NYS Music 202​0

Category: Genres

  • An Interview with Carpool: The Ultimate Guide To ‘Erotic Nightmare Summer’

    Hold off on making your Album of The Year lists, alt rock fans, until you’ve taken the debut album from Carpool for a test drive. Erotic Nightmare Summer checks all the right boxes: electrifying riffs, crafty turns of phrase, and choruses you can’t help but sing along to. In short, it slaps. Hard.

    Erotic Nightmare Summer is a follow-up to their 2018 EP I Think Everyone’s A Cop, a work that launched them on the East Coast touring circuit and a spot at Fest last year. They’ve already been named on the lineup when Fest resumes in 2021. 

    carpool

    NYS Music caught up with band members Stoph Colasanto (lead vocals, guitar, synth), Tommy Eckerson (lead guitar, vocals), and Alec Westover (vocals, drums) to talk about the album, starting with the overall concept and inspiration.

    “Lyrically, it’s about the realization that some close relationships had become toxic, and the need to move on,” said Stoph. The music follows suit, pushing the boundaries of what is expected from an emo band. With the help of their producer, RJ Demarco, they challenged themselves to leave their comfort zones instrumentally, incorporating unexpected touches like classic rock elements and instruments that are unconventional for the genre, like violin, sax, and glockenspiel. 

    The story of the album artwork is also intriguing. For most works, the visuals are an afterthought. But Erotic Nightmare Summer was actually inspired by the striking collage that now graces its cover. It was a print Stoph had bought off artist Aaron Gordon from Buffalo to hang up on his wall. “I was just sitting in my room staring at it, and I got some ideas for songs. It just went from there.”

    That spark fueled the concept of the album, and the melodies and lyrics for a handful of songs. Stoph called Tommy over that day, and together they started crafting the majority of the songs that comprise Erotic Nightmare Summer. They’ve fielded a lot of questions since the release. We went track by track through the album because there’s a lot to unpack. 

    Cruel Intentions

    The guitar progression on “Cruel Intentions” may seem slightly familiar to Carpool fans. There’s a reason for that. Tommy explained, “The main riff for Cruel Intentions is one that Stoph has been playing, in several variations. The way he played it for ‘Cruel Intentions,’ we built the song off that.”

    In the story arc of this concept album, this starting point represents the dawning comprehension that some relationships are emotionally damaging, like the song’s 90’s namesake movie. Stoph recalled watching the movie as a kid with his siblings, and really being drawn in by the music on the soundtrack, including Counting Crows and The Verve.

    The lyrics tell a heart-wrenching tale of trying to disentangle from a messy relationship. “And I’m drunk and waiting for your call / I reek like alcohol / When you finally pick up, this is my fault / And I won’t crawl back to you.”

    Whiskey & Xanax

    “That’s for sure the darkest song on the album. The first lyric is ‘Take two steps forward, take your 12 step back,’” explained Stoph, referring to 12-step self-help programs. “It’s like you’re doing well, then all of a sudden something happens and you lose something important to you like your sobriety.”

    “A lot of people advocated for us to change the name before we put it out,” Tommy noted, “But it’s not like we wrote an edgy song just to write an edgy song.”

    “The last thing it’s doing is promoting substance abuse,” added Alec.

    Going against the grain can be hard in the music scene, where drugs and alcohol are pervasive. Bands who want to play live are often performing at bars and house shows, where there’s a lot of social drinking and casual drug use going on. 

    This song also points to how the unhealthy relationships and substance use become intertwined. Alec pointed out, “It’s easy to relate to people’s flaws, especially when it comes to addiction, or being attracted to people with similar flaws.”

    The Salty Song (Erotic Nightmare Summer)

    “I was mad, I was salty,” Stoph said about how he felt when he was conceptualizing the lyrics for the song. “But it’s okay to be mad.” “The Salty Song” was one of the first written for the album, and the seething intensity of the lines is counterbalanced with a mega-upbeat melody. The short, catchy pop song features a big chorus. 

    After writing it, Tommy knew this one was something special. “Stoph and I were texting each other, and I was like, I don’t care if the song or the album does well, I just want people to make a TikTok of one of our songs.” They put out a challenge on social media and it took off. They had responses from a lot of people, including an employee at a mall pretzel shop. “Shout out to everyone who did a TikTok to that song,” 

    Beauty School Dropout 

    Stoph refers to this song as Tommy’s baby. As a fan of the musical Grease, Tommy had been wanting to record the song he had been writing, inspired by his favorite character, Frenchie. 

    “Originally it was called Frenchie,” said Tommy. “We always have ideas for songs lying around, and finally I was like ‘I really want to do it.’ I liked the instrumental, and I wrote the lyrics in the studio under the gun.”

    This song about low self-esteem was a natural fit for the storyline of Erotic Nightmare Summer. It also incorporates an audio clip from the television series Euphoria, pulling in a contemporary reference. 

    Driving Under the Skinfluence

    “This was the first one we recorded for the album,” Stoph said. “This song is a sad one, and a slower one. At this point in the lineage of the album, you’re good, you’re kinda okay with yourself, but you wonder if that person still thinks about you at all.”

    The chorus repeating “I lie, you lie, we both lie. We self-destruct every time,” really drives home the heart-wrenching pain and agony. 

    Come Thru Cool (Punk Ass)

    Stoph admitted this is his least favorite to sing live. “I always feel like I’m going to throw up after.”

    But Tommy loves playing it out. He recalled the day when they wrote the song. “We were literally rehearsing and Stoph started playing this riff. Meanwhile, I’m trying to show him ‘Beauty School Dropout,’ which I had written for like two years and I was dying to finally show them how to play it. And Stoph was like, this is a sick riff. That’s how we wrote ‘Come Thru Cool.’ I love the song now, but at the moment, I was like, seriously, you’re going to write a song in the middle of me trying to show you my song, with no other basis other than the riff sounded cool?”

    Toronto

    “That was our first studio song through and through,” Tommy said. They wrote it and recorded it in the studio with their producer, RJ Demarco. Demarco recorded all the bass lines on the album, and was in all of the group vocals. A man of many talents, he also plays saxophone.

    “There’s a bridge, like a pre-chorus breakdown. I wanted a trumpet player to come in, and I had a specific melody,” Tommy said. “We were in crunch mode at this point, trying to finish it, so RJ played saxophone. It was something a little extra.”

    Like the fan fave “Idaho” off their EP, “Toronto” is a destination song about getting away from it all. Based on the band name alone, Carpool fans can probably expect sing-along road trip songs like these to continue to be a staple in their discography.

    Liquor Store Employee (Old Friend)

    The band gets a lot of questions about this song in particular, regarding the lyrics and the complexity of the instrumentation. It’s a contrast from the shorter chorus-driven ditties like “The Salty Song (Erotic Nightmare Summer).” 

    “I just want to say about Liquor Store, first off, I’m the Liquor Store Employee. That’s me,” said Stoph. “It’s not about my friend Hayley at all – that part references a specific conversation that I had with my friend Hayley… it’s a little something I put in there because I had a conversation with my friend Hailey and it changed my point of view on things.”

    This is Alec’s favorite song on the album. “There’s a super hot beat, and slow parts, and a part that bangs super hard with the lyric. It’s just great. That part in the middle with Tommy doing the lead is probably my favorite part in the album.”

    “This is our band fave for sure,” Tommy agreed. “This and ‘Driving Under The Skinfluence’ are probably our strongest. There’s a good blend of instrumentation, lyrics, and structure.”

    East Coast West Coast

    This is the oldest song on the album, predating Carpool as a band. It’s one that Stoph’s been saving for the right time to record. “This is a song I wrote in 2014, when I was in my first year of college. I’d play it when I came home, at parties, and it was a thing that we did when we had a party. We’d sing ‘East Coast West Coast.’”

    “This is more like a straight up indie rock song,” he continued, ”We’re a dirty emo DIY band at the end of the day, but if you listen to this album, you’re not just going to hear a lot of emo songs and open tunings. You’re going to hear Alec going off on the drums in ways you wouldn’t think. And then you’ll hear Tommy do a classic rock and roll solo that just fits better than anything you could imagine over a contemporary alternative song.”

    They drew on some influences from the music they listened to in their formative years for this nostalgic song about long distance friendships. The sentiment of the song is underscored by the use of violin, played by CJ Westcott (who has now been dubbed CJ West Coast). 

    Stolen Self Help (I Like You)

    This is a softer song, originally written for another musical project, but it made more sense to use it to complete the trajectory of the journey from self-loathing to self-love. And at the end there’s a clip of a little girl saying the band’s motto: Carpool is about sharing smiles with friends.

    “That’s my sister’s best friend’s daughter. Her name is Lila,” Stoph said. “I sent it to my sister’s friend and said, would you be down to have Lila say this in a voice memo? She sent it to me. It’s so cool, especially on that song. It’s like a soft close.”

    Tommy added: “Carpool is a band about sharing smiles with friends. Don’t get it twisted. It is what it is.”

    The band cites numerous people who contributed to Erotic Nightmare Summer, including Taylor Kremis, Jake Amadon, Nick Jones, Trevor Balbierz, CJ Westcott, and artist Aaron Gordon. Also, John Naclerio at Nada Studios who did the mastering, and the crew at Acrobat Unstable Records. And they give a lot of credit to RJ Demarco at Skyway Studios, who also recorded their EP ‘I Think Everyone’s A Cop.’

    “I really gotta shout out RJ,” said Stoph. “I feel like honestly if we didn’t go to him our first time, we wouldn’t know what our sound is. I feel like he understood us better than we understood ourselves. His guidance and structure throughout our time knowing him… especially this past year playing bass for us and being super integral… he made us grow.” 

    Erotic Nightmare Summer is out now for purchase on Acrobat Unstable Records, and can be heard on a variety of platforms, including Bandcamp and Spotify. The band has some material in the wings, including an music video and a cover song. Be sure to follow them on Facebook, Instagram, and Twitter for the latest content and announcements.

    (Photo credit: Matt Sledziewski)

  • Eddie Van Halen, 1955-2020

    Esteemed guitar icon and rock legend Eddie Van Halen passed away yesterday at the age of 65 after an extended bout with cancer. Best known as the shaggy haired lead guitarist of the eponymous band that he co-founded along with his brother, Van Halen‘s passing is a loss sure to be felt throughout the music industry. And it marks the end of an era for an American band that reached a level of popularity few others have.

    RIP Eddie Van Halen
    Eddie Van Halen – photo by Mark McGauley

    Edward Lodewijk Van Halen was born in Nijmegen, Netherlands, on January 26th, 1955, a year and a half after his older brother Alex, to a Dutch father and an ­Indonesian mother. His father, also a musician, joined the Dutch Air Force band as a way to make money. When Eddie was eight years old, the family immigrated to Pasadena, CA where they set roots down and later established one of the most successful American bands of all time.

    RIP Eddie Van Halen
    (l-r) Eddie Van Halen, David Lee Roth, Mark Anthony, Alex Van Halen

    Originally, Eddie was a drummer and his brother would play guitar. Frustrated that he couldn’t handle the drum solo on The Safaris’ “Wipe Out,” the brothers decided to make one of the most impactful instrument switches of all time. The Van Halen brothers would go on to join several local short lived bands in the Pasadena area. In 1972, they formed a band called Genesis featuring Eddie as lead vocalist/guitarist, Alex on drums, and Mark Stone on bass. They initially rented a sound system from David Lee Roth but decided to save money by letting him join as lead vocalist even though his previous audition(s) had been unsuccessful.

    Roth was the only guy who had a PA. We were renting his PA every weekend for $35 and getting $50 for the gigs. So it was cheaper to get him in the band.

    Eddie Van Halen

    The band later changed its name to Mammoth, after learning Genesis was already in use. In 1974, the band replaced Stone on bass with Mark Anthony from local band Snake and again re-named itself, this time for good, to Van Halen. Like most bands, they started out playing parks and backyard parties in the Pasadena area. This soon gave way to gigs at small bars and strip clubs in the Hollywood area.

    What helped Van Halen significantly in its early years was their ability to self-promote. They would hand out flyers before shows at local high schools and also after Aerosmith and Black Sabbath concerts when they be in the area. After catching a show at a Sunset Boulevard club, Gene Simmons even helped produce a demo recording for them and took it to KISS management who would later inform him this fledgling band “had no chance of making it.”

    That would seem to change in 1977 when the band was offered a recording contract by Warner Bros. Records shortly after a show at the Starwood in Hollywood. By the end of the year, the group had recorded their debut album Van Halen at Sunset Sound Recorders.

    By now, the band had a solid collection of original songs like “Runnin’ With The Devil” and “Ain’t Talkin’ ‘Bout Love” to go along with their rotation of cover songs that were prevalent early in their career. The debut effort peaked at #19 on the Billboard charts and sold more than 10 million copies in the United States, receiving Diamond certification.

    This helped Van Halen land a tour opening for Black Sabbath, a band whose parking lot they were flyer-ing only years ago. The group’s chemistry owed much to Eddie Van Halen’s technical guitar wizardry and David Lee Roth’s flamboyant antics and stage persona, strong points which later made them rivals. 

    Van Halen II was released the next year and produced the band’s first commercial hit, “Dance The Night Away.” The 1980s would then see them maintain a rigorous pattern of album releases and supporting tours that would cement the band as global icons. They even earned an entry into the Guinness Book of World Records for the highest-paid single appearance for a band: a $1.5 million payout for a 90-minute set at the 1983 US Festival.

    While it was soaring commercially, the very fabric of the band was beginning to fray behind the scenes. Tensions between Eddie Van Halen and Roth were rising over the direction of the music. Roth preferred more dance-pop numbers while Van Halen was becoming interested in exploring new musical avenues and veering away from cover songs.

    I was getting sick of their ideas of what was commercial. That’s how we ended up doing all those covers on [1982’s] Diver Down. I never wanted to be a cover band.

    Eddie Van Halen

    When it came time to record a follow-up to Diver Down, Eddie insisted they record “Jump” and incorporate synthesizers into other tracks. The result was the smash 1984 that turned them into MTV superstars as videos for “Jump,” “Panama,” and “Hot for Teacher” went into heavy rotation and the album began selling by the millions, reaching Number 2 on the Billboard 200. 

    1984 would be, by far, Van Halen’s biggest commercial success, with the album going five-times platinum only a year after its release. It peaked at #2 on the Billboard charts that year, behind only Michael Jackson’s legendary Thriller. But this would also mark the end of an era, as Roth would quit the band later that year, embarking on a solo career.

  • Phil Collins Brings His 2019 ‘Not Dead Yet’ Tour to MSG

    On October 7, 2019, Phil Collins brought his ‘Not Dead Yet’ Tour to Madison Square Garden for two nights. The tour was 97 shows total including legs in Europe, North America, South America and Australia. and named after his 2016 autobiography. Due to ongoing nerve damage with his hands, this is the first tour that Collins did not play drums. Instead he relied on his son, 18 year old Nicholas Collins to handle all the drum parts. He did an excellent job and I’m sure his father was proud. 

    phil collins

    Back surgery had also left Phil with a paralyzed right foot so he had to remain seated during this tour.  His backup band included guitarist Daryl Stuermer, keyboardist Brad Cole, bassist Leland Sklar, percussionist Richie Garcia and featured Nicholas Collins on drums. 

    It was a bit awkward as Phil hobbled on stage assisted by a cane, but I don’t think he cared much and neither did the audience.  You realize he is an absolute legend as he begins to play hit after hit spanning his 50 plus year career. He sounded fantastic. He even snuck in a few Genesis songs along the way and teased a Genesis reunion which is now supposed to take place sometime in 2021. They played for 2 and half hours, and still couldn’t possibly play every song everyone wanted to hear.

    phil collins

    The 19 song setlist barely scratched the surface of even just his greatest hits. One of the highlights of the show was when Collins, his son Nicholas and percussionist Richie Garcia had a wild synchronized percussionist duel which culminated with both of them coming out to sit with Phil and play amplifies cajons. It really brought the energy up and was the closest thing we got to see him playing drums. Another highlight was when he brought his son Nicholas to accompany him on piano on “You Know What I Mean” which Collins said his son requested to be included on the tour. 

    Nicholas returned to the drums as Phil stood for the only time to perform “In the Air Tonight.” He kept the energy up with “Can’t Hurry Love” and “Invisible Touch” ending the show with “Easy Lover,” Sussudio” and “Take Me Home.” 

    The crowd, including myself was definitely pleased with the performance and went home happy. Weather or not he will ever play again solo or with Genesis will remain to be seen. 

    Setlist: Against All Odds, Another Day in Paradise, Hang In Long Enough, Don’t Lose My Number, Throwing It All Away (Genesis), Follow You Follow Me (Genesis), I Missed Again, Who Said I Would, Separate Lives, Drum Trio, Something Happened On The Way To Heaven, You Know What I Mean, In The Air Tonight, You Can’t Hurry Love, Dance Into The Light, Invisible Touch (Genesis), Easy Lover, Sussudio, Take Me Home

  • Fans flock to Swanzey, NH for Goose at Drive-In Live

    Goose has been loose across New England in the past few weeks, performing Drive-In shows in Yarmouth, MA, Morris, CT, Essex Junction, VT and soon they’ll head to Ohio, Maryland and North Carolina. Goose hit a fever pitch with fans in 2019 and have made the most of this new era of live music, between a successful Bingo Tour in June, and recent Drive-In stops across the Northeast.

    Goose Drive-In Live

    So when Goose headed from Northern Vermont down to Southwestern New Hampshire on Saturday, October 3, they marked the closest shows to New York State, and beyond their just announced Halloween run at South Farms in Morris, CT, these shows stand to be the final chances to catch Goose in the Northeast, possibly until 2021.

    Arriving at the Cheshire Fairgrounds in Swanzey, NH, cars were greeted by a friendly staff and it was incredibly easy for you to locate your car’s spot. Areas on either side of your car were marked off for social distancing, and your party could begin once you were parked.

    No matter where you parked, the sound was incredibly good. Speaker stacks made it so the folks in the C section towards the back got the same quality as folks in the A section up front, allowing all to hear the new clavinet for guitarist/keyboardist Peter Anspach. Even the sloping hill allowed for good views even from the top of the venue.

    Goose Drive-In Live

    Highlights from the evening included an early cover of The Band’s “Look Out Cleveland” and 20-minute versions of “Madhuvan” and the second set opening “Tumble.” Tom Waits’ dark “Christmas Card From a Hooker in Minneapolis” followed “Tumble,” and was repeated in the encore due to skipping a portion of the song the first time. The encore was polished off by the second ‘Jive’ tune of the night, “Jive Lee.” Listen to the show on Archive here.

    Swanzey has succeeded in a state where live music is still embraced and allowed, and should be looked at as a template for how to pull off live music until the pandemic has subsided. On Saturday, October 31st, Pink Talking Fish will headline a at Drive-In Live in Swanzey, featuring Mihali from Twiddle and Neighbor, marking the grand finale for the Drive-In Live concert series.

    The night before in Burlington, Goose welcomed Giant Country Horns member Dave ‘The Truth’ Grippo for most of the show, including “Time to Flee,” seen below.

    Setlist – Goose at Drive-In Live, Swanzey, NH, October 2, 2020

    Set 1:Yeti, Look Out Cleveland*, Honey Bee, Jive I, Madhuvan, 726
    Set 2: Tumble, Christmas Card From a Hooker in Minneapolis^, All I Need, Echo Of A Rose, Flodown
    Encore: Christmas Card From a Hooker in Minneapolis^, Jive Lee

    * The Band ^Tom Waits

    For Halloween, Goose will perform two shows on Friday, October 30th and Saturday, October 31st. South Farms has hosted numerous acts, using the multipurpose outdoor venue with a grid-like layout where the audience is situated in pairs, on 8’x8’ plots of grass. 

    Goose halloween

    Unlike drive-in shows, South Farms is equipped for the band to use live sound, as opposed to FM radio transmitters. Social distancing guidelines are in effect while attending the event. 

    Ticket presale begins on Wednesday, October 7 at 10 AM ET, followed by a general onsale on Friday. October 9 at 10 AM ET.

    photos by Zach Culver

  • Sonia De Los Santos releases “¡Fiesta, Fiesta!” as Hispanic Heritage Month comes to a close

    Sonia De Los Santos, a Mexican born artist who now lives in New York, has released her new single “¡Fiesta, Fiesta!” Sonia De Los Santos wrote the song as a celebration of life and a thank-you letter dedicated to all the people who have inspired her musical journey. The release date of “¡Fiesta, Fiesta!” coordinates closely with Hispanic Heritage Month in the U.S. that runs from Sept. 15 to Oct. 15.

    Sonia De Los Santos
    photo by Mikel Melcon

    During Hispanic Heritage Month, Hispanic Americans celebrate the contributions and histories of the Central American countries including Spain, Mexico, the Caribbean, Central America, and South America. Hispanic Heritage Month starts on Sept. 15. in the U.S. is to honor the anniversary of the five Hispanic countries who declared independence from Spain in 1821, including Costa Rica, El Salvador, Guatemala, Honduras, and Nicaragua. Mexico celebrates its independence day on Sept. 16 and Chile celebrates its independence on Sept.18.

    “¡Fiesta, Fiesta!” tells Sonia’s story of her travels as an artist as she voyages to America. As Sonia looks back on her journey, she hopes to encourage listeners to be grateful for the years of life behind them.

    The song is in the rhythm of cumbia which is dance music originating in Colombian and is similar to salsa. “¡Fiesta, Fiesta!” includes Sonia’s voice mixed with children’s voices and instruments including guitar, accordion, horns, congas, Afro-Colombian alegre drum, percussion, and double bass.

    Here is the English translation of “¡Fiesta, Fiesta!”:

    From a far away land, I came full of dreams
Crossed through the savanna, sharing my song
There are roads I have walked, and to all of those I’ve known
I dedicate the verses, that for them I’ve written

I came with my guitar all the way from Monterrey
Crossed rivers and mountains and up north I arrived
A winter welcomed me in New York
and from here I sing this Cumbia with love

To my friends; I am singing, we are playing everywhere
I go around the world on this journey
Collecting stories that I want to share with you

Drums are calling, with their beat they accompany us
Dance porro, move your skirt with your hat, dance this cumbia, hey

    Sonia’s music has reached young audiences across the world with the release of her two-family music albums Mi Viaje: De Nuevo León to the New York Island and ¡Alegría!. Sonia won a Parents’ Choice Foundation Gold Award for Mi Viaje: De Nuevo León to the New York Island in 2015. ¡Alegría! was nominated for a Latin Grammy in 2019 and received recognition from Billboard as the “Best Latin Children’s Music.”

  • Legendary Guitarist Eddie Van Halen, dead at 65

    Eddie Van Halen, legendary guitarist and co-founder of the eponymous 80’s rock band Van Halen, has died after a battle with throat cancer. He was 65

    TMZ reports that Van Halen died in Santa Monica, CA, with his wife Janie by his side, along with his son, Wolfgang, and his brother Alex, with whom he co-founded Van Halen.

    Eddie Van Halen
    Eddie Van Halen, late 1970s

    Van Halen had been battling cancer for more than a decade. He had recently been seeking treatment in Germany.

    Although Eddie was as heavy smoker, he believed he developed throat cancer from the metal guitar pick he held in his mouth more than 20 years ago.

    https://www.instagram.com/p/CGA4YQmlmSr/?utm_source=ig_web_copy_link

    Van Halen formed in Pasadena, CA in 1972, with Alex on drums, Michael Anthony on bass and David Lee Roth on vocals. Van Halen would be inducted into the Rock & Roll Hall of Fame in 2007. Their last performance was on October 4, 2015 at Hollywood Bowl in Los Angeles.

    eddie van halen
    photo by Rob Teller

    Revisit Van Halen’s performance from Rich Stadium in Orchard Park, NY on June 19, 1988, and more recently from Jones Beach 2015. RIP Eddie.

  • Aniello Debuts Latest Single Through Democratic Virtual Concert Series: Team Joe Sings

    Quarantine provided many different things for many people. Spending more time with your kids, finding new recipes to experiment with, maybe even picking up embroidery. For New York City-based singer/songwriter, Aniello, quarantine gave him the opportunity to work harder on his music than ever before, leading him to make it to Billboard alongside notable names like, X Ambassadors, Andrew Bird and Kesha.

    Aniello
    Promotion for Team Joe Sings

    Last week, Aniello debuted his latest single, ‘Stand Up,’ on the virtual concert series, ‘Team Joe Sings,’ created by presidential-nominee Joe Biden and Kamala Harris’ campaign team. Aniello says he wrote this single a few years back, during the 2016 presidential election, but it remains so true to our current state of the nation now.

    “I wrote this song as a message to myself, at first, to just keep standing up, but as a whole it really means to stand up for equality and your beliefs and is also really an anthem to the LGBTQ+ community.”

    Aniello

    He views this election as being the most important one to vote in because of how divided our country has become.

    “Never have I ever been so open about my politics, but right now it is so important. I think Joe is obviously the right guy for the job. Team Joe Sings is a great way to promote people to get out and vote.”

    Aniello
    Aniello Scibelli

    Aniello Scibelli, also known as Neil Davis, grew up in the city and describes himself as a New Yorker through and through. His love for music started at a very young age and it just kept growing.

    “My parents got me this toy keyboard when I was a toddler. As I grew a little older, I would play tunes that I heard from the cartoons I watched,” recalled Aniello.

    He went on to get an education at Frank Sinatra School of the Arts in Astoria, which was founded by musician Tony Bennett and his wife Susan Benedetto.

    “It was really amazing to me that I had the opportunity to learn from the best. I mean, Susan was my teacher and mentored me through school and to this day is still a really good friend of mine,” he said.

    After his father passed away in 2017, his strength to move on from the grief, turned into creativity. Since then, his ability to stay positive through every situation, regardless how tough, lead him to release empowering and motivational music.

    ‘Stand Up’ can be found on Bandcamp and Apple Music. ‘Team Joe Sings’ appears on the featured artists’ Youtube page every Thursday through Election Day.

  • Live at the Drive In to Host Dirty Heads, Almost Queen, and Disco Biscuits

    Live at the Drive-In announced performances by Dirty Heads, Almost Queen, and the Disco Biscuits at the Lafayette Apple Festival Grounds. The shows will take place throughout October with Dirty Heads on the 24 and Disco Biscuits on the 29, 30, and 31. The shows will follow social distancing guidelines made by the State of NY while providing some much needed live music. 

    The Lafayette Apple Festival Grounds usually hosts the LaFayette Apple Festival but due to COVID-19 the festival unforchinitly had to be cancelled this year. They are making room for five nights of musical fun. Doors open at 5PM for all the shows and they actually start at 7PM. Tickets are on sale already for the Dirty heads and Disco Biscuit shows and can be purchased here.  

    Live at the Drive-In

    The Dirty Heads are a mix of hip-hop, reggae, and rock. They are a California bred and raised group with a similar sound to Sublime. They formed back in 2003 and their members throughout the years include Jared Watson, Dustin Bushnell, Matt Ochoa, David Foral, Jon Olazabal, Shawn Hagood, and Josh Freese. They have seven studio albums and have hit the Billboard Top 200 multiple times. 

    Live at the Drive-In

    The Disco Biscuits are a well known and loved jam band from Philadelphia, Pennsylvania. It is made up of band members Allen Aucoin, Marc “Brownie” Brownstein, Jon “The Barber” Gutwillig, and Aron Magner and formed in 1995. The band is known for incorporating elements from a bunch of different musical genres. Their sound has a base of electronic and rock and has been described as trance fusion in the past. 

    For more information of the Live at the Drive-In performances visit Lafayette Apple Festival Grounds website and Creative Concerts.

  • Flushing Town Hall Celebrates the Leaves Changing Colors with Autumnal Virtual Jazz Jam

    On Oct. 14. Flushing Town Hall will host their monthly Virtual Jazz Jam will be kicking off spooky season with, “October: The Heart of Autumn.”

    Flushing Town Hall Jazz

    The Virtual Jazz Jam, Led by Astoria resident Carol Sudhalter, is part of the Flushing Town Hall online entertainment series FTH at Home!. This is their aim to provide a sanctuary for jazz musicians and lovers who can’t experience a live show, due to the global pandemic.

    The Jam invites a maximum of 15 musicians a month to play their music, as long as they haven’t played at one before. This encourages a variety of artists without repeating the same tunes.

    Since spring 2020, there has been a medley of different themes for the jams, including one in August, which was, “unity in mind, spirit and action.”

    Tune into Flushing Town Hall’s website at 7:00 pm (EST) on Oct. 14 to experience an autumnal virtual jazz show.

  • Elmo Makes Lincoln Center Debut on ‘A Swingin’ Sesame Street Celebration’

    Jazz at Lincoln Center makes music for all ages–even toddlers. On October 30 at 9PM EST, Jazz at Lincoln Center Presents: A Swingin’ Sesame Street Celebration will debut on national PBS stations.

    sesame street

    The hour-long special will feature the Jazz at Lincoln Center Orchestra with Wynton Marsalis along with Elmo, Bert & Ernie, Big Bird, Herry Monster, Grover, Oscar the Grouch, The Count, Abby, Hoots the Owl, and Rosita.

    sesame street
    Wynton Marsalis and Ernie

    The orchestra takes Sesame Street favorites like “Rubber Duckie,” “I Don’t Want to Live on the Moon,” and “People in Your Neighborhood” and re-imagines them for the stage. On October 30, PBS will premier the Sesame Street gang singing these classics to a sold out audience.

    Since 1969, Sesame Street has introduced young children to music and culture. Jazz legends like Dizzy Gillespie, Herbie Hancock, and Mary Lou Williams all performed on the show. Kenny Rampton, member of the Jazz at Lincoln Center Orchestra, plays in Sesame Street’s house band.

    In this special, Wynton Marsalis meets back up with the familiar the Children’s Television Workshop characters after visiting them on the show in 1991 and 1998.

    A Swingin’ Sesame Street Orchestra is funded by Sesame Workshop, the nonprofit organization behind the show. The performance is a part of Jazz at Lincoln Center’s educational and diverse programs that hope to ensure that younger generations appreciate jazz in the future.

    Jazz at Lincoln Center’s other educational programs, such as Swing University, WeBop, Essentially Ellington, and Middle School Jazz Academy are available online at jazz.org. They aim to show jazz as a metaphor for democracy and freedom.

    Paying tribute to Sesame Street’s New York roots, as of May 1, 2019, sunny days can be found every day at the intersection of West 63rd Street and Broadway. Honoring the show’s 50th anniversary, New York City gave Sesame Street its own real intersection.

    Jazz great Wynton Marsalis has been a frequent guest on Sesame Street—and now, to celebrate the 50th anniversary of the landmark series, he’s returning the favor. On A Swingin’ Sesame Street Celebration, Marsalis and the Jazz at Lincoln Center Orchestra host the gang in the “House of Swing” for a big band salute to a very special show.