the company’s fraudulent actions.

    Woodstock 50 court
    Photo by Evan Agostini/Invision/AP/Shutterstock (10160758ad) Woodstock co-producer and co-founder, Michael Lang, participates in the Woodstock 50 lineup announcement at Electric Lady Studios, in New York Woodstock 50 Lineup Announcement, New York, USA – 19 Mar 2019

    On April 29 2019, Dentsu announced that the event was cancelled altogether, claiming that the reason was due to doubts regarding the festival’s ability to host a safe event for artists and customers alike, as an administrator of New York’s Schuyler County reported that the tickets could not be sold because Woodstock had failed to get a mass gathering permit from the Department of Health. Despite this, the New York State Department of Health announced that the “cancellation announcement [was] not a result of the permit application pending with the Department,” admitting that “The Department was surprised to learn of [the] decision to cancel the event.”

    Woodstock still assured fans that the festival would go according to plan without Dentsu, and on May 6, co-creator of Woodstock Michael Lang claims that Dentsu “illegally swept approximately $17 million from the festival bank account” and tried to persuade artists into dropping out of the festival. Woodstock asked for a court order shortly after demanding that Dentsu refund the festival the $17.8 million. Dentsu disputed their claims, and the Supreme Court of New York’s order on May 15 said that although Dentsu could not cancel Woodstock 50, they owed the festival nothing.

    Now, over a year later, the Woodstock 50 organizers have officially filed a lawsuit against Dentsu for “sabotage” despite the previous court decision. The suit claims that Dentsu’s decision to pull out of the event had “nothing to do with any alleged breaches by Woodstock 50, but rather to avoid the potential that the Festival would not make money or not be as successful as they hoped” even though Dentsu claimed that the decision to leave the festival was because of the lack of a proper permit. The plaintiff states that Woodstock 50 is entitled to “tens of millions of dollars in compensatory and punitive damages” as a result of Dentsu’s fraudulent behavior. The suit alleges that it was Dentsu’s intention from the start to “kill the festival.”

  • moe.ron Mondays to feature never before seen 2005 Portland shows

    The next two moe.ron Mondays on Nugs TV will feature a pair of shows from the State Theatre in Portland, Maine, which will also conclude the weekly streaming series.

    These two shows did not allow taping and served as record release shows for The Conch, one of moe.’s best-received albums, receiving 4/5 stars in Rolling Stone. The shows, seen for the first time, will offer a glimpse at a band 15 years into their career. Tune in at Nugs.TV

    moe.ron mondays portland
    moe. Summer 2005 tour poster by Emek

    Setlist, June 10, 2005
    Timmy Tucker, It, Lost Along the Way, Happy Hour Hero, McBain -> George, Tailspin, The Pit, Recreational Chemistry, She, The Road, Brent Black
    Encore: Wind It Up, Blue Jeans Pizza, Crab Eyes

    Poster by Marq Spusta

    Setlist, June 11, 2005
    Captain America, She, Wind It Up, The Road, The Pit, Kyle’s Song, 32 Things, Wake Up, St. Augustine, Head, George, Rebubula
    Encore: Plane Crash

    Watch and enjoy “MacIntyre Range,” featured on The Conch and inspired by the Adirondack Mountain range of the same name.

  • Annual Make Music Day to Be Held Virtually on June 21

    Even amidst this pandemic, the annual Make Music Day will still be held in hopes of spreading happiness and music to anyone across the globe. 

    Annual Make Music Day
    Photo by Thomas Retzer

    Originally started in France in 1983 as Fête de la Musique, Make Music Day is the only music festival of its kind: its mission is to bring free music to anyone and inspire them to create music themselves regardless of their age or experience level. 

    The festival made its North American debut in New York City several years ago, and now has chapters all over the US, including Rochester, Ithaca, and Ossining-Briarcliff. Now every year on the Summer Solstice, over 1,000 cities across the globe take part in this great celebration of music. This year, Philadelphia will dedicate their events to the Black Lives Matter movement.

    This year, although events cannot be held in person, the creators of the festival have still managed to invent creative ways to get many involved with music. A global day-long live stream will be held featuring several New York artists, there will be 12-hour long online music lessons for 25 different kinds of instruments for all experience levels, and composers from around the world will be challenged to perform another’s song. A contest for young people from ages 13-21 motivates them to submit their own work. Make Music Day even will even join Bash the Trash Environmental Arts by encouraging all to create instruments out of trash or household items. Performances of Elliot Cole’s Flowerpot Music, in which he makes music using flowerpots as percussion, will be live streamed for eight hours.

    Annual Make Music Day
    NEW YORK, NY – JUNE 21: Marching bands perform during Make Music Day at the Brooklyn Museum on June 21, 2014 In the Brooklyn Borough of New York City. (Photo by Brad Barket/Getty Images for Make Music Day)

    Make Music New York even has their own unique lineup of events for the day. An ever-growing list of musicians and singers will perform Mozart’s Requiem at noon, and it is still possible to sign up and get involved in the performance, and the Third Street Music School will livestream Beethoven Sonatas from 1-5pm. Paul Stein, the activist accordion player, will be entertaining countless via livstream at 4. Joe’s Pub at the Public Theatre will host a virtual block party that will feature NYC immigrant and international performers.

    Make Music Day has even organized ways to safely bring music in person to some. One June 21, musicians will serenade the elderly from outside nursing home windows in order to maintain a healthy distance. Nursing homes are still looking for musicians! If you are interested, contact your local FirstLight Home Care to be matched with a participating nursing home. One-person marching bands will parade around cities across the US; look out for Matthew Cain, who will be playing the tuba in Park Slope on 9th street in Brooklyn. CenterPoint Arts is hosting live concerts from cars outside of Brooklyn Crepe & Juice (274 Flatbush Ave) at 4:15. Porch Stomp! will host pop-up socially-distant singalongs all around Brooklyn from 6-7:10.

    There are even more events which will take place throughout the day on June 21, and there are still many chances to get involved in this global celebration of music.

  • CMJ Music Marathon Returns Under Amazing Radio

    The CMJ Virtual Music Marathon will return virtually this year, now under the ownership of Amazing Radio. Amazing Radio also has begun their new show One Night Stand, a weekly live performance which will feature up and coming artists broadcast on AmazingRadio.tv.

    CMJ Music Marathon

    One Night Stand was kicked off June 15 with a special introductory show featuring The 1975, Alvvays, alt-J, Daughter, and Wolf Alice and included informational interviews with Amazing Radio founder Paul Campbell and CEO DJ Andy Zicklin. One Night Stand will showcase two new artists each week through music and interviews. Starting June 19, the show will begin broadcasting regularly every Friday night from 8-8:30PM EST. 

    On June 19, fans can watch or listen to interviews and performances by Huw Edwards of KOYO (Leeds, UK) and Grace Gillespie (London, UK), and additional performances by Needshes (Moscow, Russia), Daring Greatly (San Diego, CA), Firstimers (Denver, CO), and James Alexander Bright (Hampshire, UK). The audience will be able to tip the artists directly. 

    Launched in England in 2007, Amazing Radio’s mission is to “[help] new and emerging artists get discovered and make money, without getting screwed.” Its North-American branch kicked off in 2018. Amazing Radio helps undiscovered artists gain media attention in an ethical way. Several iconic artists have been discovered by Amazing Radio, such as Alt J, Haim, London Grammar, Bastille, Chvrches, The 1975, Royal Blood, Sam Fender and Dua Lipa. Billboard called the station “a powerful promotional machine.”

    CMJ Music Marathon

    Amazing Radio now also owns CMJ, the College Music Journal. CMJ was founded in 1977 and began hosting an annual music festival showcasing new, undiscovered talent in New York City in 1980. The festival helped artists like Lady Gaga, Mumford & Sons, and Arcade Fire gain notoriety. Unfortunately, the CMJ Music Marathon has not taken place since 2015. However, CMJ and Amazing Radio are happy to announce that the festival will be returning virtually this Summer. Although the festival cannot be in person, it will still maintain “its spirit of new music discovery,” and will now span “New York and beyond.” 

    All emerging artists can submit their music for the CMJ Virtual Music Marathon by becoming Amazing Artists on Amazingradio.us. Doing so offers the artists several benefits, including the chance to be considered for One Night Stand. Additionally, new artists who sell their music on AmazingRadio will keep 100% of their profits and donations.

    Be sure to watch or listen to One Night Stand on AmazingRadio.tv or AmazingRadio.us respectively every Friday night from 8-8:30PM EST and submit your original work for the CMJ Virtual Music Marathon.

  • Live Nation Implements Changes That Will Include Cutting Artists’ Pay

    Due to the economic climate’s downturn from COVID-19 the American events promoter Live Nation is cutting artists pay and is putting pressure on the artist in unprecedented ways. Artists will now be given a lot more of financial responsibility and accountability. 

    Live Nation was originally called SFX Entertainment and formed in 1996 by Robert F. X. Sillerman. The company has gone through a few different renditions but finally landed on Live Nation in 2005. Then in 2010, Live Nation ended up merged with the widely known ticketing company Ticketmaster and formed the larger conglomerate Live Nation Entertainment that we know today. 

    One of the major changes Live Nation is embarking on is that now if a show is cancelled due to poor ticket sales the artist will now only receive 25% of a predetermined guarantee. Generally artists would always receive 100% of  predetermined guarantee before the pandemic according to the document acquired by Rolling Stone. The other major change Live Nation is enacting is that it will now require artists who cancel their performances due to illness, or any other reason in breach of contract, to pay out twice their artist’s fee which is unheard of. 

    The Live Nation memo to talent agencies reads, “We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists.”

    Live Nation stock since the COVID-19 pandemic started has experienced a 48% drop. Live Nation not only slashed artists pay but also enacted sweeping salary reductions, furloughs and hiring freezes in an attempt to keep the company afloat. 

    “We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans,” The Live Nation memo to talent agencies writes. It is unclear what the follow out from these changes will exactly look like for the industry and artists. 

    Read the full memo below:

    Live Nation Memo to Talent Agencies

    The global pandemic has changed the world in recent months and with it the dynamics of the music industry. We are in unprecedented times and must adequately account for the shift in market demand, the exponential rise of certain costs and the overall increase of uncertainty that materially affects our mission. In order for us to move forward, we must make certain changes to our agreements with the artists. The principle changes for 2021 are outlined below.

    Artist Guarantees: Artist guarantees will be adjusted downward 20% from 2020 levels.

    Ticket Prices: Ticket prices are set by the promoter, at the promoter’s sole discretion, and are subject to change.

    Payment Terms: Artists will receive a deposit of 10% one month before the festival, contingent on an executed agreement and fulfillment of marketing responsibilities. The balance, minus standard deductions for taxes and production costs, will be paid after the performance.

    Minimum Marketing Requirements: All artists will be required to assist in marketing of the festival through minimum social media posting requirements outlined in artist offer.

    Streaming requirements: All artists will be required to allow their performance to be filmed by the festival for use in a live television broadcast, a live webcast, on-demand streaming, and/or live satellite radio broadcast.

    Billing: All decisions regarding “festival billing” are at the sole discretion of the promoter.

    Merchandise: Purchaser will retain 30 % of Artist merchandise sales and send 70% to the artist within two weeks following the Festival.

    Airfare and Accommodations: These expenses will be the responsibility of the artist.

    Sponsorship: The promoter controls all sponsorship at the festival without any restrictions, and artists may not promote brands onstage or in its productions.

    Radius Clause. Violation of a radius clause without the festival’s prior authorization in writing will, at the festival’s sole discretion, result in either a reduction of the artist fee or the removal of the artist from the event, with any pre-event deposits returned to the festival immediately.

    Insurance: The artist is required to maintain its own cancellation insurance as the promoter is not responsible for the artist fee in the event of a cancellation of the festival due to weather or a force majeure.

    Cancellation by Artist: If an artist cancels its performance in breach of the agreement, the artist will pay the promoter two times the artist’s fee.

    Cancellation Due to Poor Sales. If a show is cancelled due to poor ticket sales, the artist will receive 25% of the guarantee.

    Force Majeure: If the artist’s performance is canceled due to an event of force majeure – including a pandemic similar to Covid-19 – the promoter will not pay the artist its fee. The artist is responsible for obtaining any cancellation insurance for its performance.

    Inability to Use Full Capacity of the Venue: If the promoter – either because of orders of the venue or any governmental entity – is not permitted to use the full capacity of the venue, then the promoter may terminate the agreement, and artist will refund any money previously paid.

    We are fully aware of the significance of these changes, and we did not make these changes without serious consideration. We appreciate you – and all artists – understanding the need for us to make these changes in order to allow the festival business to continue not only for the artists and the producers, but also for the fans.

  • The Disco Biscuits Takes You Out to the Ball Game in Support of Black Live Matter

    The Disco Biscuits announce “The Disco Biscuits Take You Out to the Ball Game” benefit concert. This will be a free live-stream concert at Citizens Bank Park, the home of the Philadelphia Phillies, supporting PLUS1 For Black Lives Fund. The show will take place on the infield on Tuesday, June 23 at 7:45pm ET. 

    The concert is being put on by the Philadelphia Phillies, Citizens Bank Park, and Live Nation in support of PLUS1 For Black Lives Fund. The show will donate 100% of donated proceeds to the PLUS1 For Black Lives Fund. Donations will be distributed to various organizations including Urban League of Philadelphia. All partners in the event recognized that the on-going struggle with racism and violence aimed at the Black Community in this country need to be fought against and that the many systemic injustices are the root of the issue. 

    The Disco Biscuits were in discussion with the Philadelphia Phillies to perform at Citizens Bank Park when the death of George Floyd in Minneapolis happened and decided that this was an issue they wanted support and decided to make their performance support PLUS1 For Black Lives Fund. Live Nation is providing financial funding, personnel, production support and other resources. Philadelphia Phillies are donating their field to the event as well as resources and personnel to the event. The Disco Biscuits will be wearing Phillies jerseys, have use of the Phanavision and other iconic stadium signage, and have an introduction from iconic public address announcer Dan Baker

    People can watch the event live on the official YouTube & Facebook pages for The Disco Biscuits, Phillies and Live Nation, as well as on Live Nation’s Live From Home platform. To donate to PLUS1 for Black Lives website or text DISCO to 50155.

    For more information visit The Disco Biscuits website.

    Check out this stream and more through our series NY Stream and Support, where you’ll discover artists around the Empire State streaming nightly, and ways to support musicians and charitable groups close to home!