Category: Genres

  • My Morning Jacket finds beautiful closure to “The Waterfall Sessions” with surprise new album

    My Morning Jacket announced on Tuesday July 7 that their new record THE WATERFALL II would be released the following Friday with a special live stream the night before. This record had been teased over the last five years since THE WATERFALL was released in 2015, as they recorded enough material for a follow up. The first record was a break up record and THE WATERFALL II continues that theme, enrolling a dreamy southern rock as if the Beach Boys and Allman Brothers birthed a new cosmic force that is the ever evolving style of MMJ from album to album.

    the waterfalls II

    This new record was recorded seven years ago in Stinson Beach, CA and though three of the tracks had been heard as part of a Holiday release (“Welcome Home”), a soundtrack (“The First Time”), and a single (“Magic Bullet”), they fit so well into this psychedelic pop record that after 20 years as a band, it continues to showcase and highlight all the members.  The back line of Tom Blankenship and Patrick Hallahan are tight and true, letting Jim James explore with his incredible vocal range, while Carl Broemel’s guitar work weaves pattens through the record like birds in flight across a melting Pacific sunset.  Bo Koster really shines on these tracks as well with his fantastic work on keys and backing vocals adding a radiant shine over the entire piece of art.  Brittany Howard of The Alabama Shakes also lays down back up vocals. 

    https://www.youtube.com/watch?v=28twddwXhJc

    THE WATERFALL II opens with “Spinning My Wheels,” which the band performed on Jimmy Fallon July 15. “Hypnotized from doing the same old thing, It don’t matter where you settle down, It sure don’t matter where they put you in the ground, they only point of things is to break the spell and to love another day and live to tell,” sings James.  What a fitting way to start this very hypnotizing track.  As mentioned, the theme of breaking up lingers, but in this writer’s opinion, the message is one of peace and tranquility in discovering that change is what you needed most. Track two, “Still Thinkin’,” starts out almost as a bouncy pop song and then delves into a wondrous cave a la Pink Floyd or “Dondante” from MMJ’s album Z 15 years prior. “Climbing The Ladder” has some amazing tempo changes that keep the listener on their toes and remains very upbeat.  One could potentially see this as a fun opening song when live music comes back or first encore song.

    my morning jacket

    The second act of the record begins with “Feel You” and this is where the album starts to move into that dreamy phase, with a sentiment sung wonderfully and guitar interludes that drift like wind across the waves.  It soars and moves as the band feels so tight but so loose at the same time.  This is sure to be a fan favorite.  “Beautiful Love (Wasn’t Enough)” hits with biting lyrics and guitar solos, and that dreaminess turns into a locomotor chugging through.  One could almost see this track on the Dylan album Blood On The Tracks.  That driving force comes through again on “Magic Bullet,” reminiscent of MMJ’s work on Evil Urges’ “Highly Suspicious” or Circuital’s “Holding Onto Black Metal.”  If we still had Prince, this might be the music he would be making.

    The third act as part of one gorgeous record begins with “Run It.” The song itself is a meditation, a call for self discovery and a call for healing, the perfect song for a global pandemic, a Sunday morning, a drive through the country, and anyone searching for a bit of peace in their life. “If you ain’t to kind, you ain’t my type, I’m gonna run you out the door, Don’t need that, Don’t need ya anymore…” Koster’s keys over the beat, Jame’s warm voice, Broemel’s sly guitar might make this the song of the summer.  As the song drifts away, don’t take your eyes off the road because you will get hit by what will most likely become a barnburner at live shows.

    The first two minutes of “Wasted” set up a groove that Koster and Blankenship start turning up the dial on until it becomes a full on rocker.  Just when you have spent every emotion you have on this record, and being floored by the penultimate track, “Welcome Home,” centers you again.  The song is like the last kiss of sun across the ocean as night sets in.  The placement of each song on this record will keep it flying off shelves at vinyl stores as it is truly a full album. “Send bad habits on their way, let a new year start today, open arms are saying to you, welcome home, and as the snow glazed all the trees, I let my thoughts flow of the breeze, and the air rushed in my lungs saying to me , welcome home,” sings James with another sentiment of being born again. Everyone is hoping for a new beginning in a new year where all people are welcomed home.  The final track, “The First Time,” reminds this writer of THE WATERFALL song “Only Memories Remain” which has found new life as a live track and has become part of some amazing sets these gentlemen put on.

    THE WATERFALL II is a breath of fresh air, a surprise in these times of seemingly endless bad news.  It serves as a bright spot for fans of the band and also came with an announcement that there is another album entirely done, awaiting a release date, hopefully be followed by a run of shows.  New listeners of the band will find a group that has been at it for 20 years, from driving in vans, to playing Madison Square Garden on New Years Eve in their first 9 years, and sometimes having to take a breath for themselves.  Though their styles keep evolving, the message has always been clear with My Morning Jacket from Louisville, KY – love always wins and in this case can set your mind free.

    Key tracks: Feel You, Run It, Wasted

  • Alan Evans’ new project, Crushed Velvet and the Velveteers, drop video for “As Far As We Know”

    Soulive’s Alan Evans and his label, Vintage League Music, have released “As Far As We Know,” an uplifting soul ballad by Crushed Velvet and the Velveteers. Featuring an illustrious group of collaborators—including the BT ALC Big Band, Brother GoodLove and more – this project of Evans’ will showcase the multi-instrumentalist’s guitar skills.

    At a time where the world might seem bleak and divided, Crushed Velvet and the Velveteers are here with a gentle track that carries a unifying message of peace, singing, 

    As far as we know / We ain’t too different / You and I could spend all our time / Make this world a better ride / Imagine the difference if we try.

    Evans says of the collaborative project:

    “I originally wrote the music for ‘As Far As We Know’ back in May 2019 with another VLM project in mind. I knew that I wanted to have Stephane (Brother GoodLove) singing on this song from the beginning. I didn’t realize that Stephane would turn that working title into such beautiful and powerful lyrics—I was really blown away when he sent me the first demo of the vocal and couldn’t wait to get it into full production but for whatever reason, it wasn’t the right time. But once I had the idea for the new Crushed Velvet and the Velveteers album, ‘As Far As You Know’ being included was a no brainer. So during quarantine, Stephane cut the vocals and I called on my Vintage League Music family of musicians to fill out the song and the rest is history. Without a doubt, it’s one of my favorite songs I’ve ever written.”

    Alan Evans

    Stephane Detchou, who performs under the moniker Brother GoodLove, was born in Montreal to Cameroonian parents and has been surrounded by music his entire life. Genres like folk, jazz, soul, rock and reggae were central in his upbringing and would come to influence the music he would later produce. It is within soul where he explores his identity and sense of self, reflects on the world and contributes to a future he believes in—and “As Far As We Know” is no exception, a song in which he penned the lyrics for.

    Crushed Velvet and the Velveteers

    In addition to Brother GoodLove, “As Far As We Know” also features Darby Wolf on piano, Alex Lee-Clark and Brian Thomas of BT ALC Big Band on the horns, Ryan Hommel on acoustic baritone guitar, and Cynthia Tolson on the strings.

    The official music video for “As Far As We Know,” directed by Samuel Hall, sees Brother GoodLove travel around Washington, D.C. while pondering the profound message of his lyrics, including footage captured during the current Black Lives Matters protests in the area.

  • Burning Bicycles Release Debut Single “Moonlight”

    One of the newest bands to come out of New York City‘s Indie underground, Burning Bicycles makes their debut with the single “Moonlight.” Originally released April 13, this track serves both as an acknowledgment of NYC’s crisis with COVID-19 and a call for hope amid the chaos.

    In this track you can hear the Burning Bicycles leaning into their psychedelic rock roots, crafting a dreamy track that pairs a mellow glimmering guitar with a laid back beat. Burning Bicycles states that “Moonlight’ encourages our fans to be aware of the world around them, but not to give up on their dreams and ambitions: regardless of the conditions we face.”

    I couldn’t agree more with their assessment and the chorus perfectly exemplifies their intent, further adding to the inspiring and uplifting tone of the track.

    “Don’t break away, Look around at the world that you stay, Living in and, Don’t let them take, All your dreams it’s the reason why you live”

    Be sure to check out Burning Bicycles newest single, “War” and find them on their Facebook for updates on their coming releases.

  • Wu Tang Wednesday: GZA and Killah Priest teach about the B.I.B.L.E

    While recent racial tensions surrounding police-brutality have garnered the general public’s attention, another divisive issue has picked up steam as of late. Public figures such as, Ice Cube, former NBA player Stephen Jackson and Philadelphia Eagles wide receiver DeSean Jackson have posted social media doctrines acknowledging that the first of the Jewish people were indeed Black, and those we recognize as Hispanic and Native Americans, are actually decedents of the Black Hebrew Israelites. This sparked backlash with some labeling DeSean Jackson and Ice Cube as anti-Semitic and accusing them of spreading misinformation. While present-day celebrities take the brunt of the repercussions, these claims have been uttered by influential figures in the past. 

    liquid swords

    On November 7, 1995, GZA of the Wu Tang Clan released his second studio album, Liquid Swords. With no made-for-radio records, the project still debuted at number 9 on the Billboard charts and has since been certified platinum. A critically-acclaimed album, Liquid Swords is multi-faceted and backed by complex lyrics, it explores themes such as crime, philosophy and chess. And although GZA is recognized as the most lyrically potent of the Clan, the most compelling of the 13 tracks – and the album’s outro — came from protégé Killah Priest. Aptly titled “B.I.B.L.E” (Basic Instructions Before Leaving Earth), the 4th disciple produced record explores the religious fallacies that have been instilled within the Black community, as well as the hypocrisies within organized religion that many children are forced to accept.  

    In an interview with Righteous Disorder Tv, Killah Priest divulges how his record made the cut,  “it was a process, I just kicked a rhyme for GZA one day before it was even a song and GZA always loved that verse,” and soon after, it was turned into a full song. With the album’s producer — and Wu Tang Clan leader — RZA not sure of its placement within the project, it was turned into a bonus track.

    The song begins with Killah Priest repeating the acronym four times before transitioning into the hook 

    “Life is a test, many quest the Universe and through my research I felt joy and hurt, the first shall be last and the last shall be first. Basic instructions before leaving earth.” 

    With two lines, he sets the stage for the record’s theme. Acknowledging the joy in finding out the truth about his race and the feelings of sadness that come with the truth. The hook ends with “the first shall be last and the last will be first.” A reference to Genesis chapter 25, verse 23, “Two nations are in your womb, and two peoples from within you will be separated; one people will be stronger than the other, and the older will serve the younger.’”

    killah priest

    Priest begins the first verse discussing his interest in the bible and why it is so important to him,

    Explored my history that was untold and watched mysteries unfold and drop a jewel on them like Solomon, but never follow men cause if you do your brain hollower than space oblivia or the abyss.

    He is ignoring the teachings of the church and doing his own research on the bible and what it means, as well as, who it is meant for. As he learns more, he uncovers new mysteries that he was never taught, and he begins to teach others what he has learned. “Never follow men,” speaks to the ideology that God should be the only entity leading one to salvation. 

    He carries on,

    I speak on Jacob, it might take some time up, and too much knowledge, it might break up the rhyme. I did it anyway, just to wake up the mind of those who kiss stones or prays on carpet. Those who sit home or sell books by the market need to chill and give their mind revived for years religion has done nothing but divide.

    The first line serves as a double entendre, as “Jacob” is a known biblical reference, while Jacob Arabo is known popularly within hip hop circles as “Jacob the Jeweler,” for his unique designs of Jewelry — specifically watches — The last two lines throw stones at those who pray and profit off of selling the bible yet, know little of their true history. 

    On the second verse he advances with his earlier rhetoric on religion and how it has been used to confuse him and his people, while also speaking on the true origins of the White race.

    I even learnt that Caucasians were the tribe of Edom the white image of Christ is really Cesare Borgia. And uhh, the second son of Pope Alexander the sixth of Rome and once the picture was shown that’s how the devil tricked my dome.

    He alleges that Caucasian people are the decedents of Esau (the first son of Isaac and the first White person in history, according to The Old Testament) and his tribe Edom, a stance recently reiterated by Ice Cube and Desean Jackson. 

    On the last verse he says, 

    I prophesized to save man, but no one gives a damn for my nation, the seed of Abraham blessed with the tongue of Hebrew now we strung on needles and some plunging evils. So, study and be wise in these days of darkness, peace to my nephew Marcus.

    With a desolate first bar, Killah Priest gives insight into the thoughts of a man who is trying to warn yet, the more he tells people the true history the more they don’t care or take what he says seriously, leaving him frustrated. On the second line, he says that his people are descendants of the biblical figure —Abraham, ascribing to the chosen seed that God prophesized he would be blessed with. At one point his people were blessed in their history and knowledge of Hebrew. Now, they are strung on needles — referencing the many drugs that have been pipelined to Black inner cities — and committing other evil acts. Finishing off by encouraging them to take their knowledge into their own hands.

    While Black entertainers continue to receive backlash for their thoughts on Judaism, the authenticity of their claims must be acknowledged. With this record being a quarter-century old, how many more people have already accepted Killah Priest’s claims as their truth? It’s easy to accept the status quo as the truth, challenging accepted ideologies is the only way we can grow as people, and that begins with exploring the possibilities of different origins to every religion, as none belong to any one race.

    With contributions from Alain Clerine.

  • Rock and Roll Hall of Fame Induction Ceremony to Be Televised

    Because of the threat of the COVID-19, the Rock & Roll Hall of Fame is replacing its 35th annual Induction Ceremony with an HBO special honoring the inductees. The special will air on November 7, 2020 at 8PM EST on HBO and HBO Max.

    rock hall of fame
    Photo courtesy of Wikimedia Commons.

    This year, the 35th Induction Ceremony was supposed to take place on May 2 in Cleveland and make history by being the first Induction broadcast live. To ensure the safety of their fans and inductees, however, the Rock & Roll Hall of Fame will instead create a special program to give the Inductees their earned respect. The show will tell “the stories of their incredible contributions to music and impact on a generation of artists that followed them,” says Rock & Roll Hall of Fame Foundation Chairman John Sykes. It will include archived content, acceptance speeches, interviews, and more. Next year, the 36th Induction Ceremony will be moved to the fall and return to Cleveland. After that, the Ceremony will take place every other year in Cleveland. 

    Even though they can’t have a proper Ceremony, the Rock & Roll Hall of fame is still giving fans ways to honor the Inductees. Their museum is back open and safely following all recommended guidelines from Ohio Governor DeWine, the CDC, public health officials, and infectious disease experts. Advance tickets must be purchased online and the museum requires temperature checks, masks, social distancing, limited capacity, and other safety precautions to ensure the health of their visitors. Early hours are available for at-risk guests, some essential workers, and Rock Hall members. The museum will open a 2020 Inductee Exhibit on August 14. If you can’t make it in person, you can still listen to the Inductees’ curated playlists on Spotify

    The exclusive Induction Ceremony will air on HBO and HBO Max on Saturday, November 7 at 8.

  • Hudson Valley Philharmonic to Stream Virtual Concert

    On Saturday, July 18, Bardavon Presents will stream the first Hudson Valley Philharmonic Virtual Concert Hall for free. The performance is curated by HVP Maestro Randall Craig Fleischer and will showcase favorite pieces performed by the talented HVP musicians. 

    hudson valley philharmonic

    As Bardavon is not sure when audiences will be able to gather together once again due to the Coronavirus pandemic, they are streaming virtual performances on YouTube for fans to enjoy from home. The HVP Virtual Concert Hall #1 will stream on July 18 at 8PM and will feature the following pieces along with commentary from Fleischer:

    Reinhold Glière, 8 Pieces, Op.39, Scherzo, Performed by Madeline Fayette, Cello, and Abi Fayette, Violin

    Reinhold Glière, 8 Pieces, Op.39, Berceuse, Performed by Madeline Fayette, Cello, and Abi Fayette, Violin

    Gioachino Rossini, The Barber of Seville Overture, arr. for two flutes, Performed by Marcia Gates, Flute, and Jill Sokol, Flute

    J.S. Bach, French Suite No. 2, Allemande, Performed by Elizabeth Handman, Viola

    J.S. Bach, French Suite No. 2, Courande, Performed by Elizabeth Handman, Viola

    Jay Ungar, Ashokan Farewell, Performed by Frances Duffy, Harp

    Bela Bartok, Romanian Folk Dances, Allegro Moderato, Performed by Rachel Handman, Violin

    Donna Doyle, “Cave of the Heart”, Performed by Gregory K. Williams, Viola

    Gioachino Rossini, William Tell Overture, English Horn solo, Performed by Joel Evans, English Horn

    Hatikva (trad.), Performed by Harvey Feldman, Bassoon

    Subscribe to Bardavon Presents on YouTube so you don’t miss this or their upcoming shows planned for July through November. Bardavon is still selling tickets online for future events and updates their ticket holders on the status of the scheduled events.

  • Hearing Aide: Upstate ‘Live at ArtsRiot’

    Upstate’s new live EP, Live at ArtsRiot is the quarantine album we all need right now. This group, formerly known as Upstate Rubdown, has soared through the Hudson Valley region since their debut release in 2015, and in an effort to cure our isolation blues, they have released this live EP to bring us back to the comforting clamor of live shows.

    This new release is familiar territory, featuring four songs from their 2019 studio album Healing. The new EP promises the same tight vocal harmonies, intricate lyrics, tight rhythmic strumming, and swirling energy from the first release of these songs. What you may not expect from Live at ArtsRiot is its production value – besides the excellent mixing and mastering, this live performance has eight performers, each with an interesting color to weave in and out of this picture. One of the best examples can be heard in “Who Knows”. The album version tends to rely on the folk-timbred acoustic guitar and standup bass, but the live version is daring in its switch to electric. In one song, a group that was once under the folk umbrella becomes a southern blues band. In the final song of the Live EP “Healing”, the band ditches the honky tonk-style piano solo and tosses in a keyboard for the solo section, marrying folk with almost a jam band timbre to support the blazing sax solo and keep the energy trailing right until the end of the performance.

    More than its musical intricacies, this live EP is a reminder of the comradery needed to put on a great show. In addition to having top notch songs, this band has a responsive following, which you can hear cheering throughout the entire EP. The vocalists have audible excitement in their voices, and with so many musicians on stage, you’re able to hear the push and pull of instruments to provide a strong and creative backdrop for the tight vocal harmonies that push centerfold.  This is a sound you can only get from a live show, and with performances few and far between these days, we can’t help but thank Upstate for reminding us of the live show vibes we miss so much.

    p.s., Upstate is headed to Rochester on October 16, and will hopefully visit ArtsRiot again this year, but check their website and Facebook to be sure.

    Key Tracks: Who Knows, Healing

  • Joe Louis Walker is set to Perform Live Drive-In Concert in Plattsburgh

    There’s good news for blues and jazz fans who have been urging to get to a live show. Grammy nominated artist, Joe Louis Walker, will be performing a live drive-in concert in Plattsburgh on July 25 at 7:30 p.m.

    Joe Louis Walker Plattsburgh

    The show is part of the series, “Curbside at Harborside,” which is an effort to provide pandemic-friendly live concerts, while still being able to have a good time. To maintain social distancing, guests can bring lawn chairs to sit outside their cars or they can listen through FM radio.

    Walker is a well-known blues artist and Blues Hall of Fame inductee. He is also the winner of the Blues Music Awards four times.

    The blues artist has performed alongside famous icons like, Jimi Hendrix, B.B. King and Muddy Waters. He has over 20 albums under his belt, his latest one being, “Blues Comin’ On,” that came out this year.

    Joe Louis Walker is “a legendary boundary-pushing icon of modern blues,” said NPR.

    Parking for Joe Louis Walker in Plattsburgh opens at 6:30 p.m., with it being 20 dollars per car in cash. Takeout meals will be provided from The Naked Turtle for tailgating.

  • Aqueous and Buffalo Iron Works announce two nights at Silver Lake Twin Drive-In

    On the heels of a successful Live at the Drive in Lockport this past June, Aqueous and Buffalo Iron Works have announced two evenings of live performances at Silver Lake Twin Drive In in Perry, NY. The shows on August 7 & 8 will feature a socially distanced set up for cars, providing respite for live music fans in Western New York.

    aqueous drive in

    Gates will open at 3:30 each day and Aqueous will be live, on stage, in front of screen one at 4:30. Tickets will go on sale Thursday, July 16th at 10am. Ticketing details are as follows: 

    General Admission Car Passes: 2 Car Pass: $80, 3 Car Pass: $120, 4 Car Pass: $160, 5 Car Pass: $200, 6 Car Pass: $240.

    VIP Admission Car Passes – Included Ticket to Show and Limited Edition Poster: 2 Car Pass: $160, 3 Car Pass: $240, 4 Car Pass: $320, 5 Car Pass: $400, 6 Car Pass: $480. 

    aqueous drive in
    From the successful Live at the Drive held in Lockport this past June

    Each “Car Pass” ticket is priced for a vehicle with the stated number occupants. All ticket purchases will be internet pre-sale only until the day of the event. If your vehicle has extra seats available, you are allowed to bring additional people to fill the vehicle and they can pay for their individual ticket at the gate on the day of the show. Extra people cannot exceed the car’s capacity and security will be ensuring this at the door. Please be respectful for the benefit of all parties. 

    All parking is designated by Drive-In Security. VIP parking will be in the first 2 rows of the Drive-In theatre. General Admission vehicle parking will be on a first-come-first-park basis behind the first 2 rows. To help with the obstruction of guests’ view, vans, trucks, and SUVs will be asked to park on one side of the snack bar or in the last three rows of the theater.

    To comply with social distancing guidelines, all vehicles must park at least 6 feet away from neighboring vehicles. Once parked, do not move your vehicle. If you choose to leave in your vehicle, you will not be permitted to re-enter the theatre. Management has final authority over where you may park. 

    Patrons are asked to remain in or near their vehicles except for trips to the bathroom, snack bar (limited to 10 people a time), Charcoal Corral restaurant, dog walks and smoking in designated areas. All guests must wear face masks whenever they are in a public area within 6 feet of other guests until further notice. 

    Perry, NY is located about 1 hour ESE of Buffalo and 1 hour SW of Rochester. Silver Lake Twin Drive-In is located at 7037 Chapman Ave in Perry, and produces weekend film features on two outdoor screens with a casual restaurant, mini-golf & more on-site. 

    Aqueous recently released a stream of Live at the Drive in its entirety on their Facebook page. Watch below for a taste of socially distanced live concerts at its best.

  • PBS Airs Broadway Shows to Keep Theatre Alive

    As a part of their Broadway at Home series, PBS will be bringing theatre to people at home by broadcasting She Loves Me, Present Laughter, In the Heights: Chasing Broadway Dreams, Much Ado About Nothing, and The King and I on a weekly basis starting July 24 and ending August 21. 

    broadway PBS
    Photo by Joan Marcus.

    Since the Broadway shutdown was extended to 2021, many are still finding ways to keep theatre alive. Following the Disney Plus release of Hamilton, on Fridays this summer, PBS will broadcast some past Broadway favorites. She Loves Me will kick the series off on July 24 at 9PM ET. The musical features Tony award winner Laura Benanti and Tony nominee Zachary Levi. This 2016 revival of the 1963 show was the first ever Broadway show to be livestreamed. The next week, Noel Coward’s Present Laughter will air July 31 at 9PM ET. This comedy follows a self-obsessed actor as he deals with women who want him, crazed playwrights, twists, and his impending mid-life crisis. 

    On August 7 at 9, PBS will broadcast In the Heights: Chasing Broadway Dreams. The film documents the stories of composer and lyricist Lin-Manuel Miranda and the cast of In the Heights as they prepare for their opening night in 2008. It is about the difficulty of going out and achieving dreams when all odds are stacked against you. Although writing a show about a mainly Hispanic neighborhood in NYC may have been risky, it certainly paid off. In the Heights took home 4 Tonys, including Best Musical and Best Score of a Musical.  Its film adaptation will be released summer 2021.

    For the first time, PBS will show a Shakespeare in the Park show–Much Ado About Nothing from 2019. Danielle Brooks and Grantham Coleman star in this Shakespeare comedy directed by Tony winner Kenny Leon and choreographed by Tony nominee Camille A. Brown. Much Ado About Nothing will air on August 14 at 9. 

    Danielle Brooks and Grantham Coleman. Photo by Joan Marcus.

    PBS wraps the series up on August 21 at 9 with Rogers and Hammerstein’s The King and I. The 2015 revival of this 1951 classic won the Tony for Best Musical Revival. This production was recorded during its 2018 run and stars Tony award winners Ruthie Ann Miles and Kelli O’Hara, who won for this performance as Mrs. Anna in The King and I in 2015. 

    The shows will also be available for streaming on all station-branded PBS platforms, and all PBS station members will be able to watch the shows on Passport. Check your local PBS station for more information.