NYS Music 202​0

Category: New York Singles

  • B.A.D.A. releases new single “Exile”

    Brazil/NYC-based electro/indie-pop duo B.A.D.A. explore the inner workings of an artist’s journey in their new video for “Exile,” title track to their upcoming album. “Exile” is a dark pop thriller, held almost entirely on a minimal synth bass line, murmured vocals and melodic sorrow.

    Aiming for conceptual depth while standing out in the overpopulated electronic-indie-pop scene is B.A.D.A.‘s ambitious mission. Brazilian artist/producer Pedro Cesario and Brooklynite multi-instrumentalist/producer Carey Clayton devoted the whole of 2019 to this mission after the vision for Exile came to Cesario during Burning Man in 2018. The story that underlies the single is very personal to Cesario, who states, “I quit music after experiencing a traumatic experience recording a demo when I was ten years old. The lyrics and film represent the creative hiatus in my life and my search for that grit again as an adult.”

    The self-produced, trilingual album was recorded internationally throughout 2019, first in a cabin in Woodstock, NY, then at the Abbey Road Studios in London, and finally in Clayton’s bedroom in Greenpoint, Brooklyn. B.A.D.A. worked with the house engineer of Abbey Road, John Barret (George Ezra, James Bay), several guest musicians, and mastering engineers Luke Moellman (Great Good Fine OK) and Chris Gehringer (Janelle Monae, Harry Styles) along the way to create an auditory and visual experience through their music.

    While the album navigates the same sonic palettes as contemporaries Bon Iver, The Japanese House, and Muna, B.A.D.A.’s sound unashamedly flaunts its romance with the dance floor, and each song seems to be specifically designed to soundtrack a lysergic trip. The uniqueness of the concept lives in the fact that the album’s scores are a blueprint of the journey itself, as the artists use their own identity and experience as a white canvas to perform the transformation. 

    The duo originally started as a remote project between Brazil and New York City, before Cesario decided to join Clayton in the city so that they could materialize the project into the real world. “Exile” materializes an unobvious music journey that reflects the chaotic state of pop in the turn of the decade, where boundaries of language, genre or identity no longer apply.

  • Brooklyn’s Nicole Mercedes shares Dream-Pop single “Stoop”

    Nicole Mercedes, the Brooklyn-based dream-pop singer-songwriter and multi-instrumentalist, has shared the debut single “Stoop” from her sophomore album Look Out Where You’re Going, due in April 2020.

    Mercedes tells Atwood Magazine about the meaning of the track, saying, “This is a song about embracing the feeling of loneliness, about those summer nights where all you’re looking for is a distraction, and a rotating door of friends and strangers to drink with, talk with, make out with. The stoop is my favorite place to do that because things are constantly happening around you and you can kind of just sit there drinking some wine in your slippers, passively being a part of the landscape.”

    The forthcoming album is a collaboration with producer Joe Rogers (Laura Stevenson, Rubblebucket) and Deer Tick’s Andy T. Mercedes performs all compositions and arrangements on the LP, and with Rogers has created a sound that is both equally pop and haunting all at once. Mercedes’ previous projects include Debbie Downer and Flocke, but her solo endeavor sets forth a whole new era of lush, cinematic, sex-positive, feminist, self-aware songs.

    Mercedes performs next at The Sultan Room on March 19 in Brooklyn. Get tickets here.

  • Mount Sharp share new single and video ‘Ordinary’, perform in Brooklyn Feb 22

    Mount Sharp is back with their first release in five years, That Shadow, due out on February 21 via Dadstache Records. They’ve just released the single and video for “Ordinary” ahead of the album’s release and their record release show at Gutter in Brooklyn on Saturday, February 22. 

    The first taste of the new record came with their first single, “Apostate.” Post-Trash, who premiered the video, said,”Our first taste of the band’s long-awaited new music comes in the form of ‘Apostate,’ a song that pulls from the band’s more serene end, a dreamy song to melt away to during this heat wave. Built on a resonant twang and a pulsating rhythm, the song breathes at a natural clip, drawing between a soft intimacy and a thick fuzzy build up by the bridge. There’s a syrupy quality to the vocals that stick with you after the song has ended, and while you may not instantly remember the lyrics, the melody is now part of consciousness, like a distant memory that repeats in your mind.”

    Mount Sharp began on a rooftop in Brooklyn, or on a boat in Maine, or perhaps somewhere in between. The band grew around the bittersweet, poetic songwriting of Swood (Sarah Wood) paired with Bryan Bruchman’s noisy, chaotic tendencies around 2012. On 2014’s WEIRD FEARS EP (with the rhythm section of Ryan Zumsen and Maia Macdonald), the band exhibited a blast of unbridled energy, excitement, and confusion –  a fitting soundtrack to a brief, blissful, carefree time before so much changed. The band – now with Sal Garro and Jonathan Pilkington Kahnt firmly holding down the drums and bass – has matured, and the songs are maybe a little more serious, maybe a little more reflective, but no less cutting and catchy. Taking inspiration from the cosmos, sci-fi TV, and the messed up state of the world, Mount Sharp puts all the feels into song.

    That Shadow follows, too. It’s full of sticky melodies, lyrics that cut, and surging waves of noise. It’s designed to get under the skin. Inspired by years of watching all the assholes they know win, figuring out how to be kinder to themselves, and all the beautiful and tragic machines in space, the band says the record is everything that pulls them to look behind themselves. They believe we should be looking up and dreaming.

    All tracks were produced by Brian Sendrowitz (Beat Radio) at Miracle Flag in Bellmore, NY, mastered by Sarah Register (Talk Normal, Protomartyr, Caroline Rose, Chastity Belt, Big Thief, Lower Dens, and Big Ups), and with artwork using images of textile artist Jenna Breiter’s work, including an original illustration for the LP cover.

  • NYC Electronic trio Pool Cosby share “Day Breaks” off upcoming album

    Pool Cosby, a sample-based electronic band from New York City consisting of producers Jacuzzi Jefferson, Kevin Kuh, and Otto Botté, is kicking off 2020 with the release of their brand new single “Day Breaks,” featuring vocals from Ivy Sole.

    “Day Breaks” is the follow up to their most recent single and accompanying video, “I Like You,” featuring vocals from NY’s own indie-pop artist, denitia.

    Both tracks can be found on the group’s upcoming full-length album, Day Breaks, slated for release on March 6. The record will feature guest performances from Soren Bryce, Ivy Sole, Denitia, Tiger Darrow, Yoh, Rochee, Mr. Muthafuckin’ eXquire, Bill $aber, and Kiah Victoria.

    By combining their diverse musical and cultural backgrounds, Pool Cosby has consistently pushed the boundaries of their music over their career. The group aims to contextualize the artists they collaborate with as well as challenge the traditional ideas of musical genres.

  • Kyle Stockman Releases Latest Gem with ‘Opal’

    Singer-songwriter, Kyle Stockman, has released a two-song package titled Opal. It’s been a few months since we’ve heard from Stockman, whose last project, Hearts, was released in June of 2019. “Since I moved back to the city [for school] I’ve been having a lot of trouble finding like-minded people, I was questioning what was going on in my life,” Stockman says of the new project. “It’s me reaching out and asking these questions.”

    The records are “Opal” and “Sundays.”  The former, is a ballad in which Stockman croons about his longing for that special someone. “I’m speaking through the lenses of talking to one specific person, but it’s really me speaking to everyone around me,” he elaborates. “If someone wanted to love, how could they do it for me without me having to put in all the work?”

    “Sundays” sees Stockman break out a lot more spoken-word, while the record itself relies a lot less on melodies for the verses. He evaluates his current standing in life. Surrounded by peers, he contemplates where exactly he fits in, with the record resembling a self-therapy session. “Sundays talks about what I’m seeing around me, the people around me and what I’m realizing about what going on in my life,” says Stockman. “At the end, I go back questioning ‘do you want to be with me?’ Bringing it back full circle.”

    On the heels of this new release, Stockman says he is looking more into performing, dialing back on releasing full-length project and focusing more on growing his brand and his name.

    Opal is available on all streaming platforms, with a lyrics video for “Sunday” already on YouTube.