Category: Genres

  • Widespread Panic Marks Leap Day With Timely Beacon Run

    In the spirit of the Allman Brothers, fellow Georgia peaches Widespread Panic graced the Upper West Side with a multi-night run of shows at The Beacon Theatre as a prelude to spring. Southern accents and charm were prevalent throughout the crowd, as many fans made the trek for the noteworthy occasion. Included in the shows was a Leap Day show on February 29, which brought together a “time” theme in the second set of the show. 

    The music was complimented by a stunning light rig, with vertical rows of lights in the center and left, and a circle of lights on the right. A beacon of rainbow light was often radiating just above Duane Trucks and Domingo Ortiz on their raised drum stands behind the rest of the band. The stage floor contained powerful rotating lights that often embellished the iconic Egyptian-themed ceiling. 

    widespread panic beacon

    Bust-outs were found throughout the run, including “Vicious” by Lou Reed, which hadn’t been played in over 1000 shows, dating back to the band’s Halloween run at Madison Square Garden in 2003, and the rare “E on a G,” which had only been played eleven times prior. 

    On Friday, the band did not let up in set one, and came out firing as they had the night before. The show started out strong with early Panic classics “Wondering,” “C. Brown” and “Can’t Get High.” Jimmy Herring got loose on “All Time Low,” which followed for the first big jam of the night. Fans were treated to the rare “Dark Day Program,“ last played on in July 2011. To close out this high energy first set, Dave Schools asked the crowd if they wanted to dance and the band unleashed a monster cover of Robert Johnson’s “Stop Breakin’ Down Blues.”

    widespread panic beacon

    A heavy “Sleeping Man” opened the second set, followed by a pair of covers from The Band, “Ophelia” and “The Shape I’m In.” And while it felt like they were about to dive into Pink Floyd’s “Breathe” just out of “Driving Song,” the band treated the crowd to the twelfth ever version of the instrumental “E on a G.” Herring kept his foot on the gas during the set closer of “Chilly Water,” while the crowd sprayed their water and added a visceral soaking sensation. The night wrapped up with a delicious double encore of “Blue Indian” and “Climb to Safety.”

    But how would the band commemorate the quadrennial Leap Day that followed? There are few songs with ‘Leap’ in the title, so a reflection on time was in order, and found throughout much of the second set, in both obvious and subtle ways. Set 1 started with classic Panic numbers “Space Wrangler” and “Walkin’ (For Your Love),” and the newly minted jam-vehicle “Up All Night” which never fails to deliver. A rare “Tortured Artist” followed, along with the fresh “Sundown Betty.” The first set closed with a trio of high energy numbers in “Machine,” “Barstools and Dreamers” and the apropos for Saturday NRBQ cover “Flat Foot Flewzy.”

    widespread panic beacon

    The second set played off of a ‘time’ theme with references throughout, starting with “Blackout Blues” (in the middle of the night), a tease of the theme to Norman Lear’s All in the Family “Those were the days” (which is set in nearby Queens), “Airplane” (must have been a year ago), “Holden Oversoul” (one last time), “Henry Parsons Died” (6 o’clock on Saturday). A trio of ‘time’ songs followed – “Time Zones,” Los Lobos’ “Somewhere in Time” and The Dillards “There is a Time” – but the time references didn’t end there. J.J. Cale’s “Ride me High” (this mornin’) and the first half of the encore “This Part of Town” (the other day) tossed in some subtle but notable references to time on this extra day of 2020. 

    Also notable, there were numerous references to Southern USA, including “Up All Night” (Savannah), “Henry Parsons Died” (Georgia), “Blackout Blues” (Mississippi) and the show closing “Red Hot Mama” (Louisiana). For the second half of the encore, the timeless Neil Young classic “Mr. Soul” wrapped the night up with high energy, and the audience holding out for a rare second encore that did not come to pass. As fans made their way into the brisk night, Dr. John’s “Right Place, Wrong Time” serenaded an audience who caught a show of rarities on a rare day in a classic venue.

    widespread panic beacon

    With five sold out shows at The Beacon this year, and three sold out shows last year at The Capitol Theatre in Port Chester, one can only hope that Widespread Panic will follow in the tradition of another southern rock band, The Allman Brothers Band, and have an annual residency at The Beacon Theatre for years to come. 

    Setlists – Widespread Panic, The Beacon Theatre, NY, NY

    Thursday, February 27

    Set 1: Porch Song, Rebirtha > Greta > Jam > Stop/Go > Little Lilly, Proving Ground > Bust it Big > Proving Ground > Action Man

    Set 2: Steven’s Cat > Jam > Walk On > Blight > Help Me Somebody > Jam > Fishwater > Drums > Fishwater >Pilgrims, Pusherman > Conrad

    Encore: You Wreck Me > Tall Boy

    Friday, February 28

    Set 1: Wondering, C.Brown, Can’t Get High, All Time Low> Jam> Junior, 1 x 1, Dark Day Program, You Got Yours, Stop Breakin’ Down Blues

    Set 2: Sleeping Man, Ophelia > The Shape I’m In, Surprise Valley > Bear’s Gone Fishin’ > Surprise Valley > Driving Song > E on a G > Driving Song, Don’t Wanna Lose You, Chilly Water

    Encore: Blue Indian, Climb to Safety

    Saturday, February 29

    Set 1: Space Wrangler, Walkin’, Up All Night, Tortured Artist > Sundown Betty, I’m Not Alone, Machine > Barstools and Dreamers > Flat Foot Flewzy

    Set 2: Blackout Blues -> Jam in C* -> Airplane -> Holden Oversoul -> Henry Parsons Died > Time Zones, Somewhere in Time, There is a Time, Ride Me High -> Drums-> Ride me High, Red Hot Mama

    Encore: This Part of Town > Mr. Soul

    *All in the Family theme tease

    Sunday, March 1

    Set 1: From The Cradle > One-Arm Steve > Let’s Get The Show On The Road > Ribs And Whiskey, Bowlegged Woman, Honky Red, Trouble, Hope In A Hopeless World > Postcard

    Set 2: Let’s Get Down To Business, Little Kin, Disco, Diner > No Sugar Tonight > New Mother Nature, Papa’s Home > Drum Solo > Cease Fire > Protein Drink > Sewing Machine
    Encore: Vicious, Ain’t Life Grand

    Monday, March 2

    Set 1: I Wanna Be Sedated, Travelin’ Light, Old Neighborhood, Imitation Leather Shoes, The Last Straw > Pleas, Rock, Jack > Love Tractor

    Set 2: The Waker, Pigeons, Hatfield > Impossible^ > Saint Ex^^ > Tie Your Shoes > Jam, Nobody’s Loss, North

    Encore: City of Dreams, Life During Wartime

    ^The Other One tease
    ^^Won’t Get Fooled Again tease

  • Hearing Aide: The Wants ‘Container’

    Bubbling up on the Brooklyn DIY underground scene for the past three years with regular gigs at Bushwick’s Alphaville, The Wants are set to release their debut album, Container, March 13 on Council Records. Madison Velding-VanDam (vocals/guitar/synth), Jason Gates (drums/electronics), and Heather Elle (vocals./bass/synth) put their years of experience together to good use on a solid debut that has all the earmarks of a veteran band hitting their stride.

    The set opens with a quickened heartbeat pace and an arresting cacophony of noise. It’s at once danceable and pensive, and perfectly sets the table for what comes next. 80’s style post-punk finds present-day relevance in “Container” and “Fear My Society.” Industrial instrumental vignettes with starkly appropriate names like “Machine Room,” “Aluminum,” and “Waiting Room” nudge themselves in between the more traditional songs, tying together the whole into what feels almost soundtrack-ish.

    The Wants Container

    When the two concepts blend into one, the album hits on all cylinders. “The Motor” hints at this potential in the first half, but the late run of “Clearly a Crisis,” “Nuclear Party,” and “Hydra” shine brightest. Their unhurried punk aesthetic gets drenched in danceable grooves around an accessible rocking core, all without losing the industrial sound fragments introduced previously. Container builds to a satisfying finish, begging you to flip it over for another go round.

    Perhaps it would be deemed uncool to flash a broad smile while bobbing your head to these tunes, but it’s tough not to while thinking about the band recording in their all-too-appropriate studio space: a repurposed shipping container sitting in the middle of a dumpling factory parking lot in Brooklyn.

    Key tracks: Clearly a Crisis, Nuclear Party, Hydra

  • Artist 2.0 Review: A Boogie Doubles Down, for Better or Worse

    When A Boogie With Da Hoodie announced that he was set to release his third studio album, his fans were jubilant. It had been just over a year since we last heard from the Bronx native and in the age of microwaveable music, there was a yearning to hear what new melodies the “Just Like Me” rapper had cooked up. While leaked records delayed the album towards its Valentine’s Day release, they also built anticipation for what was to come.

    At face value,  Artist 2.0 – the sequel to his 2016 breakout mixtape, Artist – gave his fans exactly what they asked for. The man known for his melodic chants and passionate crooning about his love life reverted back to what he knows best and then some. Although recognized as a rapper, that takes a backseat in this latest effort. A boogie never goes more than a few bars in any of the records before his singing takes precedence, exemplified in the emotional ballad “Good Girls Gone Bad,” where he wails about a woman who’s changed as a result of his inconsistencies. 

    What it lacks for in actual rapping, the album more than makes up for in its infectious choruses. “Right Back,” “Mood Swings,” “Me and My Guitar,” and “DTB 4 Life” are all records that have the propensity to become a mainstay in any playlist. While he doesn’t rap as much as some might have wanted on the album, his guest-features all brought their “A” game. Verses from Dababy, Young Thug, Gunna and Roddy Rich do a good job of balancing out the croon-heavy album, with A Boogie and Roddy Rich’s chemistry being one of the project’s highlights.

    Coming into the rap game, A Boogie presented himself as a rapper who would occasionally try his hand at singing. On Artist 2.0, he doubles down on the latter, pushing his own personal boundaries and blurring the lines on what his official title should really be. While the album is enjoyable, it doesn’t always feel like it’s A Boogie at his best and it seems like, to A Boogie, “artist” means less rapping, which inherently is not the case. 

    Rating: 3.5/5

  • Trey Anastasio announces additional Summer Symphony shows

    Trey Anastasio adds to an already busy summer of Oysterhead and Phish with three additional orchestra performances in June. In addition to the previously announced performance on June 20 at Tanglewood with the Boston Pops, Anastasio joins the National Symphony Orchestra on June 17 in Washington D.C., the Philadelphia Orchestra on June 23, and the North Carolina Symphony on June 26 in Raleigh.

    Tickets are now on sale at Trey.com

  • Laid Back Festival Returns in 2020

    Laid Back Festival will be making its return this summer after a two-year hiatus, highlighted by an all-star slate of performers. Named after Greg Allman’s 1973 solo debut album, it was first held in 2015 in Wantagh, NY’s Nikon at Jones Beach Theater. The event continued in 2016 — expanding to five cities — and in 2017 saw the likes of Steve Winwood and Sheryl Crow headline. The festivities will return to Wantagh this year on Saturday, August 8 at the Northwell Health at Jones Beach Theater and will be continuing the next day in Holmdel, NJ at the PNC Bank Arts Center.

     Presented in partnership by Gregg Allman’s longtime manager Michael Lehman and Live Nation, Laid Back will be headlined by Steve Miller Band and will feature the likes of Brian Wilson (with Al Jardine and Blonde Chaplin), Marty Stuart and His Fabulous Superlatives, Taj Mahal Quartet, Gary Mule Deer, and Karl Denson’s Tiny Universe. 

    A celebration of American music and food, the Laid Back Festival serves as a showcase for all of the great cuisine and music upstate New York has to offer. It will feature regional restaurants, food tricks, breweries and wineries. 

    Live Nation presales begin Thursday, February 20 at 10 am ET; all remaining tickets go on sale Friday, February 21 at 10 a.m. eastern time. For complete information and details please visit, www.laidbackfestival.com.

  • Walkin’ in a Colorado WinterWonderGrass

    Music scenes are riddled with a lot of traditions, a lot of staples that go hand in hand with the community and culture that is created around every genre of music . The bluegrass/jamgrass scene has grown exponentially in the last few years and, with that, the traditions have grown as well. One of these is WinterWonderGrass, held this past weekend in Steamboat Springs, Colorado. In its eighth year, the tiny, homegrown festival boasted an amazing lineup for its 2020 edition and was a blessing for bluegrass & string music fans across the nation.

    This winter wonder festival takes place in the famous mountain town of Steamboat Springs. Nestled in the upper valley of the Yampa River, the picture-perfect, post card scenery overshadowed the fact that temperatures for the weekend didn’t surpass 30 degrees. Day one included intimate sets in each of the three tents from Buffalo Commons, John Stickley Trio, and an amazing new and rising artist, Molly Tuttle, with headlining sets from Grammy-nominated Nashville band Della Mae, the incomparable Keller and The Keels, and one of the hottest acts in music right now, Billy Strings. His first headlining set of the 2020 festival season included a fitting “Steamboat Whistle Blues,” “Highway Hypnosis,” and a “Train Train” encore that concluded an amazing first day of music, and reminded fans in attendance why Billy Strings is everything they love about this great event.

    The second day on the mountain started off with a new tradition, a set entitled WinterWonderWoman. A collaborative set of covers and some bluegrass and country classics was performed by a group of amazing female musicians who performed throughout the weekend. On the main stage Nikki Lane, the extremely gifted country rock songwriter, proved to a packed audience that her blues guitar and vintage ’60s country-pop swagger fit right in with the WinterWonderGrass family. Despite all the firsts on the second day of the festival, it was a headlining set by festival veterans Greensky Bluegrass that reminded fans what WinterWonderGrass is all about. With a chilling and emotional “Wish I Didn’t Know” to start it all off, Greensky filled the rest of their set with tracks like “Worried about the Weather” and “Old Barn” and, with Jennifer Hartswick as a special guest, they rocked the mountains with a debut cover of Pat Benatar’s smash hit “Heartbreaker”. There is a special bond between Greensky Bluegrass and WinterWonderGrass that proves year after year how special the bond is between their music and its fans.   

    As a festival in its eighth year, WinterWonderGrass is very in tune with how quickly things change in the music industry, and the only way to survive and attract new and old fans year after year is to adapt. Day 3 was a look into the future of the festival and how the recent rise of the proclaimed “Outlaw Country” genre has become a perfect companion to bluegrass, this blend of new blood, veterans, country, and bluegrass was the theme of the final day of the music event. With sets from bluegrass legends The Travelin’ McCourys, and another smoking hot set from Billy Strings, the strings element to this eclectic blend was complete. It was the Sunday headliner that added a new sound to this festival and a brand new flavor to this blend of great music. Margo Price has exploded into the country music scene since her debut in 2016 and she did nothing short of that to make her WinterWonderGrass debut. She debuted a new song “Twinkle Twinkle” and even welcomed Billy Strings for a special cover of Janis Joplin’s “Move Over.” She closed out her debut set by sparking a joint, sharing it with the crowd, and encoring with Dolly Parton’s “9 To 5,” a perfect way to close out an amazing weekend of music.

    The roving cold weather music festival will continue its 2020 run with stops in Squaw Valley, California from March 27-29 and Stratton, Vermont on April 10 and 11. It still remains one of the top festivals in the country after almost ten years, bringing together multiple genres of music, community, sustainability, and family in some of the most welcoming, majestic mountain communities in the country. 

  • Primus Announces Rush Tribute Tour

    Primus is hitting the road this summer and will honor Rush with “A Tribute to Kings,” a full recreation of Rush’s 1977 album A Farewell To Kings, at each tour stop.

    The tour comes in the wake of the death of Rush drummer Neal Peart, although Primus’ Les Claypool noted that the tribute was originally scheduled to be performed in the fall of 2019, but plans were pushed into 2020 when Slayer invited Primus on the road last year. Now, the tour holds more meaning with a plan to honor Rush in more ways than one.

    Primus Rush

    The Tribute To Kings Tour will run for 40 shows, from late May until early August, with stops in New York at the Beacon Theatre in NYC on June 17, and on July 2 in Lafayette at Beak and Skiff Apple Orchards.

    Claypool says of Rush, “Geddy, Alex and Neil had been superheroes to Larry, Herb and I in our teens, so when we all became pals while touring together in the early ’90s, we were pretty delighted; partially because of the musical geek-out factor but mostly because the three guys whom we had admired so much from afar, turned out to be truly great, down-to-earth humans, and like us, a tad eccentric. The ‘Tribute to Kings’ tour will be just as it is implied, a respectful and loving tribute to three spectacular musicians, songwriters, legends and friends.”

    For more information visit Primus’ official website.

    Primus: A Tribute To Kings Tour Dates

    May 26: Irving, TX: The Pavilion at Toyota Music Factory *^

    May 27 Houston, TX: Revention Music Center *^

    May 29 Austin, TX: ACL Live at the Moody Theater *^

    May 30 New Orleans, LA: Saenger Theater *^

    June 1 Asheville, NC: ExploreAsheville.com Arena *^

    June 3 Orlando, FL: Hard Rock Live Orlando *^

    June 5 Atlanta, GA: Coca-Cola Roxy *^

    June 6 Charlotte, NC: Charlotte Metro Credit Union Amphitheatre *^

    June 7 Raleigh, NC: Red Hat Amphitheater *^

    June 9 Cincinnati, OH: PNC Pavilion *^

    June 10 Columbus, OH: Express Live! – Outdoor *^

    June 12 Manchester, TN: Bonnaroo Arts And Music Festival

    June 15 Richmond, VA: Virginia Credit Union LIVE! *^

    June 16 Baltimore, MD: MECU Pavilion *^

    June 17 New York, NY: Beacon Theatre *^

    June 19 Philadelphia, PA: The Met Philadelphia *^

    June 20 Asbury Park, NJ: The Stone Pony Summer Stage *^

    June 21 Essex Junction, VT: Midway Lawn at Champlain Valley Exposition ^

    June 23 Boston, MA: Rockland Trust Bank Pavilion *^

    June 24 Wallingford, CT: Toyota Oakdale Theatre *^

    June 26 Sterling Heights, MI: Michigan Lottery Amphitheatre at Freedom Hill *^

    June 27 Cleveland, OH: Jacobs Pavilion at Nautica *^

    June 28 Pittsburgh, PA: Stage AE – Outdoor *^

    June 30 Toronto, ON: RBC Echo Beach *^

    July 2 Lafayette, NY: Beak and Skiff Apple Orchards *

    July 3 Westbrook ME: Main Savings Pavilion at Rock Row *

    July 6 Indianapolis, IN: The Amphitheater at White River State Park *+

    July 7 Milwaukee, WI: BMO Harris Pavilion *+

    July 8 Minneapolis, MN: The Armory *+

    July 10 Chicago, IL: The Chicago Theatre *+

    July 11 St Louis, MO: Saint Louis Music Park *+

    July 12 Kansas City, MO: CrossroadsKC *+

    July 14 Denver, CO: The Mission Ballroom *+

    July 15 Salt Lake City, UT: The Complex *+

    July 17 Berkeley, CA: Greek Theater *+

    July 18 Los Angeles, CA: Greek Theatre *+

    July 19 Las Vegas, NV: Pearl Concert Theater at Palms Casino Resort *+

    July 21 Boise, ID: Outlaw Field at Idaho Botanical Garden *+

    July 23 Bonner, MT: KettleHouse Amphitheater *+

    July 24 Redmond, WA: Marymoor Park *+

    July 25 Troutdale, OR: Edgefield *+

    July 28 Spokane, WA: Riverfront Park Amphitheater *+

    July 29 Bend, OR: Les Schwab Amphitheater *+

    July 31 Paso Robles, CA: Vina Robles Amphitheatre *+

    Aug. 1 San Diego, CA: Cal Coast Credit Union Open Air Theatre at SDSU *+

    Aug. 2 Phoenix, AZ: Arizona Federal Theatre *+

    * w/ Wolfmother

    ^ w/ The Sword

    + w/ Battles

  • Allman Betts World Tour 2020: Tarrytown

    2019 was some year for the Allman Betts Band. In March, the band performed its inaugural show 50 years after the first time the Allman Brothers ever played together. June saw their debut album, Down to the River, hit #1 on the iTunes Rock charts the week it was released. The summer brought the band to a host of festivals and sold out headlining shows as well as a European tour. Throw in a medical emergency and a wedding too, and it was some year.

    Berry Oakley, Devon Allman, Duane Betts, Johnny Stachela – Allman Betts Band

    So what do you do in 2020? You go on a worldwide tour, of course. With a second album in the works (recorded at Muscle Shoals) and having taken some down time to recharge, the Allman Betts Band (Devon Allman– guitar, vocals; Duane Betts– guitar, vocals; Berry Duane Oakley– bass, vocals; Johnny Stachela– guitar, vocals; John Ginty– keyboards; R Scott Bryan– percussion, vocals; John Lum– drums) is going global. We caught ABB at the Tarrytown Music Hall stop of their global odyssey. It was coincidental that this weekend we happened to be celebrating two of our founding fathers while listening to the sons of two men who may not have started the blues, but certainly influenced many a contemporary blues or rock musician. 

    Jackson Stokes

    Opening the night was a St. Louis, MO guitarist and singer/songwriter named Jackson Stokes. Stokes is the first person signed to Devon Allman’s new label Create Records. Supported by a solid three-piece band, Jackson offered an unfiltered, raw performance, worthy of his signing to Allman’s new label. Stokes and his band have been playing multiple dates with ABB on this tour.

    JD Simo

    In the middle slot was JD Simo, a Nashvillian by way of Chicago. JD’s blistering guitar work most certainly pulls from those influences . This night he took the audience with him on his therapeutic musical journey as he performed, maneuvering seamlessly through the styles with no questions asked.  A regular on last year’s ABB tour, JD and his band prove to be more than a warm up act, but one that stokes the fire in preparation for a big night.

    Allman Betts Band

    After two kickin’ acts, the house was set. The sold-out show (which is becoming the norm) had a mix of old and young in attendance. People were sharing stories of seeing Devon or Duane separately and looking forward to experiencing the coalescing of their talents.  The band opened up with “Airboats & Cocaine” from the yet to be named upcoming 2nd album. “Shinin’” from their debut Down to the River followed and the groove for the night was in full swing. With almost a year together, the band has jelled into a musical monster to which you are willing to sacrifice yourself.  The set list this tour has been in flux, so no one is sure exactly what each night will bring.  Sprinkled through the night, a few covers found themselves being pulled out.  Berry Oakley took lead vocals on The Dead’s “Shakedown Street” which had everyone up and dancing, while Devon had the crowd waving their cell phone flashlights, a la lighters in the air, to “Purple Rain” adding a special glow to the house. The encore had the band sharing another new tune, “Magnolia Road,” and took it home in reverent fashion with The Allman Brothers’ “Blue Sky.”

    Allman Betts Band at Tarrytown Music Hall

    So what is 2020 to the Allman Betts Band? A new album, lots of travel stickers on their guitar cases and a band to see if their trek takes them to your town.  

    Devon Allman, Duane Betts – Allman Betts Band

    Allman Betts Band set list: Airboats and Cocaine, Shinin’, Left My Heart in Memphis, Autumn Breeze, Ain’t Wastin’ Time, All Night, Good Ol’ Days, Jessica, Shakedown Street, Taking Time, Mahalo, Purple Rain, Long Gone

    Encore: Magnolia Road, Blue Sky.

  • Zachery Allan Starkey Shares “XXX” off upcoming FEAR CITY LP

    Zachery Allan Starkey has released “XXX,” the dark and melodic second single and video off of his forthcoming album FEAR CITY. Composed, performed, and produced by Starkey, “XXX ” is a symphonic techno odyssey that brings the listener deep into the pure hedonistic ecstasy of New York City nightlife.

    Using analogue synthesizers and intricate arrangements, Starkey creates a throbbing, pulsing arpeggiated Techno bass line, then adds soaring lead melodies and pounding drums and percussion (inspired by the sound of the New York subway system), creating a dynamic club track that brings to mind the best work of electronic pioneers Giorgio Moroder and Patrick Cowley, whilst pushing the track firmly into the future. 

    Starkey says of the latest track: “‘XXX’ is my musical synthesis of a journey I have made literally hundreds of times, finding escape and release from the struggles of daily life on the dance floor. It’s a song for both my journey and the journey I’ve seen many others make in the safety offered by nightlife spaces. ‘XXX’ is about celebrating sex, pleasure, and freedom. Musically, ‘XXX’ is my attempt to marry my love of both techno and symphonic music.” 

    The first FEAR CITY single, the acclaimed “No Security,” discusses the political and economic chaos and fear that is consuming the world in 2020. With “XXX,” Starkey shows marginalized, disadvantaged, depressed, overworked, and economically struggling people escaping the present dystopian nightmare to find freedom, expression, and pleasure on the dance floor. The “XXX” of the title is not only a reference to sex and recreational drugs, it is also signifying the excitement of the unknown. 

    As a whole, FEAR CITY takes the 1970’s nickname for New York City, with a focus on the decadent nightlife, drugs, sex, darkness, class inequality and the opiate epidemic found across the 5 boroughs. It uses hedonism to escape the current, widespread political/economic fears, uncertainties and anxiety caused by the rise of right wing politics around the world. While culling influences from New York’s deep well of dance music history, FEAR CITY is a product of the current times.

    “XXX” is accompanied by a music video created by director directed by William Murray and Zachery Allan Starkey, filmed in the seedy sex districts of Manhattan and late night Brooklyn, and features a cameo by revered Brooklyn House and Techno producer Lauren Flax, as well as Starkey’s live musicians, Laura Holden and Ruby Wang.

  • America Begins Their 50th Anniversary Tour on Long Island

    On Friday night, America played a sold out show at The Tilles Center on the LIU Post campus in Brookville, Long Island, the first show of the band’s 50th anniversary tour, celebrating the release of their 1971 self titled album.  “A Horse With No Name,” originally titled “Desert Song,” was released in the US a few weeks before the album came out and sold over a million copies, being awarded a gold disc by the RIAA. The album went platinum shortly after. The band was opening for acts like The Who, Elton John, Pink Floyd and worked with Beatles producer George Martin from 1974-1979. 

    america 50th anniversary

    Friday night’s show was filled with hit after hit, spanning their 50 year long and counting career. Gerry and Dewey sounded just as good today as they did when they started harmonizing 50 years ago. Songs from the setlist included “Tin Man,” “Ventura Highway,” “Sister Golden Hair” as well as a covers of The Beatles’ “Eleanor Rigby” and  The Mamas & Papas’ “California Dreamin’.” The 18-song set concluded with  “A Horse With No Name.”  You can see the full setlist below. 

    The band’s current lineup includes original founding members Gerry Beckley and Dewey Bunnell, as well as Ryland Steen on drums, Steve Fekete on guitar and Richard Campbell on bass. The tour continues across United States and Canada until July when they head to Europe for shows in France, the U.K. and Germany. You can see all the tour dates here at https://www.venturahighway.com/. There is also a biography about the band written by Jude Warne, titled America The Band: An Authorized Biography that is available for pre-order now and will be released on May 15, 2020.

    Setlist: Tin Man, You Can Do Magic, Don’t Cross The River. Daisy Chain, Riverside. I Need You Here, Ventura Highway, Eleanor Rigby, Cornwall Blank, Hollywood, The Border, Woman Tonight, Only In Your Heart, California Dreamin’, Lonely People, Sandman, Sister Golden Hair, A Horse With No Name