Category: Video

  • Video Premiere: Julia Felice and the Whiskey Crisis drop dance-funk cover of “Bullet with Butterfly Wings” 

    Fresh off their serial project, Rule of Three, Ithaca’s Julia Felice and the Whiskey Crisis have released the video for their indie dance-funk cover of The Smashing Pumpkins’ 90s classic “Bullet with Butterfly Wings.” 

    The upcoming Rule of Three is a collaborative music and art project, with mini-releases featuring two new songs, including a twisted cover, and a brand new original, that are accompanied by a unique piece of artwork by an independent artist inspired by the music. The original featured in this initial drop is the indie rock original “The Arms Dealer,” which alongside “Bullet with Butterfly Wings” deals with the dark underpinnings of things that seem, at first glance, very attractive. 

    The band will celebrate the release with a show downtown at The Range on Friday, January 24, with doors at 9pm and the show at 10, with a $5 cover.


    The Whiskey Crisis grew out of what was supposed to be a one-time passion project. After dropping their alternative soul debut, Diving for Falls, co-conspirators Julia Felice and Harry Nichols were spurred on to continue working together with bassist, Sam Lupowitz, and guitarist, Joe Massa. Their second album, Devil On Your Back, takes all the catchy darkness of the first album, and transports it to places not altogether expected, alongside drummer Julian Dalton. Throughout 2020, Whiskey Crisis will feature a series of mini-releases, each showcasing their latest originals, re-imagined covers, and a collaborative piece of visual art as part of Rule of Three. All tracks were recorded and mixed by Christopher Ploss at Sunwood Recording, Trumansburg, NY and mastered by Matt Saccuccimorano for Scaramanga Industries, Ithaca NY.

  • Rammstein Tease NY Show and U.S. Upcoming Tour with ‘Rammerika,’ Music Video

    Legendary German metal band, Rammstein, have teased a US tour over the past few days with social media posts featuring a map of the US with several states including NY being highlighted in the German colors. A Rammstein bannered Zeppelin flies high over major US cities, with he hashtag: #GETREADYAMERICA – all backed by a new music video “RAMMERIKA,” which explicitly credits the Apollo space program – as if foreshadowing a massive touchdown:

    Rammstein

    In the method ultimately employed, lunar orbit rendezvous, a powerful launch vehicle (Saturn V rocket) placed a 50-ton spacecraft in a lunar trajectory (Brittanica.com, as linked from the ).

    The states teased in the image are as follows:

    • New York
    • Quebec
    • Pennsylvania
    • Maryland
    • Massachusetts
    • Illinois
    • Minnesota
    • Texas
    • California
    • Mexico City

    Rammstein last performed in NY at Jones Beach on June 25, 2017. While no official locations have been named yet, it is likely they will return to Jones Beach.

    https://www.instagram.com/p/B7WDB6mgUHf/?utm_source=ig_web_copy_link

  • Governors Ball Announces 10th Year Lineup

    Governors Ball Music Festival has released its 2020 lineup, returning for the 10th year to Randall’s Island Park in New York City, the festival will take place Friday, June 5 to Sunday, June 7.

    To celebrate the milestone, over 65 acts are slated to take the stage including: Tame Impala, Flume, Vampire Weekend, Stevie Nicks, Solange and Miley Cyrus. Joining the all-star lineup is Missy Elliott in her first NYC headlining performance in over ten years. There will also be surprise pop-up performances from local subway and street performers, as in years past.

    governors ball 10th year
    Governors Ball 10th year lineup

    Tickets are on sale now, including a festival pass to the entire event. The three day GA and VIP tickets, including payment plan options, HERE.

    Check out Missy Elliott’s newest single “Why I Still Love You”.

  • William Prince is Positively Brilliant in Rochester

    Prince, William. That’s one of the hardest working commas you will see, and this isn’t a post about drama with the British Royals. Juno-winning singer-songwriter, William Prince, sprinkled plenty more punctuation throughout his two-set show for Honest Folk at Restaurant Good Luck in Rochester, on Monday night.

    It started with a question mark. “Does anyone know who I am?” he asked in singsong banter before opening the night with “Young,” a song he wrote only two days prior. “Yours are the first human ears to hear that song,” he remarked. It was an unusual start for a musician who is touring ahead of his sophomore album release, due out February 8. But Prince would prove to be someone who plays by his own rules. He opened the second set with another new one written within the last two months.

    After an album is created he just continues to write new music, he explained. It isn’t surprising. The man is oozing music. Songs drifted in and out of each other with ellipses. His banter was sung, spoken over a picked guitar, or both, and was as engaging as the very personal, emotionally attached music. It served to enhance the songs meaning, bring the crowd into his life and turned an already intimate show into virtually one-on-one conversations with each audience member.

    Many incredible words were bracketed by quotation marks throughout the night, both in song and out: from the funny, “if you have marijuana, meet me outside at the break,” to the wise, “You can sit in a garage all you want, but you’ll never turn into a car.” Or the insightful, “Flesh and blood needs flesh and blood, and where there’s blood there’s pain.”

    Prince’s rich voice, fluid guitar picking, and the tenor of his songs, combined for a sound that sat squarely in the most traditional folk music. Unlike much from the genre, his lyrics found optimism, hope and love in even the darkest times. So much of his writing centered on the love of family, his parents, partners, and his son.

    Songs of his parents became songs about his parenthood, songs of his childhood became songs about his child. Passed down like his heritage as descendant of First Nations people in Canada. Songs about his departed father weren’t steeped in sadness, but concentrated more in loving memory. Even songs about his ex were happy and loving. He preferred not to dwell in the negative, putting positive spins on some of the lower points in life and simple misunderstandings alike.

    The show-opening question mark was answered with a resounding exclamation point by show’s end, with multiple standing ovations and a mutual admiration from musician and audience.

    Honest Folk might be batting 1.000 when it comes to eliciting an expression of amazement from the artist upon announcing the next show. And so it was with the announcement that Joe Pug would be playing Good Luck February 17. Early bird tickets are on sale now.

  • Hearing Aide: Mike DeAngelis ‘Songs from the Shelter’

    New York native and country artist, Mike DeAngelis, is thrilled to release his new album, Songs from the Shelter, a culmination of tracks written over decades of his music career. This album was blossomed in the late 90s when Mike connected with former band member of “Nightshift,” Ace Parkhurst, after being introduced to Ace while he was running sound for a local band.

    Mike had envisioned a solo project after playing in a band for a while, and the duo joined forces to often record at Ace’s studio nicknamed “The Bombshelter.” Mike and Ace would sing on each other’s songs and were eventually able to pull these tracks off the shelf, polish them up, and produce the crystal-clear record meant for road trips down a long-winding road, Songs from the Shelter. Some of the tracks are old, and some are new, and they are ecstatic to share them with the world.

    The record starts off with “Welcome Me Home” opening with smoothly picked acoustic guitar, and the lyrics introduce a story of Mike traveling hours down the highway at night with nothing but the open road, eagerly waiting to arrive home. Mike and Ace come together and produce such a diverse sound with tracks such as “Old Letter” and “Guessing Game.” Every track on this album has a specific purpose and each tell a story of its own. Songs from the Shelter is a unique glimpse into the artist’s rich history, which has lasted more than twenty years and from the looks of this album, there’s no end in sight.

    Mike DeAngelis has an incredible demonstrated musical history, and his music serves as a staple of the last few decades for this dedicated group of musicians.

    Key Tracks: Welcome Me Home, Fool In The Moon, and Guessing Game